• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet “Outsider Artists” and Inheritance Law: What Happens to an Artist’s Work When They Die Without a Will?
Back

“Outsider Artists” and Inheritance Law: What Happens to an Artist’s Work When They Die Without a Will?

November 11, 2022

By Wenni Iben

Introduction

Today, Henry Darger (1892-1973) is known to the world as an artist celebrated for vibrant and vividly-colored drawings that now command up to $800,000. During his lifetime, however, Darger’s talents were unknown to the world; a custodian by day, Darger kept his art to himself. In 1972, Darger moved out of the Chicago, IL apartment he’d rented from Nathan and Kiyoko Lerner for over a decade, leaving behind thousands of pages of drawings, paintings, and collages. Darger passed away one year later in a Chicago nursing home, with no known family or close friends, but his work soon took on a new life in the public eye. 

Darger is often referred to as an ‘outsider artist:’ an artist with little formal training in the arts and little or no contact with the professional art world. Only upon Darger’s death were his works published, promoted, and ultimately celebrated thanks to the efforts of Kiyoko and Nathan Lerner, who salvaged and promoted Darger’s works in lieu of disposing of them with the other items Darger left in the apartment. Since Darger’s death, the Darger works have been shown at the Museum of American Folk Art, The Center for Intuitive and Outsider Art, and various other museums and galleries. The Darger works now command hundreds of thousands of dollars and have been sold through auction houses like Sotheby’s and Christie’s for hundreds of thousands of dollars.

In recent years, however, the legality of the Lerners’ handling of the Darger works has been challenged. Darger died intestate, meaning he did not bequeath his artworks or their copyrights by will to anyone, including the Lerners. In the state of Illinois, when an individual dies intestate with no known kin, the contents of the deceased’s estate go to the state. However, two factors have complicated the matter of who legally owns the Darger estate. First, Kiyoko Lerner maintains that Darger transferred the ownership of his artwork to her during his lifetime, though no written record of this transfer exists. Secondly, several distant relatives of Darger have emerged through the forensic genealogy company HeirSearch. These relatives filed a lawsuit against Kiyoko Lerner (Nathan Lerner passed away in 1997) this past July, seeking compensation for what they allege is unlawful exploitation of Henry Darger’s artwork.

Walkthrough

On September 30, 2020, lawyers representing a group claiming to be Darger’s relatives emailed Kiyoko Lerner to inform her of their intentions to recover the physical Darger artworks, the associated intellectual property, and any revenue generated by Kiyoko and Nathan Lerner through what they allege is “misappropriation and unlawful exploitation of the Darger artwork.” 

The email alleges that Lerner has no valid right, title, or interest in any physical embodiment of or copyright to the Darger artworks. Furthermore, the email alleges, any claim Lerner makes that Darger gifted his artworks to her husband is “questionable at best–given his deteriorating mental state and conflicting contemporaneous accounts.” Even if Darger did gift his artwork to the Lerners, the email continues, “any such gift would have excluded any intellectual property rights.”

In January 2022, the claimants petitioned the court for probate of the Darger estate. In May 2022, Christen Sadowski, one of the claimants, was named Supervised Administrator of the Henry Darger Estate. The claimants, known as the Estate of Henry Darger, then promptly filed a complaint with the district court against Kiyoko Lerner for the following infractions: 

  1. copyright infringement;
  2. unfair competition and false or misleading description or representation of fact;
  3. a declaratory judgment under the Declaratory Judgment Act;
  4. unfair competition under Illinois common law;
  5. deceptive trade practices;
  6. unjust enrichment under Illinois common law; 
  7. an equitable easement; and 
  8. conversion under Illinois law.

A Closer Look: Does Kiyoko Lerner Legally Own the Darger Works and Copyrights? 

In the United States, laws concerning the transfer of property from a deceased person to their heirs is subject to state law and thus varies depending on the state in which the deceased person resided upon their death. As Darger died intestate in Chicago, the question of who lawfully owns the physical Darger artwork is determined by the state of Illinois. 

According to Kiyoko Lerner, when Henry Darger moved out of the Lerners’ Chicago apartment in 1972, he “said they could do whatever they wanted” with the contents he left behind in the room. By the Illinois Lifetime Transfer of Property Act, as long as Lerner’s recollection of Darger’s statement that she and her husband ‘could do whatever they wanted’ with the contents of the room constitutes a valid transfer of property, she legally owns the artwork Darger left in his room.  

Without any known written evidence of this exchange between Darger and the Lerners, the plaintiffs contend that this interaction between Darger and the Lerners does not constitute a valid transfer of property. The plaintiffs question the accuracy of Lerner’s claim that Darger gifted his artwork to her and her husband and furthermore question Darger’s soundness of mind at the time Lerner alleges Darger gifted his artwork to her husband. Unless Kiyoko Lerner can find a way to corroborate her claim that Darger, in sound mind, transferred ownership rights of his artwork to her or her husband, it will be difficult for her to prove that Darger transferred his artworks to her.

However, there is another avenue Lerner can take to show that she rightfully owns the physical Darger artworks. In the city of Chicago, when a tenant moves out of a rented property and leaves items behind on the premises, the landlord is required to store the property for seven days after the tenant leaves the property. After seven days, the landlord is free to dispose of the property as they please, including through sale of the property. As Darger lived for another year after moving out of the Lerners’ Chicago apartment and did not pick up his artwork within seven days of moving out of the apartment, the Lerners have a strong case that they had the right to do what they wished with the physical Darger artworks. 

Aside from the question of who owns the physical Darger works, there remains a separate question as to whether Kiyoko Lerner owns the copyrights to Darger’s art. In the United States, copyright ownership does not transfer with the ownership of the physical object. Furthermore, under federal law, a transfer of copyright ownership is not valid, other than by operation of law, unless an instrument of conveyance, a note, or a memorandum of the transfer is in writing and signed by the owner of the rights conveyed or such owner’s duly authorized agent. The plaintiffs contend that Lerner is not the valid copyright owner of Darger’s artwork. The law is on the side of the plaintiffs, in this case: since Darger did not transfer the ownership of the copyrights to his artworks to the Lerners, and since the Lerners are not kin to Darger, Kiyoko Lerner likely has no claim to the copyrights of the Darger artworks. 

If not Kiyoko Lerner, Who Owns the Darger Copyrights? 

While he was alive, Darger, as the creator of his artworks, owned the copyrights to the Darger works. The copyrights to any work exist for 70 years after the death of the creator and may be inherited by the creator’s heirs. Because Darger died intestate, Illinois state statutes determine who lawfully inherited his work upon his death. By 755 ILCS 5/2-1, since Darger died without a spouse, living parents, siblings, or children, the estate goes to the descendants of any kindred to Darger. 

It appears that Christen Sadowski, the plaintiff who was named supervised administrator of the Darger estate this past May, is one of these descendants. According to court papers, upon being granted this role, Sadowski was authorized to take possession of the physical Darger artworks and their associated copyrights. The plaintiffs seek relief in actual damages, the actual amount of which, they have specified, they want to be determined at trial.

Conclusion

Kiyoko Lerner has held that, while Darger was alive, she and her husband often checked in on him to ensure that he had sufficient food and proper living arrangements. Despite pressure from neighbors to cease renting to Darger due to his disheveled appearance, the couple continued renting to Darger, even lowering his monthly rent from $40 to $30 so that he could afford to stay. With no kin to care for Darger, it was the Lerners who arranged for Darger to move into a charity nursing home in 1972, after which time Kiyoko Lerner claims they approached Darger to see what he wanted done with his materials, including his artworks. 

And yet, without a will to communicate Darger’s wishes, the ownership of Henry Darger’s artworks and their copyrights has gone to Christen Sadowski and other relatives who Darger never knew. These relatives, contending that Lerner unlawfully exploited Darger’s artworks, seek to be awarded with all profits the Lerners made in managing the Darger artworks as well as punitive and statutory damages and other forms of relief for the Lerners’ alleged wrongdoings. 

Since the Estate of Henry Darger seeks a jury trial to determine the actual amount of damages they receive, the outcomes of this case are not easily predictable. It may be possible that Lerner’s description of her personal connection to Darger will be a more significant factor to the jury in determining the amount of damages owed to the Darger Estate than it was for the judge who granted Sadowski supervised administrator of the Darger Estate. Perhaps this trial will be an opportunity for Darger’s wishes concerning the inheritance and use of his work to be considered.

Select Sources: 

  • Robin Pogrebin, A Henry Darger Dispute: Who Inherits the Rights to a Loner’s Genius?, The New York Times (Feb. 7, 2022) https://www.nytimes.com/2022/02/07/arts/design/henry-darger-estate.html.
  • Christie’s, “Henry Darger,” Auction results. https://www.christies.com/en/lot/lot-6187836
  • Robin Pogrebin, Hearing on Henry Darger Estate Dispute is Postponed, The New York Times (Feb. 23, 2022), https://www.nytimes.com/2022/02/23/arts/design/henry-darger-hearing.html
  • Amber Holst, The Lost World, Chicago Magazine (June 26, 2007), https://www.chicagomag.com/Chicago-Magazine/November-2005/The-Lost-World/

About the Author:

Wenni Iben (Columbia University, B.A. 2023 expected) is a student of Economics and Philosophy. She is the Fall 2022 Undergraduate Intern at the Center for Art Law. 

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Case Review: US v. Philbrick (2022)
Next Degrees of Transformation: Andy Warhol’s 102 minutes of fame before the Supreme Court

Related Art Law Articles

Screen shot from Google scholar of different Warhol cases
Art lawCase ReviewArt Law

Degrees of Transformation: Andy Warhol’s 102 minutes of fame before the Supreme Court

November 17, 2022
Art lawCase ReviewArt LawCase Review

Case Review: US v. Philbrick (2022)

November 7, 2022
Art lawCase ReviewArt Law

Case Review: Art Works, Inc. v. Diana Al-Hadid

November 3, 2022
Center for Art Law
Immigration Guide for Artists Atreya Mathur

Immigration Guide for Artists

Check out the 2026 overview of U.S. immigration pathways available to artists.

Learn MORE
Center for Art Law

Follow us on Instagram for the latest in Art Law!

What inspires a career in art and cultural propert What inspires a career in art and cultural property law?

In our latest interview, Professor Matthias Weller shares how his academic and professional journey led him to become one of the leading voices in the restitution field. He also discusses Germany's new Court of Arbitration for Nazi-Looted Cultural Property and what this landmark development could mean for the future of restitution.

📚 Read the full interview using the link in our bio! 

#centerforartlaw #artlaw #legalreserach #legal #art #lawyer #restitution #artcrime #arbitration #germany
ART × LAW INTENSIVE 2026 - the countdown begins! S ART × LAW INTENSIVE 2026 - the countdown begins!
See you in Zurich in September ✨

The response to our inaugural edition has exceeded all expectations, with applications received from around the world. Thank you to everyone who applied! We look forward to welcoming our first cohort of participants very soon.

Sessions will take place across some of Switzerland’s leading institutions, including ZHdK, the University of Zurich, Kunsthaus Zurich, Swiss Re, Homburger, and more. This year’s faculty will be announced in the upcoming posts. 

From copyright and AI to provenance, restitution, dispute resolution, and the future of collecting, the ART × LAW INTENSIVE 2026 brings together the people shaping the future of the art world. Excited! 

 
Photos: 1. “Zardoz” by Monster Chetwynd, the garden of Kunsthaus Zurich. 2. Tram stop of Museum Rietberg. 3. Picnic spot in Belvoirpark. 4. The roofs of Rämistrasse. 5. The drone view over Bellevueplatz.
Major changes to restitution law are underway on b Major changes to restitution law are underway on both sides of the Atlantic.

Recent developments in the United States and the United Kingdom could reshape how Nazi-looted art claims are resolved. Our latest article breaks down the proposed amendments to the U.S. HEAR Act, changes to the U.K.'s Charities Act, and why alternative dispute resolution is becoming an increasingly important part of the conversation.

📚 Read the full article by Marina Rastorfer at the link in our bio!

#centerforartlaw #artlawyer #artlaw #nazilootedart #restitution #provenanceresearch #culturalheritage #museumlaw
The Center for Art Law takes on the MoMA! Our te The Center for Art Law takes on the MoMA! 

Our team recently spent the day exploring one of New York City's iconic museums. Our highlights included the Marcel Duchamp retrospective (on view through August 22) and American Folk Art: Revisiting the Collection of Abby Aldrich Rockefeller (through August 9).

Experiencing art in person is an invaluable complement to our work in art law. Whether exploring questions of ownership, AI, preservation, museum policy, and much more, we believe engaging directly with art is an essential part of the conversation.

Be sure to visit MoMA's current exhibitions and outstanding permanent collection. Or spend some time at your local museum, gallery, or community arts event this summer! ☀️

#centerforartlaw #artlaw #MoMA
Facing financial challenges, the Metropolitan Oper Facing financial challenges, the Metropolitan Opera has proposed a potential sale of its Marc Chagall’s murals.

In her article, Halle O’Hern explores how cultural institutions are turning to creative financial strategies, including art-backed loans and shared ownership models. 

📚 Read the full article at the link in our bio! 

#ArtLaw #CulturalHeritage #ArtFinance #MuseumLaw #MarcChagall #MetOpera
In a world shaped by smartphones, metaglasses, and In a world shaped by smartphones, metaglasses, and AI, what should be considered acceptable when images can be captured and shared so widely?

In 2015, Martha and Matthew Foster sued photographer Arne Svenson, who had spent the previous year taking photographs of them inside their home through their windows, without their knowledge. The court ultimately ruled in the photographer’s favor, citing his right to artistic expression.

In this episode of Art in Brief, Andrea and Paris are joined by Cathy Kaplan—lawyer, professor, and chair of the boards of Yale art gallery and Aperture, as well as the Whitney photography committee—to discuss the questions this case raises about privacy, consent, artistic freedom, and commercial use. 

🎙️ Listen to the full episode using the link in our bio!!

#centerforartlaw #artlaw #legalresearch #privacylaw #artlawyer #lawyer #podcast #newepisode
https://itsartlaw.org/art-law/the-dorville-case-a- https://itsartlaw.org/art-law/the-dorville-case-a-judicial-turn-facilitating-the-restitution-of-artworks-acquired-during-the-french-occupation/ 

A landmark decision from France's highest court could reshape the future of Holocaust-era art restitution.

Our latest article examines the Dorville case, in which the Cour de Cassation adopted a broader interpretation of France's postwar restitution laws. The decision may have far-reaching implications for museums, collectors, and future restitution claims.

📚 Read the full article by Alexandra Kharchenko at the link in our bio! 

#centerforartlaw #artlawyer #artlaw #nazilootedart #restitution #provenanceresearch #culturalheritage #museumlaw #Frenchlaw
Federal funding has long played a role in supporti Federal funding has long played a role in supporting America's cultural institutions. Recent policy changes, however, are changing that. 

Our recent article by Lauren Stein analyzes the legal and economic impact of federal arts funding reductions. Stein highlights how executive action, litigation, and budgetary decisions are affecting museums, nonprofit arts organizations, and the broader creative sector.

📚 Read the full article at the link in our bio! 

#centerforartlaw #artlawyer #artlaw #federalfunding #culturalheritage #museumlaw
Explore the tools, challenges, and real-world meth Explore the tools, challenges, and real-world methods behind conducting due diligence in art market transactions!

Join the Center for Art Law for a practical workshop with Lev Yuriditsky of Sqope Intelligence exploring how due diligence is conducted in real-world art market transactions. Moving beyond theory, this session will focus on live case presentations and demonstrate the investigative process behind researching artworks, artists, and market participants.

Through case studies, Lev will walk participants through the realities of due diligence research: what information is publicly available, what may remain inaccessible, and how investigators work with incomplete records and limited documentation. The session will explore practical tools and techniques, including database research, keyword searches, internet archives, reverse image searches, and other open-source intelligence methods.

This workshop is designed for art lawyers, dealers, advisors, collectors, and professionals interested in strengthening their understanding of due diligence practices and investigative research in art transactions.

🎟️ Grab tickets using in our bio!

#centerforartlaw #artlaw #artlawyer #duediligence #aml
Canada has pledged to introduce an artist's resale Canada has pledged to introduce an artist's resale royalty, joining more than 80 countries that guarantee artists a percentage of qualifying secondary-market sales. Our latest article explores what this development could mean for Canadian artists and why a similar right remains unlikely in the United States.

📚 Read the full article by Donyea James at the link in our bio! 

#centerforartlaw #artlawyer #artlaw #artistsrights #Canadianlaw
Interested to learn more about this ongoing case? Interested to learn more about this ongoing case? 

Make sure to follow us and subscribe to our newsletter to get all new updates!! Also, check out our case law database to learn more.

#centerforartlaw #artlaw #fifa #worldcup2026 #worldcup #2026 #dallas #vara #artistrights #art #artists #streetart
Explore the tools, challenges, and real-world meth Explore the tools, challenges, and real-world methods behind conducting due diligence in art market transactions!

Join the Center for Art Law for a practical workshop with Lev Yuriditsky of Sqope Intelligence exploring how due diligence is conducted in real-world art market transactions. Moving beyond theory, this session will focus on live case presentations and demonstrate the investigative process behind researching artworks, artists, and market participants.

Through case studies, Lev will walk participants through the realities of due diligence research: what information is publicly available, what may remain inaccessible, and how investigators work with incomplete records and limited documentation. The session will explore practical tools and techniques, including database research, keyword searches, internet archives, reverse image searches, and other open-source intelligence methods.

This workshop is designed for art lawyers, dealers, advisors, collectors, and professionals interested in strengthening their understanding of due diligence practices and investigative research in art transactions.

🎟️ Grab tickets using in our bio!

#centerforartlaw #artlaw #artlawyer #duediligence #aml
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law

Become a Member

Since 2009, the Center for Art Law has organized hundreds of events and published over 1,200 relevant, accessible, and editorially independent articles. As a nonprofit working with artists and students, the Center for Art Law relies on your support to fund our work. Become a premium subscriber and gain access to discounts on events and archives of articles and/or hundreds of case summaries, intended for a worldwide audience of legal professionals, artists, researchers, and students.

Camille Pissarro, Rue St Honoré, apres midi, effet de pluie, 1897

Camille Pissarro, Rue St Honoré, apres midi, effet de pluie, 1897

$70 /per year

Case Law Corner

See All Benefits

Read case law summaries and enjoy unlimited access to our legendary Case Law Corner, now in a new and improved Database with over 700 entries.

Get this subscription
$75 /per year

Artist & Student Membership

See All Benefits
  • Access to all articles and past-event recordings
  • Access to our Case Law Database
  • Free and discounted access to events
Get this subscription
$150 /per year

Annual Subscription

See All Benefits
  • Access to all articles and past-event recordings
  • Access to Case Law Database
  • Free and discounted access to events
  • Discounts to third-party events
Get this subscription