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Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet 25 years Later: Speaking about “The Washington Principles”
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25 years Later: Speaking about “The Washington Principles”

December 8, 2023

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About this Event

What’s there to talk about?! A quarter century after the signing of the Washington Principles and 80 years after the London Conference which produced a public statement that taking of property by the Nazis will not be recognized by the art world once the World War 2 would come to an end, in 2023 the world is still dealing with Nazi-era looted art claims and disputes. While the leading art museums are engaging with experts to review provenance of art long in their care, courts and auction houses still grapple with restitution claims. Conflicts of law, statutes of limitation and loss of memory and evidence make outcomes of claims for recovery of art intentionally or opportunistically looted during World War 2, hinder our ability to find and reach fair and just solutions.

To mark this anniversary with an informal conversation and to acknowledge that fairness is not guaranteed in cases involving art claims, watch this event to hear from the Center’s in house expert: our Board of Advisors’ member Jen Kreder (author of amicus briefs and numerous articles about Nazi-era looted art cases), our Board of Director’s Peter Toren, plaintiff in the recently decided Toren v. The Fed. Republic of Germany. Moderated by Irina Tarsis, Founder of the Center for Art Law, let’s think whether the US still needs or ever needed a Commission to Resolve Nazi-era Looted Art Claims. We discussed the recent developments in cases citing the HEAR act and in trends that Nazi-era looted art cases are setting for 2024.

About the Speakers

Irina Tarsis

Irina Tarsis, Esq. is an art historian and a practicing attorney admitted to the bar in New York State. She earned her Masters Degree in Art History from Harvard University and her J.D. from the Benjamin N. Cardozo School of Law (NY). Ms. Tarsis launched the Center for Art Law as a blog in 2008/2009. Under her leadership, the Center was incorporated as a stand-alone non-profit organization in December 2017. Ms. Tarsis has served on the faculty of the Teachers College/Columbia University (2020), Benjamin N. Cardozo School of Law (2012, 2017-2018) and the European Shoah Legacy Institute/Provenance Research Training Workshops in Vilnius, Lithuania (2013), Athens, Greece and Rome, Italy (2014). Her publications include articles in the IFAR Journal, Entertainment, Arts and Sports Law Journal, Cultural Heritage & Arts Review, Library and The Cultural Record, the ArtWatch UK Journal and the Institute of Art & Law’s journal, Art Antiquity and Law.

Jennifer Kreder

Jen counsels and litigates for clients on a wide variety of subjects, including the creation of and international trade in art, the First Amendment, commercial real estate, employment disputes and non-disclosure agreements.

Before joining the firm, Jen served as a law professor teaching Civil Procedure, Property, Business Organizations, International Business Transactions and Art Law domestically and abroad. She is a widely sought public speaker and quoted or published by such publications as the New York Times, ArtNews, San Francisco Chronicle, Chicago Tribune, Detroit Free Press and law reviews at Harvard, Duke, University of Southern California and University of Pennsylvania. She has lectured at the request of museums and universities throughout the world, including Oxford and the Chinese University of Hong Kong. Jen has appeared in cases about art that traded hands during the Nazi era and the Russian Revolution on behalf of historians, the American Jewish Congress and the Commission for Art Recovery as friends of the court, or amici curiae. At stake were works by such artists as Vincent Van Gogh, Egon Schiele and Paul Cézanne.

Jen got her early training as an International Litigation & Arbitration Associate with Milbank, Tweed, Hadley & McCloy, LLP, in New York, concentrating on Holocaust-era inter-governmental negotiation and property litigation issues, art disputes, and class actions. She also was awarded for her work on behalf of Catholic nuns and others tortured and murdered during the Salvadoran civil war. Previously, Jen clerked for The Honorable Barefoot Sanders, United States District Court for the Northern District of Texas. Her path in life was heavily influenced by studying abroad at Karl Marx Universität in Leipzig, Germany (now the University of Leipzig), as well as in Austria, Mexico, and Costa Rica. Jen is honored to serve as the President of the Archaeology Preservation Fund and on the Advisory Board to the Center for Art Law.

Peter Torren

Peter J. Toren is an intellectual property attorney in Washington, D.C. where he helps individuals and companies protect their IP rights. Mr. Toren is representing his family in a case against the Federal Republic of Germany involving family art stolen during the Second World War. (Toren v. Federal Republic of Germany, 1:16-cv-01885-RJL (D.D.C.)). Prior to entering private practice with Sidley Austin LLP, Mr. Toren was a federal prosecutor and handled a number of high-profile investigations involving violations of the CFAA, Criminal Copyright, Trafficking in Counterfeit Goods and the EEA. He is the author of the leading treatise on criminal violations of intellectual property rights and computer crime, Intellectual Property & Computer Crime, (Law Journal Press), and the co-author of Defend Trade Secrets Act of 2016 (Wolters Kluwer). He has published over 100 articles and won the 2010 Burton Award for Excellence in Legal Writing for his article, The Intersection of Intellectual Property and Bankruptcy Law.

Handouts and Reading Material

Read the handouts HERE.

Recording of the Lecture

Watch the recording HERE.

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In this episode of Art in Brief, Andrea and Paris In this episode of Art in Brief, Andrea and Paris speak with Will Korner, founder and director of the Cultural Heritage At Risk Database Foundation (CHARD). 

From conflict zones to disaster-stricken regions, Will discusses how documentation, collaboration, and technology can help safeguard the objects and stories that connect us to our shared past from illicit trade. He also explains how CHARD’s database can be used to cross-check whether stolen or missing cultural objects are appearing on the art market, including at auction, and what is at stake when these irreplaceable pieces of heritage are lost. 

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio! 

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #culture #artcrime
Despite the passage of multiple anti-money launder Despite the passage of multiple anti-money laundering laws in the U.S. over the past two decades, the art market is still considered the "largest legal unregulated industry." Its perceived lax regulatory regime and various industry-specific factors, makes high-value art an attractive tool for laundering criminal proceeds. 

The rise in laundering through high-value art is mainly attributed to the high-dollar transactions values, the ease of transporting artwork across borders, the market's longstanding culture of privacy, and art's evolution as a financial asset. That said, the art market is not entirely unregulated. As this article shows, other mechanisms — including industry self-regulation, public pressure from high-profile litigation and settlements, and sanction laws — provide a certain regulatory structure.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artmarket #AML #internationallaw #lawyer #artcrime #money
10 DAYS TO GO - MARK YOUR CALENDARS! Saturday, Ju 10 DAYS TO GO - MARK YOUR CALENDARS!

Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

With big gratitude to our sponsors, we look forward to welcoming you at the event!
📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hi 📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hirzel, Landesmuseum Zurich 

Free & open to the public

This June, as part of the official program of @zurichartweekend, we are bringing together some of the sharpest minds in the international art world for a candid conversation on what’s reshaping collecting today.

▪️Art Markets and the World in Transition: Frameworks Shaping Global Collecting

Geopolitics. Tariffs. AML regulation. Taxes. The rules of the art market are changing as fast as your news feed, and this panel is where experts unpack what that means for collectors, gallerists, and art lovers.

Speakers: 

Will Korner (TEFAF) · Alana Kushnir (Aurelian Lawyers & Advisers) · Pascal Robert (Pascal Robert Gallery) · Stefan Puttaert (Nicola Erni Collection) · Irina Tarsis, Esq. (Center for Art Law, moderator)

The event sponsors to be announced soon! 

Link in bio to save your spot 🔗

#ZurichArtWeekend #ArtLaw #ArtMarket #Collecting #ZAW2026 LandesmuseumZürich CenterForArtLaw ArtAndLaw CrossBorderCollecting
Join the Center for Art Law for a conversation wit Join the Center for Art Law for a conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

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🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities
On October 6, 2025, the Flemish Government announc On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA. 

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📚 Click the link in our bio to read the full article by Alexandra Kharchenko. 

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Thank you to all of our sponsors for all of their Thank you to all of our sponsors for all of their help in executing our 2026 Art Law Conference!!

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This is the final day to bid in our Annual Art Law This is the final day to bid in our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

Don't miss out on the amazing pieces  and experiences up for grabs!

 Biding will end May 27 at 5:30pm ET.

1st: Floragen 2.0.1 by Colleen Hoffenbacker 
2nd: Jumping Frog by Vija Doks 
3rd: Untiled no.11( Amy Hollywood) by Andre Pace 

🖼️ Follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

Originally restitution was rejected, but under expanded guidelines the Museum chose to restitute the piece  to Ernst Magnus' heirs. It is now set to be Auction by Sotheby's on June 2, 2026. The starting bid is listed at $28k and the estimated price between $40-60k.

🔗 Check out more about this work and it's provenance using the links in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nazilootedart #artcrime #wwii #restitution
Make sure to check out our Annual Art Law Conferen Make sure to check out our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

🗽 Swipe to preview a selection of the consultations & experiences that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
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🔗 Click the link in our bio to read the complete article by Lauren Stein to get a deeper understanding of the vulnerabilities of the art market!

https://itsartlaw.org/art-law/when-imitation-is-not-flattery-art-fakes-forgeries-and-the-market-they-fool/ 

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Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
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