• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our People image/svg+xml 2021 Timothée Giet Hon. Barbara Jaffe (ret.)
Back

Hon. Barbara Jaffe (ret.)

November 11, 2022

Honorable Barbara Jaffe is newly retired from the New York State Supreme Court, New York County. She is now Of Counsel to Borah, Goldstein, Altschuler, Nahins & Goidel, PC, where she focuses exclusively on cases brought in the New York State Supreme and federal courts.

Syracuse University awarded Judge Jaffe a BA, cum laude, after which she was awarded a graduate fellowship to study Italian Renaissance Art in Florence, Italy, obtaining thereafter an MA in Italian Renaissance Art. She obtained her JD from Brooklyn Law School, after which she represented indigent criminal defendants on appeal for The Legal Aid Society. After serving successively as principal court attorney to two Supreme Court justices, Judge Jaffe was elected to the New York City Civil Court and subsequently appointed to the New York State Supreme Court, Civil Term, where she most recently presided in an individual assignment part and was specially assigned to try asbestos cases.

Presently, Judge Jaffe serves as a Director of the Center for Art Law, on the AdvisoryBoard of the Judges and Lawyers Breast Cancer Alert (JALBCA), and on the Supreme Court Committee of New York County Lawyers Association (NYCLA). She has served on many local and state bar associations, including as a director of JALBCA and chair of its Program Committee, as a director of the New York Women’s Bar Association and co-chair of its Committee on Professional Ethics and Discipline, and as a member of the New York State Bar Association’s (State Bar) Task Force on Free Speech in the Digital Age and on the Executive Committee of its Entertainment, Art, and Sports Law Section for which she co-chaired the Bresler/Cowan Scholarship Competition.

Judge Jaffe was the New York City Bar Association’s (City Bar) Delegate to the State Bar and served on its Committee on Nominations, Committee on Art Law, Committee on Civil Court, Committee on Public Service and Education, and its Special Committee on Capital Punishment. At NYCLA, Judge Jaffe presided as co-chair of its Civil Court Practice Section and is a Founding Faculty Member of its Art Litigation and Dispute Resolution Institute. She has also served on NYCLA’s Justice Center Advisory Board and its Committee on LGBTQ Issues, Pro Bono Committee, and Criminal Law Section.

Additionally, Judge Jaffe is a Past President of the Association of Arbitrators of the Small Claims Court which she represented when serving on the Executive Committee of the Network of Bar Leaders. She also chaired a joint committee of the City Bar and NYCLA which produced, in five foreign languages, the “Handbook for Criminal Defendants”; it was distributed state- wide and appears on the Unified Court System’s website.

Judge Jaffe was honored to receive the Beryl R. Jones-Woodin Art Law Alumni Award from the Art Law Association of Brooklyn Law School, and to have appeared in DA Pennebaker and Chris Hegedus’s groundbreaking film, “Unlocking the Cage,” about the efforts of the Nonhuman Rights Project to obtain habeas corpus rights for chimpanzees.
Judge Jaffe has presented numerous continuing legal education programs on evidence, asbestos litigation, capital litigation, professional ethics, criminal law and procedure, mediation, and small claims procedure for the Unified Court System, NYCLA, the City Bar, the New York Women’s Bar Association, the Women’s Bar Association of the State of New York, the Columbian Lawyers Association, and others. She also moderated annual panels on various art law topics for NYCLA’s Art Litigation and Dispute Resolution Institute.

Selected articles, book reviews, presentations:

  • “Gerard David’s ‘The Justice of Cambyses,’ The Aesthetic, Religious, Mythological, Musical, and Legal Significance of the Flaying of Sisamnes,” 26 Green Bag 2d 25 (forthcoming, Autumn 2022)
  • “After the Plague: A Eucharistic Illusion in an Early Renaissance Last Supper,” Columbus Citizens Foundation, Zoom, Sept. 17, 2020
  • “Going Inside the Courtroom: Insight From the Bench,” New York County Lawyers Association Newsletter, vol 8, issue 15, Oct. 2013
  • “Visions of ‘Justice,’ Reviewing ‘Representing Justice: Invention, Controversy, and Rights in City-States and Democratic Courtrooms’”, by Judith Resnik and Dennis Curtis, 15 Green Bag 2d 209 (Winter 2012), http://www.greenbag.org/v15n2/v15n2_review_jaffe.pdf
  • “Art Law: The Guide for Collectors, Investors, Dealers, & Artists” (Bresler and Lerner, 4th ed.) New York Law Journal, Dec. 10, 2012, at 6 (book review)
  • “What’s a Renoir Authenticity Case Doing in a Small Claims Court Like This?” Cultural Heritage and Arts Review (vol. 2, issue 1, Summer 2011)
  • “Finding the Uncommon Deal,” New York Law Journal, Apr. 8, 2011, at 6 (book review)
  • “The Art of Execution: Pictures and Punishment in Western Culture: The Aesthetic Image of Public Execution and its Impact on Criminal Justice: William Hogarth and the Law Relating to Capital Punishment in Eighteenth Century England,” 15 Law and Literature 2 (Summer 2003)
  • “Without Sanctuary: Lynching Photography in America,” New York Law Journal, March 14, 2000, at 2 (book review)
  • “Winning in Small Claims Court: A Step-by-Step Guide for Trying Your Own Small Claims Cases,” New York Law Journal, Aug. 13, 1999, at 2 (book review).

Post navigation

Previous Daniela Baiardi
Next Rakhel Milstein

Related Art Law Articles

Clinic Instagram
Art lawWish You Were Herebootcampevent review

WYWH: “Art Lawyering Bootcamp: Copyright Law”

March 6, 2026
Center for Art Law AI Artibtrator Article
Art lawadr

No Industry Seems Untouched by the AI Avalanche – Where Does AI Stand With ADR? Or Better Asked, Where Does ADR Stand With AI?

February 25, 2026
Screenshot 2026 02 23 at 3 26 37 PM
Art HistoryFilm Review

The Spoils: A Fight for Nazi-Looted Art and the Weight of the Burden of Proof

February 25, 2026
Center for Art Law
Summer School Promo

2026 Art Law Summer School

Applications Now Open

Want to learn MORE about art law? Join us for an unforgettable week of art law in NYC!

 

Apply Now
Center for Art Law

Follow us on Instagram for the latest in Art Law!

September of 2025 stuck a potential death blow to September of 2025 stuck a potential death blow to the NFT market: Christie's announced the closing of their digital art department. It had only lasted 3 years. NFTs experienced a incredibly  fast tracked rise and fall in popularity, leaving behind questions as to their continuing value and ownership rights. And yet, there could be some lasting change on how digital ownership will continue moving foward. 

📚 To learn more about this niche and potentially, completely, disappearing market read Shaila Gray's recently published article using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nfts #blockchain #digitalart #artmarket #artistissues
ONLY 5 DAYS LEFT to apply for the Second Edition ONLY 5 DAYS LEFT to apply  for the Second Edition of Center for Art Law Summer School!! Deadline to apply is  March 15th! Check out these memories from our 2025 Summer School. Don't miss your chance to participate in a whirlwind adventure exploring art law in NYC. 🗽

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field.

🎟️ APPLY NOW using the link in our bio!
After many years of hard work we’ve officially cro After many years of hard work we’ve officially crossed the 1,000 cases mark in our case law database!! Let us know what your favorites are below!
Join us on March 12 for Charitable Contributions: Join us on March 12 for Charitable Contributions: Tax Considerations for Artists and Collectors. For this event we are pleased to be hearing from Attorney Karin Gross. With over 30 years of experience, Ms. Gross is an expert in the area of tax law and specializes in the area of tax aspects for charitable giving. She served in the Office of Legislative Counsel for the U.S. House of Representatives, drafting legislation on behalf of Members of Congress and committee and has worked at the IRS Office of Chief Council. Ms. Gross will guide participants through important tax considerations for artists, collectors and art market participants. 

🎟️ Grab tickets using the link in bio!

#centerforartlaw #artlaw #artlawyer #tax #taxlaw #artist #irs #artandtaxlaw
On March 2nd, SCOTUS ended the saga of "The Recent On March 2nd, SCOTUS ended the saga of "The Recent Enteance to Paradise ", having denied writ of certiorari in Thaler v. Perlmutter. The question posed to the Court was if a work with a nonhuman author could receive copyright protections. The Court of Appeals for D.C. (2025) and the District Court (2023) have already answered 'no' to this issue, citing prior case law human requirements, statute interpretation of the word human artist, and other arguments. Check out our coverage discussing both lower court opinions using the link in bio. Human authorship remains a must for copyright registration. 

📚 Read more about the Supreme Court petition and outcome using the link in bio!

#centerforartlaw #copyright #artlaw #artlawyer #copyrightlaw #ailaw #aiart #artissues #artandai
Deadline Extended!! We are still accepting applica Deadline Extended!! We are still accepting applications for the Second Edition of Center for Art Law Summer School until March 15th! Don't miss this opportunity to explore art law NYC style 🗽

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field.

Applications Extended till March 15th!

🎟️ APPLY NOW using the link in our bio!

#centerforartlaw #artlawsummerschool #newyork #artlaw #artlawyer #legal #lawyer #art
Have you seen the 2024 documentary "The Spoils"? O Have you seen the 2024 documentary "The Spoils"? Our latest review covers Jamie Kastner's film that follows the Max Stern Foundation's restitution efforts and asks hard questions about who holds power in the art world. Savannah Weiler reviews it and we want to hear your take. Read it via the link in bio and drop your thoughts in the comments! 👇 

#centerforartlaw #FILMREVIEW #nazieralootedart #maxsternfoundation
Smile — you're at the Center for Art Law! 🌷 Meet o Smile — you're at the Center for Art Law! 🌷 Meet our Spring 2026 intern team, joining us from schools and graduate programs across the country! 🎓 

Our Spring 2026 Interns have been learning and working hard starting January! We are pleased to introduce to you Donyea James (Legal Intern, Fordham Law, 3L), Alexandra Kharchenko (Legal Intern, French LLM Grad of Northwestern Pritzker School of Law), Jacqueline Koutrodimos-Lewis (Graduate Intern, with MA in Classics and BA in Art History), Halle O’Hern (Legal Intern, Brooklyn Law, 2L), Marina Rastorfer (Legal Intern, Cardozo Law, LLM), and Savannah Weiler (Graduate Intern, MA in History of Art). 

From legal research to event planning, our interns are doing it all — under careful supervision!

Interested in joining our team? Fall 2026 internships begin the 2nd week of September — visit the link in our bio to learn more!
📌 We are looking for interns who can commit to working with us the entire academic year. 

#ArtLaw #LegalInterns #SpringInterns #InternSpotlight #ArtAndLaw #LawSchool #Internship BrooklynLawSchool #FordhamLaw #CardozoLaw #Northwestern #UTAustin #ClassicsAndArt #ArtHistory #NextGenLawyers
🏒 🎨⚖️ Thank you to all the applicants interested 🏒 🎨⚖️

Thank you to all the applicants interested in our 2026 summer internship program. We are humbled by the talent and volume of applications received. We only wish we could offer placement to all of you. If we cannot accommodate your interest this summer, please consider joining us as guest writers, volunteers and students at the upcoming summer school.
Grab an Early Bird Discount for our new CLE progra Grab an Early Bird Discount for our new CLE program to train lawyers to assist visual artists and dealers in the unique aspects of their relationship.

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

The event will take place at DLA Piper, 1251 6th Avenue, New York, NY. 9am -5pm.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval. 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
A recent report by the World Jewish Restitution Or A recent report by the World Jewish Restitution Organization (WRJO) states that most American museums provide inadequate provenance information for potentially Nazi-looted objects held in their collections. This is an ongoing problem, as emphasized by the closure of the Nazi-Era Provenance Internet Portal last year. Established in 2003, the portal was intended to act as a public registry of potentially looted art held in museum collections across the United States. However, over its 21-year lifespan, the portal's practitioners struggled to secure ongoing funding and it ultimately became outdated. 

The WJRO report highlights this failure, noting that museums themselves have done little to make provenance information easily accessible. This lack of transparency is a serious blow to the efforts of Holocaust survivors and their descendants to secure the repatriation of seized artworks. WJRO President Gideon Taylor urged American museums to make more tangible efforts to cooperate with Holocaust survivors and their families in their pursuit of justice.

🔗 Click the link in our bio to read more.

#centerforartlaw #artlaw #museumissues #nazilootedart #wwii #artlawyer #legalresearch
Join us for the Second Edition of Center for Art L Join us for the Second Edition of Center for Art Law Summer School! An immersive five-day educational program designed for individuals interested in the dynamic and ever-evolving field of art law. 

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field. 

Applications are open now through March 1st!

🎟️ APPLY NOW using the link in our bio! 

#centerforartlaw #artlawsummerschool #newyork #artlaw #artlawyer #legal #lawyer #art
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law