• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Panel Discussion: International Perspectives on Street Art (CLE)
Back

Panel Discussion: International Perspectives on Street Art (CLE)

February 6, 2019

look of Intl Street Art CLE event city image with a drawing on a wall

About the Event:

Center for Art Law organized a panel at Fordham Law School entitled “International Perspectives on Street Art”, co-sponsored by the Fordham Art Law Society, and the Entertainment, Arts & Sports Section of the New York State Bar Association. The co-moderators Carol Steinberg (attorney at the Law Office of Carol J. Steinberg), and Louise Carron (Center for Art Law’s Executive Director), led panelists – William L. Charron (Partner at Pryor Cashman), Diego Figueroa-Rodriguez (Of Counsel at DLA Piper), Marie-Cecile Flageul (Co-Founder of 5Pointz Creates and Curator of MoSA), and Renee Vara (Founder and Director of VARA ART) – in a lively cross-continent discussion of the legal status of street art, past challenges, and promising developments for the future.

Read the Event Review HERE

Speakers:

William L. Charron, Partner, Pryor Cashman

William Charron is a litigator who co-chairs Pryor Cashman’s Art Law practice. He represents institutional and individual clients in a wide range of art authenticity, title and other matters. Bill also has extensive experience handling intellectual property litigation involving copyright, trademark, right of publicity, and defamation claims. He is a frequent speaker and writer on issues impacting
the art world, such as authenticity disputes, World War II restitution cases, artist royalty rights, and procedural law issues.

Working in conjunction with the Netherlands Arbitration Institute (NAI) and the Authentication in Art (AiA) organization (where Bill serves as an Advisory Board member), he conceived of and formed a working group to design the newly-launched “Court of Arbitration for Art” (where he is now a board member), administered through NAI. Bill is also a founding board member of the Professional Advisors to the International Art Market (PAIAM) in New York.

Diego Figueroa-Rodriguez, Of Counsel, DLA Piper

Diego R. Figueroa-Rodríguez’s main practice focuses on representing issuers and underwriters in public finance transactions encompassing multiple types of financing structures. Principally due to his involvement in the art world as a philanthropist, collector and board member at various cultural
institutions, Diego’s practice also includes advising artists, museums, galleries, sovereign countries, private foundations, collectors, auction houses and non-profit art organizations on matters involving a wide range of areas including business, intellectual property, finance, litigation, tax and real estate.

Diego currently serves as a member of the governing boards of the Puerto Rico Museum of Art, the Museum Trustee Association, the Luis Muñoz Marín Foundation and in various advisory committees. Diego is the Vice-Chair of the Art and Cultural Heritage Law Committee of the American Bar Association and is an active member of the Art, Cultural Institutions and Heritage Law Committee of the International Bar Association. He has served as panelist on art law events around the world; most recently being a guest lecturer at the Faculty of Law and Political Science in the Department of European Law of Pázmány Péter Catholic University in Budapest, Hungary on the subject of Intellectual Property Law in the United States as applied to the Visual Arts, particularly to Street Art. Diego is the author of the United States – Florida Chapter of The Art Collecting Legal Handbook, an international treatise on art collecting published by Thomson Reuters.

Diego obtained a B.A., magna cum laude, from the University of Massachusetts at Amherst, a J.D. from the University of Pennsylvania Law School, a LL.M. on Real Property Development from the University of Miami School of Law, a Certificate on Chinese Law from the School of Law at Renmin University of China in Beijing and has completed courses on international, cultural heritage and art law at the University of Siena Facolta di Giurisprudenza in Italy and the Sotheby’s Institute of Art. He is admitted to the practice of law in New York and Florida.

Marie-Cécile Flageul, Co-founder at 5Pointz Creates & Curator at MoSA

Marie Cecile Flageul was born and raised in Brittany France, a few miles off the Manche. Her first trip to New York City at the age of sixteen sparked her love story with the city that never sleeps. Following her initial stay in the Lower East Side, she returned to North America and extensively traveled throughout it, exploring more states than most, and enjoying every experience. Her first love and passion was writing with her goal being to write and move to New York City. After completing her Studies at La Sorbonne,
she moved to New York and started her career working for a prestigious incentive house and becoming partner in 2003. After 15 years in event planning and over 1,000 events completed, she felt it was time for her to start her own signature firm rebranded this year as makeithappen.live.

Marie Cecile Flageul has been recognized as the trendsetter in the industry. Often copied, she takes it as a compliment and as an incentive to always look for the next big idea. She has applied all her production and curatorial skills to 5 Pointz and now 5 Pointz creates. Named and recognized as an activist and true advocate for public art, she was invited to join the board of HDC. In 2015, she was given the “art and activism” award by the Gold Coast Art Center. Her curatorial debut was the highly acclaimed “whitewash Show” in February 2014, and she has not stopped since. Her passion for the culture is infectious and her dedication relentless.

Renée Vara, Founder/Director, VARA ART

Renée Vara is the Founder and CEO of VARA ART with over 25 years of art market and advisory experience specializing in 20th century, contemporary and emerging art and design. She is also an award winning Certified USPAP Appraiser tested in 4 areas of fine art specialization. She currently serves on the Advisory Council and was a two term Board Member for the Appraiser’s Association of America. She regularly lectures and has published based on her expertise for more than 50
organizations and institutions. She has curated more than 40 international emerging art shows at fairs and venues, includingArt Basel Miami and Istanbul Biennale. Renée has served as an art legal expert for significant cases, including the landmark VARA litigation, 5Pointz v. G&M Realty L.P.

She is an award winning faculty at NYU for Art Market Studies, Art Business, Collection Management, and Art History for over a decade, and served as an Appointed Lecturer at the Guggenheim (NY) and Sotheby’s Institute. She has been cited in more than 40 major media outlets including The Art Newspaper, Forbes, ARTnews, The New York Times, The Guardian and The Wall Street Journal. Renée’s decade of experience as the National Fine Arts Specialist at Chubb Insurance brings a balanced approach to her clientele of collectors, corporations, institutions, and artists. She holds undergraduate and graduate degrees in art history.

Handouts

CLE Handouts

Post navigation

Previous You’ve Been Served: “Beltracchi: The Art of Forgery”(2014)
Next Workshop Legal Basics Every Artist Should Know: Copyright Edition

Related Art Law Articles

CfAL Marion Davies 1
Art law

Who Owns Hollywood’s Past? 

May 20, 2026
Center for Art Law MET Opera Chagall
Art law

Creative Financing Ideas: A Potential Sale of the Met Opera’s Chagalls

May 11, 2026
Fleurs en Pot
Art law

The Dorville Case: A Judicial Turn Facilitating the Restitution of Artworks Acquired During the French Occupation

May 7, 2026
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

 

Reserve Your Ticket TODAY
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
Day 4 of ☀️school: from Brooklyn to Manhattan (and Day 4 of ☀️school: from Brooklyn to Manhattan (and back)
@brooklynmuseum @pacegallery
Running a nonprofit, art law or not, only looks gl Running a nonprofit, art law or not, only looks glamorous. Before our founder completes her metamorphosis from dewy-faced starlet to aging legend, consider supporting the Center by registering for our silent auction. Marion Davies photographs, artworks, books, and more await their next owners. 

Follow the link in our bio to begin bidding!
In last night's evening sale, Christie's successfu In last night's evening sale, Christie's successfully auction off Picasso's L'Atelier for $6.9 million. The painting was previously in art dealer Douglas Cooper's collection prior to it being stolen in 1974. It was later  found in Japan

The sale occurred as part of a settlement agreement reached between the current holder and the estate of Cooper's heir. Full title passed to the successful bider. 

🔗 Check out more information on the sale using the link in our bio!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #artcrime #picasso
Look! 2026 Art Law Summer School is in session! Look! 2026 Art Law Summer School is in session!
Today is the day! In conjunction with our Annual A Today is the day! In conjunction with our Annual Art Law Conference 2026 we are hosting a silent auction to support the Center’s ongoing research, programming, and dissemination of information and accessible resources in art and cultural property law. The auction will open 
for bidding tonight (May 15th) at 8:00 PM ET. 

Swipe to preview a selection of the artworks that will be available for purchase through the auction and follow the link in our bio to begin bidding!
New York is the World Capital of Art Law! We know, New York is the World Capital of Art Law! We know, we are experts and we have traveled far and wide. Brooklyn is its heart and we salute you from DUMBO and the Brooklyn Bridge, one and all, art law fans and friends! NYC is playing host to countless art and law experiences and encounters this month. We are pleased to share the wealth with our Summer School students come Monday, and we invite all of you to join us on the 27th of May for the Center's Annual Art Law Conference! 🥯 ☕🥂 

#RSVP #artlaw 🎨⚖️
Don’t miss our recent episode!! Andrea and Paris s Don’t miss our recent episode!! Andrea and Paris speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, they explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers.

🎙️ Click the link in our bio to listen anywhere you get your podcasts!
Yesterday marked the launch of our Art Law Film Se Yesterday marked the launch of our Art Law Film Series! 🎥

The first screening was warmly hosted as part of CineLöwenbraukunst at @lowenbraukunst.zurich, and made possible with the generous support of @prohelvetia and @migros_culture_funding. 

We were thrilled to screen the powerful documentary “Elephants & Squirrels” by director Gregor Brändli @gregor_braendli_3000, which follows Sri Lankan artist @deneth_piumakshi_vedaarachchig Deneth Piumakshi Veda Arachchige on her journey advocating for the restitution of cultural heritage from Swiss museums back to the Wanniyala-Aetto indigenous community in Sri Lanka.

The evening offered insightful discussions, highlighting thoughtful approaches to the complex multi-perspective issues of restitution and colonial legacies.

A big thank you to everyone who joined us in Zurich ❤️
Join the Center for Art Law for a discussion on th Join the Center for Art Law for a discussion on the current state of the Anti-Money Laundering Regulations, and how recent and upcoming changes affect art market participants and transactions.

The speakers will offer an update on the regulatory landscape in the United States, issues with enforcement of the AML provisions as well as discuss considerations for private sector on how to stay compliant and prevent money laundering. Finally, we will share the very latest insights we have gained about regulations and enforcement in the UK as they concern  art market participants.

This is your opportunity to learn about the new edition of the Center's AML study of regulations in the EU and other jurisdictions, brush up on the upcoming changes in the UK and the US to the due diligence requirements, and to ask questions.

The event is offered in conjunction with the 2026 Art Law Summer School. 

This event is in-person at Steptoe, New York @ 1114 Avenue of the Americas AND Online.

🎟️ Click the link in our bio to grab your tickets!

#artlaw #centerforartlaw #artlawyer #legalresearch #aml #artcrime #internationallaw
We hope you join us for our Annual Art Law Confere We hope you join us for our Annual Art Law Conference 2026 on May 27, 2026. You can join in-person at Brooklyn Law School or online via Zoom.

The 2026 conference will focus on copyright law as it relates to visual art, artificial intelligence, and the rapidly evolving legal landscape of the 21st century. The program will begin with a keynote address, followed by three substantive panels designed to build on one another throughout the afternoon. In addition, we will host a curated group of exhibitors featuring databases, legal tools, and technology platforms relevant to artists’ rights, copyright, and AI. The program will conclude with a reception, providing time for continued discussion, networking, and engagement among speakers, exhibitors, and attendees.

The opening panel will examine the current state of copyright law in the visual arts and the practical challenges facing artists, galleries, institutions, and practitioners. Subsequent panels will address artificial intelligence, recent legislative and regulatory developments, the role of the U.S. Copyright Office, and emerging questions around licensing, enforcement, and appropriation in a contemporary digital environment.

The conference convenes artists, attorneys, scholars, collectors, arts administrators, students, and policy professionals for in-depth and timely discussion, and will be accompanied by a silent auction and exhibitor networking opportunities. 

Closing Remarks by Lindsay Korotkin, Partner, ArentFox Schiff
Join us on May 27th at Brooklyn Law School for our Join us on May 27th at Brooklyn Law School for our Annual Art Law Conference 2026: What is Copy, Right? 

We are very excited to introduce you to the topic and speakers for Panel 3: Registration Is Dead? Long Live Licensing?

As copyright enforcement becomes more complex, this panel explores the evolving role of registration and the growing importance of licensing agreements in protecting creative works. Panelists will discuss how artists, rights holders, and legal practitioners navigate enforcement today, examining when registration still matters, how licensing structures are being used strategically, and what effective rights management looks like in a shifting legal and art market landscape.

Moderator: Carol J. Steinberg, Art, Copyright & Entertainment Law Attorney, Faculty, School of Visual Arts

Speakers: Janet Hicks, Vice President and Director of Licensing, Artists Rights Society; Yayoi Shionoiri, art lawyer and Vice President of External Affairs and General Counsel at Powerhouse Arts; Martin Cribbs, Intellectual Property Licensing Strategist

You can join us in-person or online! Grab your tickets using the link in our bio! 🎟️ 

#centerforartlaw #artlaw #copyrightregistration #copyrightlaw #copyrightlawandart
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law