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Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Some Like It Digital: AI and Art Authentication
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Some Like It Digital: AI and Art Authentication

September 30, 2021

About this Event:

This is the moment the Center for Art Law launched the new series of events, Some Like it Digital, “as the art world glows bright hot with possibilities promised by everything computers (AI, ML, NFT, R2D2).” Our first event was about AI and Art Authentication that was inspired by the vibrant work in the Crypt Valley in Switzerland.

In the world of art authentication who wins the ultimate battle of accuracy–man or machine? The Center for Art Law is excited to announce its first event in a series it fondly calls “Let’s Get Digital,” an Art Law Lunch Talk on the concepts of AI and Art Authentication. This event featured Fançoise Birnholz, business lawyer and business angel and Dr. Carina Popovici, CEO and Co-Founder of Art Recognition AG, and was moderated by the Center for Art Law’s Founding Director, Irina Tarsis.

About the Speakers:

Françoise Birnholz is a business lawyer with significant international experience having held senior positions in major global financial institutions. She has been involved in digital and technology issues not only related to banking, but also for her personal interest as a contemporary art collector. She is an experienced Business Angel investing in early-stage companies mainly in Tech. She is a speaker at conferences about the blockchain, in particular DLT. She recently co-authored an Essay “Back to the Future: Sorting Old Law from New Technology in Blockchain Smart Contract Applications & Assessing the Need for Regulation” presently in final review by the George Washington Law Review, online publication “Arguendo”. One of the examples in the essay describes the use of the blockchain to ensure the authentication of works of art thus helping the fight against counterfeiting and establishing provenance. She is the proud owner of an NFT.

Carina Popovici is a co-founder and CEO of Art Recognition, a Zurich based art tech startup which offers to the art world an AI Engine for art authentication and forgery detection. While being an art lover, she is also an experienced programmer, having developed in the past AI algorithms with applications in physics and finance. Carina received a PhD in Theoretical Physics from the University of Tübingen and has been a postdoctoral research fellow in Physics, before taking up an appointment as a quantitative risk specialist at Credit Suisse. Now, Art Recognition is one of the few Swiss startups operating at the forefront of AI, entirely founded and led by women.

Handout:

Read the handout HERE.

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10 DAYS TO GO - MARK YOUR CALENDARS! Saturday, Ju 10 DAYS TO GO - MARK YOUR CALENDARS!

Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

With big gratitude to our sponsors, we look forward to welcoming you at the event!
📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hi 📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hirzel, Landesmuseum Zurich 

Free & open to the public

This June, as part of the official program of @zurichartweekend, we are bringing together some of the sharpest minds in the international art world for a candid conversation on what’s reshaping collecting today.

▪️Art Markets and the World in Transition: Frameworks Shaping Global Collecting

Geopolitics. Tariffs. AML regulation. Taxes. The rules of the art market are changing as fast as your news feed, and this panel is where experts unpack what that means for collectors, gallerists, and art lovers.

Speakers: 

Will Korner (TEFAF) · Alana Kushnir (Aurelian Lawyers & Advisers) · Pascal Robert (Pascal Robert Gallery) · Stefan Puttaert (Nicola Erni Collection) · Irina Tarsis, Esq. (Center for Art Law, moderator)

The event sponsors to be announced soon! 

Link in bio to save your spot 🔗

#ZurichArtWeekend #ArtLaw #ArtMarket #Collecting #ZAW2026 LandesmuseumZürich CenterForArtLaw ArtAndLaw CrossBorderCollecting
Join the Center for Art Law for a conversation wit Join the Center for Art Law for a conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

Drawing on the historical relationship between collecting and looting, the discussion will highlight the Palmyrene Portrait Project, a corpus of over 4,000 funerary portraits from Palmyra compiled by Dr. Raja and her team since 2012. The project serves as a critical record of material that, in many cases, remained in situ prior to the outbreak of the Syrian Civil War. 

Before its inception, this body of material had not been treated as a unified corpus, nor systematically digitized. Today, the project stands as both the largest corpus of individual Roman period portraits from a single urban context and an essential scholarly and practical tool for identifying objects from Palmyra as they emerge on the art market. 

🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities
On October 6, 2025, the Flemish Government announc On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA. 

This decision raised strong reactions from the art world, denouncing the false administrative logic behind this reorganization, which, according to the Flemish Minister of Culture, aims to strengthen collaboration and coherence within the cultural landscape. How does this transfer truly impact the Belgian artistic landscape — and does it really contribute to any coherence, or does it instead destroy the long-term curation and expertise that the institution has built in Antwerp?

📚 Click the link in our bio to read the full article by Alexandra Kharchenko. 

https://itsartlaw.org/art-law/flemish-governments-plan-to-dismantle-m-hkas-collection-in-the-name-of-centralization-of-art/ 

#centerforartlaw #artlaw #legal #artlawyer #legalresearch #artcuration #MHKA #artcuration
Thank you to all of our sponsors for all of their Thank you to all of our sponsors for all of their help in executing our 2026 Art Law Conference!!

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
This is the final day to bid in our Annual Art Law This is the final day to bid in our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

Don't miss out on the amazing pieces  and experiences up for grabs!

 Biding will end May 27 at 5:30pm ET.

1st: Floragen 2.0.1 by Colleen Hoffenbacker 
2nd: Jumping Frog by Vija Doks 
3rd: Untiled no.11( Amy Hollywood) by Andre Pace 

🖼️ Follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

Originally restitution was rejected, but under expanded guidelines the Museum chose to restitute the piece  to Ernst Magnus' heirs. It is now set to be Auction by Sotheby's on June 2, 2026. The starting bid is listed at $28k and the estimated price between $40-60k.

🔗 Check out more about this work and it's provenance using the links in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nazilootedart #artcrime #wwii #restitution
Make sure to check out our Annual Art Law Conferen Make sure to check out our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

🗽 Swipe to preview a selection of the consultations & experiences that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
Historical examples of famous fakes and forgeries Historical examples of famous fakes and forgeries explain how technical skill is not the only factor that allow forgeries to flourish in the art market. Historical context — as illustrated by World War II-era cases — or, in the modern world, the lack of due diligence and risk assessment and failures of authentication, show how a combination of factors allows forgeries to flourish in particular contexts. 

From a legal perspective, fraud and forgeries are not the only issues complicating the operation of the art market. They are further amplified by related problems such as money laundering, fraud schemes, and theft. In this context, due diligence and authentication become even more critical considerations for buyers and sellers.

🔗 Click the link in our bio to read the complete article by Lauren Stein to get a deeper understanding of the vulnerabilities of the art market!

https://itsartlaw.org/art-law/when-imitation-is-not-flattery-art-fakes-forgeries-and-the-market-they-fool/ 

 #centerforartlaw #artlaw #legal #artlawyer #legalresearch #forgery #fraud #arttransparency
Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
Day 4 of ☀️school: from Brooklyn to Manhattan (and Day 4 of ☀️school: from Brooklyn to Manhattan (and back)
@brooklynmuseum @pacegallery
Running a nonprofit, art law or not, only looks gl Running a nonprofit, art law or not, only looks glamorous. Before our founder completes her metamorphosis from dewy-faced starlet to aging legend, consider supporting the Center by registering for our silent auction. Marion Davies photographs, artworks, books, and more await their next owners. 

Follow the link in our bio to begin bidding!
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