• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • Institutional Subscription
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • Institutional Subscription
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet DAOs in the Art World: From the U.S. Constitution to NFTs
Back

DAOs in the Art World: From the U.S. Constitution to NFTs

May 9, 2023

Zhou Dongqing, The Pleasures of Fishes (1291)

Zhou Dongqing, The Pleasures of Fishes (1291)

By Laura Dowdy

Overview

A decentralized autonomous organization (DAO) refers to a group of people who come together without a central leader or company dictating any of the decisions. They are built on a blockchain using smart contracts. One of the most noteworthy early DAOs was the ConstitutionDAO. This DAO was formed in November 2021 with the singular purpose of generating enough money (in the form of payment tokens cryptocurrency) to purchase, at auction, one of the 13 known-to-exist original, physical copies of the United States Constitution.[1] Although ConstitutionDAO raised roughly $47 million in Ethereum in roughly a week, the DAO was outbid by hedge fund CEO, Kenneth Griffin, at an auction hosted by Soetheby’s for a winning bid of $43.2 million, according to CNBC.[2] The seller was New York–based philanthropist Dorothy Tapper Goldman, who inherited the copy in 1997 from her late husband, Harry Goldman[3]. Because the ConstitutionDAO did not secure the bid at auction, investing members of the DAO are still entitled, if they have yet to manually request a refund, to get a refund of their investment, minus “gas” fees, which the blockchain server, Ethereum charges for each transaction[4]. Alternatively, those seeking refunds can opt to receive $People tokens, transferred immediately to their digital wallets.

The ConstitutionDAO was an early riser in the dawn of digital art-collecting communities. Since that record-breaking Sotheby’s auction in 2021, DAOs have continued to take ground in the art market.

This article aims to provide an overview of how DAOs work, broadly defined, including their organizational structure and transactional frameworks, as well as examples of real DAOs focusing on the art and antiquities markets.

What is a DAO?

Definition

DAO stands for Decentralized Autonomous Organization. DAOs are created by people with a shared vision, mission, or goal who come together to form a type of legal structure that does not have a traditional governing body.[5] These organizations have a horizontal, rather than a vertical or hierarchical structure, which enables participating members to make decisions regarding the organization collaboratively, traditionally by casting votes.

Purpose

Why do DAOs exist?

While there are many reasons someone may decide to participate in or create a DAO, the primary function that sets DAOs apart from other legal entities, such as corporations, is that DAOs do not have a centralized governing authority, and therefore, the members collectively make all decisions according to the distribution of voting power, often determined by the number of tokens each member has, and do not require the approval of a board of directors or other authoritative figures[6]. This structure enables members of the DAO to take more ownership of the decision-making process and the ultimate success of the DAO.

Benefits and Purposes for Artists

For artists, DAOs often serve as a means of participating in a marketplace where artists can sell their work in the form of NFTs. The DAO structure allows creators to be a part of a larger, borderless community, participating and selling their works in an open marketplace, and contributing to the organization’s decision-making process.[7] The benefits of DAOs for artists are that the artist may have voting power to determine policies, procedures, core values upon which the DAO operates, and more.[8]

For example, the DAO, Teia, is a “non-profit, open-source online platform for trading digital assets as OBJKT NFTs.”[9] Teia was formed after one of the most popular initial NFT DAOs using Tezos blockchain, Hic Et Nunc, abruptly shut down in November 2021. Members of the Hic Et Nunc community quickly responded to the shutdown by creating Teia.art[10]. One such member is artist, Merchant Coppola, who has been one of the most active members throughout the Hic Et Nunc-to-Teia transition. Because Teia is owned, managed, governed, and continuously being built and improved upon by its community members, it is able to serve as a malleable platform for collectors and creators of digital art to come together for collaboration, artistic expression, and monetary gain.[11]

Benefits and Purposes for Investors and Collectors

For investors and collectors of NFTs, DAOs can be an ideal marketplace to participate in because, unlike traditional corporate entities, DAOs’ decentralized structure allows for people all over the world, at varying levels of investment, and without formal titles, to participate in the governing body and decision-making processes.[12] Another key benefit of DAOs is that they provide transparency for investors and collectors. For instance, DAOs operate on blockchain, which means that records from sales and transactions are kept in a digital ledger format.[13] The blockchain captures each transaction, thereby providing a transparent method of record-keeping in which those with financial interest can have access to any discrepancies and records, at any time.

How to Start a Digital Art DAO

There are several things to consider before creating a DAO. At the forefront, a DAO must be created by a community that determines and agrees upon the primary goals that the DAO will achieve. For instance, some DAOs focus on creating a marketplace for digital art in the form of NFTs or entertainment, while others may focus specifically on a socially-driven goal, such as social impact or philanthropy, or may act as more generalized financial marketplaces.

Once the initial purpose, goals, and problems the DAO will attempt to solve are agreed upon by the founding members of the community, there are still other considerations, such as how community members will meet the technical and developer needs of the DAO. For DAOs focused on a creative or artistic goal, such as creating a marketplace for NFTs, the community must establish the type of blockchain and relevant tools to run the DAO. Additionally, to establish a marketplace where NFTs can be sold, the founding community must select a particular token ISO supply and allocation method. ISO stands for the International Organization for Standardization, which is a global, non-governmental organization (NGO) based in Geneva, Switzerland.[14] The ISO develops international standards for, among many other industries, cryptocurrencies. When the ISO determines a standard for currencies, they assign a code to the currency. These codes allow financial institutions around the world to recognize transactions and codes as valid currency values. Currently, there are few established codes for cryptocurrencies, however, some cryptocurrencies will become compliant with the new ISO 20022 list, as of March 2023[15]. In addition to selecting the currency, the community decides on how to set up the treasury, including the method of receiving funds from sales and transactions.

How Do Art DAOs Work?

NFT marketplaces, such as SuperRare[16] and Teia,[17] are DAOs that focus specifically on building a community of artists and creatives, digital art collections, and collectors who want to invest in digital art. Once the DAO is established, transactions for NFT sales are recorded on a blockchain, such as Tezos,[18] which powers Teia, while the community manages and maintains the process of uploading artworks onto the marketplace to sell. To participate in selling or purchasing an NFT, you must create a virtual wallet that is compatible with dApp, which is a distributed open-source software application[19] that runs on a peer-to-peer (P2P) blockchain network (instead of on a single computer). Users must also buy liquid proof-of-stake currency[20] (LPoS), such as Tezos to “fill” their wallet and then use it for transactions.

How are they Run/Managed/Governed/Funded

Typically, the number of tokens a member of the DAO has correlates to their share of votes; however, some DAOs have rules against allowing the member with the most tokens to have the majority voting power, and instead, rely on different voting mechanisms, such as quadratic voting or simple majority voting,[21] to maintain fairness. While each DAO has its own guidelines for voting, most require a demonstrated activity within the community in addition to owning tokens, in order to participate in the governance and management of the DAO.

Who Owns the Art

Members of the DAO also act as its managers. When the DAO provides a marketplace for transactions or sales involving intellectual property, such as NFTs that are copyrightable, or are capable of being registered as a trademark through the United States Patent and Trademark Office (“USPTO”), the creator of the NFT retains the intellectual property rights in the work.[22] However, in certain circumstances, the intellectual property right to a work may be assigned away to the purchaser,[23] as contractual agreements provide.

When a DAO’s members create physical and digital components funded by cryptocurrency, smart contracts typically dictate the rights and obligations that coincide with each transaction. For instance, the DAO, “Plantoids” fosters a community of creators who raise cryptocurrency to fund the creation of physical artworks, paired with a digital form of the work captured on a blockchain. Humans play a role in the Plantoid lifeform’s procreation by funding it through cryptocurrency. When a Plantoid obtains enough funding, it is able to be “reproduced” and therefore, is built in the physical world; its “body” is created in the form of a metal sculpture, while its “soul” manifests in blockchain.[24] Anyone can play a role in the lifecycle of a Plantoid by investing in the DAO, and therefore, can assist in procreating the art in physical and digital spaces. Those who invest in a new Plantoid can own a part or a whole of the work, as well as intellectual property rights, such as copyrights if established in each smart contract transaction.

Ultimately, DAOs can be a platform that fosters limitless creativity and intellectual property, and anyone can participate in the creative process either by funding it or by creating the art themselves (both digitally and physically).

What Legal Issues Might Exist for DAOs?

There are many potential legal issues[25] that could arise for community members of a DAO. For instance, most DAOs run on smart contracts,[26] which are contracts in the form of computer codes stored on a blockchain that automatically execute pre-determined agreements when certain conditions are met. For example, the contract can be as simple as an “if, then” condition, such as a sales transaction, when the conditions are met, the money is transferred to the seller’s account. On the legal side, smart contracts can also serve as legally binding agreements; however, only certain states, including Arizona and California, allow certain types of agreements to be binding via smart contracts. Many potential legal issues exist when a non-lawyer creates a legally binding smart contract in code on blockchain technology.

This format allows community members to save time by not having to negotiate the conditions of a contract and by not having to manually implement contractual considerations, such as NTF sales transactions.[27] Because smart contracts are computer code-operated, contractual liability issues could arise if there are issues with the code itself, or if bugs are found in the code. This could, for example, present liabilities for those involved in the transaction, such as the purchaser or seller of the NFT, as well as the members of the DAO itself.

Another potential legal issue for DAOs relates to jurisdiction. For instance, because DAOs are not associated with a specific physical location, as a traditional company would be legally registered in, it can be difficult to determine the governing jurisdiction for any legal issues that could arise.[28]

Recent lawsuits have also arisen on issues related to complying with regulatory oversight. In particular, in 2022, The Commodity Futures Trading Commission filed a complaint[29] against Ooki DAO (formerly doing business as bZx DAO), for engaging in activities that could only lawfully be performed by a registered designated contract market (“DCM”). Additionally, the DAO engaged in activities requiring registration with the futures commission merchant, when the DAO had not acquired such registration.[30] Thus, the DAO violated both the Commodity Exchange Act (the “Act”), 7 U.S.C. §§ 1-26, and the Commission Regulations (“Regulations”), 17 C.F.R. pts. 1-190 (2021). The settlement order[31] found that the founding members of bZeroX, Kyle Kistner and Tom Bean, were liable for the Ooki DAO’s activities which violated the CEA and CFTC regulations because they transferred control of the bZx Protocol to the bZx DAO. When they renamed the bZx DAO the current Ooki DAO, they attempted to create an organization immune from suit while continuing to operate the DAO with the same activities that violated the original regulations of the bZx Protocol. This case presented an important precedent in ensuring that even members of decentralized autonomous organizations can be held liable for violating regulatory requirements.

In summary, because of their decentralized structure, DAOs allow creators from all around the world to unite around a singular goal within a borderless community. Whether the goal is to create and sell digital artworks, as with Teia.art, or to collect rare artifacts, as with ConstitutionDAO, the options for what a DAO can achieve are only limited by the imagination and input of its community members. For most DAOs, those who are most active within the community reap the greatest rewards in terms of voting shares, input into the organizational structure, and achieving investment goals. In other words, the potential benefits and rewards of being involved in a DAO are typically closely related to the level of one’s investment.

Some Like It Digital, and now DAO

This article examines DAOs at a high level and is a supplementary resource to the Center’s “Some Like it Digital” series. As a part of the series, the Center explores the topic of DAOs in a conversation on May 9, 2023, with Alex Liu, attorney and Director of Operations at Tezos Commons, and Merchant Coppola, visual poet, artist, and founder of Teia DAO LLC. Join us for the event or watch the program’s recording to learn more about the laws that govern DAOs and how they interact with the crypto and art world, along with the intricacies of complexities of building a DAO are discussed. About the event HERE.

About the Author

Laura Dowdy, Spring 2023 Legal Intern with the Center for Art Law, is a second-year law student at New England Law | Boston, concentrating on Intellectual Property law, especially art, copyright, and trademark law. She can be reached at laura.dowdy@nesl.edu.

Reference Sources

  1. Bill Chappell, A rare copy of the first printing of the U.S. Constitution is going up for auction, NPR (Nov. 2021) available at https://www.npr.org/2022/11/01/1133144637/constitution-sothebys-auction-rare ↑
  2. Li Yun, et al., Citadel CEO Ken Griffin pays $43.2 million for Constitution copy, outbidding crypto group, CNBC (Nov. 2021) available at https://www.cnbc.com/2021/11/19/citadel-ceo-ken-griffin-pays-43point2-million-for-constitution-copy-outbidding-crypto-group.html ↑
  3. Angelica Villa, Philanthropist to Sell Rare Copy of Constitution for $15 M. at Auction, ARTnews (Sep. 2021) available at https://www.artnews.com/art-news/market/constitution-auction-sothebys-1234604170/ ↑
  4. ConstitutionDAO, available at https://www.constitutiondao.com/ ↑
  5. Graves, Stephen et al., What Is a Decentralized Autonomous Organization (DAO)?, Decrypt 9Dec. 2021) available at https://decrypt.co/resources/decentralized-autonomous-organization-dao ↑
  6. Oberheiden, Nick, 5 Things to Consider When Creating a DAO, JD Supra (Feb. 2022) available at https://www.jdsupra.com/legalnews/5-things-to-consider-when-creating-a-dao-5888423/ ↑
  7. Teia DAO LLC., available at https://teia.art/about ↑
  8. Id. ↑
  9. Id. ↑
  10. The History of Teia.art: A Marketplace Salvaged by the Community, Tezos Ukraine (Aug. 2022) available at https://tezos.org.ua/en/blog/history-of-hic-et-nunc-teia-ressurection ↑
  11. Teia DAO LLC., available at https://teia.art/about ↑
  12. Bhalla, Anshika, A Beginner’s Guide To Understanding DAO Governance Models (Nov. 2022) available at https://www.blockchain-council.org/dao/dao-governance-models/ ↑
  13. Hayes, Adam, et al., Blockchain Facts: What Is It, How It Works, and How It Can Be Used (Apr. 2023) available at https://www.investopedia.com/terms/b/blockchain.asp ↑
  14. About Us, International Organization for Standardization, available at https://www.iso.org/about-us.html ↑
  15. Koome, Brian, ISO 20022 Compliant Crypto Coins: Implementation Slated for March 2023 (Feb. 2023) available at https://www.cryptopolitan.com/iso-20022-compliant-crypto-list/ ↑
  16. SuperRare DAO, available at https://superrare.notion.site/SuperRare-Network-Hub-fcb9174476514c7b893de5c40faf83fb ↑
  17. Teia DAO, available at https://superrare.notion.site/SuperRare-Network-Hub-fcb9174476514c7b893de5c40faf83fb ↑
  18. Tezos, available at https://tezos.com/ ↑
  19. Gillis, Alexander, blockchain dApp, TechTarget, available at https://www.techtarget.com/iotagenda/definition/blockchain-dApp#:~:text=A%20decentralized%20application%20(dApp)%20is,than%20on%20a%20single%20computer ↑
  20. What is Proof of Stake, Tezos, available at https://tezos.com/proof-of-stake/#:~:text=The%20liquid%2Dproof%2Dof%2D,that%20has%20similar%20voting%20preferences. ↑
  21. Ruane, Jonathan, et al., What a DAO Can — and Can’t — Do, Harvard Business Review (May 2022) available at https://hbr.org/2022/05/what-a-dao-can-and-cant-do ↑
  22. Ferrill, Elizabeth, et al., Demystifying NFTs and intellectual property: what you need to know, Reuters (May 2022) available at https://www.reuters.com/legal/legalindustry/demystifying-nfts-intellectual-property-what-you-need-know-2022-05-10/ ↑
  23. Mukaddam, Farah, NFTs and Intellectual Property Rights, Norton Rose Fulbright (Oct. 2021) available at https://www.nortonrosefulbright.com/en/knowledge/publications/1a1abb9f/nfts-and-intellectual-property-rights ↑
  24. De Filippi, Primavera, History of the Project, Plantoid DAO, available at https://plantoid.org/#love ↑
  25. Montague, John, DAO Governance and Ancillary Legal Issues, JDSupra (Feb. 2023) available at https://www.jdsupra.com/legalnews/dao-governance-and-ancillary-legal-3993656/#:~:text=In%20conclusion%2C%20DAO%20governance%20presents,member%20rights%2C%20and%20dispute%20resolution. ↑
  26. Levi, Stuart, et al., An Introduction to Smart Contracts and Their Potential and Inherent Limitations, Harvard Law School Forum on Corporate Governance (May 2018) available at https://corpgov.law.harvard.edu/2018/05/26/an-introduction-to-smart-contracts-and-their-potential-and-inherent-limitations/ ↑
  27. Stelzner, Michael, NFTs and DAOs: How They Work Together, Social Media Examiner (Apr. 2022) available at https://www.socialmediaexaminer.com/nfts-and-daos-how-they-work-together/#:~:text=You%20can%20code%20the%20smart,other%20smart%20contracts%20in%20place. ↑
  28. Montague, John, DAO Governance and Ancillary Legal Issues, JDSupra (Feb. 2023) available at https://www.jdsupra.com/legalnews/dao-governance-and-ancillary-legal-3993656/#:~:text=In%20conclusion%2C%20DAO%20governance%20presents,member%20rights%2C%20and%20dispute%20resolution. ↑
  29. See Commodity Futures Trading Commission v. Ooki DAO, No. 05416, District Court, N.D., California ↑
  30. CFTC Imposes $250,000 Penalty Against bZeroX, LLC and Its Founders and Charges Successor Ooki DAO for Offering Illegal, Off-Exchange Digital-Asset Trading, Registration Violations, and Failing to Comply with Bank Secrecy Act, CFTC (Sept. 2022) available at https://www.cftc.gov/PressRoom/PressReleases/8590-22 ↑
  31. Dissenting Statement of Commissioner Summer K. Mersinger Regarding Enforcement Actions Against: 1) bZeroX, LLC, Tom Bean, and Kyle Kistner; and 2) Ooki DAO, CFTC (Sept. 2022) available at https://www.cftc.gov/PressRoom/SpeechesTestimony/mersingerstatement092222 ↑

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Labeling Misappropriated Nazi-Era Art: Issues with Compelling Signage at New York Museums
Next Innovations in Protecting Art and Design: Placing Mexico’s recent ban on cultural appropriation in greater context

Related Art Law Articles

Nina Shih Wish You Were Here ACorp 10:01:26
Art lawInterviewWish You Were Here

WYWH: Artist Corporations: A New Legal Framework for Creative Practice (Oct. 1, 2026)

October 14, 2026
CfAL fashion copyright tax
Art law

An Alternative to Copyright: How Taxes Might Save Fashion

October 5, 2026
When Beauty has a History Van Gogh Amanda Buonaiuto
Art HistoryArt law

When Beauty Has a History: The Journey of Van Gogh’s Sunflowers to Japan

October 3, 2026
Center for Art Law
Center for Art Law

Follow us on Instagram for the latest in Art Law!

The Gelman Collection, one of the most significant The Gelman Collection, one of the most significant collections of modern Mexican art, is at the center of an ongoing legal and financial controversy. With works by Frida Kahlo, Diego Rivera, María Izquierdo, and others, the collection raises complex questions about the protections afforded to National Artistic Monuments under Mexican law. 

Paula Gutierrez de Villasante examines what the collection's uncertain future could mean for Mexico’s cultural heritage. 

📚Read the full article at the link in our bio!

#ArtLaw #CulturalHeritage #MexicanArt #FridaKahlo #ArtFinance
Learn about Artist Corporations-- exploring what t Learn about Artist Corporations-- exploring what they are, how they work, and the legal and practical considerations for artists!

Please note, this is a hybrid event. Participants are welcome to attend either in person or online via Zoom..

Join the Center for Art Law for Artist Corporations: A New Legal Framework for Creative Practice, a conversation exploring the Colorado Artist Companies Act and what it could mean for artists, lawyers, policymakers, and the broader creative economy.

In 2025, Colorado enacted Senate Bill 133, creating the Artist Corporation (A-Corp); a first-of-its-kind legal business structure designed specifically to recognize and support artists and creative professionals. The legislation offers a new model for balancing artistic practice with sustainable business and legal protections, raising important questions about how the law can better serve creative communities.

Join us for a discussion featuring Lindsay Korotkin, Yancey Strickler, and Sarah Darlene, who will examine the origins of the Artist Corporation, the legislative process behind its creation, and its practical implications for working artists. Drawing on their respective backgrounds in law, advocacy, entrepreneurship, and artistic practice, the panelists will discuss how this innovative legal framework came to fruition, how artists may benefit from it, and whether similar legislation could shape the future of creative industries beyond Colorado.

Following the panel discussion, attendees will have the opportunity to participate in a live audience Q&A as well as a Networking Reception. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #colorado #artistissues
For more than two decades, thousands of counterfei For more than two decades, thousands of counterfeit works attributed to Canadian Anishinaabe artist Norval Morrisseau circulated through galleries, auctions, and private collections. The resulting forgery scandal has made authenticating Morrisseau’s work increasingly difficult and raised larger questions about protecting artists' legacies and the integrity of the art market. 

In her article, Victoria Cook examines the history of the Morrisseau forgery ring and how emerging technologies could help distinguish genuine works from fakes. 

📚 Read the full article at the link in our bio!

1st 📷: Norval Morrisseau, Observations of the Astral World (c. 1994), acrylic on canvas, 236 x 514 cm, National Gallery of Canada, Ottawa

#ArtLaw #ArtForgery #NorvalMorrisseau #IndigenousArt #CanadianArt
Don't miss grabbing tickets for our upcoming Collo Don't miss grabbing tickets for our upcoming Colloquium with Dr Michail Risvas, Lecturer in Law and Co-Director of the Centre for International Law and Globalisation at the University of Southampton, on the growing role of arbitration in the art and cultural heritage sector. 

Drawing on his research and practical examples, Professor Risvas will examine how arbitration is being used to resolve a broad range of art-related and cultural heritage disputes. The program will compare arbitration with traditional litigation, exploring the advantages and limitations of each forum.

Through discussion of case examples and emerging trends, participants will gain a practical understanding of when arbitration may offer a more effective path than litigation and how alternative dispute resolution is shaping the future of art and cultural heritage law.

🎟️ Grab your tickets today using the link in our bio!!

#centerforartlaw #artlaw #legal #artlawyer #lawyer #arbitration #artmarket #artist #culturalheritage
Join the Center for Art Law along with Dr Michail Join the Center for Art Law along with Dr Michail Risvas, Lecturer in Law and Co-Director of the Centre for International Law and Globalisation at the University of Southampton, on the growing role of arbitration in the art and cultural heritage sector. Drawing on his research and practical examples, Professor Risvas will examine how arbitration is being used to resolve a broad range of art-related and cultural heritage disputes. The program will compare arbitration with traditional litigation, exploring the advantages and limitations of each forum.

Through discussion of case examples and emerging trends, participants will gain a practical understanding of when arbitration may offer a more effective path than litigation and how alternative dispute resolution is shaping the future of art and cultural heritage law.

🎟️ Grab your tickets today using the link in our bio!!

#centerforartlaw #artlaw #legal #artlawyer #lawyer #arbitration #artmarket #artist #culturalheritage
And just like that, we’ve reached the end of an in And just like that, we’ve reached the end of an inaugural ART & LAW INTENSIVE ✨

Five-day program filled with challenging questions, fascinating discussions, new perspectives, and meaningful encounters at the intersection of visual art and law.

Grateful for the conversations, the knowledge shared, and everyone who made this experience so enriching. 

Until the next chapter in February!
Our last (August) newsletter received excellent vi Our last (August) newsletter received excellent viewing (in September). Welcome back from vacations! You may be pleased to know that our ART x LAW INTENSIVE in Zurich went as promised and we were delighted to have shared with and learned from so many wonderful experts, colleagues, and fellow travelers. Special guests came from North and South America, across Europe, even India and UAE. Without skipping a beat, today we onboard our Fall 2026 Interns, students from Cardozo, NYU, Smith College and other schools, and we are pleased to welcome our 2026-2027 Judith Bresler Fellow, Alexander Stanfield.

Please take a look at our SEPTEMBER newsletter and plan to join us this fall for in person or online events. Thank you to all who have reached out and offered to volunteer over the summer and recently. We are humbled by the growing interest and will keep offering learning and hands-on opportunities as the size of our organization permits. Stay calm and … 

📚 Click the link in our bio to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #newsletter #september #legalresearch
What does it take to report and write a story abou What does it take to report and write a story about stolen art, war, and the people caught at the center of it?

In our latest episode of Art in Brief, Andrea and Paris are joined by Matthew Campbell, award-winning reporter for Bloomberg Businessweek and author of The Man Who Stole the Gods, to discuss his years-long investigation into the looting and trafficking of ancient Khmer artifacts from Cambodia.

We talk about Matthew’s research and reporting process, why he chose to center the story around the book’s main characters, and how he approached telling the stories of complicated figures with nuance and empathy.

🎙️ Listen to the latest episode of Art in Brief and find additional resources including a link to Matthew's book at the link in our bio!

#podcast #centerforartlaw #artinbrief #bloomberg #artcrime
What happens to an artist’s work, archives, and in What happens to an artist’s work, archives, and intellectual property after they’re gone? 

Day 2 of the 2026 CPAL Conference brought together lawyers, appraisers, foundation leaders, and arts professionals to tackle the practical realities of preserving artists’ legacies. Topics included estate planning and appraisals, copyright, archives, and the financial realities of running an artist foundation. One message was especially clear: legacy preservation starts long before an artist’s death. 

📚Read Ian Silverstein’s recap of the conference at the link in our bio!

#WYWH #ArtLaw #ArtistEstates #ArtLawConference #ArtAndLaw
Don't miss out on our upcoming Workshop on fiducia Don't miss out on our upcoming Workshop on fiduciary duties within artist-dealer relationships with speaker Aaron Haines!

This workshop will explore the fiduciary duties of gallerists toward their clients and will clarify the distinctions between contract-based relationships and the broader fiduciary obligations gallerists owe, including transparency, prudence, and the prohibition of undisclosed profits. It will also examine common conflicts of interest in the art world and how these fiduciary duties come into play. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #legal #workshop #artistrights #artist #artdealer
The Wilbur J. Cohen Federal Building in Washington The Wilbur J. Cohen Federal Building in Washington, D.C. houses five murals and four reliefs by artists including Ben Shahn and Philip Guston. 
The building is now among federal properties currently slated for sale as the government accelerates selling federal real estate. 

What happens to artworks that are physically inseparable from the buildings they were created for? And what does their uncertain future mean for America’s cultural landscape?

📚 Read Sam Brady-Myerov’s latest article at the link in our bio!

#ArtLaw #CenterforArtLaw #NewDealArt #PublicArt #CulturalHeritage
Did you know the portrait of George Washington on Did you know the portrait of George Washington on the $1 bill traces back to a painting by Gilbert Stuart? 

As the US celebrates its 250th anniversary, one of our latest articles explores how Stuart fought to control the reproduction of his Washington portraits at a time when U.S. copyright law did not yet protect paintings. 

📚 Read the full article by Hannah Gadway at the link in our bio! 

#ArtLaw #America250 #GilbertStuart #GeorgeWashington #CopyrightLaw
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law

Become a Member

Since 2009, the Center for Art Law has organized hundreds of events and published over 1,200 relevant, accessible, and editorially independent articles. As a nonprofit working with artists and students, the Center for Art Law relies on your support to fund our work. Become a premium subscriber and gain access to discounts on events and archives of articles and/or hundreds of case summaries, intended for a worldwide audience of legal professionals, artists, researchers, and students.

Camille Pissarro, Rue St Honoré, apres midi, effet de pluie, 1897

Camille Pissarro, Rue St Honoré, apres midi, effet de pluie, 1897

$70 /per year

Case Law Corner

See All Benefits

Read case law summaries and enjoy unlimited access to our legendary Case Law Corner, now in a new and improved Database with over 700 entries.

Get this subscription
$75 /per year

Artist & Student Membership

See All Benefits
  • Access to all articles and past-event recordings
  • Access to our Case Law Database
  • Free and discounted access to events
Get this subscription
$150 /per year

Annual Subscription

See All Benefits
  • Access to all articles and past-event recordings
  • Access to Case Law Database
  • Free and discounted access to events
  • Discounts to third-party events
Get this subscription