• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Art Lawyering Bootcamp: Artist-Dealer Relationships (June 24, 2025)
Back

Art Lawyering Bootcamp: Artist-Dealer Relationships (June 24, 2025)

June 24, 2025

About this event

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships was an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp was led by veteran attorneys specializing in art law.

This Bootcamp provided participants — attorneys, law students, law graduates and legal professionals — with foundational legal knowledge related to the main contracts and regulations governing dealers’ and artists’ businesses.

Bootcamp participants received training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

About the Instructors

Lindsay Korotkin

Lindsay Korotkin is a partner at ArentFoxSchiff’s Intellectual Property department, where she advises companies and creators in the art, media & entertainment, fashion & retail and technology industries.

Lindsay’s practice focuses on copyright, trademark, trade dress, right of publicity, and art market litigation, prosecution, and transactions. In the litigation space, Lindsay represents clients in connection with trademark, copyright, and design patent infringement, trademark dilution, defamation, breach of contract, and other related claims in federal and state court, as well as issues of trademark and copyright registrability at the Trademark Trial and Appeal Board and Copyright Office Review Board. She also works closely with foreign counsel to oversee her clients’ foreign disputes and to coordinate claims and defenses when those disputes span around the world. In the prosecution space, Lindsay helps clients obtain trademark and copyright registrations and manages worldwide IP portfolios in an array of fields, including for one of the largest companies in the world. She also provides day-to-day counseling and advice on issues including trademark, copyright, moral rights, and right of publicity protection and enforceability, in addition to performing high-volume global trademark clearances for names, logos, and designs. In the transactional space, Lindsay has extensive experience drafting and negotiating a wide array of agreements across industries, including IP licenses, joint venture agreements, gallery representation and consignment agreements, advertising services agreements, book publishing agreements, releases, production agreements, non-disclosure agreements, and settlement and co-existence agreements.

Lindsay holds a JD from Benjamin N. Cardozo School of Law, cum laude, and is admitted to practice law in the state of New York. She is also an Advisory Board Member at the Center for Art Law.

Dean Nicyper

Dean Nicyper is a partner at Withersworldwide. He focuses on commercial disputes, contract disputes, art law, intellectual property, fiduciary liability, product liability, private company investor disputes, and securities litigation and investigations. Dean also has litigated matters involving mergers and acquisitions, the First Amendment, media, constitutional law, and environmental contamination. He has handled trials and cases in federal and state courts around the United States. In addition, Dean has negotiated and drafted many agreements in art and intellectual property transactions.

Among his various clients, Dean has successfully represented one of the two largest art auction houses in dozens of lawsuits covering a broad range of art law-related issues, such as the authenticity of works of art, art fraud, auction law, consignment obligations as well as rights and obligations of parties in loan transactions where works of art have been pledged as collateral. His experience also has expanded to include blockchain and technology based art authentication as well as artificial intelligence art generation issues. Dean has represented artists and their families and foundations, art dealers and agents, art collectors, and art appraisers in many art-related disputes. He was lead counsel in the initial cases uncovering the two of the largest art fraud scandals in the past 20 years, and counsel for victims of two of the other largest art fraud scandals. Dean was head of Withers US Dispute Resolution Division for eight years and previously was Chair of the Art Law Committee of the New York City Bar Association.

Zachary Goldman

Zachary Goldman has extensive experience working on complex regulatory and enforcement matters related to OFAC sanctions, anti-money laundering (AML) and financial crime risk management issues. Mr. Goldman serves as a trusted advisor for the financial services and other sectors as they seek to perform risk assessments, evaluate the AML and sanctions risks associated with new commercial activities or transactions, and develop and enhance financial crimes compliance programs. Mr. Goldman has particular expertise advising banks and financial technology companies on AML and sanctions risk management issues, and in conducting internal investigations and responses to government inquiries from regulatory and enforcement authorities around the world for global banks and other financial institutions related to anti-money laundering and sanctions issues.

Tanya Layne

Tanya Layne is an accomplished legal professional currently serving as Chief Legal Officer at Gagosian since August 2021. Prior to this role, Layne held significant positions at Sotheby’s, including Senior Vice President and Associate General Counsel, Head of Commercial Transactions, from May 2016 to August 2021, and earlier as Senior Vice President and Associate General Counsel. Layne also founded The Layne Firm LLC and served as Principal from May 2013 to May 2016. Earlier experience includes attorney work at Cravath, Swaine & Moore LLP, and finance roles at Miramax and NBC. Layne obtained a Doctor of Law (JD) from Harvard Law School and a Bachelor of Business Administration (BBA) in Accounting from Baruch College.

Diana Poussin

Diana Poussin is an experienced legal professional specializing in art law and civil matters, currently serving as Counsel at Gagosian since June 2023. Previously, Poussin held the position of Associate Counsel at Phillips from December 2020 to June 2023 and worked as an Associate at London Fischer LLP from September 2017 to December 2020, focusing on coverage disputes and civil claims, as well as conducting depositions and leading motion practice. Poussin’s legal education includes a Juris Doctor degree from Cardozo School of Law, where involvement in various law committees and journals was prominent, along with a Bachelor’s Degree from Florida International University. Early career experiences include internships in the art law field and serving as a judicial intern to The Honorable Arthur F. Engoron.

Charity Gates

Charity Gates is an associate attorney at Cowan, DeBaets, Abrahams & Sheppard LLP, working primarily in the fields of Art Law and IP. While in law school, Charity served as the Articles Editor of the International Comparative, Policy & Ethics Law Review. She also completed internships at Louis Vuitton Americas, Christie’s, the New York State Supreme Court, and CDAS. Charity studied abroad in Paris, France during her time at Emory and is proficient in French.

Prior to joining CDAS, Charity worked in a boutique international law firm working with French companies starting their business in the U.S. Charity has prior experience as an associate at a firm providing legal services to visual artists. Additionally, she was a rights and clearance associate at a major news organization, focusing on image rights and intellectual property issues.

Recording

Available HERE

Post navigation

Previous Catalogues Raisonnés and The Law
Next Center for Art Law Showcase: Internships

Related Art Law Articles

Center for Art law Imitation is Not Flattery Lauren Stein The Supper at Emmaus
Art law

When Imitation is Not Flattery: Art Fakes, Forgeries, and the Market They Fool

January 28, 2026
Center for Art Law National Portrait Gallery Press Release 2018
Art law

Not so Sublime: What the Cancellation of Sherald’s Retrospective Reveals About Curatorial Autonomy

January 22, 2026
Center for Art Law Bayeux Tapestry Josie Goettel Article
Art lawart on loan

Let’s Go, the Bayeux Tapestry: Legal Implications of Temporary Loan

January 21, 2026
Center for Art Law
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Join us for the Second Edition of Center for Art L Join us for the Second Edition of Center for Art Law Summer School! An immersive five-day educational program designed for individuals interested in the dynamic and ever-evolving field of art law. 

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field. 

Applications are open now through March 1st!

🎟️ APPLY NOW using the link in our bio! 

#centerforartlaw #artlawsummerschool #newyork #artlaw #artlawyer #legal #lawyer #art
Join us for an informative presentation and pro bo Join us for an informative presentation and pro bono consultations to better understand the current art and copyright law landscape. Copyright law is a body of federal law that grants authors exclusive rights over their original works — from paintings and photographs to sculptures, as well as other fixed and tangible creative forms. Once protection attaches, copyright owners have exclusive economic rights that allow them to control how their work is reproduced, modified and distributed, among other uses.

Albeit theoretically simple, in practice copyright law is complex and nuanced: what works acquire such protection? How can creatives better protect their assets or, if they wish, exploit them for their monetary benefit? 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #copyright #CLE #trainingprogram
In October, the Hispanic Society Museum and Librar In October, the Hispanic Society Museum and Library deaccessioned forty five paintings from its collection through an auction at Christie's. The sale included primarily Old-Master paintings of religious and aristocratic subjects. Notable works in the sale included a painting from the workshop of El Greco, a copy of a work by Titian, as well as a portrait of Isabella of Portugal, and Clemente Del Camino y Parladé’s “El Columpio (The Swing). 

The purpose of the sale was to raise funds to further diversify the museum's collection. In a statement, the institution stated that the works selected for sale are not in line with their core mission as they seek to expand and diversify their collection.

🔗 Click the link in our bio to read more.

#centerforartlaw #artlawnews #artlawresearch #legalresearch #artlawyer #art #lawyer
Check out our new episode where Paris and Andrea s Check out our new episode where Paris and Andrea speak with Ali Nour, who recounts his journey from Khartoum to Cairo amid the ongoing civil war, and describes how he became involved with the Emergency Response Committee - a group of Sudanese heritage officials working to safeguard Sudan’s cultural heritage. 

🎙️ Click the link in our bio to listen anywhere you get your podcasts! 

#centerforartlaw #artlaw #artlawyer #legal #research #podcast #february #legalresearch #newepisode #culturalheritage #sudaneseheritage
When you see ‘February’ what comes to mind? Birthd When you see ‘February’ what comes to mind? Birthdays of friends? Olympic games? Anniversary of war? Democracy dying in darkness? Days getting longer? We could have chosen a better image for the February cover but somehow the 1913 work of Umberto Boccioni (an artist who died during World War 1) “Dynamism of a Soccer Player” seemed to hit the right note. Let’s keep going, individuals and team players.

Center for Art Law is pressing on with events and research. We have over 200 applications to review for the Summer Internship Program, meetings, obligations. Reach out if you have questions or suggestions. We cannot wait to introduce to you our Spring Interns and we encourage you to share and keep channels of communication open. 

📚 Read more using the link in our bio! Make sure to subscribe so you don't miss any upcoming newsletters!

#centerforartlaw #artlaw #artlawyer #legal #research #newsletter #february #legalresearch
Join the Center for Art Law for conversation with Join the Center for Art Law for conversation with Frank Born and Caryn Keppler on legacy and estate planning!

When planning for the preservation of their professional legacies and the future custodianship of their oeuvres’, artists are faced with unique concerns and challenges. Frank Born, artist and art dealer, and Caryn Keppler, tax and estate attorney, will share their perspectives on legacy and estate planning. Discussion will focus on which documents to gather, and which professionals to get in touch with throughout the process of legacy planning.

This event is affiliated with the Artist Legacy and Estate Planning Clinic which seeks to connect artists, estate administrators, attorneys, tax advisors, and other experts to create meaningful and lasting solutions for expanding the art canon and art legacy planning. 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #clinic #artlawyer #estateplanning #artistlegacy #legal #research #lawclinic
Authentication is an inherently uncertain practice Authentication is an inherently uncertain practice, one that the art market must depend upon. Although, auction houses don't have to guarantee  authenticity, they have legal duties related to contract law, tort law, and industry customs. The impact of the Old Master cases, sparked change in the industry including Sotheby's acquisition of Orion Analytical. 

📚 To read more about the liabilities of auction houses and the change in forensic tools, read Vivianne Diaz's published article using the link in our bio!
Join us for an informative guest lecture and pro b Join us for an informative guest lecture and pro bono consultations on legacy and estate planning for visual artists.

Calling all visual artists: join the Center for Art Law's Artist Legacy and Estate Planning Clinic for an evening of low-cost consultations with attorneys, tax experts, and other arts professionals with experience in estate and legacy planning.

After a short lecture on a legacy and estate planning topic, attendees with consultation tickets artist will be paired with one of the Center's volunteer professionals (attorneys, appraisers and financial advisors) for a confidential 20-minute consultation. Limited slots are available for the consultation sessions.

Please be sure to read the entire event description using the LinkedIn event below.

🎟️ Grab tickets using the link in our bio!
On May 24, 2024 the UK enacted the Digital Markets On May 24, 2024 the UK enacted the Digital Markets, Competition and Consumers Act 2024 (DMCC). This law increases transparency requirements and consumer rights, including reforming subscription contracts. It grants consumers cancellation periods during cooling-off times. 

Charitable organizations, including museums and other cultural institutions, have concerns regarding consumer abuse of this option. 

🔗 Read more about this new law and it's implications in Lauren Stein's published article, including a discussion on how other jurisdictions have approached the issue, using the link in our bio!
Don't miss our on our upcoming Bootcamp on Februar Don't miss our on our upcoming Bootcamp on February 4th! Check out the full event description below:

Join the Center for Art Law for an in-person, full-day training aimed at preparing lawyers for working with art market participants and understanding their unique copyright law needs. The bootcamp will be led by veteran art law attorneys, Louise Carron, Barry Werbin, Carol J. Steinberg, Esq., Scott Sholder, Marc Misthal, specialists in copyright law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to copyright law for art market clients. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in copyright law and its specificities as applied to works of visual arts, such as the fair use doctrine and the use of generative artificial intelligence tools.

🎟️ Grab tickets using the link in our bio!
The expansion of the use of collaborations between The expansion of the use of collaborations between artists and major consumer corporations brings along a myriad of IP legal considerations. What was once seen in advertisement initiatives  has developed into the creation of "art objects," something that lives within a consumer object while retaining some portion of an artists work. 

🔗 Read more about this interesting interplay in Natalie Kawam Yang's published article, including a discussion on how the LOEWE x Ghibli Museum fits into this context, using the link in our bio.
We can't wait for you to join us on February 4th! We can't wait for you to join us on February 4th!  Check out the full event description below:

Join the Center for Art Law for an in-person, full-day training aimed at preparing lawyers for working with art market participants and understanding their unique copyright law needs. The bootcamp will be led by veteran art law attorneys, Louise Carron, Barry Werbin, Carol J. Steinberg, Esq., Scott Sholder, Marc Misthal, specialists in copyright law. 

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to copyright law for art market clients. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in copyright law and its specificities as applied to works of visual arts, such as the fair use doctrine and the use of generative artificial intelligence tools.

🎟️ Grab tickets using the link in our bio!
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law