• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Public Art & the Law: Exploring Public Art Commissions (Part 1)
Back

Public Art & the Law: Exploring Public Art Commissions (Part 1)

May 6, 2024

image promo

About this Event

The Center for Art Law dove into the world of public art commissions, exploring the intricate processes, legal considerations, and artist perspectives that shape the landscape of public art.

Elizabeth Pepperman, Chair of the Public Art Fund, served as the moderator, guiding us through an enlightening discussion featuring prominent voices in the field. Larry Giannechini, Deputy Director for Programs & Operations at the Public Art Fund, kicked off the session with an insightful overview of the commissioning process, shedding light on the intricacies of working with diverse entities, reaching out to artists, and navigating ownership and insurance Renowned Brooklyn-based artist Kaves shared his firsthand experiences with public art commissions, offering unique insights into the artist’s perspective, contractual negotiations, and the creative journey behind commissioned works. Legal expert Juyoun Han provided a comprehensive overview of the legal landscape surrounding public art, addressing key issues such as community advocacy, copyright considerations, and the implications of VARA (Visual Artists Rights Act). Following the presentations, there was a moderated discussion and Q&A session, where attendees had the opportunity to engage with our panelists on a range of topics, including valuation of works, post-installation considerations, and more.

About the Speakers

Elizabeth Pepperman

Elizabeth Fearon Pepperman is a lawyer and passionate advocate for the arts with extensive experience leading nonprofit arts organizations to achieve ambitious projects. She is Chair of  New York City’s Public Art Fund where she champions access to powerful experiences with art in the urban environment. Under her leadership, Public Art Fund has expanded its audience and impact significantly, working with cultural and civic partners to achieve major new public art commissions in destinations such as LaGuardia Airport Terminal B, Lincoln Center’s David  Geffen Hall, Brooklyn Bridge Park, Moynihan Train Hall and on over 300 bus shelters and newsstands in neighborhoods across New York City, Chicago, and Boston. Elizabeth is a past  Board President of the Children’s Museum of the Arts where she led a strategic plan and capital campaign to build a new home for the museum in lower Manhattan and remains a committed board member and supporter of its free arts education programs. She is a former Assistant  District Attorney and serves as a member of several professional organizations including the  New York City Bar Association Art Law Committee, the New York County Bar Association  Committee on Art Law, and the Center for Art Law. A lifelong New Yorker, Elizabeth is deeply committed to supporting the nonprofit art sector and advancing the cultural landscape of the city.

Larry Giannechini

Larry Giannechini is Deputy Director for Programs & Operations with the Public Art Fund, an independent, non-profit arts organization dedicated to bringing dynamic contemporary art to a broad audience in New York City and beyond by mounting ambitious free exhibitions of international scope and impact that offer the public powerful experiences with art and the urban environment. With over 10 years of experience developing and designing high-quality spaces for the public, Larry has a core knowledge of project design, construction, and management. A Professional Engineer, Larry’s background in design and construction has led him to providing project management services for large-scale sculptural and art installations in New York City and abroad. Prior to joining the Public Art Fund, Larry worked at Thornton Tomasetti on a wide array of projects in regions as diverse as New York City, Vietnam, and China, researching regional best practices and basis of design to offer clients comprehensive solutions for overall building design. His tenure in construction management continued at Lendlease, serving as the project manager for superstructure concrete for a 775’ residential and mixed-use project in New York City.

Michael ‘KAVES’ McLeer

Michael ‘KAVES’ McLeer is a man of faith. For McLeer, faith and spirituality are derived not from a theistic higher power but from a rich fabric of personal memories firmly anchored to a sense of place. That place has always been but one: Brooklyn. McLeer’s work has continually been inspired by the crumbling, many-faced Brooklyn of the 1970s and 1980s in which he was born and raised. McLeer has carried memories of this place in time and spent years recounting them as a kind of folklore through the formats of graffiti, music, and painting. He began making artwork in his early teens illegally spray painting subway trains, buses, and handball courts. This instilled in him a tendency of capitalizing on bold lines, high contrast, and fast mark-making. Graffiti also functioned as a form of storytelling and social commentary. It was a citywide bulletin board, a system of communication, and a platform for the youth for the development of individual fable.

Juyoun Han

Ms. Han is a Partner in the firm’s Artificial Intelligence Fairness and Data Privacy Practice Group. As a litigator, tech enthusiast, and a human rights advocate, Ms. Han is excited about innovative technologies and hopes to harness the law to promote fairness and accountability in the design and use of A.I. in our society. Having served as a law clerk for Hon. Steven L. Tiscione and a judicial intern for Hon. Kiyo A. Matsumoto at the U.S. District Court in the Eastern District of New York (Brooklyn), Ms. Han possesses a deep understanding of courtroom advocacy and judicial procedures. At Eisenberg & Baum, Ms. Han counsels clients throughout trials and appeals in challenging cases as varied as street art litigation and anti-discrimination lawsuits as part of the firm’s Deaf and Hard of Hearing Law Center. Ms. Han frequently collaborates with advocates and public interest groups who share a common passion to eradicate inequality. Previously, she was invited to speak at the World Congress for the World Federation of the Deaf in Paris. Ms. Han volunteered at the International Justice Mission (Washington D.C.) to combat international sex-trafficking of women and children, and worked at the UNESCO Korean Commission. Prior to law school, Ms. Han taught high school and college-level students in South Korea.

Handouts and Reading Material

Read the handouts HERE.

Recording of the Lecture

Post navigation

Previous Celestial Art Law: Zoom Out There
Next Some Like it Digital: AI-Generated Art, Litigation & the Law

Related Art Law Articles

Center for Art Law Canada Pledges Resale Royalty
Art lawCanadaresale royalty

Canada pledges an artist’s resale royalty—can the United States follow “suite”?

April 9, 2026
Abraham and Isaac Returned Home Center for Art Law
Art law

Abraham and Isaac: Sculptures returned home after Spanish Supreme Court decision

April 8, 2026
Center for Art Law WYWH Jan 2026 Weller
Wish You Were Here

Wish You Were Here: Professor Weller’s Introduction of the New Court of Arbitration for Nazi-Looted Cultural Property

April 7, 2026
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

 

Reserve Your Ticket TODAY
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Center for Art Law is very pleased to welcome Prof Center for Art Law is very pleased to welcome Professor Ben Zhao as the Keynote Speaker for our Annual Art Law Conference 2026! 

Ben Zhao is the Neubauer Professor of Computer Science at the University of Chicago where he, and a team of researchers at the university, developed NightShade & Glaze, two data-poisoning tools which protects artists' work from being scraped for AI data training. 

Professor Zhao will discuss tools, such as NightShade, which can assist in defending art in the age of AI. 

The 2026 conference will focus on copyright law as it relates to visual art, artificial intelligence, and the rapidly evolving legal landscape of the 21st century. The program will begin with Professor Zhao's keynote address, followed by three substantive panels designed to build on one another throughout the afternoon. In addition, we will host a curated group of exhibitors featuring databases, legal tools, and technology platforms relevant to artists’ rights, copyright, and AI. The program will conclude with a reception, providing time for continued discussion, networking, and engagement among speakers, exhibitors, and attendees. 

We hope you join us! Reserve your tickets now using the link in our bio 🎟️ 

#centerforartlaw #artlaw #copyrightlaw
A huge thank you to our hosts and incredible speak A huge thank you to our hosts and incredible speakers who made this London panel discussion truly special! 🙏✨ 🇬🇧 🇺🇦 

We were so fortunate to hear from:

🎤 Rakhi Talwar | RTalwar Compliance
🎤 Raminta Dereskeviciute | McDermott Will & Schulte
🎤 Daryna Pidhorna, Lawyer & Analyst | The Raphael Lemkin Society
🎤 Timothy Kompancheko | Bernard, Inc.
🎤 Yuliia Hnat | Museum of Contemporary Art NGO
🎤 Irina Tarsis | Center for Art Law

Your insights, expertise, and passion made this a conversation we won't forget. Thank you for sharing your time and knowledge with us! 💫

Bottom Line: the art market has power and responsibility. Our panel "Art, Money, and the Law: Sanctions & AML Enforcement in 2026" tackled the hard questions around money laundering, sanctions compliance, and what's at stake for art market participants in today's regulatory landscape.

⚠️ Regulators are watching and "history has it's eyes on you..." too We don't have to navigate the legal waters alone. Let's keep the conversation going.

What was your biggest takeaway? 

#ArtLaw #AMLCompliance #Sanctions #ArtMarket #ArtAndMoney #Enforcement2026
At the Center for Art Law we are preparing for our At the Center for Art Law we are preparing for our Annual Art Law Conference 2026, "What is Copy, Right? Visual Art, AI, and the Law in the 21st Century", and we hope you are as excited as we are! The event will take place on May 27th at Brooklyn Law School. 

In addition to the panels throughout the day, which will offer insights into the rapidly shifting landscape of art and copyright law, our conference will feature exhibitors showcasing resources for promoting artists' rights, and a silent auction aimed at bolstering the Center's efforts. 

We would like to invite you to take part in and support this year's Annual Art Law Conference by being an exhibitor or sponsor. We express our sincere appreciation to all of our sponsors, exhibitors and you! 

Find more information and reserve your tickets using the link in our bio! See you soon!
In this episode, we speak with art market expert D In this episode, we speak with art market expert Doug Woodham to unpack how Jean-Michel Basquiat became one of the most enduring cultural icons of our time.

Moving beyond his rise in 1980s New York, this episode focuses on what happened after his death. We explore how his estate, led by his father, shaped his legacy through control of supply, copyright, and narrative; how early collectors and market forces drove the value of his work; and how museums and media cemented his place in art history.

Together, we explore the bigger question: is creating great art enough, or does becoming an icon require an entire ecosystem working behind the scenes?

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio!

Also, please join us on May 27  for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence!

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #basquiat
Amy Sherald cancelled her mid-career retrospective Amy Sherald cancelled her mid-career retrospective, scheduled at the National Portrait Gallery (NPG) in D.C., after a curatorial controversy over the potential removal of her recent work, "Trans Forming Liberty" (2024). Sherald denounced the attempt to remove this work as a blatant and intentional erasure of trans lives. 

This is one of the best examples and the most illustrative examples of the current administration's growing efforts to control the Smithsonian Institution's programming. In this climate of political tension, how do cultural institutions defend themselves against censorship and keep their curatorial independence?

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artcuration #curatorialindependance #censorship
Grab 15% off tickets the upcoming bootcamp on Arti Grab 15% off tickets the upcoming bootcamp on Artist-Dealer Relations, now available online!! 

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

Get 15% off using the code: Final15 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
On the night of April 15–16, 2026 alone, Russia se On the night of April 15–16, 2026 alone, Russia sent hundreds of drones and missiles on sleeping cities across Ukraine, killing and injuring dozens of civilians. War is funded in part by individuals who have important artworks in their personal collections. This full-scale invasion of Ukraine, now in its fifth year, daily exacts a grave toll on Ukrainian lives and cultural heritage, while fundamentally disrupting European commerce. In response, art market participants have adapted their practices, most have accepted, if not always embraced, the need to scrutinize the source of funds and the ultimate beneficiaries of their transactions. Yet there is a growing sense that parts of the trade are holding their breath, waiting to see when they might safely return to dealing with the oligarchs who continue to fund the Russian war machine.

For art market participants operating in the UK, compliance is no longer a peripheral concern, it is a legal imperative. Regulators are watching, the consequences of non-compliance increasingly extend beyond administrative penalties into criminal liability, and private-public partnerships offer the most credible path toward a more resilient and trustworthy market. 

Join us on April 24th for a panel discussion in London on the current state of AML enforcement and sanctions.

🎟️ Grab your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #artcrime #london #artissues #museumissues
Sotheby's sold Modigliani’s Portrait de Leopold Zb Sotheby's sold Modigliani’s Portrait de Leopold Zborowski to Cahn in 2003 for the low price of about $1.55 million. In 2016, Cahn claimed he was verbally informed about authenticity issues with the painting by Sotheby's. The parties did make an agreement regarding Cahn reselling with Sotheby's for a guaranteed price in exchange for releasing the auction house from all claims related to the painting. Cahn claims that he attempted to set this process in motion in June 2025, but he received no response. Cahn now seeks damages totaling $2.67 million, plus interest and attorneys’ fees, for breach of contract. 

Through this dispute, Vivianne Diaz's article highlights a bigger issue in the art market by explaining how forgeries negatively affect both collectors and auction houses, and how auction houses need to be more careful, but most importantly, proactive in their authentication determinations.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #Modigliani #LeopoldZborowski #sothebys
Don't miss our upcoming April 20th bootcamp on Art Don't miss our upcoming April 20th bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
The historic Bayeux Tapestry, conserved in Normand The historic Bayeux Tapestry, conserved in Normandy, France, is scheduled to be loaned from the Bayeux Museum to the British Museum for ten months beginning in the fall of 2026. This is the first time the tapestry will have returned to the UK in over 900 years. 

This loan, authorized by France, has raised multiple controversies, particularly over conservation concerns. Nevertheless, it has been made possible through a combination of factors, including improved conservation techniques, enhanced transport precautions, comprehensive loan agreements, insurance, and the application of relevant protective laws. 

Check out our recent article by Josie Goettel to read more about this historic loan regarding not only in its symbolic significance, but also in its technical complexity.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #legal #museumissues #bayeuxtapisserie #bayeuxtapestry #britishmuseum #bayeuxmuseum
Due to decreasing government funding and increasin Due to decreasing government funding and increasing operational costs, philanthropic giving is more essential than ever. Since the current administration took office, one-third of museums nationwide have lost government grants and contracts. These losses have set off a domino effect of difficult decisions, including laying off staff, cancelling public programming, and delaying maintenance and repairs. 

Many art museums are also still recovering from financial losses incurred during the Covid-19 Pandemic. This recent article by Kamée Payton explores how noncash charitable donation alternatives are used by cultural institutions as financing, and how noncash charitable donations can prove mutually beneficial for both donors and recipients—particularly in terms of tax treatment.

📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #museumissues #taxes #donations #taxtreatment
Brief newsletter instead of a list of abbreviation Brief newsletter instead of a list of abbreviations and dates (here is looking at you, AML and KYC, London, NY, Rome). A laconic message that as days are getting longer and we are charmed by sunshine, blooms, and prospects of holidays, the man-made world does not fail to disappoint (don’t believe me? put aside art law and read world news), and all that during the springtime.

On a high note, we are grateful to our Spring Interns who are finishing up their stint with the Center in a couple of weeks, well done! Together we invite you to the upcoming events in person and online. Come FY2027 (a.k.a. June), we will introduce you to the Summer Class and new Advisors. Hang in there through April and May, take notes, don’t forget – we are living in the best of times and the worst of times. Again. 

🔗 Check out our April newsletter, using the link in our bio, to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #april #legalresearch
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law