• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Public Art & the Law: Exploring Public Art Commissions (Part 1)
Back

Public Art & the Law: Exploring Public Art Commissions (Part 1)

May 6, 2024

image promo

About this Event

The Center for Art Law dove into the world of public art commissions, exploring the intricate processes, legal considerations, and artist perspectives that shape the landscape of public art.

Elizabeth Pepperman, Chair of the Public Art Fund, served as the moderator, guiding us through an enlightening discussion featuring prominent voices in the field. Larry Giannechini, Deputy Director for Programs & Operations at the Public Art Fund, kicked off the session with an insightful overview of the commissioning process, shedding light on the intricacies of working with diverse entities, reaching out to artists, and navigating ownership and insurance Renowned Brooklyn-based artist Kaves shared his firsthand experiences with public art commissions, offering unique insights into the artist’s perspective, contractual negotiations, and the creative journey behind commissioned works. Legal expert Juyoun Han provided a comprehensive overview of the legal landscape surrounding public art, addressing key issues such as community advocacy, copyright considerations, and the implications of VARA (Visual Artists Rights Act). Following the presentations, there was a moderated discussion and Q&A session, where attendees had the opportunity to engage with our panelists on a range of topics, including valuation of works, post-installation considerations, and more.

About the Speakers

Elizabeth Pepperman

Elizabeth Fearon Pepperman is a lawyer and passionate advocate for the arts with extensive experience leading nonprofit arts organizations to achieve ambitious projects. She is Chair of  New York City’s Public Art Fund where she champions access to powerful experiences with art in the urban environment. Under her leadership, Public Art Fund has expanded its audience and impact significantly, working with cultural and civic partners to achieve major new public art commissions in destinations such as LaGuardia Airport Terminal B, Lincoln Center’s David  Geffen Hall, Brooklyn Bridge Park, Moynihan Train Hall and on over 300 bus shelters and newsstands in neighborhoods across New York City, Chicago, and Boston. Elizabeth is a past  Board President of the Children’s Museum of the Arts where she led a strategic plan and capital campaign to build a new home for the museum in lower Manhattan and remains a committed board member and supporter of its free arts education programs. She is a former Assistant  District Attorney and serves as a member of several professional organizations including the  New York City Bar Association Art Law Committee, the New York County Bar Association  Committee on Art Law, and the Center for Art Law. A lifelong New Yorker, Elizabeth is deeply committed to supporting the nonprofit art sector and advancing the cultural landscape of the city.

Larry Giannechini

Larry Giannechini is Deputy Director for Programs & Operations with the Public Art Fund, an independent, non-profit arts organization dedicated to bringing dynamic contemporary art to a broad audience in New York City and beyond by mounting ambitious free exhibitions of international scope and impact that offer the public powerful experiences with art and the urban environment. With over 10 years of experience developing and designing high-quality spaces for the public, Larry has a core knowledge of project design, construction, and management. A Professional Engineer, Larry’s background in design and construction has led him to providing project management services for large-scale sculptural and art installations in New York City and abroad. Prior to joining the Public Art Fund, Larry worked at Thornton Tomasetti on a wide array of projects in regions as diverse as New York City, Vietnam, and China, researching regional best practices and basis of design to offer clients comprehensive solutions for overall building design. His tenure in construction management continued at Lendlease, serving as the project manager for superstructure concrete for a 775’ residential and mixed-use project in New York City.

Michael ‘KAVES’ McLeer

Michael ‘KAVES’ McLeer is a man of faith. For McLeer, faith and spirituality are derived not from a theistic higher power but from a rich fabric of personal memories firmly anchored to a sense of place. That place has always been but one: Brooklyn. McLeer’s work has continually been inspired by the crumbling, many-faced Brooklyn of the 1970s and 1980s in which he was born and raised. McLeer has carried memories of this place in time and spent years recounting them as a kind of folklore through the formats of graffiti, music, and painting. He began making artwork in his early teens illegally spray painting subway trains, buses, and handball courts. This instilled in him a tendency of capitalizing on bold lines, high contrast, and fast mark-making. Graffiti also functioned as a form of storytelling and social commentary. It was a citywide bulletin board, a system of communication, and a platform for the youth for the development of individual fable.

Juyoun Han

Ms. Han is a Partner in the firm’s Artificial Intelligence Fairness and Data Privacy Practice Group. As a litigator, tech enthusiast, and a human rights advocate, Ms. Han is excited about innovative technologies and hopes to harness the law to promote fairness and accountability in the design and use of A.I. in our society. Having served as a law clerk for Hon. Steven L. Tiscione and a judicial intern for Hon. Kiyo A. Matsumoto at the U.S. District Court in the Eastern District of New York (Brooklyn), Ms. Han possesses a deep understanding of courtroom advocacy and judicial procedures. At Eisenberg & Baum, Ms. Han counsels clients throughout trials and appeals in challenging cases as varied as street art litigation and anti-discrimination lawsuits as part of the firm’s Deaf and Hard of Hearing Law Center. Ms. Han frequently collaborates with advocates and public interest groups who share a common passion to eradicate inequality. Previously, she was invited to speak at the World Congress for the World Federation of the Deaf in Paris. Ms. Han volunteered at the International Justice Mission (Washington D.C.) to combat international sex-trafficking of women and children, and worked at the UNESCO Korean Commission. Prior to law school, Ms. Han taught high school and college-level students in South Korea.

Handouts and Reading Material

Read the handouts HERE.

Recording of the Lecture

Post navigation

Previous Celestial Art Law: Zoom Out There
Next Some Like it Digital: AI-Generated Art, Litigation & the Law

Related Art Law Articles

CPAL Day 2 WYWH
Art lawWish You Were Here

WYWH: 2026 CPAL Conference on Preserving Artists’ Legacies (Day 2 of 3)

June 18, 2026
Chinese Forgeries Lena
Art HistoryArt law

“Authentic” Forgeries: Chang Dai-chien and Chinese Copies

June 16, 2026
CfAL Banksy Balloon Girl
AL Clippings

The Verdict on the Stolen Banksy

June 16, 2026
Maryan Kushnir Kyiv Jun 15 2026

Kyiv-Pechersk Lavra

World Heritage Site Attacked

Ukrainian museums and cultural centers, such as this 11th century UNESCO site are under attack. Learn about Cultural Heritage at Risk.

UNESCO Site
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Murals have long been central to artistic expressi Murals have long been central to artistic expression, from ancient cave paintings to the large-scale public works of the Mexican Muralists and contemporary street artists. Despite their renown in art history, muralists do not often receive the same legal protections afforded to other visual artists.

Although recent legal developments have expanded federal protections for muralists under the Visual Artists Rights Act (VARA), many states continue to subject muralists to additional licensing requirements and regulations. California’s recent initiatives highlight ongoing efforts to address this disparity and raise broader questions about how the law defines artistic labor.

📚 Click the link in our bio to read the complete article by Walker Schulte Schneider!

#centerforartlaw #muralart #artlaw #VARA #muralists  #publicart #legalresearch #artistsrights
That’s a wrap on the 2026 Center for Art Law Summe That’s a wrap on the 2026 Center for Art Law Summer School! 🎉

Over five days in New York City, participants explored art law through lectures, discussions, site visits, and conversations with leading attorneys, scholars, appraisers, artists, and art market professionals.

From contracts and copyright to AI and provenance research, students gained a deeper understanding of the legal issues shaping today’s art world while building connections with peers who share similar passions.

Thank you to our speakers, hosts, sponsors, and participants for making this year’s Summer School such a success. We loved spending the week with you and look forward to seeing where your art law journeys take you next! ⚖️🎨🗽 

#centerforartlaw #artlaweyer #summerschool #artlaw #legalresearch
Thank you for joining us this Saturday for our pan Thank you for joining us this Saturday for our panel discussion at the Landesmuseum as part of the official program of Zurich Art Weekend 2026 @zurichartweekend 

With a fully booked audience, inspiring perspectives from leading voices @thomstauffer @stefanputtaert @alanakushnir @willkorner @pascalrobertgallery, and a warm welcome at an iconic venue, it was a truly memorable event! 

Thanks to everyone who came along - it was a blast💥 

Special thanks to our sponsors @smartstamp @t_transporte.zuerich, the Edge, TRACE and @artdomains!
How do artists, attorneys, and cultural institutio How do artists, attorneys, and cultural institutions navigate copyright law in an era of AI and rapidly evolving case law?

Our latest article revisits our latest Art Lawyering Bootcamp on Copyright Law from February 4th, highlighting conversations on fair use, moral rights, copyright registration, estate planning, and the legal questions raised by generative AI.

📚 Read the full article by Alexandra Kharchenko at the link in our bio!

#centerforartlaw #artlawyer #copyrightlaw #artlaw #AIandArt #fairuse #intellectualproperty #artistrights #copyright
Join us for an informative guest lecture and pro b Join us for an informative guest lecture and pro bono consultations on legacy and estate planning for visual artists.

Calling all visual artists: join the Center for Art Law's Artist Legacy and Estate Planning Clinic for an evening of low-cost consultations with attorneys, tax experts, and other arts professionals with experience in estate and legacy planning.

After a short lecture on a legacy and estate planning topic, attendees with consultation tickets artist will be paired with one of the Center's volunteer professionals (attorneys, appraisers and financial advisors) for a confidential 20-minute consultation. Limited slots are available for the consultation sessions. 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #clinic #artlawyer #estateplanning #artistlegacy #legal #research #lawclinic
As AI enters all parts of the legal sector, it has As AI enters all parts of the legal sector, it has also been implemented in Alternative Dispute Resolution mechanisms. The American Arbitration Association and the International Centre for Dispute Resolution recently introduced the "AI arbitrator" in November 2025. 

The process is relatively simple, though it remains reserved for construction cases and subject to the review of a human arbitrator. The tool was created to offer more cost- and time-efficient options. The question remains, if current ADR AI tools can be envisioned in art law disputes, particularly given the individualistic features of art law claims and how they may, or may not, be addressed through the use of AI in ADR procedures

📚 Click the link in our bio to read the full article by Marina Rastorfer!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #ailaw #aiart #adr #alternativedisputeresolution
Don't miss our upcoming conversation with Dr. Rubi Don't miss our upcoming conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

Drawing on the historical relationship between collecting and looting, the discussion will highlight the Palmyrene Portrait Project, a corpus of over 4,000 funerary portraits from Palmyra compiled by Dr. Raja and her team since 2012. The project serves as a critical record of material that, in many cases, remained in situ prior to the outbreak of the Syrian Civil War.

Before its inception, this body of material had not been treated as a unified corpus, nor systematically digitized. Today, the project stands as both the largest corpus of individual Roman period portraits from a single urban context and an essential scholarly and practical tool for identifying objects from Palmyra as they emerge on the art market.

Please note this event will not be recorded. 

🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities
Recently some artist estates have loosened fair us Recently some artist estates have loosened fair use policies for non-profits. The Robert Rauschenberg Foundation is one such example. In an effort to promote Rauschenberg's work over short-term revenue gain, it implemented one of the first fair use policies for certain museums before widening it to the public at large. 

Artist engagement levels did increase, but the policy brought up other issues, including distinguishing non-profit from for-profit uses. 

📚 Click the link in our bio to read more in our article by Josie Goettel!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #artistissues #artistestates #museumissues #iplaw #copyright #ip
Meet our stellar line up of speakers! Thomas Stau Meet our stellar line up of speakers!

Thomas Stauffer | Partner, Gerber & Stauffer Fine Arts; President, Swiss Art Trading Association @thomstauffer 

Stefan Puttaert | CEO, Nicola Erni Collection @stefanputtaert @nicolaernicollection 

Alana Kushnir | Founder & Principal, Aurelian Lawyers & Advisers @aurelianlawyersandadvisers 

Will Korner | Head of Fairs, TEFAF @willkorner 

Pascal Robert | Founder, Pascal Robert Gallery @pascalrobertgallery 

Irina Tarsis | Founder, Center for Art Law, Moderator

▪️See you this Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

▪️Official part of @zurichartweekend programme
June! Roses are in bloom, summer interns have comp June! Roses are in bloom, summer interns have completed two weeks of orientation and research, and the world is heating up. As we wrap up after the Summer School, with much gratitude to our faculty and students, and digest the Copyright Law Conference takeaways, we cannot wait for our panel discussion Art Markets & the World in Transition (what is not?!) during the Zurich Art Weekend (in town on June 13th? Join us!), and look forward to sharing new research and articles with you posthaste. 

Make sure to subscribe to our newsletter to get all of these updates and more! 

📚 Click the link in our bio to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #june #legalresearch
In this episode of Art in Brief, Andrea and Paris In this episode of Art in Brief, Andrea and Paris speak with Will Korner, founder and director of the Cultural Heritage At Risk Database Foundation (CHARD). 

From conflict zones to disaster-stricken regions, Will discusses how documentation, collaboration, and technology can help safeguard the objects and stories that connect us to our shared past from illicit trade. He also explains how CHARD’s database can be used to cross-check whether stolen or missing cultural objects are appearing on the art market, including at auction, and what is at stake when these irreplaceable pieces of heritage are lost. 

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio! 

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #culture #artcrime
Despite the passage of multiple anti-money launder Despite the passage of multiple anti-money laundering laws in the U.S. over the past two decades, the art market is still considered the "largest legal unregulated industry." Its perceived lax regulatory regime and various industry-specific factors, makes high-value art an attractive tool for laundering criminal proceeds. 

The rise in laundering through high-value art is mainly attributed to the high-dollar transactions values, the ease of transporting artwork across borders, the market's longstanding culture of privacy, and art's evolution as a financial asset. That said, the art market is not entirely unregulated. As this article shows, other mechanisms — including industry self-regulation, public pressure from high-profile litigation and settlements, and sanction laws — provide a certain regulatory structure.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artmarket #AML #internationallaw #lawyer #artcrime #money
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law