About
Resources
Events
- Worldwide Calendar
- Our Events
  - All Events
  - Annual Conferences
Programs
Case Law Database

2025 Year-End Appeal
Log in
Become a Member
Donate

2025 Year-End Appeal
Log in
Become a Member
Donate

About
About
Resources
Resources
- Article Collection
- Podcast: Art in Brief
- AML and the Art Market
- AI and Art Authentication
- Newsletter
  Newsletter
- Art Law Library
- Movies
- Nazi-looted Art Restitution Database
- Global Network
  Global Network
- Additional resources
  Additional resources
  - The “Interview” Project
Events
Events
- Worldwide Calendar
- Our Events
  Our Events
  - All Events
  - Annual Conferences
    
    Annual Conferences
    
    2025 Art Law Conference
    
    2024 Art Law Conference
    
    2023 Art Law Conference
    
    2022 Art Law Conference
    
    2015 Art Law Conference
Programs
Programs
- Visual Artists’ Legal Clinics
  Visual Artists’ Legal Clinics
- Summer School
  Summer School
  - 2025
- Internship and Fellowship
- Judith Bresler Fellowship
Case Law Database

Search for:

Home EmployeeAmanda Buonaiuto

Back

Amanda Buonaiuto

October 30, 2024

Amanda photo

Post navigation

Previous Briana Pierre

Next Minerva Pinto

Related Posts

New Copyright Bill in Canada

October 1, 2011

I am not a Fan: Museums Acting and Reacting to Public Opinion

The UCL Panopticon and Protests: A lack of arts funding in the UK?

A Gift for Us

this Holiday Season

Thank you to Sofia Tomilenko (the artist from Kyiv, Ukraine who made this Lady Liberty for us) and ALL the artists who make our life more meaningful and vibrant this year! Let there be light in 2026!

Last Gift of 2025

AI and Art Authentication

Explore the new Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here

Follow us on Instagram for the latest in Art Law!

Paul Cassier (1871-1926 was an influential Jewish

Paul Cassier (1871-1926 was an influential Jewish art dealer. He owned and ran an art gallery called Kunstsalon Paul Cassirer along with his cousin. He is known for his role in promoting the work of impressionists and modernists like van Gogh and Cézanne.

Cassier was seen as a visionary and risk-tasker. He gave many now famous artists their first showings in Germany including van Gogh, Manet, and Gaugin. Cassier was specifically influential to van Gogh's work as this first showing launched van Gogh's European career.

🔗 Learn more about the impact of his career by checking out the link in our bio!

#centerforartlaw #artlaw #legalresearch #law #lawyer #artlawyer #artgallery #vangogh

No strike designations for cultural heritage are o

No strike designations for cultural heritage are one mechanism by which countries seek to uphold the requirements of the 1954 Hague Convention. As such, they are designed to be key instruments in protecting the listed sites from war crimes. Yet not all countries maintain such inventories of their own whether due to a lack of resources, political views about what should be represented, or the risk of misuse and abuse. This often places the onus on other governments to create lists about cultures other than their own during conflicts. Thus, there may be different lists compiled by different governments in a conflict, creating an unclear legal landscape for determining potential war crimes and raising significant questions about the effectiveness of no strikes as a protection mechanism.

This presentation discusses current research seeking to empirically evaluate the effectiveness of no strike designations as a protection mechanism against war crimes in Syria. Using data on cultural heritage attacks from the height of the Syrian Conflict (2014-2017) compiled from open sources, a no strike list completed in approximately 2012, and measures of underlying risk, this research asks whether the designations served as a protective factor or a risk factor for a given site and the surrounding area. Results and implications for holding countries accountable for war crimes against cultural heritage are discussed.

🎟️ Grab your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #lawyer #culturalheritage #art #protection

What happens when culture becomes collateral damag

What happens when culture becomes collateral damage in war?
In this episode of Art in Brief, we speak with Patty Gerstenblith, a leading expert on cultural heritage law, about the destruction of cultural sites in recent armed conflicts.

We examine the role of international courts, the limits of accountability, and whether the law can truly protect history in times of war.

We would like to also thank Rebecca Bennett for all of her help on this episode.

🎙️ Click the link in our bio to listen anywhere you get your podcasts.

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #podcast #artpodcast #culturalheritage #armedconflict #internationallaw

Where did you go to recharge your batteries?

Where did you go to recharge your batteries?

Let there be light! Center for Art Law is pleased

Let there be light! Center for Art Law is pleased to share with you a work of art by Sofia Tomilenko, an illustration artist from Kyiv, Ukraine. This is Sofia's second creation for us and as her Lady Liberty plays tourist in NYC, we wish all of you peace and joy in 2026!

Light will overcome the darkness. Світло переможе темряву. Das Licht wird die Dunkelheit überwinden. La luz vencerá la oscuridad.

#artlaw #peace #artpiece #12to12

Writing during the last days and hours of the year

Writing during the last days and hours of the year is de rigueur for nonprofits and what do we get?

Subject: Automatic reply: Thanks to Art Law!

"I am now on leave until January 5th.
. . .
I will respond as soon as I can upon on my return. For anything urgent you may contact ..."

Well, dear Readers, Students, Artists and Attorneys, we see you when you're working, we know when you're away, and we promise that in 2026 Art Law is coming to Town (again)!

Best wishes for 2026, from your Friends at the Center for Art Law!

#fairenough #snowdays #2026ahead #puttingfunback #fundraising #EYO2025

Less than a week left in December and together we

Less than a week left in December and together we have raised nearly $32,000 towards our EOY fundraising $35,000 goal. If we are ever camera shy to speak about our accomplishments or our goals, our work and our annual report speak for themselves.

Don’t let the humor and the glossy pictures fool you, to reach our full potential and new heights in 2026, we need your vote of confidence. No contribution is too small. What matters most is knowing you are thinking of the Center this holiday season. Thank you, as always, for your support and for being part of this community!

#artlaw #EOYfundraiser #growingin2026 #AML #restitution #research #artistsright #contracts #copyright #bringfriends

This summer, art dealer James White and appraiser

This summer, art dealer James White and appraiser Paul Bremner pleaded guilty for their participation in the third forgery ring of Norval Morisseau works uncovered by Canadian authorities. Their convictions are a key juncture in Canda's largest art fraud scheme, a scandal that has spanned decades and illuminated deep systemic failures within the art market to protect against fraud.

Both White and Bremner were part of what is referred to as the 'Cowan Group,' spearheaded by art dealer Jeffrey Cowan. Their enterprise relied on Cowan fabricating provenance for the forged works, which he claimed were difficult to authenticate.

In June, White, 87, pleaded guilty to to creating forged documents and possessing property obtained by crime for the purpose of trafficking. Later, in July, Paul Bremner pleaded guilty to producing and using forged documents and possessing property obtained through crime with the intent of trafficking. While Bremner, White, and Cowan were all supposed to face trial in the Fall, Cowan was the only one to do so and was ultimately found guilty on four counts of fraud.

🔗 Click the link in our bio to read more.

#centerforartlaw #artlaw #legalresearch #artfraud #artforgery #canada #artcrime #internationallaw

It's the season!

It's the season!

In 2022, former art dealer Inigo Philbrick was sen

In 2022, former art dealer Inigo Philbrick was sentenced to seven years in prison for committing what is considered one of the United States' most significant cases of art fraud. With access to Philbrick's personal correspondence, Orlando Whitfield chronicled his friendship with the disgraced dealer in a 2024 memoir, All that Glitters: A Story of Friendship, Fraud, and Fine Art.

For more insights into the fascinating story of Inigo Philbrick, and those he defrauded, read our recent book review.

🔗 Click the link in our bio to read more!

#centerforartlaw #legalresearch #artlaw #artlawyer #lawer #inigophilbrick #bookreview #artfraud

The highly publicized Louvre heist has shocked the

The highly publicized Louvre heist has shocked the globe due to its brazen nature. However, beyond its sheer audacity, the heist has exposed systemic security weaknesses throughout the international art world. Since the theft took place on October 19th, the French police have identified the perpetrators, describing them as local Paris residents with records of petty theft.

In our new article, Sarah Boxer explores parallels between the techniques used by the Louvre heists’ perpetrators and past major art heists, identifying how the theft reveals widespread institutional vulnerability to art crime.

🔗 Click the link in our bio to read more!

#centerforartlaw #artlaw #legalresearch #artcrime #theft #louvre #france #arttheft #stolenart

In September 2025, 77-year old Pennsylvania reside

About the Center
Contact Us
Newsletter

Upcoming Events
Internship
Case Law Database

Log in
Become a Member
Donate

DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law