• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • 2025 Year-End Appeal
  • Log in
  • Become a Member
  • Donate
  • 2025 Year-End Appeal
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet ABC’s of Art Law: F is for Fakes & Forgeries
Back

ABC’s of Art Law: F is for Fakes & Forgeries

July 23, 2024

Cover for an event fakes and forgeries CLE.

About the Event

On July 23, 2024, the Center for Art Law held a CLE event to explore the fascinating world of fakes and forgeries! Our guests spoke about their experiences as art dealers, scientists and attorneys faced with fakes circulating in the art market. James Butterwick, a UK-based Ukrainian and European art dealer, began the session with a discussion of the Zaks’ Affair and shared his experiences in identifying fakes; Jennifer Mass, President of Scientific Analysis of Fine Art,  discussed the studies she conducts for auction houses, collectors, and other clients to determine the authenticity of artworks and identifying forgeries; Chris McKeogh, Special Agent with the FBI’s Art Crime Division, shared his experiences investigating allegations of art forgeries and dismantling their sources and supply chains; Andrew Adams, partner at Steptoe, delved into legal cases involving fakes and forgeries, discussing the evidence required, the challenges of proving forgeries in court, and the prosecution of forgers, including recourse available for victims. The program was moderated by Irina Tarsis, Founder of the Center for Art Law.

This event was sponsored by Steptoe.

About Fieldfisher

In more than 100 years of practice, Steptoe has earned an international reputation for vigorous representation of clients before governmental agencies, successful advocacy in litigation and arbitration, and creative and practical advice in structuring business transactions.

The firm is particularly noted for its capabilities in:

  • White-collar defense and other government investigations and enforcement including anti-corruption and economic sanctions, fraud, money laundering, criminal antitrust, and tax investigations, examinations, and enforcement actions;
  • High-stakes litigation particularly involving complex commercial claims and cross-border disputes;
  • Patent and technology litigation especially life sciences, trade secrets, and Section 337 claims and controversies arising from disruptive technologies;
  • Preventive international corporate compliance particularly FCPA/anti-corruption, economic sanctions/export controls, national and cybersecurity, including program development and implementation, transaction counseling, and internal investigations; and
  • Challenging regulatory issues before the US government particularly agencies addressing energy, the environment, tax, trade, transportation, telecommunications, technology, and the Internet, as well as regulatory matters in Brussels, London, and Beijing

Steptoe has more than 500 lawyers and other professional staff across offices in Beijing, Brussels, Chicago, Hong Kong, Houston, London, Los Angeles, New York, San Francisco, and Washington.

Recording of the Lecture

Post navigation

Previous Artist Legacy and Estate Planning Clinic (June 2024)
Next Art Lawyering Bootcamp: Legacy & Estate Planning (July 2024)

Related Posts

logo

Spain, Thyssen-Bornemisza Seek Review of Ninth Circuit FSIA Decision

December 20, 2010

Lawsuit By Competition Finalist Over Olympic Opening Ceremony Design

September 27, 2012
logo

Pragmatic not Sympathetic US rejects ADR forum for Nazi looted art

January 26, 2013
Center for Art Law
A Gift for You

A Gift for You

this Holiday Season

Celebrate the holidays with 20% off your annual subscription — claim your gift now!

 

Get your Subscription Today!
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the new Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Did you know that Charles Dickens visited America Did you know that Charles Dickens visited America twice, in 1842 and in 1867? In between, he wrote his famous “A Tale of Two Cities,” foreshadowing upheavals and revolutions and suggesting that individual acts of compassion, love, and sacrifice can break cycles of injustice. With competing demands and obligations, finding time to read books in the second quarter of the 21st century might get increasingly harder. As we live in the best and worst of times again, try to enjoy the season of light and a good book (or a good newsletter).

From all of us at the Center for Art Law, we wish you peace, love, and understanding this holiday season. 

🔗 Read more by clicking the link in our bio!

#centerforartlaw #artlaw #legalresearch #artlawyer #december #newsletter #lawyer
Is it, or isn’t it, Vermeer? Trouble spotting fake Is it, or isn’t it, Vermeer? Trouble spotting fakes? You are not alone. Donate to the Center for Art Law, we are the real deal. 

🔗 Click the link in our bio to donate today!

#centerforartlaw #artlaw #legalresearch #endofyear #givingtuesday #donate #notacrime #framingartlaw
Whether legal systems are ready or not, artificial Whether legal systems are ready or not, artificial intelligence is making its way into the courtroom. AI-generated evidence is becoming increasingly common, but many legal professionals are concerned that existing legal frameworks aren't sufficient to account for ethical dilemmas arising from the technology. 

To learn more about the ethical arguments surrounding AI-generated evidence, and what measures the US judiciary is taking to respond, read our new article by Rebecca Bennett. 

🔗 Click the link in our bio to read more!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #aiart #courtissues #courts #generativeai #aievidence
Interested in the world of art restitution? Hear f Interested in the world of art restitution? Hear from our Lead Researcher of the Nazi-Era Looted Art Database, Amanda Buonaiuto, about the many accomplishments this year and our continuing goals in this space. We would love the chance to do even more amazing work, your donations can give us this opportunity! 

Please check out the database and the many recordings of online events we have regarding the showcase on our website.

Help us reach our end of year fundraising goal of $35K.

🔗 Click the link in our bio to donate ❤️🖤
Make sure to grab your tickets for our discussion Make sure to grab your tickets for our discussion on the legal challenges and considerations facing General Counsels at leading museums, auction houses, and galleries on December 17. Tune in to get insight into how legal departments navigate the complex and evolving art world.

The panel, featuring Cindy Caplan, General Counsel, The Jewish Museum, Jason Pollack, Senior Vice President, General Counsel, Americas, Christie’s and Halie Klein, General Counsel, Pace Gallery, will address a range of pressing issues, from the balancing of legal risk management with institutional missions, combined with the need to supervise a variety of legal issues, from employment law to real estate law. The conversation will also explore the unique role General Counsels play in shaping institutional policy.

This is a CLE Event. 1 Credit for Professional Practice Pending Approval.

🎟️ Make sure to grab your tickets using the link in our bio! 

#centerforartlaw #artlaw #legalresearch #generalcounsel #museumissues #artauctions #artgallery #artlawyer #CLE
While arts funding is perpetually scarce, cultural While arts funding is perpetually scarce, cultural heritage institutions particularly struggle during and after armed conflict. In such circumstances, funds from a variety of sources including NGOs, international organizations, national and regional institutions, and private funds all play a crucial role in protecting cultural heritage. 

Read our new article by Andrew Dearman to learn more about the organizations funding emergency cultural heritage protection in the face of armed conflict, as well as the factors hindering effective responses. 

🔗 Click the link in our bio to read more! 

#centerforartlaw #artlaw #legalresearch #lawyer #artlawyer #culturalheritage #armedconflict #UNESCO
Join the Center for Art Law in welcoming Attorney Join the Center for Art Law in welcoming Attorney and Art Business Consultant Richard Lehun as our keynote speaker for our upcoming Artist Dealer Relationships Clinic. 

The Artist-Dealer Relationships Clinic helps artists and gallerists negotiate effective and mutually-beneficial contracts. By connecting artists and dealers to attorneys, this Clinic looks to forge meaningful relations and to provide a platform for artists and dealers to learn about the laws that govern their relationship, as well as have their questions addressed by experts in the field.

After a short lecture, attendees with consultation tickets will be paired with a volunteer attorney for a confidential 20-minute consultation. Limited slots are available for the consultation sessions.
Today we held our last advisory meeting of the yea Today we held our last advisory meeting of the year, a hybrid, and a good wrap to a busy season. What do you think we discussed?
We are incredibly grateful to our network of attor We are incredibly grateful to our network of attorneys who generously volunteer for our clinics! We could not do it without them! 

Next week, join the Center for Art Law for our Artist-Dealer Relationships Clinic. This clinic is focused on helping artists navigate and understand contracts with galleries and art dealers. After a short lecture, attendees with consultation tickets will be paired with one of the Center's volunteer attorneys for a confidential 20-minute consultation. Limited slots are available for the consultation sessions.
'twas cold and still in Brooklyn last night and no 'twas cold and still in Brooklyn last night and not a creature was stirring except for dog walkers and their walkees... And then we reached 7,000 followers!
Don't miss this chance to learn more about the lat Don't miss this chance to learn more about the latest developments in the restitution of Nazi-looted art. Tune in on December 15th at noon ET to hear from our panel members Amanda Buonaiuto, Peter J. Toren, Olaf S. Ossmann, Laurel Zuckerman, and Lilah Aubrey. The will be discussing updates from the HEAR act, it's implications in the U.S., modifications from the German Commission, and the use of digital tools and data to advance restitution research and claims. 

🎟️ Click the link in our bio to get tickets!
Making news is easy. Solving art crimes is hard. R Making news is easy. Solving art crimes is hard. Running a nonprofit is even harder.

Donate to the Center for Art Law to help us meet our year end goal! 

🔗 Click the link in our bio to donate today!
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2025 Center for Art Law