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Legacy Over Licensing: How Artist Estates and Museums Are Redefining Control in the Digital Age

Center for Art Law Susan (Central Park) Legacy Over Licensing Josie Goettel

Robert Rauschenberg, Susan—Central Park N.Y.C. (II) (1951)

By Josie Goettel

When an artist passes, their estate is tasked with two seemingly conflicting tasks: to protect an artist’s work by exercising exclusive rights over them, and to disseminate their artwork to the public to establish a lasting legacy and placement in the art world. This dilemma runs parallel to another issue an estate faces when managing a body of art: should they prioritize revenue or improve public access to art? In recent trends, the answer seems to be the latter.[1]

Since earnest efforts started in the late 2000s and early 2010s, many art estates, foundations, and museums have moved away from traditional, restrictive image licensing and have moved toward open-access models for scholarly use, albeit at a revenue loss.[2] The Robert Rauschenberg Foundation (RRF) serves as a key example of the movement to increase public access to art by loosening fair use policies.[3] RFF's decision to ease copyright restrictions for non-profit uses establishes a new, philanthropy-driven model for estate management, prioritizing the artist's intellectual legacy and public engagement over short-term revenue generation.[4]

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Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.