• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet NPR Story on the Field Museum’s Financial Crisis Incites Sharp Comments from Listeners
Back

NPR Story on the Field Museum’s Financial Crisis Incites Sharp Comments from Listeners

May 14, 2013

The Field Museum is encyclopedic, with more than 20 million biological and
geological specimens and cultural objects.
On May 6th, NPR’s Morning Edition aired a feature on the Field Museum in Chicago.  The report is hackneyed, fitting into the genre of the modern American museum tale.  After cutting costs and staff layoffs, the museum is still $5 million in the red this year–with most of its budget for next year allocated to pay bond debt.  Last year the museum sold a large collection of George Catlin paintings for $15 million to pay for “certain staff salaries and for buying artifacts.”

The highlight of the report was not the story in itself, but rather, the response it garnered from the public on the NPR website.  The comments and the passion with which they were posted reveals the public’s views on museum struggles.  The discussion exposes that the troubles at the Field Museum (and any museum), are perceived through a kaleidoscope that includes the woes of Wall Street, the divergent extremes of politics, urbanization and suburbanization, the wealth gap and the growing baby boom generation.

The Field Museum sold some of their George Catlin
collection at the December 2004 Sotheby’s sale.

The discussion began as soon as the storied aired with a Kristopher Heinekamp commenting: “The only functioning aspects of society are the things that directly benefit the Oligarchy.  All other social institutions fall to the wayside.  Can’t afford a ticket to the Field [Museum]?  WELL, TOO BAD WEALTHY PEOPLE DON’T SHARE YOUR IDEOLOGY!  NO LEARNING FOR YOU!  Classy.  Cause, you know, MUSEUMS are now politicized.  My fondest memories of the Field Museum are definitely the Socialist Indoctrination Room, with a close second to the Liberal Brainwashing section.  What sick, craven world do you live in that MUSEUMS are somehow a “Liberal” institution?  What, is LEARNING a “Liberal” conspiracy?”

Geo Douglas wrote: “The story cited the sell off was ‘to pay for certain staff salaries’ as well as to buy artifacts.  That is outside of the guidelines of acquisition and care.  It’s a conflict of interest.  That could make it possible for the money gained to go directly to the person who authorized the sell.”  Julia T. responded: “Well, heck, Geo.  Isn’t that kinda what we did with Wall Street?  Supposedly, the financial institutions were crumbling, back in 2008.  There was no money.  And a second Great Depression looked possible.  Then, Bush give them the TARP bailout.  Next think you know, we hear of CEOs getting multi-million dollar bonuses….”

The commenters (note: not commentators) left very few suggestions.  Cat’s Paw only had to say: “Go to the museum.  Spend some money there with your family.”

Exceptionally, the popular debate about what to do with struggling museums and art institutions can be boiled down with the comments of just two people.  Julia T. stated sarcastically: “God forbid, we preserve anything that could provide culture and knowledge to us or future generations.”  General Specific responded: “Go ahead and preserve what you and your friends want.  No one is stopping you.”

The NPR story and comments can be found at: “Chicago’s Famed Field Museum Struggles to Dig Out of Hole,” Morning Edition, May 6, 2013.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Fair Use Fails Mr. Brainwash: Judicial Stance on Infringement and Appropriation Art Swings the Other Way
Next Et tu, Poland?! Poland seeks return of 18 paintings taken by the Soviet Red Army in 1945

Related Art Law Articles

AL Clippings

Jasper Johns Awarded Presidential Medal of Honor

October 31, 2022
AL Clippings

The Statute of Limitations Invoked to Dismiss Copyright Claims (Source: NYSBA EASL Blog)

July 10, 2015
AL ClippingsArt law

Gurlitt Saga Continues: U-Turn or Rotary?

March 31, 2014
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

Annual Conference

2026 edition explores Visual Art, AI, and the Law in the 21st Century.

 

Early Bird Tickets Available
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Check out our recent article by Lauren Stein revie Check out our recent article by Lauren Stein reviewing Amy Werbel’s "Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock." Werbel's book showcases a portrait of Anthony Comstock, America’s first professional censor, a man obsessed with purity and self-control who regarded masturbation as a sign of moral corruption. 

Read more about this public figure and Werbel's telling of his life including the impact he had on the US's early attempts to curtail desire in the decades before World War I, in Lauren's review. 

 📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #bookreview #censorship #artistissues
One of our interns, Jacqueline, stopped by the Mor One of our interns, Jacqueline, stopped by the Morgan after the blizzard to catch their exhibition, “Caravaggio’s Boy with a Basket of Fruit in Focus." In partnership with the Foundation for Italian Art and Culture (FIAC) and on loan from the Galleria Borghese in Rome, this is the first time in decades that Caravaggio's early masterpiece has come to the United States. 

"The Morgan is just two blocks away from my university, the Graduate Center. The library and museum have been a rich resource for me, representing an institution that honors the rich legacy of its collector, while also maintaining exciting rotating exhibitions," Jacqueline said. 

The painting is in conversation with other works by those who influenced Caravaggio and those he subsequently inspired. The exhibition's sparkling 3-month run comes to a close April 19.

📚 Check out more information on the exhibition using the link in our bio!

#centerforartlaw #artlaw #artmuseum #caravaggio #themorgan #nyc #artlawyer #legalresearch
Check out our upcoming bootcamp on Artist-Dealer R Check out our upcoming bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
Join us on May 27 for the highly anticipated Art L Join us on May 27 for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence.

Our event will feature a series of dynamic panels, each offering invaluable insights into the rapidly shifting landscape of art and copyright law. Together, let’s trace the impact of copyright law on visual arts, examine the U.S. Copyright Office’s landmark reports on AI, and contemplate the future of licensing in a world where registration is no longer enough.

In addition to substantive portion of the day, our conference with feature exhibitors and a silent auction aimed at raising funds to support Center’s Summer Internship program and bolster our efforts to provide accessible and affordable legal resources to the artistic community.

🎟️ Find more information and grab your tickets using the link in our bio! 

#artlaw #centerforartlaw #artlawyer #legalresearch #copyrightlaw #artcopyright #copyright #ailaw #artlawconference #nyu
Check out the newly released podcast episode! Andr Check out the newly released podcast episode! Andrea and Paris speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, they explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers. 

🎙️ Click the link in our bio to listen anywhere you get your podcasts! 

#centerforartlaw #artlaw #artlawyer #legal #research #podcast #legalresearch #newepisode #artmarket
Join the Center for Art Law on April 30th in conve Join the Center for Art Law on April 30th in conversation with author and prosecutor Adena J. Bernstein as she examines the legal and ethical complexities surrounding the restitution of Nazi-looted art. 

Drawing from her book Stolen Legacies: The Fight for Nazi-Looted Art, she explores how different countries have addressed Holocaust-era cultural theft through legislation, litigation, and museum policies. The discussion will review key restitution frameworks, including the Washington Principles, evolving provenance research standards, and the role of courts in resolving ownership disputes decades after the Holocaust. Bernstein also reflects on the human aspect of these cases and why unresolved cultural losses remain an enduring legal and moral legacy of World War II.

🎟️ Get your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #nazilootedart #restitution #stolenart #artcrime #internationallaw
Digital repatriation is a practice being used by m Digital repatriation is a practice being used by museums to "return" a digital version of a work to source communities while retaining the physical object. Digitization itself can increase eduction and access to items, but does a digital version of an object truly act as a sufficient substitute to the heritage contained in the original or does it create a further layer of colonial control through the access to such digital property?

Read out recent article by Afroditi Karatagli to learn more about the impact of digital repatriations and what actions should be taken instead. 

📚 Find the full article using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #digitalrepatriation #digitalart #artmarket #artistissues #museumissues
Join us for a on April 9th for a new colloquium on Join us for a on April 9th for a new colloquium on the legal foundations for restitution of Nazi-looted art. Raymond J. Dowd will discuss his recent article "Taking The Profit Out of War: Why International Law Requires Restitution of Nazi-Looted Art" published in the Fordham Law Review Online. He will delve into the impact of international property law on those looking to bring restitution claims. 

🎟️ Grab you tickets using the link in our bio!

#centerforartlaw #artlawyer #artlaw #restitution #nazilootedart #lootedart #artcrimes
In January, two Roman bronze statutes of toddlers In January, two Roman bronze statutes of toddlers reaching for partridges, were returned and displayed by the Spanish Museo Arqueológico Nacional. The statues had previously been sold by Christie's in 2012 to a private collector. Christie's had stated the statues came from an unnamed collector, who had gotten them from Giovanni Züst. This was determined to be false. 

After a lengthly journey through the Swiss legal system, due to a Swiss man stating the statues were in his family, before being taken by an Italian man, and then later false documents being prepared prior to the Christie's sale. Later investigators in Spain determined the statues were looted property taken from Spain around 2007. The statues were voluntarily restituted 

📚 Read more using the link in our bio! 

#centerforartlaw #artlaw #artlawyer #legalresearch #looting #artcrimes #spain #restitution
You may have noticed our February newsletter arriv You may have noticed our February newsletter arrived twice, think of it as an encore. March has arrived with its familiar whirlwind, and like many of you, we find ourselves following world affairs with disbelief, dismay, and a deepening sense of urgency. Mahatma Gandhi observed that “the difference between what we do and what we are capable of doing would suffice to solve most of the world’s problems.” At the Center, we believe that building knowledge, access, and community in art law is one meaningful way to solve some of the world’s problems; we wish we could do more. 

🔗 Check out our March newsletter, using the link in our bio, to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #march #legalresearch
Don't miss out on our upcoming Copyright Clinic on Don't miss out on our upcoming Copyright Clinic on March 18th!! Join us for an informative presentation and pro bono consultations to better understand the current art and copyright law landscape. Copyright law is a body of federal law that grants authors exclusive rights over their original works — from paintings and photographs to sculptures, as well as other fixed and tangible creative forms. Once protection attaches, copyright owners have exclusive economic rights that allow them to control how their work is reproduced, modified and distributed, among other uses.

Albeit theoretically simple, in practice copyright law is complex and nuanced: what works acquire such protection? How can creatives better protect their assets or, if they wish, exploit them for their monetary benefit?

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #copyright #CLE #trainingprogram
September of 2025 stuck a potential death blow to September of 2025 stuck a potential death blow to the NFT market: Christie's announced the closing of their digital art department. It had only lasted 3 years. NFTs experienced a incredibly  fast tracked rise and fall in popularity, leaving behind questions as to their continuing value and ownership rights. And yet, there could be some lasting change on how digital ownership will continue moving foward. 

📚 To learn more about this niche and potentially, completely, disappearing market read Shaila Gray's recently published article using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nfts #blockchain #digitalart #artmarket #artistissues
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law