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Home image/svg+xml 2021 Timothée Giet Art History image/svg+xml 2021 Timothée Giet “The Three Graces” go online
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“The Three Graces” go online

December 21, 2010

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From the 16th Century to the Internet Age

“The Three Graces”, painted in 1531 by Lucas Cranach the Elder, was deemed a Trésor National of France in July 2009. Having acquired the status of a national treasure, the Louvre acquired a right of first refusal until the end of January 2011. In November 2010, The Louvre launched a campaign to gather funds necessary to acquire the work.

How would the ancient and prestigious museum go about acquiring a 16th-century masterpiece? By using the internet, of course.

The museum’s web campaign was a wild success. In less than one month, over 5,000 web donors helped raise over 1,000,000 Euros. The work will go on on display in March 2011 and will accede to the Louvre’s collection after April 2011.

According to the New York Times, this was not the first time that the Louvre had launched a public campaign in 1988 to help finance the acquisition of a work. However, this marks the first time that the internet has been used, emphasizing the democratic and populist nature of the effort.

The internet may be an important tool in dissipating people’s perceptions of museums as elitist institutions. According to the Code of Ethics of the International Council of Museums, “Museums that maintain collections hold them in trust for the benefit of society and its development.” Even a German Renaissance masterpiece based on Greek mythology, admittedly esoteric, can become a public good. By launching this campaign, the Art Market Monitor, says that “the Louvre made the first steps toward truly making art held in museums a public trust[.]”

[Photo: REUTERS/Stringer, at Art Daily]

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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Sofia Tomilenko Let there be light!

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this Holiday Season

Thank you to Sofia Tomilenko (the artist from Kyiv, Ukraine who made this Lady Liberty for us) and ALL the artists who make our life more meaningful and vibrant this year! Let there be light in 2026!

 

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What happens when culture becomes collateral damag What happens when culture becomes collateral damage in war?
In this episode of Art in Brief, we speak with Patty Gerstenblith, a leading expert on cultural heritage law, about the destruction of cultural sites in recent armed conflicts.

We examine the role of international courts, the limits of accountability, and whether the law can truly protect history in times of war.

We would like to also thank Rebecca Bennett for all of her help on this episode. 

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Where did you go to recharge your batteries? Where did you go to recharge your batteries?
Let there be light! Center for Art Law is pleased Let there be light! Center for Art Law is pleased to share with you a work of art by Sofia Tomilenko, an illustration artist from Kyiv, Ukraine. This is Sofia's second creation for us and as her Lady Liberty plays tourist in NYC, we wish all of you peace and joy in 2026! 

Light will overcome the darkness. Світло переможе темряву. Das Licht wird die Dunkelheit überwinden. La luz vencerá la oscuridad. 

#artlaw #peace #artpiece #12to12
Writing during the last days and hours of the year Writing during the last days and hours of the year is de rigueur for nonprofits and what do we get?

Subject: Automatic reply: Thanks to Art Law! 

"I am now on leave until January 5th. 
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I will respond as soon as I can upon on my return. For anything urgent you may contact ..."

Well, dear Readers, Students, Artists and Attorneys, we see you when you're working, we know when you're away, and we promise that in 2026 Art Law is coming to Town (again)!

Best wishes for 2026, from your Friends at the Center for Art Law!

#fairenough #snowdays #2026ahead #puttingfunback #fundraising #EYO2025
Less than a week left in December and together we Less than a week left in December and together we have raised nearly $32,000 towards our EOY fundraising $35,000 goal. If we are ever camera shy to speak about our accomplishments or our goals, our work and our annual report speak for themselves. 

Don’t let the humor and the glossy pictures fool you, to reach our full potential and new heights in 2026, we need your vote of confidence. No contribution is too small. What matters most is knowing you are thinking of the Center this holiday season. Thank you, as always, for your support and for being part of this community! 

#artlaw #EOYfundraiser #growingin2026 #AML #restitution #research #artistsright #contracts #copyright #bringfriends
This summer, art dealer James White and appraiser This summer, art dealer James White and appraiser Paul Bremner pleaded guilty for their participation in the third forgery ring of Norval Morisseau works uncovered by Canadian authorities. Their convictions are a key juncture in Canda's largest art fraud scheme, a scandal that has spanned decades and illuminated deep systemic failures within the art market to protect against fraud. 

Both White and Bremner were part of what is referred to as the 'Cowan Group,' spearheaded by art dealer Jeffrey Cowan. Their enterprise relied on Cowan fabricating provenance for the forged works, which he claimed were difficult to authenticate. 

In June, White, 87, pleaded guilty to to creating forged documents and possessing property obtained by crime for the purpose of trafficking. Later, in July, Paul Bremner pleaded guilty to producing and using forged documents and possessing property obtained through crime with the intent of trafficking. While Bremner, White, and Cowan were all supposed to face trial in the Fall, Cowan was the only one to do so and was ultimately found guilty on four counts of fraud. 

🔗 Click the link in our bio to read more.

#centerforartlaw #artlaw #legalresearch #artfraud #artforgery #canada #artcrime #internationallaw
It's the season! It's the season!
In 2022, former art dealer Inigo Philbrick was sen In 2022, former art dealer Inigo Philbrick was sentenced to seven years in prison for committing what is considered one of the United States' most significant cases of art fraud. With access to Philbrick's personal correspondence, Orlando Whitfield chronicled his friendship with the disgraced dealer in a 2024 memoir, All that Glitters: A Story of Friendship, Fraud, and Fine Art. 

For more insights into the fascinating story of Inigo Philbrick, and those he defrauded, read our recent book review. 

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The highly publicized Louvre heist has shocked the The highly publicized Louvre heist has shocked the globe due to its brazen nature. However, beyond its sheer audacity, the heist has exposed systemic security weaknesses throughout the international art world. Since the theft took place on October 19th, the French police have identified the perpetrators, describing them as local Paris residents with records of petty theft. 

In our new article, Sarah Boxer explores parallels between the techniques used by the Louvre heists’ perpetrators and past major art heists, identifying how the theft reveals widespread institutional vulnerability to art crime. 

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#centerforartlaw #artlaw #legalresearch #artcrime #theft #louvre #france #arttheft #stolenart
In September 2025, 77-year old Pennsylvania reside In September 2025, 77-year old Pennsylvania resident Carter Reese made headlines not only for being Taylor Swift's former neighbor, but also for pleading guilty to selling forgeries of Picasso, Basquiat, Warhol, and others. This and other recent high profile forgery cases are evidence of the art market's ongoing vulnerability to fraudulent activity. Yet, new innovations in DNA and artificial intelligence (AI) may help defend against forgery. 

To learn more about how the art market's response to fraud and forgery is evolving, read our new article by Shaila Gray. 

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#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #AI #forgery #artforgery #artfakes #authenticity
Did you know that Charles Dickens visited America Did you know that Charles Dickens visited America twice, in 1842 and in 1867? In between, he wrote his famous “A Tale of Two Cities,” foreshadowing upheavals and revolutions and suggesting that individual acts of compassion, love, and sacrifice can break cycles of injustice. With competing demands and obligations, finding time to read books in the second quarter of the 21st century might get increasingly harder. As we live in the best and worst of times again, try to enjoy the season of light and a good book (or a good newsletter).

From all of us at the Center for Art Law, we wish you peace, love, and understanding this holiday season. 

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#centerforartlaw #artlaw #legalresearch #artlawyer #december #newsletter #lawyer
Is it, or isn’t it, Vermeer? Trouble spotting fake Is it, or isn’t it, Vermeer? Trouble spotting fakes? You are not alone. Donate to the Center for Art Law, we are the real deal. 

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