• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet When Grants Become Grievances: Woodmere’s Battle for a Federal Grant
Back

When Grants Become Grievances: Woodmere’s Battle for a Federal Grant

September 28, 2025

Center for Art Law Woodmere Article Donate

By Lauren Stein

On August 26, 2025, the Woodmere Art Museum (Woodmere), a Pennsylvania nonprofit museum, filed a complaint alleging the federal government improperly terminated Woodmere’s Save America’s Treasures grant of $750,000. Woodmere named Donald J. Trump, the Institute of Museum and Library Services (IMLS), Keith Sonderling, the Acting Director of the IMLS, the U.S. Office of Management and Budget, and Russell T. Vought, the Director of the Office of Management and Budget, collectively Defendants.

Woodmere Art Museum first opened to the public in 1910, with a mission dedicated to celebrating the art and artists of Philadelphia.[1] The building, grounds, and the majority of the collection were gifts of Charles Knox Smith (1845-1916), a nineteenth and twentieth-century Philadelphian art collector. [2] The collection owned by Woodmere currently boasts more than 8,000 pieces.[3] Per Woodmere’s Form 990, in 2023, Woodmere expended a total of $3,769,533 in functional expenses for all its operations.[4] From 2022 to 2023, Woodmere’s net assets grew $2,174,523, from $34,569,474 to $36,743,997.

Like many museums, Woodmere relies on grants from the federal government to sustain their operations. The Institute of Museum and Library Services was initially created and funded by Congress in 1996 with a mission to “advance, support, and empower America’s museums, libraries, and related organizations through grantmaking, research, and policy development.”[5] In 2024, the IMLS awarded $266.7 million through grantmaking, research, and policy development, distributed to museums, libraries, and related organizations.[6]

In September 2024, the IMLS awarded Woodmere a $750,000 Save America’s Treasures (SAT) grant.[7] President Bill Clinton established the SAT initiative in February 1998 as a grant program to help preserve “nationally significant historic properties and collections that convey our nation’s rich heritage to future generations.”[8] Since its inception, the SAT program has awarded more than 1,300 grants in excess of $300 million.[9] The IMLS determined Woodmere’s collection was “‘nationally significant’” and granted Woodmere the largest SAT award possible, $750,000.[10] The grant was to be available to Woodmere from October 1, 2024, through September 30, 2026.[11]

Relying on the grant, Woodmere embarked on an “ambitious conservation project” to ready an exhibition of Philadelphia artists set for 2026 to coincide with the America 250 celebration.[12] Additionally, Woodmere entered into numerous contracts for art conservation work related to the project, many with local professionals, to ensure that it would “achieve its project goals” by September 30, 2026, when the grant was set to expire.[13] Woodmere planned to install new storage facilities, address collection crowding, and improve cataloguing efforts.[14] As required by the conditions of the SAT grant, Woodmere raised an additional $750,000 to match, dollar-for-dollar, the total amount of the grant.[15] The museum received just $195,002 of funding before the grant was terminated.[16]

On March 14, 2025, President Donald Trump issued Executive Order No. 14238 that directed the IMLS to eliminate its “non-statutory components and functions” to the “maximum extent consistent with applicable law.”[17] In the Executive Order, President Trump also ordered the Director of the Office of Management and Budget to reject funding requests for the IMLS “to the extent they are inconsistent with [the Executive Order].”[18]

In compliance with Executive Order No. 14238, on April 8, 2025, Keith Sonderling emailed Woodmere that its SAT grant was being terminated “in its entirety,” effective immediately, “with no explanation other than a statement that the SAT grant is no longer consistent with the agency’s priorities and no longer serves the interest of the United States.”[19] On May 8, 2025, Woodmere requested that Keith Sonderling review the termination of its SAT grant.[20] Woodmere did not receive a response to its initial request, nor its follow-up requests.[21]

Claims for Relief

At the end of August, Woodmere, by its attorneys John P. McShea, Ralph J, Kelly, and Donna Brennan-Scott, brought the following claims for relief:

Count 1: Violation of the Appropriations Clause (Against all Defendants)

The Appropriations Clause is an “‘explicit command’ that ‘no money can be paid out of the Treasury unless it has been appropriated by an act of Congress.’”[22] Woodmere argued that, since Congress expressly directed funds be expended for the operations of agencies it created (here, the IMLS), the Executive Order to deny appropriate funds be expended is unconstitutional because it “infringes on Congress’ appropriations power.”[23]

Count II: Violation of Separation of Powers – Usurping Legislative Authority (Against All Defendants)

Woodmere argued that all legislative powers are vested in Congress, and the Constitution “‘exclusively grants the power of the purse to Congress, not the President.’”[24] Woodmere additionally stated that the Executive has “no power ‘to enact, to amend, or to repeal statutes’” and that the Executive must “expend the funds that Congress duly authorizes and appropriates.”[25] Hence, Woodmere argues that where the Executive Branch “overrides a statute or the legislative intent of Congress, it violates the separation of powers doctrine.” Thus, the Executive cannot gut the IMLS and incapacitate its ability to conduct statutorily assigned duties, including administering grants.

Count III: Violation of Take Care Clause (Against All Defendants)

The Take Care Clause provides that the Executive must “‘take Care that the Laws be faithfully executed.’”[26] The Executive violates the Take Care Clause, “where it overrides statutes enacted by Congress and signed into law.”[27] Congress created the IMLS. Woodmere argued that by dismantling the IMLS, the Executive failed to faithfully execute the laws enacted by Congress, in violation of the Take Care Clause.

Count IV: Violation of Administrative Procedure Act; Arbitrary and Capricious and Abuse of Discretion (Against IMLS)

IMLS is an “agency” per the Administrative Procedure Act (APA).[28] The APA requires “courts to ‘hold unlawful and set aside’ agency actions that are ‘arbitrary, capricious, an abuse of discretion, or otherwise not in accordance with law.’”[29] An agency action is arbitrary or capricious where the agency fails to articulate a satisfactory explanation for its action, including a rational connection between the facts found and the choice made.[30]

The Executive did not articulate why it gutted the IMLS and terminated Woodmere’s SAT grant. Additionally, IMLS did not explain the decision to ignore Woodmere’s request to reinstate the grant. Nor did the IMLS explain why it chose to restore similar grants to other Philadelphia museums, the Atwater Kent Museum and Historic Germantown.[31] IMLS also failed to consider reasonable alternatives to the elimination or reduction of its programs and functions.[32]

Count V: Violation of the Administrative Procedure Act, § 706(1) (Against Defendants Sonderling and the IMLS)

The IMLS imposes mandatory duties on its Director to disburse various grants.[33] Congress appropriated specific funds for IMLS to expend for these grants. Accordingly, Defendants have “non-discretionary duties to issue grants and to disburse funds appropriated for that purpose.” Therefore, Woodmere seeks the Court to compel IMLS to issue the grants it, by statute, is required to do.

Count VI: Equitable Ultra Vires (Against all Defendants)

Woodmere states that “federal courts possess the power in equity to grant injunctive relief ‘with respect to violations of federal laws by federal officials.’”[34] The Defendants acted outside the scope of their authority and in contravention of the law. Therefore, Woodmere is entitled to preliminary and permanent injunctive relief barring the actions challenged within its complaint.

The End of the Case:

Less than two weeks later, on September 5, 2025, Woodmere voluntarily dismissed the complaint after the IMLS reinstated the full $750,000 grant.[35] As reported by ARTnews, on September 4, the IMLS sent a Letter of Reinstatement stating the IMLS “has completed the termination review process and will be reinstating [Woodmere’s] federal grant. This action supersedes any previous notices you may have received related to grant termination.”[36] Although Woodmere’s voluntary dismissal closed this chapter, similar challenges are almost inevitable. As the federal government cuts federal grant appropriations, more museums are likely to turn to litigation as a means of protecting their financial interests and ability to carry out their missions.

About the Author:

Lauren Stein is a law student at Wake Forest University School of Law and an intern with the Center for Art Law for the 2025-2026 academic year. She is currently pursuing a career in art law in New York.

Recommended Reading:

  • Francesca Aton, Woodmere Art Museum Drops Lawsuit Against Trump Administration, ARTNEWS (Sept. 8, 2025), https://www.artnews.com/art-news/news/woodmere-art-museum-drops-lawsuit-against-trump-administration-1234751135/.
  • Complaint at 1-2, Woodmere Art Museum, Inc. v. Trump, No. 2:25-cv-04887 (E.D. Pa. Aug. 26, 2025), available at https://www.bloomberglaw.com/public/desktop/document/WOODMEREARTMUSEUMINCvTRUMPetalDocketNo225cv04887EDPaAug262025Cour?doc_id=X332KR9USJE8KOQVH5BSCM99UJA.
  1. WOODMERE ART MUSEUM, About Woodmere (last accessed Sept. 11, 2025), https://woodmereart.org/about/. ↑
  2. Id. ↑
  3. Id. ↑
  4. WOODMERE ART MUSEUM, Board of Trustees and Financial Information Form 990 2023 (Sept. 23, 2024), https://woodmereartmuseum.org/files/users/aferracci@woodmereartmuseum.org/12.31.23PUBLIC09.23.24.PDF. ↑
  5. INSTITUTE OF MUSEUM AND LIBRARY SERVICES, Our Mission/Vision, (last accessed Sept. 11, 2025), https://www.imls.gov/about/learn-about-imls/our-mission-vision. ↑
  6. Id. ↑
  7. Complaint at 1-2, Woodmere Art Museum, Inc. v. Trump, No. 2:25-cv-04887 (E.D. Pa. Aug. 26, 2025). ↑
  8. Millennium Council – Save America’s Treasures, THE WHITE HOUSE (last accessed Sept. 19, 2025), https://clintonwhitehouse4.archives.gov/WH/EOP/First_Lady/html/treasures/index2.html; Save America’s Treasures, NATIONAL ENDOWMENT FOR THE HUMANITIES (last accessed Sept. 16, 2025), available at https://www.neh.gov/program/save-americas-treasures. ↑
  9. Save America’s Treasures Grants, NATIONAL PARKS SERVICE (last accessed Sept. 21, 2025), https://www.nps.gov/subjects/historicpreservationfund/save-americas-treasures-grants.htm. ↑
  10. Compl. at 1, 2. ↑
  11. Id. ↑
  12. Id. ↑
  13. Compl. at 1-2, 27. ↑
  14. Isa Farfan, Pennsylvania Museum Sues Trump Administration Over Grant Cuts, HYPERALLERGIC (Aug. 27, 2025), https://hyperallergic.com/1037363/pennsylvania-museum-sues-trump-administration-over-grant-cuts/. ↑
  15. Compl. at 10; Declaration of William Valerio, Ph.D. at 2. ↑
  16. Farfan, supra n. 14; Decl. at 4. ↑
  17. Exec. Order No. 14238, 90 Fed Reg. 13043 (March 20, 2025). ↑
  18. Id. ↑
  19. Decl. of William Valerio, Ph.D. at 4-5 (internal citations omitted). ↑
  20. Conpl. at 9. ↑
  21. Compl. at 11. ↑
  22. Compl. at 13 (citing Office of Pers. Mgmt. v. Richmond, 496 U.S. 414, 424 (1990)). ↑
  23. Compl. at 13. ↑
  24. Compl. at 14 (citing U.S. Const. Art. I, § 1; City & County of San Francisco v. Trump, 897 F.3d 1225, 1231 (9th Cir. 2018)). ↑
  25. Compl. at 14 (citing Clinton v. City of New York, 524 U.S. 417, 438 (1998); In re Aiken County, 725 F.3d 255, 259 (D.C. Cir. 2013) (Kavanaugh, J)). ↑
  26. Compl. at 15 (citing U.S. Const. Art. II, §3; Util. Air Reg. Grp. v. EPA, 573 U.S. 302, 327 (2014)). ↑
  27. Compl. at 15. ↑
  28. Compl. at 17 (citing 5 U.S.C. §§ 551(1), 701). ↑
  29. Id. (citing 5 U.S.C. §§ 706(2)). ↑
  30. Compl. at 17 (internal citations omitted). ↑
  31. Compl. at 17. ↑
  32. Id. ↑
  33. Compl. at 19. ↑
  34. Compl. at 19 (citing Armstrong v. Exceptional Child Ctr., Inc., 575 U.S. 320, 326-27 (2015)). ↑
  35. Francesca Aton, Woodmere Art Museum Drops Lawsuit Against Trump Administration, ARTNEWS (Sept. 8, 2025), https://www.artnews.com/art-news/news/woodmere-art-museum-drops-lawsuit-against-trump-administration-1234751135/. ↑
  36. Id. ↑

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Spotlight: India Pride Project and the Future of Art Restitution in India
Next Training on Thin Ice: Thomson Reuters v. ROSS and the Future of Fair Use for AI Systems

Related Art Law Articles

Clinic Instagram
Art lawWish You Were Herebootcampevent review

WYWH: “Art Lawyering Bootcamp: Copyright Law”

March 6, 2026
Center for Art Law AI Artibtrator Article
Art lawadr

No Industry Seems Untouched by the AI Avalanche – Where Does AI Stand With ADR? Or Better Asked, Where Does ADR Stand With AI?

February 25, 2026
Center for Art Law AML Laundry Machines Ad
Art law

Regulation Without Legislation: Combatting Money Laundering in the U.S. Art Market

February 21, 2026
Center for Art Law
Summer School Promo

2026 Art Law Summer School

Applications Now Open

Want to learn MORE about art law? Join us for an unforgettable week of art law in NYC!

 

Apply Now
Center for Art Law

Follow us on Instagram for the latest in Art Law!

ONLY 5 DAYS LEFT to apply for the Second Edition ONLY 5 DAYS LEFT to apply  for the Second Edition of Center for Art Law Summer School!! Deadline to apply is  March 15th! Check out these memories from our 2025 Summer School. Don't miss your chance to participate in a whirlwind adventure exploring art law in NYC. 🗽

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field.

🎟️ APPLY NOW using the link in our bio!
After many years of hard work we’ve officially cro After many years of hard work we’ve officially crossed the 1,000 cases mark in our case law database!! Let us know what your favorites are below!
Join us on March 12 for Charitable Contributions: Join us on March 12 for Charitable Contributions: Tax Considerations for Artists and Collectors. For this event we are pleased to be hearing from Attorney Karin Gross. With over 30 years of experience, Ms. Gross is an expert in the area of tax law and specializes in the area of tax aspects for charitable giving. She served in the Office of Legislative Counsel for the U.S. House of Representatives, drafting legislation on behalf of Members of Congress and committee and has worked at the IRS Office of Chief Council. Ms. Gross will guide participants through important tax considerations for artists, collectors and art market participants. 

🎟️ Grab tickets using the link in bio!

#centerforartlaw #artlaw #artlawyer #tax #taxlaw #artist #irs #artandtaxlaw
On March 2nd, SCOTUS ended the saga of "The Recent On March 2nd, SCOTUS ended the saga of "The Recent Enteance to Paradise ", having denied writ of certiorari in Thaler v. Perlmutter. The question posed to the Court was if a work with a nonhuman author could receive copyright protections. The Court of Appeals for D.C. (2025) and the District Court (2023) have already answered 'no' to this issue, citing prior case law human requirements, statute interpretation of the word human artist, and other arguments. Check out our coverage discussing both lower court opinions using the link in bio. Human authorship remains a must for copyright registration. 

📚 Read more about the Supreme Court petition and outcome using the link in bio!

#centerforartlaw #copyright #artlaw #artlawyer #copyrightlaw #ailaw #aiart #artissues #artandai
Deadline Extended!! We are still accepting applica Deadline Extended!! We are still accepting applications for the Second Edition of Center for Art Law Summer School until March 15th! Don't miss this opportunity to explore art law NYC style 🗽

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field.

Applications Extended till March 15th!

🎟️ APPLY NOW using the link in our bio!

#centerforartlaw #artlawsummerschool #newyork #artlaw #artlawyer #legal #lawyer #art
Have you seen the 2024 documentary "The Spoils"? O Have you seen the 2024 documentary "The Spoils"? Our latest review covers Jamie Kastner's film that follows the Max Stern Foundation's restitution efforts and asks hard questions about who holds power in the art world. Savannah Weiler reviews it and we want to hear your take. Read it via the link in bio and drop your thoughts in the comments! 👇 

#centerforartlaw #FILMREVIEW #nazieralootedart #maxsternfoundation
Smile — you're at the Center for Art Law! 🌷 Meet o Smile — you're at the Center for Art Law! 🌷 Meet our Spring 2026 intern team, joining us from schools and graduate programs across the country! 🎓 

Our Spring 2026 Interns have been learning and working hard starting January! We are pleased to introduce to you Donyea James (Legal Intern, Fordham Law, 3L), Alexandra Kharchenko (Legal Intern, French LLM Grad of Northwestern Pritzker School of Law), Jacqueline Koutrodimos-Lewis (Graduate Intern, with MA in Classics and BA in Art History), Halle O’Hern (Legal Intern, Brooklyn Law, 2L), Marina Rastorfer (Legal Intern, Cardozo Law, LLM), and Savannah Weiler (Graduate Intern, MA in History of Art). 

From legal research to event planning, our interns are doing it all — under careful supervision!

Interested in joining our team? Fall 2026 internships begin the 2nd week of September — visit the link in our bio to learn more!
📌 We are looking for interns who can commit to working with us the entire academic year. 

#ArtLaw #LegalInterns #SpringInterns #InternSpotlight #ArtAndLaw #LawSchool #Internship BrooklynLawSchool #FordhamLaw #CardozoLaw #Northwestern #UTAustin #ClassicsAndArt #ArtHistory #NextGenLawyers
🏒 🎨⚖️ Thank you to all the applicants interested 🏒 🎨⚖️

Thank you to all the applicants interested in our 2026 summer internship program. We are humbled by the talent and volume of applications received. We only wish we could offer placement to all of you. If we cannot accommodate your interest this summer, please consider joining us as guest writers, volunteers and students at the upcoming summer school.
Grab an Early Bird Discount for our new CLE progra Grab an Early Bird Discount for our new CLE program to train lawyers to assist visual artists and dealers in the unique aspects of their relationship.

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

The event will take place at DLA Piper, 1251 6th Avenue, New York, NY. 9am -5pm.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval. 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
A recent report by the World Jewish Restitution Or A recent report by the World Jewish Restitution Organization (WRJO) states that most American museums provide inadequate provenance information for potentially Nazi-looted objects held in their collections. This is an ongoing problem, as emphasized by the closure of the Nazi-Era Provenance Internet Portal last year. Established in 2003, the portal was intended to act as a public registry of potentially looted art held in museum collections across the United States. However, over its 21-year lifespan, the portal's practitioners struggled to secure ongoing funding and it ultimately became outdated. 

The WJRO report highlights this failure, noting that museums themselves have done little to make provenance information easily accessible. This lack of transparency is a serious blow to the efforts of Holocaust survivors and their descendants to secure the repatriation of seized artworks. WJRO President Gideon Taylor urged American museums to make more tangible efforts to cooperate with Holocaust survivors and their families in their pursuit of justice.

🔗 Click the link in our bio to read more.

#centerforartlaw #artlaw #museumissues #nazilootedart #wwii #artlawyer #legalresearch
Join us for the Second Edition of Center for Art L Join us for the Second Edition of Center for Art Law Summer School! An immersive five-day educational program designed for individuals interested in the dynamic and ever-evolving field of art law. 

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field. 

Applications are open now through March 1st!

🎟️ APPLY NOW using the link in our bio! 

#centerforartlaw #artlawsummerschool #newyork #artlaw #artlawyer #legal #lawyer #art
Join us for an informative presentation and pro bo Join us for an informative presentation and pro bono consultations to better understand the current art and copyright law landscape. Copyright law is a body of federal law that grants authors exclusive rights over their original works — from paintings and photographs to sculptures, as well as other fixed and tangible creative forms. Once protection attaches, copyright owners have exclusive economic rights that allow them to control how their work is reproduced, modified and distributed, among other uses.

Albeit theoretically simple, in practice copyright law is complex and nuanced: what works acquire such protection? How can creatives better protect their assets or, if they wish, exploit them for their monetary benefit? 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #copyright #CLE #trainingprogram
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law