• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • 2025 Year-End Appeal
  • Log in
  • Become a Member
  • Donate
  • 2025 Year-End Appeal
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Art Lawyering Bootcamp: Legacy & Estate Planning (July 2024)
Back

Art Lawyering Bootcamp: Legacy & Estate Planning (July 2024)

July 29, 2024

Event Cover sheet with logos of sponsoring organizations Center for Art Law and DLA Pipper.

About this Event

The Center for Art Law’s inaugural Art Lawyering Bootcamp: Legacy & Estate Planning was an in-person, full-day training aimed at preparing lawyers for working with artists and understanding their unique legacy and estate planning needs. The bootcamp was led by veteran art law attorneys specializing in legacy and estate planning.

The Art Lawyering Bootcamp provided participants with foundational legal knowledge related to legacy and estate planning for an artist client. Through a combination of instructional presentations and case studies, participants learned about appraising and archiving the estate, managing the estate’s intellectual property, and the various legacy vehicles available to artists.

Bootcamp participants were given training materials, including presentation slides and an Art Lawyering Bootcamp handbook.

Art Lawyering Bootcamp participants received CLE credits upon the successful completion of the training modules.

Location: DLA Piper (1251 6th Ave, New York, NY 10020)

Training Modules

Module 1: Getting to Know the Artist Client

Artists have unique legacy and estate planning needs. This first module sets the stage for what kinds of questions to ask artists during an intake or consultation. Instructors will share practice tips and strategies for working with artists and understanding the scope of their legacy and estate planning needs.

Module 2: Appraising, Managing & Archiving the Estate

Managing an artist’s estate involves appraisal and archiving. This module explained the value and logistical considerations of those processes.

Module 3: Accounting & Legacy Vehicles

This module provides participants with an overview of different legacy vehicles as well as the pros and cons of each. Tax implications of legacy and estate planning were also explored, including estate tax, charitable gifts and donations, and artist-endowed foundations.

Module 4: Mock Intake with Artists

The final module provided participants with the opportunity to put their training to practice. Artists from the Center for Art Law’s clinics and other organizations joined to share their specific legacy and estate planning needs so that participants could practice asking the right questions and sharing their newly obtained insights.

About the Instructors

Ralph E. Lerner

Ralph E. Lerner has advised and negotiated more public auction sales and private transactions of art over the past 40 years than anyone in the United States, including numerous sales and purchases in excess of $100,000,000—representing collectors, estates, artists, law firms and foundations. Ralph has access to a multitude of supporting experts, including attorneys, appraisers, conservators, custom facilitators, dealers, curators, scholars, museum personnel, and shippers.

He has served as Chairman of the Art Law Committee of the Association of the Bar of the City of New York, Chairman of the Fine Arts Committee of the New York State Bar Association and Chairman of the Visual Arts Division of the American Bar Association Forum on Entertainment and Sports Law.

Ralph has served on the Board of the New York Volunteer Lawyers for the Arts and is a nationally acclaimed writer and speaker on the topic of tax planning for collectors and artists. Ralph has dealt with the Internal Revenue Service in the broadest possible manner and includes among his clients many of the foremost artists, collectors and art dealers in America.

Caryn Keppler

Caryn Keppler has extensive experience in all aspects of estate, gift and charitable planning for foreign and domestic individuals, artists and collectors, conventional and alternative families, as well as business succession and continuity planning. Her areas of focus also include representing individuals regarding prenuptial, post-nuptial and domestic partnership agreements and assisting families in planning for their disabled children.

Caryn has represented artists’ foundations, both fiduciaries and beneficiaries in the administration of domestic estates and trusts, as well as estates and trusts with contacts to international jurisdictions, and in litigation in the Surrogate’s Courts. Prior to entering private practice, she was an attorney with the Internal Revenue Service. In her spare time, Caryn is an active lindy-hopper who is rediscovering the American Songbook on her piano.

Matthew Erskine

Matthew Erskine is an approachable, empathic estate and succession planning attorney who creatively and holistically solves families’ unique asset and estate needs.

He is the fourth generation of lawyers known for integrity and personal service. Matt specializes in providing legal and fiduciary services for families, estates and businesses with unique assets or issues.

Handling as many as seven generations of a single family in succession, these unique assets have included multi-million dollar family businesses, numismatic collections, fine art and Americana collections, commercial and residential real estate holdings, family farms and real estate portfolios.

Leah Hokenson

Leah Hokenson is a Managing Director at Baldwin Brothers, LLC. She has a particular interest in art and advises artists, creatives and collectors on wealth management. She believes that wealth can be used to form a more equitable, conscious world. She works with families, estates, trusts and foundations to represent their best interests advising on traditional and unique assets.

Leah is a member of the Professional Advisors to the International Art Market, the Professional Advisors Council of Calvary Hospital, the Professional Advisory Council for American Heart Association. She is a member of the NYC Bar Art Law Committee and was a member of the NYC Bar Estate and Gift Tax Committee. She has lectured for Sotheby’s MFA program, is a volunteer program curator for CUE Teen Collective, and has been a panelist at art and wealth focused events.

Leah received her B.A. from New York University and her J.D. from St. John’s University.

Post navigation

Previous ABC’s of Art Law: F is for Fakes & Forgeries
Next Public Art & the Law: Exploring Public Art Commissions (Part 2)

Related Posts

Gurlitt Reading List

December 4, 2013
photo of the book cover by Perenyi

Book Review: Caveat Emptor: The Secret Life of an American Art Forger (2012) by Ken Perenyi

August 29, 2024

How do you solve the problem like Orphan Works?

November 16, 2012
Center for Art Law
A Gift for You

A Gift for You

this Holiday Season

Celebrate the holidays with 20% off your annual subscription — claim your gift now!

 

Get your Subscription Today!
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the new Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Did you know that Charles Dickens visited America Did you know that Charles Dickens visited America twice, in 1842 and in 1867? In between, he wrote his famous “A Tale of Two Cities,” foreshadowing upheavals and revolutions and suggesting that individual acts of compassion, love, and sacrifice can break cycles of injustice. With competing demands and obligations, finding time to read books in the second quarter of the 21st century might get increasingly harder. As we live in the best and worst of times again, try to enjoy the season of light and a good book (or a good newsletter).

From all of us at the Center for Art Law, we wish you peace, love, and understanding this holiday season. 

🔗 Read more by clicking the link in our bio!

#centerforartlaw #artlaw #legalresearch #artlawyer #december #newsletter #lawyer
Is it, or isn’t it, Vermeer? Trouble spotting fake Is it, or isn’t it, Vermeer? Trouble spotting fakes? You are not alone. Donate to the Center for Art Law, we are the real deal. 

🔗 Click the link in our bio to donate today!

#centerforartlaw #artlaw #legalresearch #endofyear #givingtuesday #donate #notacrime #framingartlaw
Whether legal systems are ready or not, artificial Whether legal systems are ready or not, artificial intelligence is making its way into the courtroom. AI-generated evidence is becoming increasingly common, but many legal professionals are concerned that existing legal frameworks aren't sufficient to account for ethical dilemmas arising from the technology. 

To learn more about the ethical arguments surrounding AI-generated evidence, and what measures the US judiciary is taking to respond, read our new article by Rebecca Bennett. 

🔗 Click the link in our bio to read more!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #aiart #courtissues #courts #generativeai #aievidence
Interested in the world of art restitution? Hear f Interested in the world of art restitution? Hear from our Lead Researcher of the Nazi-Era Looted Art Database, Amanda Buonaiuto, about the many accomplishments this year and our continuing goals in this space. We would love the chance to do even more amazing work, your donations can give us this opportunity! 

Please check out the database and the many recordings of online events we have regarding the showcase on our website.

Help us reach our end of year fundraising goal of $35K.

🔗 Click the link in our bio to donate ❤️🖤
Make sure to grab your tickets for our discussion Make sure to grab your tickets for our discussion on the legal challenges and considerations facing General Counsels at leading museums, auction houses, and galleries on December 17. Tune in to get insight into how legal departments navigate the complex and evolving art world.

The panel, featuring Cindy Caplan, General Counsel, The Jewish Museum, Jason Pollack, Senior Vice President, General Counsel, Americas, Christie’s and Halie Klein, General Counsel, Pace Gallery, will address a range of pressing issues, from the balancing of legal risk management with institutional missions, combined with the need to supervise a variety of legal issues, from employment law to real estate law. The conversation will also explore the unique role General Counsels play in shaping institutional policy.

This is a CLE Event. 1 Credit for Professional Practice Pending Approval.

🎟️ Make sure to grab your tickets using the link in our bio! 

#centerforartlaw #artlaw #legalresearch #generalcounsel #museumissues #artauctions #artgallery #artlawyer #CLE
While arts funding is perpetually scarce, cultural While arts funding is perpetually scarce, cultural heritage institutions particularly struggle during and after armed conflict. In such circumstances, funds from a variety of sources including NGOs, international organizations, national and regional institutions, and private funds all play a crucial role in protecting cultural heritage. 

Read our new article by Andrew Dearman to learn more about the organizations funding emergency cultural heritage protection in the face of armed conflict, as well as the factors hindering effective responses. 

🔗 Click the link in our bio to read more! 

#centerforartlaw #artlaw #legalresearch #lawyer #artlawyer #culturalheritage #armedconflict #UNESCO
Join the Center for Art Law in welcoming Attorney Join the Center for Art Law in welcoming Attorney and Art Business Consultant Richard Lehun as our keynote speaker for our upcoming Artist Dealer Relationships Clinic. 

The Artist-Dealer Relationships Clinic helps artists and gallerists negotiate effective and mutually-beneficial contracts. By connecting artists and dealers to attorneys, this Clinic looks to forge meaningful relations and to provide a platform for artists and dealers to learn about the laws that govern their relationship, as well as have their questions addressed by experts in the field.

After a short lecture, attendees with consultation tickets will be paired with a volunteer attorney for a confidential 20-minute consultation. Limited slots are available for the consultation sessions.
Today we held our last advisory meeting of the yea Today we held our last advisory meeting of the year, a hybrid, and a good wrap to a busy season. What do you think we discussed?
We are incredibly grateful to our network of attor We are incredibly grateful to our network of attorneys who generously volunteer for our clinics! We could not do it without them! 

Next week, join the Center for Art Law for our Artist-Dealer Relationships Clinic. This clinic is focused on helping artists navigate and understand contracts with galleries and art dealers. After a short lecture, attendees with consultation tickets will be paired with one of the Center's volunteer attorneys for a confidential 20-minute consultation. Limited slots are available for the consultation sessions.
'twas cold and still in Brooklyn last night and no 'twas cold and still in Brooklyn last night and not a creature was stirring except for dog walkers and their walkees... And then we reached 7,000 followers!
Don't miss this chance to learn more about the lat Don't miss this chance to learn more about the latest developments in the restitution of Nazi-looted art. Tune in on December 15th at noon ET to hear from our panel members Amanda Buonaiuto, Peter J. Toren, Olaf S. Ossmann, Laurel Zuckerman, and Lilah Aubrey. The will be discussing updates from the HEAR act, it's implications in the U.S., modifications from the German Commission, and the use of digital tools and data to advance restitution research and claims. 

🎟️ Click the link in our bio to get tickets!
Making news is easy. Solving art crimes is hard. R Making news is easy. Solving art crimes is hard. Running a nonprofit is even harder.

Donate to the Center for Art Law to help us meet our year end goal! 

🔗 Click the link in our bio to donate today!
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2025 Center for Art Law