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Home image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Fires Ravaging Aleppo’s Ancient Souk Raise Concerns Over Destruction of Cultural Heritage Sites in Syria
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Fires Ravaging Aleppo’s Ancient Souk Raise Concerns Over Destruction of Cultural Heritage Sites in Syria

October 11, 2012

The struggles in Syria have claimed thousands of lives. Across war-torn regions, damage is also being done to ancient sites as a byproduct of the bloody fighting that has already claimed more than 30,000 lives.

Forces of the rebel Tawhid Brigade recently launched an attempt to take control of Aleppo from President Bashar al-Assad. Almost two weeks ago, fires began sweeping through the ancient souk, or marketplace, of Aleppo, damaging well-preserved medieval storehouses, shops, schools, and ornate courtyards, as a result of the fighting between security forces and rebels. The rebels, seeking to liberate neighborhoods that were largely pro-government, have used these areas as posts from which to attack the opposition.

Aleppo is one of the world’s oldest continually inhabited cities and one of Syria’s largest. Fires have damaged more than 1,500 shops and new fires have been set ablaze in Aleppo’s Zhrawi, Aqaba, and Bab Al Nasr markets. Parts of the Great Mosque, nearly a thousand years old, have been close to being set ablaze. Four other World Heritage sites have been damaged in Syria, including the old city of Damascus, the ruins of Palmyra, the Crac de Chevaliers crusader castle, and the “forgotten villages” in the north.

The destruction occurring in the Old City has also angered opponents of the Syrian president. The New York Times interviewed a doctor who identified herself only as “Dima” who expressed her sorrow at the destruction and, though she supported peaceful resistance against the current regime, said that, “our hearts and minds have been burned in this fire… it’s not just a souk and shops, but it’s our soul too.”

Damage of priceless sites of shared cultural heritage has always been a consequence of warfare. Following the unprecedented destruction of historic sites, monuments, and artifacts of the Second World War, the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict was enacted as a measure for the international community to manage damage done to important cultural heritage sites and pieces resulting from armed conflict. As a signatory to this treaty, Syria is obligated to protect its cultural heritage sites and monuments.

UNESCO’s Director-General Irina Bokova stated, “That the fighting is now destroying cultural heritage that bears witness to the country’s millenary history – valued and admired the world over – makes it even more tragic.” Though Bokova has sent a UNESCO team to Syria, they will not be able to survey the damage to the Old City until the fighting stops.

Sources: Rebel Forces Set Fire to Aleppo’s Old City, In Syria’s Largest City, Fire Ravages Ancient Market

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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The expansion of the use of collaborations between The expansion of the use of collaborations between artists and major consumer corporations brings along a myriad of IP legal considerations. What was once seen in advertisement initiatives  has developed into the creation of "art objects," something that lives within a consumer object while retaining some portion of an artists work. 

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Don't forget to grab tickets to our upcoming Collo Don't forget to grab tickets to our upcoming Colloquium, discussing the effectiveness of no strike designations in Syria, on February 2nd. Check out the full event description below:

No strike designations for cultural heritage are one mechanism by which countries seek to uphold the requirements of the 1954 Hague Convention. As such, they are designed to be key instruments in protecting the listed sites from war crimes. Yet not all countries maintain such inventories of their own whether due to a lack of resources, political views about what should be represented, or the risk of misuse and abuse. This often places the onus on other governments to create lists about cultures other than their own during conflicts. Thus, there may be different lists compiled by different governments in a conflict, creating an unclear legal landscape for determining potential war crimes and raising significant questions about the effectiveness of no strikes as a protection mechanism. 

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Don't miss our up coming in-person, full-day train Don't miss our up coming in-person, full-day training aimed at preparing lawyers for working with art market participants and understanding their unique copyright law needs. The bootcamp will be led by veteran art law attorneys, Louise Carron, Barry Werbin, Carol J. Steinberg, Esq., Scott Sholder, Marc Misthal, specialists in copyright law. 

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In order to fund acquisitions of contemporary art, In order to fund acquisitions of contemporary art, The Phillips Collection sold seven works of art from their collection at auction in November. The decision to deaccession three works in particular have led to turmoil within the museum's governing body. The works at the center of the controversy include Georgia O'Keefe's "Large Dark Red Leaves on White" (1972) which sold for $8 million, Arthur Dove's "Rose and Locust Stump" (1943), and "Clowns et pony" an 1883 drawing by Georges Seurat. Together, the three works raised $13 million. Three board members have resigned, while members of the Phillips family have publicly expressed concerns over the auctions. 

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Join us on February 18th to learn about the proven Join us on February 18th to learn about the provenance and restitution of the Cranach painting at the North Carolina Museum of Art.

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Major corporations increasingly rely on original c Major corporations increasingly rely on original creative work to train AI models, often claiming a fair use defense. However, many have flagged this interpretation of copyright law as illegitimate and exploitative of artists. In July, the Senate Judiciary Committee on Crime and Counterterrorism addressed these issues in a hearing on copyright law and AI training. 

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Join the Center for Art Law for an in-person, all- Join the Center for Art Law for an in-person, all-day  CLE program to train lawyers to work with visual artists and their unique copyright needs. The bootcamp will be led by veteran art law attorneys specializing in copyright law.

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Our interns do the most. Check out a day in the li Our interns do the most. Check out a day in the life of Lauren Stein, a 2L at Wake Forest, as she crushes everything in her path. 

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