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Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Meme-ing the Warhol Foundation: Ceci N’est Pas Un Warhol
Back

Meme-ing the Warhol Foundation: Ceci N’est Pas Un Warhol

March 3, 2009

MEME:

(noun)1 : an idea, belief or belief system, or pattern of behavior that spreads throughout a culture either vertically by cultural inheritance (as by parents to children) or horizontally by cultural acquisition (as by peers, information media, and entertainment media)

2 : a pervasive thought or thought pattern that replicates itself via cultural means; a parasitic code, a virus of the mind especially contagious to children and the impressionable

Artist Charles Lutz is playing with the idea of authenticity in the post- Warhol Foundation series “Warhol Denied.”  The series features screen prints based on Warhol’s own screen prints with a replica of the Warhol Authentication Board’s DENIED stamp on the verso.  Lutz choose the most iconic of Warhol’s oeuvre, including Silver Liz, Jackie, Electric Chair and Five Deaths (Car Crash), and even the Red Self Portrait a la Joe Simon-Whelan.

Lutz’s paintings play with the idea of Warhol and authenticity in a new way.  Warhol himself, owner of the Factory studio, produced images for the commercial market- often fitting the market’s supplies and demands.  But these new images add another layer of art theory but making a profit from fake DENIED paintings.  In fact, the thought can make your head spin.

The mere idea of authenticity if being questioned and its foundations shaken- leaving galleryists and buyers to ask: Does it really matter?  In this age of techonological reproduction, even museums’ are cashing in with replicas of their famous works- marketing them not just as copies but as “authentic reproductions.”  The van Gogh Museum announced this week that they will begin selling 3D reproductions of van Gogh for $20,000.  The museum is advertising the works as exact replicas and using the newest technology of 3D scanning and printing.

This new age of “authenticity” also introduces the idea that the copyright to image reproduction is worth more than the actual painting.  This is what apprasers’ call…. but it is rarely used.

Where am I going with this?

Need tie to art law

 

Sources: “Meme” from Urban Dictionary;

Sale numbers for Lutz

This stirs the pot, and brings new questions of authenticity to an already complex realm.  As Warhol said: IF art is whatever you can get away with… do contemporary artists pull off the ultimate heist?

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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Previous IP Dispute over 19th Century Painting in 21st Century Fashion Design
Next Keep your Friends Close — Foundations In Dispute Over Artists’ Funds

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