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Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet You’ve Been Served: “Driven to Abstraction” (2019) + Q&A with the Director
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You’ve Been Served: “Driven to Abstraction” (2019) + Q&A with the Director

February 1, 2020

The Center for Art Law is proud to present the first NYC screening of the award-winning documentary Driven to Abstraction (2019) about the Knoedler Gallery art forgery scandals that shook the art world.

This program is co-sponsored by the Entertainment, Arts, and Sports Law Section of the New York State Bar Association and hosted by Pryor Cashman LLP, one of the law firms that represented a plaintiff against the Knoedler Gallery.

The screening will be followed by a Q&A with the film director Daria Price, an award-winning filmmaker, and William Charron, Partner at Pryor Cashman LLP.

The Movie

Driven to Abstraction unravels a tale of greed and fraud––the $80 million forgery scandal that rocked the art world and brought down Knoedler, New York City’s oldest and most venerable gallery. Was the gallery’s esteemed director the victim of a con artist who showed up with an endless treasure trove of previously unseen abstract expressionist masterpieces? Or did she eventually suspect they were fakes, yet continue to sell them for many millions of dollars for fifteen years?

The film offers a new insight into the Knoedler demise through interviews with art historians, attorneys, and journalists, including Patricia Cohen, author and journalist for The New York Times, Eileen Kinsella, Senior Market Editor at Artnet News, and Irina Tarsis, Founder and Managing Director of the Center for Art Law.

Watch the Trailer and read the Center for Art Law’s summary of the legal history of the Knoedler Gallery.

Find out more at www.driventoabstractiondocumentary.com.

The Director

Daria Price works in both documentary and fiction films. Her first feature documentary Out On a Limb won Best Documentary at the 2013 Boston International Film Festival. Driven to Abstraction is her second feature documentary. Daria also wrote, produced, directed, and edited the award-winning Survival of the Fittest, a satirical mystery that lampoons America’s obsession with youth and beauty, featured on Comcast’s On Demand Cutting Edge series.

The Program

You’ve Been Served is a Center for Art Law series showcasing documentaries and feature films that jump-start conversations on art law topics. Past events include screenings of “Exit Through the Gift Shop,” “Finding Vivian Maier,” and “Portrait of Wally.” More information at www.itsartlaw.org.

This event is co-sponsored by the Entertainment, Arts, and Sports Law Section of the New York State Bar Association (“EASL”), which has more than 1,700 members who represent varied creative interests, including some of the most popular issues being debated in Congress, heard by the courts, and reported on in the news. EASL provides substantive case law, forums for discussion and debate, and information-sharing in the EASL e-community. More information at www.nysba.org/EASLHomePage/

Post navigation

Previous Immigration Clinic for Artists @ New York Foundation for the Arts (Jan. 2020)
Next Visual Artists Immigration Clinic (Mar. 2020)

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Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

With big gratitude to our sponsors, we look forward to welcoming you at the event!
📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hi 📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hirzel, Landesmuseum Zurich 

Free & open to the public

This June, as part of the official program of @zurichartweekend, we are bringing together some of the sharpest minds in the international art world for a candid conversation on what’s reshaping collecting today.

▪️Art Markets and the World in Transition: Frameworks Shaping Global Collecting

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The event sponsors to be announced soon! 

Link in bio to save your spot 🔗

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 Biding will end May 27 at 5:30pm ET.

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2nd: Jumping Frog by Vija Doks 
3rd: Untiled no.11( Amy Hollywood) by Andre Pace 

🖼️ Follow the link in our bio to begin bidding! 

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In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

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Make sure to check out our Annual Art Law Conferen Make sure to check out our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

🗽 Swipe to preview a selection of the consultations & experiences that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

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 Biding will end on May 27 at 5:30pm ET.

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