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Home image/svg+xml 2021 Timothée Giet Cultural Heritage image/svg+xml 2021 Timothée Giet A Revised NAGPRA: Evaluating Progress Towards Repatriating Native American Ancestral Remains and Belongings in the Wake of Revised Federal Regulations
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A Revised NAGPRA: Evaluating Progress Towards Repatriating Native American Ancestral Remains and Belongings in the Wake of Revised Federal Regulations

January 21, 2025

Screenshot from NAGPRA page with Name of the organization logo and images of men walking

By Emily Yan

One year ago, on January 12, 2024, the Department of the Interior (DOI) implemented historic updates to the Native American Graves Protection and Repatriation Act (NAGPRA).[1] These updates aim to close loopholes in the original regulation that allowed for a glacial rate of repatriation. The act was originally passed in 1990 for the “protection and return of Native American human remains, funerary objects, sacred objects, and objects of cultural patrimony.”[2] However, over three decades later, museums have only completed the NAGPRA process for 48% of reported Native remains and only 71% of associated funerary objects.[3] The 2024 update has spurred some institutions to action, with museums like the American Museum of Natural History (AMNH) announcing the shuttering of Native exhibits in order to review their collections and policies.[4] However, while these early efforts in the wake of the revisions may be a step in the right direction, it remains to be seen whether this update will finally realize the hope of NAGPRA in the long-term.

The Original 1990 Act

The Native American Graves Protection and Repatriation Act (NAGPRA) was passed in 1990 to “protect Native American or Native Hawaiian ownership rights to items of cultural significance” and to “provide for the repatriation of culturally significant items currently held by federal agencies and museums.”[5] Under NAGPRA, museums were required to repatriate applicable human remains and cultural items upon the request of a tribe, with the statute laying out a process for inventorying items and working with tribes.[6] At the time, the government estimated that it would take about a decade to complete this repatriation.[7]

However, over three decades later, over 110,000 Native American remains were still unrepatriated as of 2023, with scholars estimating it to take anywhere from 70 to over 200 years to complete the repatriation at this rate.[8] This pace is evident in the progress made at the AMNH, which holds the 17th largest collection of unrepatriated remains in the U.S.[9] Since the implementation of NAGPRA in 1990, the AMNH has repatriated over a thousand human remains.[10] However, this number is minor relative to the over 3,500 remains initially reported to the government, of which at least 1,800 had not been made available for return as of November 2023.[11]

Critics have attributed this protracted and stagnated process to a number of obstacles and loopholes in the act. These issues include the narrow scope of the act,[12] lack of communication with tribes,[13] high evidentiary burdens on tribes,[14] and ineffective enforcement mechanisms.[15] These shortcomings created the need for improved regulations to accelerate repatriation and address the practical gaps of NAGPRA.

2024 NAGPRA Update

On December 6, 2023, the DOI announced updates to NAGPRA, with the revisions going into effect on January 12, 2024.[16] The NAGPRA revisions have been touted as “strengthen[ing] the authority and role of Indigenous communities in the repatriation process” with an aim towards accelerating the repatriation process.[17]

One of the primary goals of the update was to address the exclusion of tribal voices by increasing tribal access and involvement in the repatriation process.[18] To that end, the revisions sought to increase transparency and reporting of museum collections, as well as require museums to obtain consent from tribes before exhibiting human remains.[19] Additionally, the update eliminated one of the biggest loopholes of the original regulation: the “culturally unidentifiable” category. Since 1990, museums had designated thousands of remains and objects as culturally unidentifiable – a label for when the museum is unable to identify a culturally affiliated tribe or lineal descendent for repatriation.[20] However, museums often resorted to this designation too quickly or without sufficient research, allowing the museum to keep the remains or objects in perpetuity and leaving the repatriation in a legal limbo.[21] Under the new regulation, museums and other institutions can no longer use this “culturally unidentifiable” category as a catch-all loophole to avoid repatriation. The update also addressed the evidentiary burden on tribes, which previously required tribes to show cultural affiliation to the remains or object in question by a preponderance of evidence, which often excluded the oral history traditions used by tribes.[22] The updated regulation now only requires one line of evidence to show cultural affiliation, with tribal expert testimony deemed as sufficient.[23]

The revisions also aim to address the sluggish rate of repatriation by setting specific deadlines that institutions must adhere to. The lack of set timelines and enforcement had been a key contributor in allowing museums’ glacial rate of repatriation and indefinite delays in response to repatriation requests. Under the new regulations, institutions must now inventory their collections within five years of the NAGPRA revisions with tribal consultation.[24] In addition, institutions must initiate consultations with tribes within 30 days of new acquisitions and acknowledge repatriation requests within 90 days.[25] Institutions that fail to comply with these deadlines are potentially subject to fines, but the extent to which the DOI enforces these deadlines remains to be seen.[26] If museums and other institutions are actually held to these deadlines, this would mark a significant acceleration from previous efforts of the last three decades.

The update also sought to broaden the scope of the regulation. Previously, NAGPRA primarily covered federally-funded museums and agencies. With a new definition for federal funding, NAGPRA now applies to a broader range of institutions that receive federal funding, including “libraries, historical societies, parks and other entities.”[27] However, even with this broader scope of regulated institutions, there are still gaps in coverage. NAGPRA primarily protects only a subset of the Indigenous community, limiting many privileges to federally recognized tribes. While there are 574 tribes that are recognized by the US government, there are approximately 400 additional tribes in the US that are not federally recognized.[28] For these non-federally recognized tribes, the repatriation process is much more difficult. Museums are not required to consult with them regarding their displays and collections. [29] Further, these non-federally recognized tribes can only request repatriations by working with a federally recognized tribe.[30] As a result, while the NAGPRA revisions may have been aimed at empowering tribes, they still exclude much of the Indigenous community from meaningful participation in the repatriation process.

In this way, the 2024 NAGPRA update seeks to address some of the key issues that have emerged over the last three decades: exclusion of the Indigenous community, glacial rate of repatriation, and limited scope of coverage. While these changes are a step in the right direction, the success of this update still depends on the DOI’s willingness to enforce these changes and on the museums’ good faith efforts to actualize these goals.

Industry Response

In response to the updates, many museums have announced that they are reviewing their human remains collections, shuttering their Indigenous exhibits, or revisiting their museum policies.[31] For example, the AMNH has long been criticized for its slow rate in repatriation. However, in January 2024, shortly following the implementation of the revisions, the AMNH announced that they would be closing two exhibition halls, covering a number of display cases, and halting school field trips while they reviewed their collections.[32] In July 2024, the AMNH reported that the institution had “held more than 400 consultations, with approximately 50 different stakeholders, including hosting seven visits of Indigenous delegations, and eight completed repatriations.”[33] In this way, the NAGPRA revisions have spurred some museums to action after three decades of stagnation.

However, while some museums have announced renewed efforts, it remains to be seen whether these efforts will actualize in timely reviews and repatriations. Under the new NAGPRA regulations, one of the key innovations is the addition of specific deadlines that institutions must adhere to.[34] While museums are publicly supportive of the goals to streamline the repatriation process, some museums have argued that these timelines are unmanageable.[35] Museums have long blamed their delays in the NAGPRA repatriation process on a lack of resources.[36] Even the American Alliance of Museums (AAM) has stated that the timelines seemed “unachievable for institutions[’] . . . staff and resources,” with an “unrealistic” estimate of hours and costs.[37] To note, the DOI has allocated grants to address these resource issues.[38] These grants are available to museums, as well as to tribes and other Native organizations participating in consultations and repatriations.[39] However, it remains to be seen whether the NAGPRA revisions’ estimates and grant resources are realistic to streamline the repatriation process.

Additionally, while resources are indeed limited, many critics have instead attributed the glacial repatriation pace to a lack of prioritization on the part of museums. Scholars have criticized the original NAGPRA regulations for allowing institutions to indefinitely delay repatriation through loopholes and litigation.[40] Indeed, even the revisions allow for extensions to the five-year timeline if museums can show a good faith effort to inventory their collections.[41] These extension allowances could potentially create another loophole for museums to delay repatriation processes. It will take a combination of DOI resource allocation and museum prioritization for these NAGPRA revisions to actualize change.

Reactions From Tribes and Representatives

Many members and representatives of the Indigenous community have responded positively to the 2024 updates. For example, Shannon O’Loughlin, a citizen of the Choctaw Nation of Oklahoma and the Chief Executive and Attorney for the Association of American Indian Affairs, praised many of the changes, including elimination of the “culturally unidentifiable” category and the new consultation requirements.[42] She expressed optimism about future repatriation efforts:

Things have changed. The law has changed, and the public is calling out institutions around the world for their failure to return Indigenous bodies and sensitive cultural and religious items stolen in the name of science, conquest, and war. [43]

However, while many tribal representatives are cautiously optimistic about the steps museums have taken recently, there is a deep pain entrenched in the last thirty years of repatriation under NAGPRA that cannot be erased by the revisions. Under NAGPRA, many tribes have been fighting for decades to recover their ancestors, only to be frustrated by definitional loopholes, drawn-out litigation, and indefinite institutional delays.[44] At the AMNH, tribal representatives from the Unkechaug Nation and the Shinnecock Nation Graves Protection Warrior Society have been waiting for responses to their requests for years and even decades. [45] Then, the museum announced its updated repatriation policy last October ahead of the anticipated NAGPRA revisions. Within twenty-four hours of the announcement, the AMNH finally responded to these tribal representatives.[46] There was an understandably mixed reaction, with Tela Troge, attorney for the Shinnecock Nation, explaining: “It’s like, wow, this is great. But at the same time, NAGPRA has been the law for 33 years and we’re just receiving this notice four days ago? What does that tell you about the institution?”[47] This mix of hope and wariness is reflective of the deep-seated pain and frustration that many members of the Indigenous community have voiced.

It will take more than just revisions on paper to rebuild what has been broken over the last three decades, and longer. As Elizabeth Solomon, a member of the Massachusett Tribe at Ponkapoag, explained: “It needs to continue with building relationship [sic] — reciprocal, meaningful relationships — with indigenous communities, and then and only then can we talk about repair.”[48] While the revisions and recent actions by museums are a step in the right direction, museums must recognize and address the pain linked to the last three decades of repatriation under NAGPRA.

Conclusion

The 2024 NAGPRA revisions are an improvement upon the original regulations, spurring many museums like the AMNH to action after three decades of stagnation. However, although the new regulations aim to strengthen the role of Indigenous communities and accelerate repatriation timelines, there are still a number of potential loopholes and gaps. It will take a combination of resource allocation and museum prioritization for institutions like the AMNH to successfully repatriate their Native American human remains collections. Only in doing so can they begin to address the deep-seated pain entrenched in the last thirty of repatriation under NAGPRA. As such, these revisions embody important, but yet to be proven, progress in the path towards repatriation under NAGPRA.

About the Author

Emily Yan is a 3L at NYU School of Law, who worked as a Fall 2024 Legal Intern for the Center for Art Law. She received her BA in Economics and Psychology from Yale University. Prior to law school, Emily worked as a management consultant at the Boston Consulting Group and as a strategy consultant at the Whitney Museum of American Art. Emily’s research focuses on issues of intellectual property and cultural heritage.

Suggested Readings

  • Gabriella Angeleti, US museums cover Native American displays as revised federal regulations take effect, The Art Newspaper (Jan, 29, 2024), https://www.theartnewspaper.com/2024/01/29/us-museums-nagpra-native-american-displays-new-regulations.
  • Interior Department Announces Final Rule for Implementation of the Native American Graves Protection and Repatriation Act, Nat’l Park Serv. (Dec. 6, 2023), https://www.nps.gov/orgs/1207/interior-department-announces-final-rule-for-implementation-of-the-native-american-graves-protection-and-repatriation-act.htm.
  • Logan Jaffe, Mary Hudetz, Ash Ngu, and Graham Lee Brewer, America’s Biggest Museums Fail to Return Native American Human Remains, ProPublica (Jan. 11, 2023), https://www.propublica.org/article/repatriation-nagpra-museums-human-remains.
  • Mary Hudetz, New Federal Rules Aim to Speed Repatriations of Native Remains and Burial Items, ProPublica (Dec. 8, 2023), https://www.propublica.org/article/interior-department-revamps-repatriation-rules-native-remains-nagpra.
  1. Interior Department Announces Final Rule for Implementation of the Native American Graves Protection and Repatriation Act, Nat’l Park Serv. (Dec. 6, 2023), https://www.nps.gov/orgs/1207/interior-department-announces-final-rule-for-implementation-of-the-native-american-graves-protection-and-repatriation-act.htm. ↑
  2. Facilitating Respectful Return, Nat’l Park Serv., https://www.nps.gov/subjects/nagpra/index.htm;

    Native American Graves Protection and Repatriation Act, 25 U.S.C. §§ 3001–3013 (1990). ↑

  3. Native American Priorities: Protection and Repatriation of Human Remains and Other Cultural Items, USA.Gov (Oct. 10, 2023), https://www.gao.gov/products/gao-24-106870. ↑
  4. Samantha Chery, Museums cover Native displays after new repatriation rules, Wash. Post (Jan. 26, 2024), https://www.washingtonpost.com/entertainment/art/2024/01/26/museums-remove-native-american-hawaiian-indigenous-exhibit-nagpra. ↑
  5. Deborah F. Buckman, Validity, Construction, and Applicability of Native American Graves Protection and Repatriation Act (25 U.S.C.A. §§ 3001–3013 and 18 U.S.C.A. § 1170), 173 A.L.R. Fed. 585 §2[a] (2001). ↑
  6. See id. for a discussion of the requirements under NAGPRA. ↑
  7. Logan Jaffe, Mary Hudetz, Ash Ngu, and Graham Lee Brewer, America’s Biggest Museums Fail to Return Native American Human Remains, ProPublica (Jan. 11, 2023), https://www.propublica.org/article/repatriation-nagpra-museums-human-remains (citing the Congressional Budget Office). ↑
  8. Id.; Christopher Zheng, 31 Years of NAGPRA: Evaluating the Restitution of Native American Ancestral Remains and Belongings, Center for Art Law (May 18, 2021), https://itsartlaw.org/2021/05/18/31-years-of-nagpra-evaluating-the-restitution-of-native-american-ancestral-remains-and-belongings; Emily Bergeron, The Native American Graves Protection and Repatriation Act: Where Are We Now?, 49 Human Rights 10, 10 (2024). ↑
  9. The Repatriation Database: American Museum of Natural History, ProPublica (Nov. 29, 2023), https://projects.propublica.org/repatriation-nagpra-database/institution/american-museum-natural-history. ↑
  10. Sean Decatur, July 2024 Update from the President, Am. Museum of Nat. Hist. (July 25, 2024), https://www.amnh.org/about/july-2024-update-president. ↑
  11. The Repatriation Database, supra note 9. ↑
  12. See e.g., Mx. B. Stephen Jones, Strengthening NAGPRA, 41 Cardozo Arts & Ent. L.J. 883 (2023) (international repatriation gap); Romero v. Becken, 256 F.3d 349 (5th Cir. 2001) (NAGPRA inapplicable for remains found on non-federal lands); Gabriella Angeleti, US museums cover Native American displays as revised federal regulations take effect, The Art Newspaper (Jan, 29, 2024), https://www.theartnewspaper.com/2024/01/29/us-museums-nagpra-native-american-displays-new-regulations (NAGPRA only applicable for federally funded museums). ↑
  13. See e.g., U.S. Gov’t Accountability Off., GAO-20-466T, Native American Issues: Examples of Certain Federal Requirements That Apply to Cultural Resources and Factors That Impact Tribal Consultation (Feb, 26, 2020), https://www.gao.gov/assets/gao-20-466t.pdf (tribal input limited to general public meetings). ↑
  14. See e.g., Bonnichsen v. United States, 367 F.3d 864 (9th Cir. 2004) (highlighting “NAGPRA’s requirement that Native American remains bear some relationship to a presently existing tribe”); 25 U.S.C. § 3005 (requiring tribes to show cultural affiliation by a preponderance of evidence); Mary Hudetz, New Federal Rules Aim to Speed Repatriations of Native Remains and Burial Items, ProPublica (Dec. 8, 2023), https://www.propublica.org/article/interior-department-revamps-repatriation-rules-native-remains-nagpra (“‘culturally unidentifiable’ [remains] . . . allowed to be used for scientific research over tribes’ objections”). ↑
  15. See Jaffe, supra note 7 (discussing the limited resources for enforcement and “miniscule fines” for violations); Angeleti, supra note 17 (less than $60,000 in civil penalties collected from 20 museums since NAGPRA’s inception). ↑
  16. Interior Department Announces Final Rule for Implementation of the Native American Graves Protection and Repatriation Act, Nat’l Park Serv. (Dec. 6, 2023), https://www.nps.gov/orgs/1207/interior-department-announces-final-rule-for-implementation-of-the-native-american-graves-protection-and-repatriation-act.htm. ↑
  17. Interior Department, supra note 1. ↑
  18. Id. ↑
  19. Id. ↑
  20. Mary Hudetz, New Federal Rules Aim to Speed Repatriations of Native Remains and Burial Items, ProPublica (Dec. 8, 2023), https://www.propublica.org/article/interior-department-revamps-repatriation-rules-native-remains-nagpra (“‘culturally unidentifiable’ [remains] . . . allowed to be used for scientific research over tribes’ objections”); Rebecca Mountain, The Future of the Past: Reclassification of ‘Culturally Unidentifiable’ Human Remains Under NAGPRA, 28 Arizona Anthropologist 66 (Nov. 6, 2017), https://journals.librarypublishing.arizona.edu/arizanthro/article/563/galley/550/download. ↑
  21. Id. ↑
  22. See e.g., Bonnichsen v. United States, 367 F.3d 864 (9th Cir. 2004) (highlighting “NAGPRA’s requirement that Native American remains bear some relationship to a presently existing tribe”); 25 U.S.C. § 3005 (requiring tribes to show cultural affiliation by a preponderance of evidence). ↑
  23. Lilly Knoepp, New Native American Graves Protection and Repatriation Act regulations will close loopholes and speed up process, BPR News (Dec. 22, 2023), https://www.bpr.org/bpr-news/2023-12-22/new-native-american-graves-protection-and-repatriation-act-regulations-will-close-loopholes-and-speed-up-process. ↑
  24. Gabriella Angeleti, US museums cover Native American displays as revised federal regulations take effect, The Art Newspaper (Jan, 29, 2024), https://www.theartnewspaper.com/2024/01/29/us-museums-nagpra-native-american-displays-new-regulations; Native American Graves Protection and Repatriation Act Systematic Processes for Disposition or Repatriation of Native American Human Remains, Funerary Objects, Sacred Objects, and Objects of Cultural Patrimony, 43 C.F.R. Part 10 (2023). ↑
  25. Id. ↑
  26. Interior Department, supra note 1. ↑
  27. Kate Fitz Gibbon, The New NAGPRA: ‘traditional knowledge’ in, artifacts out., Cultural Property News (Feb. 12, 2024), https://culturalpropertynews.org/the-new-nagpra-traditional-knowledge-in-artifacts-out/#:~:text=New%20regulations%20for%20NAGPRA%20came,Alaskan%20art%20and%20heritage%20nationwide. ↑
  28. Federally recognized Indian tribes and resources for Native Americans, USA.Gov (last visited Oct. 22, 2024), https://www.usa.gov/tribes; U.S. Gov’t Accountability Off., GAO-12-348, Federal Funding for Non-Federally Recognized Tribes (2012), https://www.gao.gov/assets/gao-12-348.pdf. ↑
  29. Corrie Day, A Balancing Act: Addressing the History and Examining the Changes of NAGPRA and its Regulations, Nebraska L. Rev. (Sept. 25, 2024), https://lawreview.unl.edu/balancing-act-addressing-history-and-examining-changes-nagpra-and-its-regulations#_ednref118. ↑
  30. Frequently Asked Questions, supra note 32. ↑
  31. Angeleti, supra note 23. ↑
  32. Sean Decatur, Statement on New NAGPRA Regulations, Am. Museum of Nat. Hist. (Jan. 26, 2024), https://www.amnh.org/about/statement-new-nagpra-regulations. ↑
  33. Decatur, supra note 10. ↑
  34. Angeleti, supra note 23; Native American Graves Protection and Repatriation Act Systematic Processes for Disposition or Repatriation of Native American Human Remains, Funerary Objects, Sacred Objects, and Objects of Cultural Patrimony, 43 C.F.R. Part 10 (2023). ↑
  35. Angeleti, supra note 23. ↑
  36. Gabrielle Despain, A Look into Nagpra: Application, Issues, and the Future, 24 Wyo. L. Rev. 139, 160 (2024). ↑
  37. Angeleti, supra note 23. ↑
  38. Id. ↑
  39. Native American Graves Protection and Repatriation Act: Grants, Nat’l Park Serv. (Jan. 14, 2025), https://home.nps.gov/subjects/nagpra/grants.htm. ↑
  40. See, e.g., Despain, supra note 34. ↑
  41. Angeleti, supra note 23. ↑
  42. Russell C. Menyhart & Leanna Longley, NAGPRA – 2024 Revamped Rule Strengthens Process for Museums and Universities to Heal Prior Inequities and Rebuild Tribal Relationships, Taft Stettinius & Hollister LLP ↑
  43. Id. ↑
  44. See Kevin P. Ray, NAGPRA and Its Limitations: Repatriation of Indigenous Cultural Heritage, 15 J. Marshall Rev. Intell. Prop. L. 472 (2016); Ellie S. Klibaner-Schiff & Jade Lozada, The Painful Progress of Native American Repatriation, The Harvard Crimson (Mar. 2, 2024), https://www.thecrimson.com/article/2024/3/2/nagpra-scrut/#:~:text=More%20than%2030%20years%20after,ancestral%20remains%20and%20their%20belongings. ↑
  45. Jenna Kunze, New York Museum Unveils Repatriation Overhaul After Ethical Awakening, Native News Online (Oct. 17, 2023), https://nativenewsonline.net/sovereignty/new-york-museum-unveils-repatriation-overhaul-after-ethical-awakening. ↑
  46. Id. ↑
  47. Id. ↑
  48. Klibaner-Schiff & Lozada, supra note 41. ↑

 

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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On the night of April 15–16, 2026 alone, Russia se On the night of April 15–16, 2026 alone, Russia sent hundreds of drones and missiles on sleeping cities across Ukraine, killing and injuring dozens of civilians. War is funded in part by individuals who have important artworks in their personal collections. This full-scale invasion of Ukraine, now in its fifth year, daily exacts a grave toll on Ukrainian lives and cultural heritage, while fundamentally disrupting European commerce. In response, art market participants have adapted their practices, most have accepted, if not always embraced, the need to scrutinize the source of funds and the ultimate beneficiaries of their transactions. Yet there is a growing sense that parts of the trade are holding their breath, waiting to see when they might safely return to dealing with the oligarchs who continue to fund the Russian war machine.

For art market participants operating in the UK, compliance is no longer a peripheral concern, it is a legal imperative. Regulators are watching, the consequences of non-compliance increasingly extend beyond administrative penalties into criminal liability, and private-public partnerships offer the most credible path toward a more resilient and trustworthy market. 

Join us on April 24th for a panel discussion in London on the current state of AML enforcement and sanctions.

🎟️ Grab your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #artcrime #london #artissues #museumissues
Sotheby's sold Modigliani’s Portrait de Leopold Zb Sotheby's sold Modigliani’s Portrait de Leopold Zborowski to Cahn in 2003 for the low price of about $1.55 million. In 2016, Cahn claimed he was verbally informed about authenticity issues with the painting by Sotheby's. The parties did make an agreement regarding Cahn reselling with Sotheby's for a guaranteed price in exchange for releasing the auction house from all claims related to the painting. Cahn claims that he attempted to set this process in motion in June 2025, but he received no response. Cahn now seeks damages totaling $2.67 million, plus interest and attorneys’ fees, for breach of contract. 

Through this dispute, Vivianne Diaz's article highlights a bigger issue in the art market by explaining how forgeries negatively affect both collectors and auction houses, and how auction houses need to be more careful, but most importantly, proactive in their authentication determinations.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #Modigliani #LeopoldZborowski #sothebys
Don't miss our upcoming April 20th bootcamp on Art Don't miss our upcoming April 20th bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
The historic Bayeux Tapestry, conserved in Normand The historic Bayeux Tapestry, conserved in Normandy, France, is scheduled to be loaned from the Bayeux Museum to the British Museum for ten months beginning in the fall of 2026. This is the first time the tapestry will have returned to the UK in over 900 years. 

This loan, authorized by France, has raised multiple controversies, particularly over conservation concerns. Nevertheless, it has been made possible through a combination of factors, including improved conservation techniques, enhanced transport precautions, comprehensive loan agreements, insurance, and the application of relevant protective laws. 

Check out our recent article by Josie Goettel to read more about this historic loan regarding not only in its symbolic significance, but also in its technical complexity.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #legal #museumissues #bayeuxtapisserie #bayeuxtapestry #britishmuseum #bayeuxmuseum
Due to decreasing government funding and increasin Due to decreasing government funding and increasing operational costs, philanthropic giving is more essential than ever. Since the current administration took office, one-third of museums nationwide have lost government grants and contracts. These losses have set off a domino effect of difficult decisions, including laying off staff, cancelling public programming, and delaying maintenance and repairs. 

Many art museums are also still recovering from financial losses incurred during the Covid-19 Pandemic. This recent article by Kamée Payton explores how noncash charitable donation alternatives are used by cultural institutions as financing, and how noncash charitable donations can prove mutually beneficial for both donors and recipients—particularly in terms of tax treatment.

📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #museumissues #taxes #donations #taxtreatment
Brief newsletter instead of a list of abbreviation Brief newsletter instead of a list of abbreviations and dates (here is looking at you, AML and KYC, London, NY, Rome). A laconic message that as days are getting longer and we are charmed by sunshine, blooms, and prospects of holidays, the man-made world does not fail to disappoint (don’t believe me? put aside art law and read world news), and all that during the springtime.

On a high note, we are grateful to our Spring Interns who are finishing up their stint with the Center in a couple of weeks, well done! Together we invite you to the upcoming events in person and online. Come FY2027 (a.k.a. June), we will introduce you to the Summer Class and new Advisors. Hang in there through April and May, take notes, don’t forget – we are living in the best of times and the worst of times. Again. 

🔗 Check out our April newsletter, using the link in our bio, to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #april #legalresearch
When we take a holiday from talking about art law When we take a holiday from talking about art law in New York City, we talk about art law in other places. Recently our Judith Bresler Fellow, Kamée Payton attended the London Art Fair. Below is a snippet of her experience:

"I had the wonderful opportunity to attend the London Art Fair this past weekend where I met many incredible artists and art market participants. I was proud to represent the Center for Art Law in conversations with other attendees. It was an absolute delight to see what contemporary artists are contributing to the art world."

#centerforartlaw #artlaw #london #artfair #londonartfair #uk #nyc #artlawyer #legalresearch
Check out our recent article by Lauren Stein revie Check out our recent article by Lauren Stein reviewing Amy Werbel’s "Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock." Werbel's book showcases a portrait of Anthony Comstock, America’s first professional censor, a man obsessed with purity and self-control who regarded masturbation as a sign of moral corruption. 

Read more about this public figure and Werbel's telling of his life including the impact he had on the US's early attempts to curtail desire in the decades before World War I, in Lauren's review. 

 📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #bookreview #censorship #artistissues
One of our interns, Jacqueline, stopped by the Mor One of our interns, Jacqueline, stopped by the Morgan after the blizzard to catch their exhibition, “Caravaggio’s Boy with a Basket of Fruit in Focus." In partnership with the Foundation for Italian Art and Culture (FIAC) and on loan from the Galleria Borghese in Rome, this is the first time in decades that Caravaggio's early masterpiece has come to the United States. 

"The Morgan is just two blocks away from my university, the Graduate Center. The library and museum have been a rich resource for me, representing an institution that honors the rich legacy of its collector, while also maintaining exciting rotating exhibitions," Jacqueline said. 

The painting is in conversation with other works by those who influenced Caravaggio and those he subsequently inspired. The exhibition's sparkling 3-month run comes to a close April 19.

📚 Check out more information on the exhibition using the link in our bio!

#centerforartlaw #artlaw #artmuseum #caravaggio #themorgan #nyc #artlawyer #legalresearch
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