Center for Art Law - At the crossroads of visual arts and the law.

The Elgin Marbles, British Museum about 1857–1859 Roger Fenton (English, 1819 - 1869)

Technological Advancements and the Parthenon Marbles: the Potential Role of 3D Printing in the Greek Claim Against the British Museum

August 10, 2022 — 0 Comments

Irina Tarsis photo of a work of art

Focusing on the Anti-Money Laundering regulations for the art market participants in the UK

July 26, 2022 — 0 Comments

FinCen Notice 2021 Screen shot

Lifting the Veil: What are the due diligence requirements for the Art Market in the United States?

July 26, 2022 — 0 Comments

Pre & Post VARA: A Study of the Protection of Public Art

June 29, 2022 — 0 Comments

Lebanon_Baalbek Temple of Bacchus

A Monumental Effort: An Examination of Cultural Heritage Protection in the MENA Region

June 22, 2022 — 0 Comments

Dynamic Policies of Deaccessioning and Disposal in American Museums

June 20, 2022 — 0 Comments

Camille Pissarro painting: Rue Saint-Honoré dans laprès-midi Effet de pluie

Art, Art law, Case Review

Case Review: Cassirer et. al. v. Thyssen Bornemisza Collection Foundation (2022)

May 27, 2022 — 0 Comments

Image Showing Text of Robert Indiana's Will

Art law, Case Review

Legacy and Lawsuits: An Overview of the Robert Indiana Estate Court Battles

May 26, 2022 — 0 Comments

Art is Forever? How the Pandemic Spurred Transformations in Museum and Gallery Experiences and IP Considerations

April 19, 2022 — 0 Comments

Ballet Costumes and the Art of Copyright

April 18, 2022 — 0 Comments

The Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3) of the Internal Revenue Code. The Center does not provide legal representation. Information available on this website is purely for education purposes and should not be construed as legal advice.