• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Scams or Gems? NFTs in the Art Market
Back

Scams or Gems? NFTs in the Art Market

June 19, 2023

By Seoryung Blair Park

Looking at NFTs and seeing dollar signs was recently a common affliction. The COVID-19 pandemic not only accelerated online shopping and dating but also created a digital art fever involving non-fungible tokens (NFTs). Over three million pieces of NFTs were traded that have a total value of over $2 billion.[1] In 2021, this art market saw a spike in digital trading due in part to the inability for art collectors to physically purchase pieces during the pandemic.[2]

While NFTs can be digital gold mines for artists, designers, purchasers, and investors, the NFT art market can also be a malicious playground for scammers. Cybercriminals are getting bolder and more creative in ways to steal the wealth and intellectual property of unwary participants through a variety of different scams.

Moreover, the abundance of scams across a booming digital art space has created a phenomenon called FUD – fear, uncertainty, and doubt — to a level that can significantly affect traders’ NFT experiences.[3] According to the report by Elliptic, a London-based provider of crypto asset risk management services to businesses worldwide, the NFT scam wave has “the potential to reduce the accessibility or enjoyment with NFTs to both new and existing traders.”[4]

Whether one is an NFT trader or not, knowing the common scams within the NFT market can help stay safe from them. One should be beware of scammers, else risk loosing significant assets and fast.

Different Forms of Scams

The “Rug Pull” 

Fake sites are not the only NFT scams to watch out for. Some NFT projects are themselves a scam. Fraudsters promote counterfeit NFT collections, claiming that these are bound to be profitable investments in the future. They then swiftly abandon the project once the prices hit a high ceiling and transfer the funds to their various digital wallets.[5] Those who invested in the project are not given anything they were promised and “ghosted” by the developers.

This type of scam is known as rug pulls—the latest form of fraud where developers trick people into investing in a project and then steal their digital tokens. The rug pull costs investors hundreds of millions of dollars a year.[6] In 2021, this scam has gathered nearly three billion dollars, accounting for 37% of all cryptocurrency scam revenue for the year.[7]

While rug pull scams are the most unsafe and hard-to-spot type of NFT scam to the victims, the obscurity inherent in the decentralization procedure makes committing scams like these simple for criminals.[8] Given the flexibility of Web3 in creating new decentralized projects with new tokens and freedom from intermediaries for financial transactions, scammers have unrestrained opportunities to exploit unsuspecting victims with their extravagant claims.[9] And the rising interest in metaverse technologies makes them an easy promise by scam projects.

Case Study: The First “Rug Pull” Case

In March 2022, the U.S. Attorney’s Office for the S.D.N.Y. charged the two creators of the Frosties NFT collection for committing a $1.1 million rug pull.[10] Nguyen and Llacuna were charged with (1) conspiracy to commit wire fraud in violation of 18 U.S.C. §1349 and (2) conspiracy to commit money laundering in violation of 18 U.S.C. §1956(h).[11]

According to the complaint, the defendants lied to purchasers that in addition to its unique collection of 8,888 ice cream scoop characters NFTs, they would receive certain benefits, such as giveaways and access to a metaverse game.[12] Then, after having sold all 8,888 NFTs and raising funds from purchasers, they shut down the project’s website, closed the Discord server, and transferred all of the sales proceeds to their digital wallets.[13] The defendants used Tornado Cash, a cryptocurrency transaction “mixer,” that allows one to transfer crypto from one wallet to another without creating noticeable links between them.[14] Meanwhile, devastated investors rushed to sell Frosties at a substantial discount, earning only a few dollars back.[15]

The defendants were arrested right before they prepared to launch the sale of the second set of NFTs advertised as “Embers.”[16] The second project was anticipated to generate approximately $1.5 million in cryptocurrency proceeds.[17] Now, they each face 20 years in prison.[18]

This landmark case in the NFT space has drawn the attention of the authorities, so it could set the tone for future cases and regulations in the space. It demonstrated that whether to classify digital assets as securities, commodities, or a separate asset class entirely does not matter to wire fraud charges.[19] In the eyes of law enforcement, NFTs are no exception to the general rule that “you can’t solicit funds for a business opportunity, abandon that business, and abscond with money investors provided you.”[20]

Insider Trading 

Last year, the Department of Justice (DOJ) brought a charge against a former employee of the NFT marketplace, labeling it “the first-ever digital asset insider trading scheme.”[21] What is striking about this case is that the defendant’s indictment was not based on the typical insider trading statutes involving securities law violations but instead the general wire fraud statute.[22] While this case contains facts and methods usually seen in stock-related insider trading cases, it differs from traditional insider trading prosecutions in crucial ways.[23]

This strategy by the DOJ provides prosecutors with a key advantage in digital asset cases. If the government brought the case as a typical insider trading case, there is a strong likelihood that it may not prevail since many NFTs are not securities but serve as a tool that represents the buyer’s ownership of discrete assets, such as a work of art or the rights to a song.[24]

Case Study: The First Digital Asset Insider Trading Scheme

In June 2022, the S.D.N.Y. charged the former executive at OpenSea, Nathaniel Chastain, with wire fraud and money laundering.[25] Similar to the Frostie case, the defendant was charged under the wire fraud statute 18 U.S.C. §1343. The indictment followed President Joe Biden’s executive order calling for federal agencies to ensure “responsible development of digital assets.”[26]

According to the indictment, Chastain was an employee of OpenSea who took advantage of his access to confidential information before it became publicly known.[27] OpenSea would promote NFTs on its site by listing “featured NFTs” on its homepage multiple times a week, and these NFTs usually appreciated in price due to the increase in publicity and resulting demand.[28] Because Chastain sometimes selected which NFTs would feature on the homepage, he purchased those NFTs in advance and resold them at a much higher price, earning a profit of around $67,000.[29] Furthermore, just like the defendants in the rug pull case, Chastain exploited the decentralized nature of NFTs on the blockchain to cover his tracks. He purchased and sold the NFTs from various anonymous accounts and then transferred funds through even more anonymous accounts to cover his tracks.[30]

Chastain moved to dismiss the indictment based on three grounds. First, the wire fraud count should be dismissed because the “confidential business information” he allegedly misappropriated and the sale of NFTs was not OpenSea’s “property” within the meaning of the wire fraud statute.[31] Second, the DOJ could not prove that he engaged in money laundering because transactions on the Ethereum blockchain are public.[32] Third, the wire fraud argument based on a “misappropriation theory” was insufficiently pleaded because an “insider trading” charge requires trading in securities or commodities, and NFTs are neither.[33]

Nevertheless, in October 2022, the district court refused to dismiss the indictment.[34] While it conceded that Chastain’s arguments “have some force,” it concluded that his points are for a jury to decide at trial as they are “about the sufficiency of the evidence, not the adequacy of the indictment.”[35] For the court, the question of whether NFTs are securities or not was of no consequence: the DOJ did not actually charge him with insider trading as defined under securities law.[36] In contrast to section 10(b) insider trading claim which requires fraud “in connection with the purchase or sale of any security,” section 1343 provides flexibility as it is not limited to securities or commodities.[37] Therefore, the court ruled that whether the “insider trader” label was misleading was an issue to be handled separately by striking it from pleadings or precluding it at trial.[38]

According to the U.S. Attorney Damian Williams, Chastain’s charge demonstrates “the commitment of this Office to stamping out insider trading—whether it occurs on the stock market or the blockchain.”[39] Although we will have to wait and see if the DOJ’s wire fraud theory proves successful, this case presents a strong possibility that the DOJ could theoretically use it as a model to police market manipulation for other modern activities in the digital asset space—and beyond— regardless of whether they are considered securities.[40] The SEC’s jurisdiction is limited to enforcing securities laws, but the DOJ can “dodge the knotty question of whether the asset is a security.”[41]

Takeaway 

Scams are not unique to NFTs, as we see them in various areas of financial services and many other parts of life. The threat of NFT fraud, however, raises some interesting and novel legal questions.

The legal status of NFTs can be murky as there is no official law governing NFTs, but there are still ways by which individuals can be held criminally liable. Although better safety measures are certainly required to prevent NFT scams, regulators have taken an innovative step in applying established criminal theories of liability to NFTs.

While the law in this area is uncertain and rapidly evolving, it pays off for purchasers and creators to perform due diligence to avoid common scams. As with any investment, performing due diligence on the NFT project is imperative— especially when extravagant claims are made by proponents.

ABOUT THE AUTHOR

Seoryung Park is a graduate of the University of Connecticut School of Law with a concentration in IP law. She was an associate editor on the Connecticut International Journal of Law. She earned B.A. in criminology at the University of Toronto. She loves fashion, art, music, and catching her favorite TV shows. She does not own any NFTs but enjoys learning about them.

Image by Iryna Khomenko via Shutterstock: https://www.shutterstock.com/image-vector/nft-theme-design-nonfungible-token-sign-1935174506

Select Resources:

  1. Eray Arda Akartuna et al., NFTs and Financial Crime: Money Laundering, Market Manipulation, Scams & Sanctions Risks in Non-Fungible Tokens, ELLIPTIC (Aug. 24, 2022), https://www.elliptic.co/resources/nfts-financial-crime. ↑
  2. Id. ↑
  3. Akartuna, supra note 1. ↑
  4. Id. ↑
  5. Andrew Rossow, Scams Explained: What Are Rug Pulls? Are They a Crime?, NFTNOW (Apr. 14, 2022), https://nftnow.com/guides/scams-explained-what-are-rug-pulls-and-are-they-a-crime/. ↑
  6. Zack Abrams, How the FBI Made Its First NFT “Rug Pull” Bust – Just in Time to Save Other Would-Be Victims, THE BUS. OF BUS. (Mar. 28, 2022), https://www.businessofbusiness.com/articles/how-the-fbi-made-its-first-nft-rug-pull-bust-just-in-time-to-save-other-victims-from-the-same-fate/. ↑
  7. Rossow, supra note 38. ↑
  8. Felix, supra note 26. ↑
  9. James Howell, Web3 Scams and How to Avoid Them, 101 BLOCK CHAINS (Mar. 9, 2023), https://101blockchains.com/web3-scams/. ↑
  10. Ian McGinley, Wire Fraud: The Most Powerful Law in Crypto Right Now, REUTERS (Aug. 23, 2022), https://www.reuters.com/legal/legalindustry/wire-fraud-most-powerful-law-crypto-right-now-2022-08-23/. ↑
  11. Scott H. Kimpel, DOJ Brings Criminal Charges Against Two Defendants in NFT Fraud, 12 NAT’L L. REV., 89 (2022), https://www.natlawreview.com/article/doj-brings-criminal-charges-against-two-defendants-nft-fraud; See also Complaint, U.S. v. Nguyen, 22-mag-2478 (S.D.N.Y. Mar. 15, 2022). ↑
  12. Id. at ¶ 2. ↑
  13. Rossow, supra note 38. ↑
  14. Abrams, supra note 39. ↑
  15. Nguyen, ¶ 10(c). ↑
  16. TFL, https://www.thefashionlaw.com/doj-hits-creators-of-frosties-nfts-with-conspiracy-fraud-charges/ (last visited Oct. 16, 2022). ↑
  17. Id. ↑
  18. Id. ↑
  19. McGinley, supra note 43. ↑
  20. Press Release, Dept. of Justice, Two Defendants Charged In Non-Fungible Token (“NFT”) Fraud And Money Laundering Scheme (Mar. 24, 2022), https://www.justice.gov/usao-sdny/pr/two-defendants-charged-non-fungible-token-nft-fraud-and-money-laundering-scheme-0. ↑
  21. Joshua M. Newville & Jonathan Mollod, District Court Declines to Dismiss NFT “Insider Trading” Indictment against Former OpenSea Employee, PROSKAUER (Nov. 15, 2022), https://www.proskauer.com/blog/district-court-declines-to-dismiss-nft-insider-trading-indictment-against-former-opensea-employee. ↑
  22. Id. ↑
  23. David Axelrod & Andrew N. D’Aversal, How the Feds are Prosecuting NFT Insider Trading Scheme as Wire Fraud – and Why That Matters, COINDESK (Jun. 10, 2022), https://www.coindesk.com/layer2/2022/06/10/how-the-feds-are-prosecuting-nft-insider-trading-scheme-as-wire-fraud-and-why-that-matters/. ↑
  24. Chris Sloan, NFTs: Securities Law and Fraud Concerns, CROWDFUND INSIDER (Jun. 8, 2022), https://www.crowdfundinsider.com/2022/07/193609-nfts-securities-law-and-fraud-concerns/. (“On the other hand, when an NFT represent a partial interest in an asset or enterprise, or a right to receive profits from a project or business, the NFT is likely to be classified as a security.”). ↑
  25. Id. ↑
  26. Axelrod, supra note 55. ↑
  27. See Indictment, U.S. v. Nathaniel Chastain, 22-cr-305, (S.D.N.Y. May 31, 2022). ↑
  28. Id. ¶ 7. ↑
  29. Axelrod, supra note 55. ↑
  30. Id. ↑
  31. Zach Lewis & Jeremy Goldman, Case Update: NFT “Insider Trading” Case Allowed to Proceed Against Former OpenSea Employee, FRANKFURT KURNIT (Oct. 21, 2022), https://ipandmedialaw.fkks.com/post/102i0p4/case-update-nft-insider-trading-case-allowed-to-proceed-against-former-opensea. ↑
  32. Id. ↑
  33. Id. ↑
  34. Newville, supra note 53. ↑
  35. Id. ↑
  36. Lewis, supra note 63. ↑
  37. Newville, supra note 53. ↑
  38. Id. ↑
  39. Andrew Pimlott, Worldwide: Beware of NFT Fraud, MONDAQ (Feb. 16, 2023), https://www.mondaq.com/unitedstates/fin-tech/1283286/beware-of-nft-fraud. ↑
  40. Axelrod, supra note 55. ↑
  41. Matthew Bultman, Ex-OpenSea Employee’s NFT Handling Runs into DOJ’s ‘Stradivarius,’ BLOOMBERG LAW (Oct. 31, 2022), https://news.bloomberglaw.com/securities-law/ex-opensea-employees-nft-handling-runs-into-dojs-stradivarius. ↑

 

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Langford and the Pandora Papers: The Flaws Uncovered in the Art World
Next Repatriation of the Benin Bronzes: an Ethical and Legal Discussion?

Related Art Law Articles

Maryan Kushnir Kyiv Jun 15 2026

Kyiv-Pechersk Lavra

World Heritage Site Attacked

Ukrainian museums and cultural centers, such as this 11th century UNESCO site are under attack. Learn about Cultural Heritage at Risk.

UNESCO Site
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Join us for an informative guest lecture and pro b Join us for an informative guest lecture and pro bono consultations on legacy and estate planning for visual artists.

Calling all visual artists: join the Center for Art Law's Artist Legacy and Estate Planning Clinic for an evening of low-cost consultations with attorneys, tax experts, and other arts professionals with experience in estate and legacy planning.

After a short lecture on a legacy and estate planning topic, attendees with consultation tickets artist will be paired with one of the Center's volunteer professionals (attorneys, appraisers and financial advisors) for a confidential 20-minute consultation. Limited slots are available for the consultation sessions. 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #clinic #artlawyer #estateplanning #artistlegacy #legal #research #lawclinic
As AI enters all parts of the legal sector, it has As AI enters all parts of the legal sector, it has also been implemented in Alternative Dispute Resolution mechanisms. The American Arbitration Association and the International Centre for Dispute Resolution recently introduced the "AI arbitrator" in November 2025. 

The process is relatively simple, though it remains reserved for construction cases and subject to the review of a human arbitrator. The tool was created to offer more cost- and time-efficient options. The question remains, if current ADR AI tools can be envisioned in art law disputes, particularly given the individualistic features of art law claims and how they may, or may not, be addressed through the use of AI in ADR procedures

📚 Click the link in our bio to read the full article by Marina Rastorfer!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #ailaw #aiart #adr #alternativedisputeresolution
Don't miss our upcoming conversation with Dr. Rubi Don't miss our upcoming conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

Drawing on the historical relationship between collecting and looting, the discussion will highlight the Palmyrene Portrait Project, a corpus of over 4,000 funerary portraits from Palmyra compiled by Dr. Raja and her team since 2012. The project serves as a critical record of material that, in many cases, remained in situ prior to the outbreak of the Syrian Civil War.

Before its inception, this body of material had not been treated as a unified corpus, nor systematically digitized. Today, the project stands as both the largest corpus of individual Roman period portraits from a single urban context and an essential scholarly and practical tool for identifying objects from Palmyra as they emerge on the art market.

Please note this event will not be recorded. 

🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities
Recently some artist estates have loosened fair us Recently some artist estates have loosened fair use policies for non-profits. The Robert Rauschenberg Foundation is one such example. In an effort to promote Rauschenberg's work over short-term revenue gain, it implemented one of the first fair use policies for certain museums before widening it to the public at large. 

Artist engagement levels did increase, but the policy brought up other issues, including distinguishing non-profit from for-profit uses. 

📚 Click the link in our bio to read more in our article by Josie Goettel!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #artistissues #artistestates #museumissues #iplaw #copyright #ip
Meet our stellar line up of speakers! Thomas Stau Meet our stellar line up of speakers!

Thomas Stauffer | Partner, Gerber & Stauffer Fine Arts; President, Swiss Art Trading Association @thomstauffer 

Stefan Puttaert | CEO, Nicola Erni Collection @stefanputtaert @nicolaernicollection 

Alana Kushnir | Founder & Principal, Aurelian Lawyers & Advisers @aurelianlawyersandadvisers 

Will Korner | Head of Fairs, TEFAF @willkorner 

Pascal Robert | Founder, Pascal Robert Gallery @pascalrobertgallery 

Irina Tarsis | Founder, Center for Art Law, Moderator

▪️See you this Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

▪️Official part of @zurichartweekend programme
June! Roses are in bloom, summer interns have comp June! Roses are in bloom, summer interns have completed two weeks of orientation and research, and the world is heating up. As we wrap up after the Summer School, with much gratitude to our faculty and students, and digest the Copyright Law Conference takeaways, we cannot wait for our panel discussion Art Markets & the World in Transition (what is not?!) during the Zurich Art Weekend (in town on June 13th? Join us!), and look forward to sharing new research and articles with you posthaste. 

Make sure to subscribe to our newsletter to get all of these updates and more! 

📚 Click the link in our bio to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #june #legalresearch
In this episode of Art in Brief, Andrea and Paris In this episode of Art in Brief, Andrea and Paris speak with Will Korner, founder and director of the Cultural Heritage At Risk Database Foundation (CHARD). 

From conflict zones to disaster-stricken regions, Will discusses how documentation, collaboration, and technology can help safeguard the objects and stories that connect us to our shared past from illicit trade. He also explains how CHARD’s database can be used to cross-check whether stolen or missing cultural objects are appearing on the art market, including at auction, and what is at stake when these irreplaceable pieces of heritage are lost. 

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio! 

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #culture #artcrime
Despite the passage of multiple anti-money launder Despite the passage of multiple anti-money laundering laws in the U.S. over the past two decades, the art market is still considered the "largest legal unregulated industry." Its perceived lax regulatory regime and various industry-specific factors, makes high-value art an attractive tool for laundering criminal proceeds. 

The rise in laundering through high-value art is mainly attributed to the high-dollar transactions values, the ease of transporting artwork across borders, the market's longstanding culture of privacy, and art's evolution as a financial asset. That said, the art market is not entirely unregulated. As this article shows, other mechanisms — including industry self-regulation, public pressure from high-profile litigation and settlements, and sanction laws — provide a certain regulatory structure.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artmarket #AML #internationallaw #lawyer #artcrime #money
10 DAYS TO GO - MARK YOUR CALENDARS! Saturday, Ju 10 DAYS TO GO - MARK YOUR CALENDARS!

Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

With big gratitude to our sponsors, we look forward to welcoming you at the event!
📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hi 📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hirzel, Landesmuseum Zurich 

Free & open to the public

This June, as part of the official program of @zurichartweekend, we are bringing together some of the sharpest minds in the international art world for a candid conversation on what’s reshaping collecting today.

▪️Art Markets and the World in Transition: Frameworks Shaping Global Collecting

Geopolitics. Tariffs. AML regulation. Taxes. The rules of the art market are changing as fast as your news feed, and this panel is where experts unpack what that means for collectors, gallerists, and art lovers.

Speakers: 

Will Korner (TEFAF) · Alana Kushnir (Aurelian Lawyers & Advisers) · Pascal Robert (Pascal Robert Gallery) · Stefan Puttaert (Nicola Erni Collection) · Thomas Stauffer (SATA) ·  Irina Tarsis, Esq. (Center for Art Law, moderator)

The event sponsors to be announced soon! 

Link in bio to save your spot 🔗

#ZurichArtWeekend #ArtLaw #ArtMarket #Collecting #ZAW2026 LandesmuseumZürich CenterForArtLaw ArtAndLaw CrossBorderCollecting
Join the Center for Art Law for a conversation wit Join the Center for Art Law for a conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

Drawing on the historical relationship between collecting and looting, the discussion will highlight the Palmyrene Portrait Project, a corpus of over 4,000 funerary portraits from Palmyra compiled by Dr. Raja and her team since 2012. The project serves as a critical record of material that, in many cases, remained in situ prior to the outbreak of the Syrian Civil War. 

Before its inception, this body of material had not been treated as a unified corpus, nor systematically digitized. Today, the project stands as both the largest corpus of individual Roman period portraits from a single urban context and an essential scholarly and practical tool for identifying objects from Palmyra as they emerge on the art market. 

🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities
On October 6, 2025, the Flemish Government announc On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA. 

This decision raised strong reactions from the art world, denouncing the false administrative logic behind this reorganization, which, according to the Flemish Minister of Culture, aims to strengthen collaboration and coherence within the cultural landscape. How does this transfer truly impact the Belgian artistic landscape — and does it really contribute to any coherence, or does it instead destroy the long-term curation and expertise that the institution has built in Antwerp?

📚 Click the link in our bio to read the full article by Alexandra Kharchenko. 

https://itsartlaw.org/art-law/flemish-governments-plan-to-dismantle-m-hkas-collection-in-the-name-of-centralization-of-art/ 

#centerforartlaw #artlaw #legal #artlawyer #legalresearch #artcuration #MHKA #artcuration
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law