• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Over The River: When Art and Law make Landfall
Back

Over The River: When Art and Law make Landfall

March 11, 2025

banner

Join us for a discussion exploring the intersection of art, law, and the environment through the lens of ROAR v. Bureau of Land Management. This session examines the legal battles, environmental considerations, and artistic ambitions surrounding Christo and Jeanne-Claude’s “Over the River” Project. Jonathan Henery (Manager, Christo and Jeanne-Claude’s Studios) will open the session with a detailed account of how Christo envisioned Over the River, why the site was selected, and the artistic and environmental vision behind the project. Bob Randall (Partner, Kaplan Karsch LLP) will provide insights into the federal permitting process, challenges faced, and the legal framework that laid the groundwork for the case. Michael Harris (Former Professor, University of Denver, attorney for ROAR) will discuss the plaintiff’s side of the case, including how he incorporated law students into his work, the environmental laws under which the complaint was filed, and his perspective on the legal and ecological stakes. Catherine M. van Heuven (Attorney for Christo) will explore the challenges of litigating in federal and state courts and balancing artistic vision with environmental and legal obligations.

This session examines the Over the River case’s far-reaching outcomes and impacts, including its role in shaping environmental art practices and legal precedents in art and environmental law.

Handouts

Please contact us for the handouts for this program — artlawteam@itsartlaw.org

Video Is Available on YouTube

Post navigation

Previous Art & Copyright Law Clinic (May 14, 2025)
Next Art Law Colloquium: Research, Cases & Litigation in Art Law

Related Art Law Articles

Turkey map
Art lawCase ReviewCultural Heritage

The Mendelsohn Case: Implications for Future Restitution

August 28, 2026
Spotlight on the UK Spoliation Advisory Panel | Natasha Phillips Green | Featured Image
Art lawCultural HeritageSpotlight

Spotlight On: The UK Spoliation Advisory Panel

August 27, 2026
A-Corp Article veronika martinelli q5YQ2zNniVc unsplash
Art law

A for …. A-Corp: Understanding Artist Corporations

August 25, 2026
Center for Art Law
August 2026 Summer Promo (2)

Get your leg up on art law

Just in time for 2026-2027

Become a member and access unlimited articles, our Case Law Database, event archives, and exclusive member pricing on all upcoming events.

Learn MORE
Immigration Guide for Artists 2026 Cover Page

Immigration Guide for Artists

Check out the 2026 overview of U.S. immigration pathways available to artists.

Learn MORE
Center for Art Law

Follow us on Instagram for the latest in Art Law!

The culture of dupes is continuing to plague artis The culture of dupes is continuing to plague artists. Those like Lauren Horn and Maggie Stephenson have been victims of others creating copycats of their work and selling it as their own.

Read KimberMarie's new article to understand the impact this issue has on artists and other communities along with ways to push back against the problem.

📚 Check out the full article using the link in our bio!!

#centerforartlaw #artlaw #legal #legalresearch #artlawyer #dupes #counterfeits #artistrights #artists
Any interest in volunteering to help work with our Any interest in volunteering to help work with our Nazi-Era Looted Art Restitution Cases Project? Listen to Natasha describe her work and the cases she's had the chance to study.

📚 Click the link in our bio to learn more about the project and how to join!

#centerforartlaw #artlaw #restitution #art #museums #artlawyer #legal #legalresearch
Who owns Hollywood’s past? 🎬📸 A thrifted box of 1 Who owns Hollywood’s past? 🎬📸

A thrifted box of 1930s photographs of actress Marion Davies opens up a much bigger question: who owns the image and the rights behind it? 

One of our latest articles explores the story behind these photographs, including MGM studio stamps, Davies’s handwritten dedication, and the distinction between owning a physical photograph and owning the intellectual property rights in its image.

📚To read the full story by Irina Tarsis, head to the link in our bio

https://itsartlaw.org/art-law/who-owns-hollywoods-past/ 

#ArtLaw #CopyrightLaw #MarionDavies #HollywoodHistory #CulturalHeritage
Join us on September 18th for an Art and Law Works Join us on September 18th for an Art and Law Workshop on fiduciary duties within artist-dealer relationships with speaker Aaron Haines.

This workshop will explore the fiduciary duties of gallerists toward their clients and will clarify the distinctions between contract-based relationships and the broader fiduciary obligations gallerists owe, including transparency, prudence, and the prohibition of undisclosed profits. It will also examine common conflicts of interest in the art world and how these fiduciary duties come into play. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #legal #workshop #artistrights #artist #artdealer
For centuries, copying has been an integral part o For centuries, copying has been an integral part of Chinese artistic practice, blurring the line between homage and forgery. Many museums are at a loss for how to evaluate works that challenge Western notions of authenticity.

Through the ongoing debate over the MET’s Riverbank painting, our recent article examines how institutional interests and market value continue to shape perceptions of authenticity.

📚 Click the link in our bio to read the complete article by Lena Rohde!

#centerforartlaw #artlaw #chineseart #zhangdaqian #changdaichien #artforgery #authenticity #museumlaw #arthistory #provenance #artmarket
The rapid rise of digital reconstruction has trans The rapid rise of digital reconstruction has transformed how cultural heritage is documented and preserved, particularly in regions affected by conflict. As 3D models and digital archives become more common, they also raise questions about ownership and cultural self-determination.

In her article, Jacqueline Koutrodimos-Lewis examines the preservation of Syria's cultural heritage. More specifically, how digital reconstructions can both protect endangered sites and act as a tool for erasure when local communities are excluded from the process.

📚 Click the link in our bio to read the complete article by Jacqueline Koutrodimos-Lewis!

#centerforartlaw #artlaw #culturalheritage #digitalheritage #3Dreconstruction #provenance #archaeology #culturalproperty #digitization #palmyra #museumlaw
Recently our intern Hannah Gadway was able to go t Recently our intern Hannah Gadway was able to go to the Beaverbrook Art Gallery in New Brunswick. This gallery was included in a law suit between Lord Beaverbrook's Estate and a foundation he had established during his life. 

📚 See more about this case using the link in our bio!

#centerforartlaw #artlaw #artresearch #estates #artist #foundation #gallery
Two sculptures have finally returned to Santiago d Two sculptures have finally returned to Santiago de Compostela after seventy-two years.

Our recent article examines the Spanish Supreme Court's decision to return the Abraham and Isaac sculptures to Santiago de Compostela, and the pivotal role that object identification played in resolving the dispute.

📚 Click the link in our bio to read the complete article by Lucas Güimil Valdés!

#centerforartlaw #artlawyer #artlaw #culturalheritage #restitution #provenanceresearch #spain #culturalproperty
Our recent article revisits Professor Matthias Wel Our recent article revisits Professor Matthias Weller's presentation introducing Germany's new Court of Arbitration for Nazi-Looted Cultural Property. It explores how the new tribunal differs from the former Limbach Commission and what its procedures, jurisdiction, and binding decisions could mean for future restitution claims.

📚 Read the full article by Savannah Weiler and Amanda Buonaiuto at the link in our bio!

#centerforartlaw #artlawyer #artlaw #culturalproperty #nazilootedart #restitution #provenanceresearch #culturalheritage #alternativedisputeresolution
It’s August 🔥 Think Art Law. World Cap 2026 is ove It’s August 🔥 Think Art Law. World Cap 2026 is over. For us it will be remembered for Haaland Memes and $25 MILLION lawsuit filed by environmental artist Robert Wyland against FIFA for painting over the iconic 1999 downtown Dallas mural, Whaling Wall 82.* Summer Internships at the Center are winding down. Oh the places we have been together (from UN to MoMA across the US, Canada and the UK). The 2025-2026 Judith Bresler Fellowship is complete and how! and our new fellow is eager to hit the ground running.

As we move into the final stretch of summer, the reality sets in: little and big fires are everywhere and juggling so many balls or making sense of the everyday is getting increasingly impossible. But before we collapse into off-season, we want to thank you for being part of our community. Whether you were here in person, joining us online, or thinking about art and the law from afar, we can’t wait to see what you’ll create, challenge, and defend come fall. Our complements and heartfelt thanks to our Summer Team for everything they’ve accomplished over these months and invested in our future: for staying on track, for research and rigorous work on articles and databases, for genuine team building, and for pushing all of us to grow. And here’s what we’ve learned: when the real world gets too much, look at art. Play ball. Have a hydration break. These are necessities that keep us sane and running overtime. 

📚 Read the full newsletter and become a subscriber using the link in our bio!

#centerforartlaw #artlaw #legalresearch #legal artlawyer
What inspires a career in art and cultural propert What inspires a career in art and cultural property law?

In our latest interview, Professor Matthias Weller shares how his academic and professional journey led him to become one of the leading voices in the restitution field. He also discusses Germany's new Court of Arbitration for Nazi-Looted Cultural Property and what this landmark development could mean for the future of restitution.

📚 Read the full interview using the link in our bio! 

#centerforartlaw #artlaw #legalreserach #legal #art #lawyer #restitution #artcrime #arbitration #germany
ART × LAW INTENSIVE 2026 - the countdown begins! S ART × LAW INTENSIVE 2026 - the countdown begins!
See you in Zurich in September ✨

The response to our inaugural edition has exceeded all expectations, with applications received from around the world. Thank you to everyone who applied! We look forward to welcoming our first cohort of participants very soon.

Sessions will take place across some of Switzerland’s leading institutions, including ZHdK, the University of Zurich, Kunsthaus Zurich, Swiss Re, Homburger, and more. This year’s faculty will be announced in the upcoming posts. 

From copyright and AI to provenance, restitution, dispute resolution, and the future of collecting, the ART × LAW INTENSIVE 2026 brings together the people shaping the future of the art world. Excited! 

 
Photos: 1. “Zardoz” by Monster Chetwynd, the garden of Kunsthaus Zurich. 2. Tram stop of Museum Rietberg. 3. Picnic spot in Belvoirpark. 4. The roofs of Rämistrasse. 5. The drone view over Bellevueplatz.
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law