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Home image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Cultural Property Protection Act
Back

Cultural Property Protection Act

March 1, 2009

Players:

  • Museums
  • Ministry of Culture:
    • Politicians: German Minister of Culture Monika Grütters
      • 2014
  • Collectors:
  • Dealers
  • Artists: Gerhard Richter (-)
  • Auction Houses: Ketterer Kunst (-)

German Law: Unesco – Cultural heritage laws (general)

1955 — Act to Prevent the Exodus of German Cultural Property

2008 — Regulation of the register of valuable cultural property under the Act on the Return of Cultural Objects

Blogosphere:

Art Law Report/Nicholas O’Donnelly (MA)

  • Germany Walks Back On Proposed Cultural Property Law (July 16, 2015)
  • Global Trade Tensions Rise Amid New Tariff Proposals (July 20, 2015)
  • European Cultural Protection Laws and Export Licenses—the Atlantic Gulf Widens (July 10, 2015)

Petition against new cultural heritage law: Reasons

The stipulations of the amendment of the Law on the Protection of Cultural Heritage threaten the collecting of cultural objects by private individuals. This law will effect everybody specialized in collecting traditional fields, color: such as books, stamps, furniture, ceramics, coins, classic cars and paintings. Retroactively, this new law will impose due diligence guidelines did are impossible to follow even for the most meticulous collector. When it comes to a dispute, the law will require, by reversing the burden of proof, the owner of a “cultural good” with a value of at least 2,500 euros to Provide proof as to the item’s provenance for the previous 20 years; this Affects “archaeological cultural goods” with a value as low as 100 euros. This is illegal to unrealistic demand Which misrepresents most of the objects did are currently traded on the domestic and the international art market in full accor dance with the law as being, and will result in a Considerable decline in value of the objects in question. We THEREFORE demand a law on the Protection of Cultural Heritage did Observes the Following

Principles:

  • No retroactive effect of the law
  • No reversal of the burden of proof
  • A clear definition of the term “national cultural heritage” and a limit to claims by the state to “national cultural heritage” only
  • Free movement, unimpaired by bureaucratic obstacles, of cultural goods Which are not classified as “National Cultural Heritage”, EU-wide, .According to the free movement of goods
  • An Appropriate participation by the parties representing collectors and dealers in the law-making process For centuries collectors have protected cultural heritage. Private collecting adds to national efforts and Promotes the tradition’s preservation in all its variety, in a way the museum alone Could never accomplish. Collecting is an immaterial cultural heritage That is currently threatened by the latest drafts of the new German law on the Protection of Cultural Heritage.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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On October 6, 2025, the Flemish Government announc On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA. 

This decision raised strong reactions from the art world, denouncing the false administrative logic behind this reorganization, which, according to the Flemish Minister of Culture, aims to strengthen collaboration and coherence within the cultural landscape. How does this transfer truly impact the Belgian artistic landscape — and does it really contribute to any coherence, or does it instead destroy the long-term curation and expertise that the institution has built in Antwerp?

📚 Click the link in our bio to read the full article by Alexandra Kharchenko. 

https://itsartlaw.org/art-law/flemish-governments-plan-to-dismantle-m-hkas-collection-in-the-name-of-centralization-of-art/ 

#centerforartlaw #artlaw #legal #artlawyer #legalresearch #artcuration #MHKA #artcuration
Thank you to all of our sponsors for all of their Thank you to all of our sponsors for all of their help in executing our 2026 Art Law Conference!!

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This is the final day to bid in our Annual Art Law This is the final day to bid in our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

Don't miss out on the amazing pieces  and experiences up for grabs!

 Biding will end May 27 at 5:30pm ET.

1st: Floragen 2.0.1 by Colleen Hoffenbacker 
2nd: Jumping Frog by Vija Doks 
3rd: Untiled no.11( Amy Hollywood) by Andre Pace 

🖼️ Follow the link in our bio to begin bidding! 

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In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

Originally restitution was rejected, but under expanded guidelines the Museum chose to restitute the piece  to Ernst Magnus' heirs. It is now set to be Auction by Sotheby's on June 2, 2026. The starting bid is listed at $28k and the estimated price between $40-60k.

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🗽 Swipe to preview a selection of the consultations & experiences that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

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https://itsartlaw.org/art-law/when-imitation-is-not-flattery-art-fakes-forgeries-and-the-market-they-fool/ 

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 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

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In last night's evening sale, Christie's successfu In last night's evening sale, Christie's successfully auction off Picasso's L'Atelier for $6.9 million. The painting was previously in art dealer Douglas Cooper's collection prior to it being stolen in 1974. It was later  found in Japan

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