• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Recent and Pending Legal Matters Affecting the Literary World
Back

Recent and Pending Legal Matters Affecting the Literary World

May 27, 2013

logo
Cover Art.

To Kill a Mockingbird Author Sues Agent

Harper Lee, now 87, is know to most every High School Student in the country even though she only published one work, a story that that centers around a courtroom trial entitled To Kill a Mockingbird.  The work came out in 1960, and was adapted made into a film in 1962. Now, more than 5 decades later, Lee may find herself in a real courtroom. She is accusing her literary agent, Samuel Pinkus, of collecting royalties for her work. In 2007, Lee had a stroke and she doesn’t recall signing her copyright in the book to her agent. Instead of rape and racial injustice, Lee v. Pinkus will center around fiduciary duties, and contract and copyright law.

Lee is represented by Gloria Phares, Partner with Patterson Belknap Webb and Tyler, LLP.

Case: Lee v. Pinkus, 13-3000, U.S. District Court,

U.S. Bankruptcy Court, Southern District of New York (Manhattan).


Title Dispute over the Kafka-Brod Papers

Max Brod and Franz Kafka, 1911.

Last October, an Israeli Judge Talia Kopelman Pardo ruled that documents written by Franz Kafka (1883-1924) and Max Brod (1984-1968) must be given to the Israel’s national library. Parties in the case are the Israeli government and a daughter of Brods former secretary. The contested collection contains writings by Brod, a journalist, a novelist and an administrator of Kafka’s estate as well as letters, sketches and diaries by Kafka, a highly influential and respected German-language writer.

The documents arrived in Tel Aviv in 1939, when Brod fled Prague before World War II. At his death Brod left all of his possessions to his secretary, Esther Hoffe. It was reported that the last time the materials were accessible to scholars was in the 1980s.  Instead of studying the collection, Hoffe family is viewing this collection as a treasure trove. In 1988, Hoffe sold one of the Kafka’s manuscripts in her possession for $2 million. She is survived by daughters who are trying to lay claim to the Brod-Kafka materials. However, in the 2012 opinion, J. Pardo held that the collection was left to Hoffe as a trust to be administered according to Mr. Brods’ wishes. Namely, that his archive be presented to a “public Jewish library or archive in Palestine,” later identified as Hebrew University.

Hoffe’s claim of ownership is supported by the German Literary Archive, which may wish to purchase the papers. In general, the scholarly community is divided whether the papers belong in Israel or in Germany. The J. Kopelman Pardo’s decision is still subject to an appeal.

It is not Elementary: Dispute over Licensing Fees for “Sherlock Holmes”   

On February 14, 2013, a Sherlock Holmes scholar, Leslie S. Klinger, filed a complaint against the Arthur Conan Doyle Ltd., a company owned by the Conan Doyle family for wrongfully demanding licensing fee for novels and stories already in public domain. The case is under review by the federal court in Illinois.

In the complaint, Klinger, editor of the Annotated Sherlock Holmes, and other Holmes-related works, alleges that often, licensing fees paid to the Conan Doyle family are unnecessary because many characters and elements of the stories are no longer covered by the United States copyright law. Until recently, Klinger himself has paid fees but he thought “enough [was] enough.” Thus he is seeking a declaratory judgment for all to enjoy, that the basic “Sherlock Holmes story elements” are in the public domain. Apparently he is not challenging the fact that Conan Doyle Estate Ltd. is “the sole and exclusive owner” of the material that remains under copyright until 2023.

Leslie S. Klinger is represented by Scott M. Gilbert and Kourtney A. Mulcahy of Hinshaw & Culbertson LLP.

Sources: NYTimes (May 6, 2013); Jspace;  Boston Globe; NYTimes (February 15, 2013).

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Even in the Opaque Art World, Taxes are Certain: Glafira Rosales/Gonzalez Indicted for Income Tax Evasion
Next Thousands of Artifacts Recovered in Canadian Home

Related Art Law Articles

word image 78618 1
Art law

Collaboration in Cultural Heritage: Greater Questions of Digital Reconstructions

May 24, 2026
CfAL Marion Davies 1
Art law

Who Owns Hollywood’s Past? 

May 20, 2026
Center for Art Law MET Opera Chagall
Art law

Creative Financing Ideas: A Potential Sale of the Met Opera’s Chagalls

May 11, 2026
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

 

Reserve Your Ticket TODAY
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

This is the final day to bid in our Annual Art Law This is the final day to bid in our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

Don't miss out on the amazing pieces  and experiences up for grabs!

 Biding will end May 27 at 5:30pm ET.

1st: Floragen 2.0.1 by Colleen Hoffenbacker 
2nd: Jumping Frog by Vija Doks 
3rd: Untiled no.11( Amy Hollywood) by Andre Pace 

🖼️ Follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

Originally restitution was rejected, but under expanded guidelines the Museum chose to restitute the piece  to Ernst Magnus' heirs. It is now set to be Auction by Sotheby's on June 2, 2026. The starting bid is listed at $28k and the estimated price between $40-60k.

🔗 Check out more about this work and it's provenance using the links in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nazilootedart #artcrime #wwii #restitution
Make sure to check out our Annual Art Law Conferen Make sure to check out our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

🗽 Swipe to preview a selection of the consultations & experiences that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
Historical examples of famous fakes and forgeries Historical examples of famous fakes and forgeries explain how technical skill is not the only factor that allow forgeries to flourish in the art market. Historical context — as illustrated by World War II-era cases — or, in the modern world, the lack of due diligence and risk assessment and failures of authentication, show how a combination of factors allows forgeries to flourish in particular contexts. 

From a legal perspective, fraud and forgeries are not the only issues complicating the operation of the art market. They are further amplified by related problems such as money laundering, fraud schemes, and theft. In this context, due diligence and authentication become even more critical considerations for buyers and sellers.

🔗 Click the link in our bio to read the complete article by Lauren Stein to get a deeper understanding of the vulnerabilities of the art market!

https://itsartlaw.org/art-law/when-imitation-is-not-flattery-art-fakes-forgeries-and-the-market-they-fool/ 

 #centerforartlaw #artlaw #legal #artlawyer #legalresearch #forgery #fraud #arttransparency
Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
Day 4 of ☀️school: from Brooklyn to Manhattan (and Day 4 of ☀️school: from Brooklyn to Manhattan (and back)
@brooklynmuseum @pacegallery
Running a nonprofit, art law or not, only looks gl Running a nonprofit, art law or not, only looks glamorous. Before our founder completes her metamorphosis from dewy-faced starlet to aging legend, consider supporting the Center by registering for our silent auction. Marion Davies photographs, artworks, books, and more await their next owners. 

Follow the link in our bio to begin bidding!
In last night's evening sale, Christie's successfu In last night's evening sale, Christie's successfully auction off Picasso's L'Atelier for $6.9 million. The painting was previously in art dealer Douglas Cooper's collection prior to it being stolen in 1974. It was later  found in Japan

The sale occurred as part of a settlement agreement reached between the current holder and the estate of Cooper's heir. Full title passed to the successful bider. 

🔗 Check out more information on the sale using the link in our bio!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #artcrime #picasso
Look! 2026 Art Law Summer School is in session! Look! 2026 Art Law Summer School is in session!
Today is the day! In conjunction with our Annual A Today is the day! In conjunction with our Annual Art Law Conference 2026 we are hosting a silent auction to support the Center’s ongoing research, programming, and dissemination of information and accessible resources in art and cultural property law. The auction will open 
for bidding tonight (May 15th) at 8:00 PM ET. 

Swipe to preview a selection of the artworks that will be available for purchase through the auction and follow the link in our bio to begin bidding!
New York is the World Capital of Art Law! We know, New York is the World Capital of Art Law! We know, we are experts and we have traveled far and wide. Brooklyn is its heart and we salute you from DUMBO and the Brooklyn Bridge, one and all, art law fans and friends! NYC is playing host to countless art and law experiences and encounters this month. We are pleased to share the wealth with our Summer School students come Monday, and we invite all of you to join us on the 27th of May for the Center's Annual Art Law Conference! 🥯 ☕🥂 

#RSVP #artlaw 🎨⚖️
Don’t miss our recent episode!! Andrea and Paris s Don’t miss our recent episode!! Andrea and Paris speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, they explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers.

🎙️ Click the link in our bio to listen anywhere you get your podcasts!
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law