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Home image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Six Syrian Sites Added to UNESCO’s List of World Heritage in Danger
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Six Syrian Sites Added to UNESCO’s List of World Heritage in Danger

June 24, 2013

The World Heritage Committee has placed six sites in Syria on the UNESCO’s List of World Heritage in Danger in an effort to draw attention to the destructive effects of ongoing civil war on famed landmarks and ancient sites. Currently holding its 37th session in Phnom Penh and Siem Reap-Angkor, the committee revealed in a press release on Thursday, June 20 that the sites to be added included: the Ancient City of Damascus, Site of Palmyra, the Ancient City of Basra, the Ancient City of Allepo, Crac des Chevaliers and Qal’at Salah El-Din, and the Ancient Villages of Northern Syria. UNESCO reported that this was done in an effort “to mobilize all possible support for the safeguarding of these properties, which are recognized by the international community as being of outstanding universal value for humanity as a whole.” UNESCO Director-General Irina Bokova has called on both sides of the Syrian conflict to take all precautions to prevent destruction of the country’s cultural heritage in the violence that began over two years ago.


In a statement, UNESCO reported that “due to the armed conflict situation in Syria, the conditions are no longer present to ensure the conservation and protection of the outstanding universal value of the six World Heritage properties.” The report also states that “several sites have been inscribed on this list because of the difficulty of the State Party to control the threats as a result of political instability, civil unrest or because the management authority has problems managing the property as a result of insecurity due to the presence of armed bandits, such as narco-traffickers.”

For more than two years, the country’s cultural heritage has been caught in the crossfire of the escalating conflict between Syrian rebels and troops loyal to President Bashar al-Assad. The United Nations reported that more than 93,000 people have been killed since the civil war began. Adding to the tragedy, the fighting is rapidly destroying Syria’s ancient cultural sites and treasures, widely considered to be among the best-preserved in the Middle East. In April, there were reports that the Great Mosque in Aleppo was reduced to rubble. In October, Aleppo’s Souk–widely considered to be the world’s most extensive covered market and popular tourist destination–was heavily damage by fire during a skirmish between the Syrian army and opposition forces seeking to oust President Assad (reported here).

As renewed fighting between Syrian rebels and al-Assad’s forces was reported yesterday, the wartorn region is unlikely to soon see relief.

Sources: The Art Newspaper

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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On October 6, 2025, the Flemish Government announc On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA. 

This decision raised strong reactions from the art world, denouncing the false administrative logic behind this reorganization, which, according to the Flemish Minister of Culture, aims to strengthen collaboration and coherence within the cultural landscape. How does this transfer truly impact the Belgian artistic landscape — and does it really contribute to any coherence, or does it instead destroy the long-term curation and expertise that the institution has built in Antwerp?

📚 Click the link in our bio to read the full article by Alexandra Kharchenko. 

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This is the final day to bid in our Annual Art Law This is the final day to bid in our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

Don't miss out on the amazing pieces  and experiences up for grabs!

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1st: Floragen 2.0.1 by Colleen Hoffenbacker 
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In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

Originally restitution was rejected, but under expanded guidelines the Museum chose to restitute the piece  to Ernst Magnus' heirs. It is now set to be Auction by Sotheby's on June 2, 2026. The starting bid is listed at $28k and the estimated price between $40-60k.

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Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

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Running a nonprofit, art law or not, only looks gl Running a nonprofit, art law or not, only looks glamorous. Before our founder completes her metamorphosis from dewy-faced starlet to aging legend, consider supporting the Center by registering for our silent auction. Marion Davies photographs, artworks, books, and more await their next owners. 

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In last night's evening sale, Christie's successfu In last night's evening sale, Christie's successfully auction off Picasso's L'Atelier for $6.9 million. The painting was previously in art dealer Douglas Cooper's collection prior to it being stolen in 1974. It was later  found in Japan

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