• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Legal Issues in Museum Administration image/svg+xml 2021 Timothée Giet The Met Admission Fee Under Attack
Back

The Met Admission Fee Under Attack

November 20, 2012

Metropolitan Museum of Art, New York City NY, entrance

On November 14, 2012, Theodore Grunewald and Patricia Nicholson, two members of the Metropolitan Museum of Art (the Met), started legal action against the Museum for misleads the general public and deceiving visitors that the admission fees were mandatory and not suggested.  Full adult fee to enjoy the Met’s riches is a whooping $25 and a vast majority of the museum visitors do not know that they are not required to pay so much to enjoy the collections. Plaintiffs apparently surveying more than 350 visitors about the museum’s admission options learned that about 85% did not realize they did not have to pay a full fee to enter.  In light of these findings and other facts, Plaintiffs are seeking an injunction that would prevent the Met from charging fees.

Plaintiffs argue that the current practices are in violation of “the 1893 law that requires the taxpayer-funded museum to be open free to the public for five days and at least two nights per week. … The Museum was designed to be open to everyone, without regard to their financial circumstances—a public library of art and culture to enrich the lives of the citizenry…” It seems that the Met’s original lease required the museum to allow free access to visitors on certain days but in the 1970s, modified city policies allowed Met to institutes a voluntary admission fee instead. The righteous outrage that motivates Plaintiffs is understandably. However, the museum’s price current sign does include the word ‘recommended’ in small type, even though there is a palpable expectation that visitors better pay the full recommended amount.

Whether the suit is frivolous or not shall be revealed in due time. In the mean time, New York visitors and residents should carry on seeing current exhibitions and permanent collections and not feel obligated to pay $25.

———The Press Relewas on the Suit Below —————
For Immediate Release
November 14, 2012

METROPOLITAN MUSEUM SUED FOR CONSUMER FRAUD, AND FOR CHARGING UNLAWFUL ADMISSION FEES IN VIOLATION OF ITS LEASE WITH THE CITY AND NEW YORK STATE LAW

The Metropolitan Museum of Art has been sued for charging unlawful admission fees and committing consumer fraud, according to a 44-page complaint filed with the New York State Supreme Court earlier today. An 1893 statute requires that the Museum, which receives millions of dollars in annual taxpayer-funded subsidies, remain open and free to the general public five days and two evenings per week. And the Museum’s lease requires that the free days include Wednesdays, Thursdays, Fridays and legal and public holidays. But the Museum has been charging admission fees every day and evening. According to the Museum, the admission fee is merely “recommended,” but the complaint cites to a survey of more than 360 visitors to the Museum, and 85% believed that they were required to pay a fee to go inside.

The Museum charges $25 per adult for entry into the Museum. Consequently, a family of four is required to pay entry Fees up to $100. Although signs at the cashiers indicate in fine and tiny print that the Fee is “recommended,” few notice it, as the large bold-print references admission fees payable for adults, seniors and children. And, in any event, the Museum’s official policy is that, regardless of the signage referencing in small print that the fees are recommended, no one is permitted to enter without paying.

In addition, a half-dozen Museum-sponsored websites specify the admission fees and fail to mention the public’s entitlement to enter for free. As a result, people are defrauded into paying fees that, according to New York State law and the Museum’s lease, cannot be charged.
“It’s an absolute travesty,” commented Patricia Nicholson, one of the plaintiffs in the lawsuit. “The Museum was designed to be open to everyone, without regard to their financial circumstances — a public library of art and culture to enrich the lives of the citizenry. But instead, the Museum has been converted into an elite tourist attraction to be enjoyed only by those who can afford to pay expensive and illegal admission fees.”

Michael Hiller, the attorney representing the plaintiffs, commented that the evidence of the Museum’s violation of New York law is a absolutely clear “The statute and lease require that the Museum be free of charge to the general public five days a week, but it’s the Museum’s policy that no one can enter without paying a fee. The Museum’s violation of the law and breach of the lease could hardly be more blatant. But more than the violation of the lease and statute, the Museum’s illegal admission fee policy violates the public trust.”

As for consumer fraud, Arnold Weiss, who also represents the plaintiffs, commented that “the survey erases any doubt that the Museum’s deceptive signs and websites are intended to mislead people, and they do just that.” Mr. Weiss also emphasized that “this is not a situation in which just a few people didn’t understand; the overwhelming majority of visitors, with degrees ranging from high school to post-graduate, and tourists as well as native New Yorkers, all think that they are required to pay fees to enter the Museum.”

According to publicly-available documents, the Museum has collected more than $600 Million in admission fees over the years. And that figure doesn’t even include the monies collected by the Museum from people who purchased ‘memberships,’ the principal feature of which (according to the Museum) is to avoid paying the admission fees — which the Museum isn’t allowed to charge anyway. Meanwhile, the Museum receives taxpayer funding, plus the use of the city-owned Museum Building and the land in Central Park on which it is situated, all rent-free.

The lawsuit seeks, among other things, an injunction preventing any further violations of the Museum’s lease and New York law, and the Museum’s efforts at deception, plus attorneys’ fees. Plaintiffs have also asked for an order directing the Museum to reopen the Central Park entrance, which was closed in an effort by the Museum to avoid duplicating the cost of staffing those who collect the admission fees which the Museum is prohibited from charging in the first place.

Source: The New York Times; The New York Post.

Image via Wikimedia Commons

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Art Theft in the Netherlands Raises Concerns About Museum Security
Next Moon Rocks Return to Alaska after Theft in 1973 by Future "Deadliest Catch" Star

Related Art Law Articles

Benningson V Guggenheim Case Review Center for Art Law
Art lawCase ReviewLegal Issues in Museum Administration

Case Review: Bennigson v. Solomon R. Guggenheim Foundation

March 13, 2026
Center for Art Law M HKA
Art lawLegal Issues in Museum Administration

Flemish Government’s Plan to Dismantle M HKA’s Collection in the Name of Centralization of Art

February 18, 2026
Center for Art Law Woodmere Article Donate
Art lawLegal Issues in Museum Administration

When Grants Become Grievances: Woodmere’s Battle for a Federal Grant

September 28, 2025
Maryan Kushnir Kyiv Jun 15 2026

Kyiv-Pechersk Lavra

World Heritage Site Attacked

Ukrainian museums and cultural centers, such as this 11th century UNESCO site are under attack. Learn about Cultural Heritage at Risk.

UNESCO Site
Center for Art Law

Follow us on Instagram for the latest in Art Law!

That’s a wrap on the 2026 Center for Art Law Summe That’s a wrap on the 2026 Center for Art Law Summer School! 🎉

Over five days in New York City, participants explored art law through lectures, discussions, site visits, and conversations with leading attorneys, scholars, appraisers, artists, and art market professionals.

From contracts and copyright to AI and provenance research, students gained a deeper understanding of the legal issues shaping today’s art world while building connections with peers who share similar passions.

Thank you to our speakers, hosts, sponsors, and participants for making this year’s Summer School such a success. We loved spending the week with you and look forward to seeing where your art law journeys take you next! ⚖️🎨🗽 

#centerforartlaw #artlaweyer #summerschool #artlaw #legalresearch
Thank you for joining us this Saturday for our pan Thank you for joining us this Saturday for our panel discussion at the Landesmuseum as part of the official program of Zurich Art Weekend 2026 @zurichartweekend 

With a fully booked audience, inspiring perspectives from leading voices @thomstauffer @stefanputtaert @alanakushnir @willkorner @pascalrobertgallery, and a warm welcome at an iconic venue, it was a truly memorable event! 

Thanks to everyone who came along - it was a blast💥 

Special thanks to our sponsors @smartstamp @t_transporte.zuerich, the Edge, TRACE and @artdomains!
How do artists, attorneys, and cultural institutio How do artists, attorneys, and cultural institutions navigate copyright law in an era of AI and rapidly evolving case law?

Our latest article revisits our latest Art Lawyering Bootcamp on Copyright Law from February 4th, highlighting conversations on fair use, moral rights, copyright registration, estate planning, and the legal questions raised by generative AI.

📚 Read the full article by Alexandra Kharchenko at the link in our bio!

#centerforartlaw #artlawyer #copyrightlaw #artlaw #AIandArt #fairuse #intellectualproperty #artistrights #copyright
Join us for an informative guest lecture and pro b Join us for an informative guest lecture and pro bono consultations on legacy and estate planning for visual artists.

Calling all visual artists: join the Center for Art Law's Artist Legacy and Estate Planning Clinic for an evening of low-cost consultations with attorneys, tax experts, and other arts professionals with experience in estate and legacy planning.

After a short lecture on a legacy and estate planning topic, attendees with consultation tickets artist will be paired with one of the Center's volunteer professionals (attorneys, appraisers and financial advisors) for a confidential 20-minute consultation. Limited slots are available for the consultation sessions. 

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #clinic #artlawyer #estateplanning #artistlegacy #legal #research #lawclinic
As AI enters all parts of the legal sector, it has As AI enters all parts of the legal sector, it has also been implemented in Alternative Dispute Resolution mechanisms. The American Arbitration Association and the International Centre for Dispute Resolution recently introduced the "AI arbitrator" in November 2025. 

The process is relatively simple, though it remains reserved for construction cases and subject to the review of a human arbitrator. The tool was created to offer more cost- and time-efficient options. The question remains, if current ADR AI tools can be envisioned in art law disputes, particularly given the individualistic features of art law claims and how they may, or may not, be addressed through the use of AI in ADR procedures

📚 Click the link in our bio to read the full article by Marina Rastorfer!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #ailaw #aiart #adr #alternativedisputeresolution
Don't miss our upcoming conversation with Dr. Rubi Don't miss our upcoming conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

Drawing on the historical relationship between collecting and looting, the discussion will highlight the Palmyrene Portrait Project, a corpus of over 4,000 funerary portraits from Palmyra compiled by Dr. Raja and her team since 2012. The project serves as a critical record of material that, in many cases, remained in situ prior to the outbreak of the Syrian Civil War.

Before its inception, this body of material had not been treated as a unified corpus, nor systematically digitized. Today, the project stands as both the largest corpus of individual Roman period portraits from a single urban context and an essential scholarly and practical tool for identifying objects from Palmyra as they emerge on the art market.

Please note this event will not be recorded. 

🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities
Recently some artist estates have loosened fair us Recently some artist estates have loosened fair use policies for non-profits. The Robert Rauschenberg Foundation is one such example. In an effort to promote Rauschenberg's work over short-term revenue gain, it implemented one of the first fair use policies for certain museums before widening it to the public at large. 

Artist engagement levels did increase, but the policy brought up other issues, including distinguishing non-profit from for-profit uses. 

📚 Click the link in our bio to read more in our article by Josie Goettel!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #artistissues #artistestates #museumissues #iplaw #copyright #ip
Meet our stellar line up of speakers! Thomas Stau Meet our stellar line up of speakers!

Thomas Stauffer | Partner, Gerber & Stauffer Fine Arts; President, Swiss Art Trading Association @thomstauffer 

Stefan Puttaert | CEO, Nicola Erni Collection @stefanputtaert @nicolaernicollection 

Alana Kushnir | Founder & Principal, Aurelian Lawyers & Advisers @aurelianlawyersandadvisers 

Will Korner | Head of Fairs, TEFAF @willkorner 

Pascal Robert | Founder, Pascal Robert Gallery @pascalrobertgallery 

Irina Tarsis | Founder, Center for Art Law, Moderator

▪️See you this Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

▪️Official part of @zurichartweekend programme
June! Roses are in bloom, summer interns have comp June! Roses are in bloom, summer interns have completed two weeks of orientation and research, and the world is heating up. As we wrap up after the Summer School, with much gratitude to our faculty and students, and digest the Copyright Law Conference takeaways, we cannot wait for our panel discussion Art Markets & the World in Transition (what is not?!) during the Zurich Art Weekend (in town on June 13th? Join us!), and look forward to sharing new research and articles with you posthaste. 

Make sure to subscribe to our newsletter to get all of these updates and more! 

📚 Click the link in our bio to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #june #legalresearch
In this episode of Art in Brief, Andrea and Paris In this episode of Art in Brief, Andrea and Paris speak with Will Korner, founder and director of the Cultural Heritage At Risk Database Foundation (CHARD). 

From conflict zones to disaster-stricken regions, Will discusses how documentation, collaboration, and technology can help safeguard the objects and stories that connect us to our shared past from illicit trade. He also explains how CHARD’s database can be used to cross-check whether stolen or missing cultural objects are appearing on the art market, including at auction, and what is at stake when these irreplaceable pieces of heritage are lost. 

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio! 

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #culture #artcrime
Despite the passage of multiple anti-money launder Despite the passage of multiple anti-money laundering laws in the U.S. over the past two decades, the art market is still considered the "largest legal unregulated industry." Its perceived lax regulatory regime and various industry-specific factors, makes high-value art an attractive tool for laundering criminal proceeds. 

The rise in laundering through high-value art is mainly attributed to the high-dollar transactions values, the ease of transporting artwork across borders, the market's longstanding culture of privacy, and art's evolution as a financial asset. That said, the art market is not entirely unregulated. As this article shows, other mechanisms — including industry self-regulation, public pressure from high-profile litigation and settlements, and sanction laws — provide a certain regulatory structure.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artmarket #AML #internationallaw #lawyer #artcrime #money
10 DAYS TO GO - MARK YOUR CALENDARS! Saturday, Ju 10 DAYS TO GO - MARK YOUR CALENDARS!

Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

With big gratitude to our sponsors, we look forward to welcoming you at the event!
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law