CfAL photo from Rietberg Museum

Cause and Effect

Art Law Blast
September 2026

Photo from Open Storage at Museum Rietberg

Dear Readers,

Our last (August) newsletter received excellent viewing (in September). Welcome back from vacations! You may be pleased to know that our ART x LAW INTENSIVE in Zurich went as promised and we were delighted to have shared with and learned from so many wonderful experts, colleagues, and fellow travelers. Special guests came from North and South America, across Europe, even India and UAE. Without skipping a beat, today we onboard our Fall 2026 Interns, students from Cardozo, NYU, Smith College and other schools, and we are pleased to welcome our 2026-2027 Judith Bresler Fellow, Alexander Stanfield.

Please take a look at our SEPTEMBER newsletter below and plan to join us this fall for in person or online events. Thank you to all who have reached out and offered to volunteer over the summer and recently. We are humbled by the growing interest and will keep offering learning and hands-on opportunities as the size of our organization permits. Stay calm and …

Onwards with art law,
Irina Tarsis and the Center for Art Law Team

What's New in Art Law

[CULTURAL HERITAGE]

Preliminary Report of Colombian Earthquake Provides Details on Damaged Cultural Heritage Sites

[ART CRIME]

Antonello da Messina Works Stolen From Sicilian Museum

[ART MARKET]

New York Tax Database Reveals Art World Pied-à-Terre Owners

[ART CRIME]

Italian Police Recover Artworks Worth Millions

[ART CRIME]

Stolen Picasso Recovered in Apartment Cleaning

[ART CRIME]

U.K. Businessman Pleads Guilty to Breaching Russian Sanctions

[ART CRIME]

Another Daytime Theft Strikes French Museum

[ART SALES]

Two Artists Sue New York Gallery Over Unpaid Commissions

[ART SALES]

Family Sues to Have Sale of Mispriced Works Undone

[COPYRIGHT]

2d Cir. upheld NY court’s decision to dismiss artist Michael Hayden’s copyright lawsuit against Jeff Koons

[INTELLECTUAL PROPERTY]

Artist Calls on Manifesta 16 to Remove Church Installation, Alleging Plagiarism

[REPATRIATION, AUCTION HOUSES]

Repatriated Kandinsky Masterwork to Be Auctioned at Christie’s London

[ART MARKET]

Collector Leon Black Challenges Congressional Subpoenas in Epstein Investigation

[CULTURAL HERITAGE]

. Nazi-Looted Painting Discovered in Argentina Real Estate Listing to Be Returned to Heir

[ARTIST RIGHTS, PROPERTY LAW]

Dispute Erupts Over Unauthorized Installation of Julian Schnabel Sculpture on Montauk Preserve

[INSURANCE]

Artworks Damaged in Transit Prompt Lawsuit Against Alaska Airlines

Center for Art Premium Membership

Center for Art Premium Membership
  • As a member of the Center for Art Law, you have access to a wide range of exclusive resources and benefits. Your membership includes access to our articles and research resources, the Art Law Case Law Database with case summaries and citations, and recordings of our past and archived events. Members also receive discounted or complimentary admission to upcoming Center for Art Law events, depending on the event and membership level. Be sure to take advantage of these resources and benefits throughout the year!

    Learn more HERE and log in HERE.

  • Premium members receive discounted or complimentary admission to upcoming Center for Art Law events. To access your new Eventbrite code, valid from Fall 2026 through Summer 2027, visit the Center for Art Law website and log in to your account. Once you are logged in, look at the top right corner of the page, where you will see your new Eventbrite code displayed in red. Copy the code and enter it on Eventbrite when registering for an eligible event. Depending on the event, the code will provide either a discounted or complimentary ticket. Please be sure to use the new code for events taking place during the Fall 2026–Summer 2027 membership year.

Our Upcoming Events

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Ukrainian Cultural Heritage and UK Institutions: Shifting Perspectives and Practice

DATE: September 15, 2026
Location: V&A South Kensington
This one-day conference will explore Ukrainian heritage in the UK through material culture, examining histories of identity, collection, and interpretation, situating it within the broader transnational approaches to European history. Bringing together UK and Ukrainian scholars, curators, and practitioners, it will reflect on past practices, current research, and future approaches amid growing global awareness and engagement in recent years.
RSVP

A Guide to Trademark Law for Artists

DATE: September 22, 2026
Location: Online

Learn to establish, maintain, and protect your trademark rights.

In this course, the instructor will provide you with an overview of trademark law and how it may impact an artist’s business and creative process. Topics to be covered include:

  • What a trademark is and how to know if a trademark is strong;
  • The rights a trademark owner has and the trademark registration process;
  • What to do if you are accused of trademark infringement or if someone infringes your trademark; and
  • Examples of common trademark issues that different types of artists encounter.

Hosted by Volunteer Lawyers for the Arts.

RSVP

REPAIR: Learning Cultural Justice from the ABC Islands

DATE: September 22, 2026
Location: Online

REPAIR: Learning Cultural Justice from the ABC Islands is a project led by Utrecht University in collaboration with cultural heritage organisations across the ABC islands and the continental Netherlands: Cas di Cultura in Aruba, Fundashon Históriko Kultural Boneriano in Bonaire, the Association of Museums & Heritage of Curaçao in Curaçao, and the Eye Filmmuseum in the Netherlands.

REPAIR explores the enduring impact of colonial legacies on cultural heritage in the Caribbean and continental Netherlands. The project seeks to challenge and reverse traditional flows of knowledge production by learning from reparative interventions developed in the ABC Islands. Through these initiatives, local organisations engage with the painful histories and continuing effects of colonialism and slavery, offering valuable perspectives on cultural justice and heritage practices.

On September 22, 2026, REPAIR will host a one-day public event at Pakhuis De Zwijger in Amsterdam, where representatives from Cas di Cultura, Fundashon Históriko Kultural Boneriano, the Association of Museums & Heritage of Curaçao, and the Eye Filmmuseum will present their projects and discuss the reparative initiatives they have recently developed. The event will also provide a public space for discussion on cultural heritage justice, bringing together practitioners, academics, policymakers, and advocacies from the Caribbean and continental Netherlands, and the
audience.

RSVP

Employment Law for Artists: Updates to the Freelance Isn’t Free Act (CLE)

DATE: September 24, 2026
Location: Online

Learn to establish, maintain, and protect your trademark rights.

This class will cover the New York City Freelance Isn’t Free Act and the New York State Freelance Isn’t Free Act, which both protect independent contractors when individuals and companies that hired them fail to pay for the work performed. We will discuss what rights independent contractors are afforded under these laws, how courts have interpreted these laws since their implementation, and different ways workers can use these laws to protect themselves.

Hosted by Volunteer Lawyers for the Arts.

RSVP

Art Law Day 2026

DATE: November 4, 2026
Location: Benjamin N. Cardozo School of Law
Save the date for Art Law Day hosted by Appraisers Association of America. Registration Opens September 3rd. Learn more.
RSVP

How to Research Nazi-Looted Art

DATE: October 15, October 22, October 29
Location: Online

The Jewish Digital Cultural Recovery Project (JDCRP) is creating a cross-searchable digital platform for archival documentation, research, and education on the looting of Jewish-owned cultural property by the Nazis, their allies, and collaborators. JDCRP actively promotes access to evidence of Nazi looting and makes documents digitally available and searchable for research.

JDCRP offers an online introductory seminar in cooperation with its project partners, the Zentralinstitut für Kunstgeschichte in Munich, the German Lost Art Foundation, and the University of Cologne. Although students (all levels) are the primary target group, the seminar is open to all interested. No specific prior knowledge is required, aside from general experience with internet research.

The introduction provides insight into the topic using sources that document the historical processes of exclusion, persecution, expropriation or confiscation, and “Verwertung” (exploitation) of Jewish cultural property. The online seminar is also a first introduction to basic research strategies and techniques. It allows participants to exchange ideas and concerns with experts in the field.

The online seminar consists of three parts, each lasting 120 minutes: October 15, 22, and 29, 2026, from 4:00 p.m. to 6:00 p.m. CET/10:00 a.m. to 12:00 p.m. EST.

Participation is free of charge. To register, simply enter your first name, last name, and email address to access the Zoom meeting.

RSVP

2026 Berkeley Art, Law, and Finance Intensive Seminar

DATE: Week of November 30, 2026
Location: UC Berkeley & Bay Area institutions
The legal and financial questions shaping the art world’s next decade are being decided right now — in San Francisco courtrooms, on tribal lands, and inside technology companies redefining what it means to create and own art. The Berkeley Art, Law, and Finance Intensive Seminar is a four-day program that puts you at the center of it: seminar sessions with leading scholars and practitioners, site visits to the Bay Area institutions and companies where these questions are live, and a cross-professional cohort of attorneys, museum leaders, collectors, advisors, and artists learning in the same room. Limited enrollment. Participants receive a Berkeley Law Certificate of Participation in the Art, Law, and Finance Intensive Seminar.

$5,000 (introductory pricing for the inaugural 2026 cohort).  Learn more.

RSVP

Career Opportunities

Career Opportunities
  • Marquand Library of Art and Archaeology at Princeton University, one of the oldest and most extensive art libraries in the United States, is seeking a Library Collections Specialist VI to support its renowned collection of more than 500,000 volumes covering world art and architecture from antiquity to the present. The position involves creating metadata, processing documents, maintaining Digital Library websites, supporting vault and rare-book reading room operations, preparing materials for transfer to ReCAP, and managing requests for collection photography and publication permissions. The LCS VI will also supervise student employees working on Digital Library projects, collaborate with colleagues across Princeton University Library, and assist researchers and classes using rare-book collections. Learn more here.

  • DLA Piper is seeking a non-partnership-track Trademark, Copyright & Media Attorney to join its nationally recognized intellectual property practice, with a preference for its Washington, DC, Chicago, or San Francisco offices. The position is geared toward attorneys with at least three years of experience advising on trademark, copyright, advertising, marketing, and commercial transactions, with experience in areas such as licensing, brand partnerships, sponsorships, influencer and talent agreements, digital media, and IP counseling. The role offers the opportunity to work with leading global brands on sophisticated IP and commercial matters. The expected salary range is $250,000–$310,000 annually, depending on experience and qualifications. Learn more here.

  • Gagosian is seeking a one-year intern for its Grosvenor Hill location, offering an opportunity for an emerging art professional to gain hands-on experience in gallery research, cataloguing, and library management. The role involves researching artworks, including provenance, exhibition history, publications, auction records, and museum collections; preparing research dossiers; supporting exhibitions and consignments; and maintaining the gallery’s documentation standards. The intern will also assist with library organization, resource management, and research support across departments. Learn more here.

  • Reporting to the General Counsel, the Deputy General Counsel will help protect JALC’s legal interests while ensuring best practices. This role is responsible for identifying and analyzing legal issues, tracking the status of open matters, drafting multiple types of documents, maintaining confidentiality, presenting clear recommendations, and ensuring compliance.

    Apply here.

  • Paramount Global is seeking a Counsel, Publishing to join its Consumer Products legal team in New York. The attorney will provide strategic legal support for Paramount Global Publishing’s print, digital, and audio initiatives, including a new publishing imprint focused on franchise-based and original literary intellectual property.

    The role will involve negotiating and drafting a wide range of publishing and IP-related agreements, including rights acquisitions, author and illustrator agreements, licensing arrangements, distribution agreements, and production services agreements. The attorney will advise on copyright, chain-of-title, derivative works, rights exploitation, royalties, and other commercial issues while collaborating with teams across franchise management, marketing, business affairs, and consumer products.

    Candidates should have 4+ years of legal experience, with significant experience in publishing, media, entertainment, consumer products, or IP-driven commercial transactions. Admission to practice law in New York or California is required.

    Apply here.

  • Kai Executives is recruiting for a prestigious boutique firm who are looking for a Transactional Associate with 2-3 years of experience to join a growing boutique media, entertainment, technology, and IP law firm. You’ll work across multiple practice areas—theater, commercial transactional, film/podcast production, and the creator economy—supporting sophisticated clients ranging from major publishing companies to independent creators in a collaborative, collegial environment.

    Apply here.

Educational & Other Opportunities

Educational & Other Opportunities
  • he Patty Gerstenblith Fellowship in Art, Museum, and Cultural Heritage Law is a two-year position for early-career attorneys (a one-year term may be considered upon request). The Fellow will gain first-hand experience in the legal questions and practical concerns related to repatriation, acquisitions, provenance, research, and exhibition of scientific specimens and items of cultural heritage, as well as the broad range of other legal concerns facing not-for-profits, providing the Fellow with experiences applicable to counseling museums and other cultural organizations. The Fellowship will provide professional development opportunities, including conference attendance and an opportunity to complete a relevant professional certification.

    The Legal Fellow reports to the General Counsel and serves as part of the Museum’s in-house legal team. The Office of General Counsel protects the legal interests of the Museum, providing advice and counsel to senior management and other staff members in all departments of the Museum on a variety of matters, including but, not limited to, non-profit governance, collections management practices, labor and employment, compliance, risk management, contracts, intellectual property, charitable contributions, and cultural property. Apply here.

  • The Andrew W. Mellon Postdoctoral Curatorial Fellowship is a two-year fellowship that provides an opportunity for a postdoctoral scholar at an early stage of their career to gain curatorial training and experience and to engage with a community of staff and scholars from around the world. These fellows work with a curatorial supervisor and mentor on a specific project related to The Met collection or an upcoming exhibition. The fellowships are intended to strengthen the curatorial profession at large by training promising emerging scholars for curatorial careers.

    Learn more here.

  • The Quinnipiac Probate Law Journal is seeking article submissions for Volume 40. The Journal welcomes scholarly works addressing timely issues in probate, estate planning, trusts, and related areas of law from practitioners, judges, scholars, and members of the legal community. Interested authors are invited to submit their manuscripts for consideration by February 5. Learn more here.

  • At the same time as AI is reshaping the landscape of creative practice, it is raising complex questions about the future of creativity and the livelihoods of artists. AI tools can assist with creative processes, automate routine tasks, and open visual art creation to a wider audience, but they also necessitate a shift in skills for human professionals. As artists and designers engage with machine learning, automation, and data aesthetics, new questions emerge about authorship, ethics, aesthetics, and the future of creativity itself.

    This Collection invites scholarship that explores the intersections of art, design, and artificial intelligence from across the humanities and social sciences. We welcome contributions from fields including media studies, cultural studies, art history, design theory, sociology, education, and critical technology studies. Submissions should reflect critically on the cultural, social, and conceptual implications of AI in creative domains. Read more here.

  • This course will offer an introduction to cultural heritage as an international legal concept. It will include discussions of the key threats to cultural heritage at present, including trafficking, armed conflicts, and development. In doing so, it will also cover international instruments that have been adopted over the past decades to protect cultural heritage. Finally, the course will conclude with a special session focused on restitution matters, considering past return processes and what can be learnt from them.

    By the end of the course, participants will be able to understand:

    • What is ‘cultural heritage’ under international law?
    • How does international law protect cultural heritage?
    • What is the role of States and non-state actors in protecting cultural heritage?
    • How has the conceptualization of cultural heritage changed overtime?

    Apply here.

  • Applications are now open for the 2026–2027 edition of At the Source (ATS) — the National Library of Israel’s flagship training programme for professionals working with Jewish heritage collections across Europe.
    ATS brings together archivists, librarians, curators, and heritage professionals to deepen knowledge of Jewish textual, historical, and material culture; build practical skills; exchange expertise; and strengthen professional networks.
    The programme includes two immersive training weeks:

    📍 Prague | 23–28 November 2026
    📍 Jerusalem | 18–22 January 2027

    If you work with Jewish collections in Europe—or know someone who does—we encourage you to apply and share widely.
    Click here for more information on the programme and eligibility requirements.

    🗓 Application deadline (extended): 10 July 2026

Case Law Corner

View both new and old art law cases in our Case Law Database: 

  • Fitzmaurice v. City of Quincy, No. 2582-0576 (Mass. Dist. Ct. Oct. 14, 2025), appeal filed, No. SJC-13877 (Mass. filed Feb. 11, 2026).
  • Matsumoto v. Canuck Eats, Inc., 2025 CanLII 2017 (Can. Fed. Ct.).
  • Hearn v. McLeod Estate, 2019 ONCA 682, 2019 CarswellOnt 13513 (Ont. C.A.).
  • In re Approximately Four Hundred Fifty (450) Ancient Cuneiform Tablets, No. 17-CV-3980 (E.D.N.Y. filed July 5, 2017).
  • Wilson v. Hammer Holdings, Inc., 671 F. Supp. 94 (D. Mass. 1987).
Case Law Corner
Our Podcast: ART IN BRIEF

Our Podcast: ART IN BRIEF

Listen to the latest episode of ART IN BRIEF: “The Man Who Stole the Gods” — Available HERE

We are also delighted to share that the Art in Brief has been recognized by Feedspot as one of its Top 9 Art Law Podcasts of 2026. The annual list highlights podcasts that explore the evolving intersection of art and law, featuring discussions on topics including copyright, provenance, cultural heritage, art theft, and intellectual property. Art in Brief, hosted by Paris Sistilli and Andrea Konigs, was recognized alongside several leading voices in the field and is currently ranked #2 on the list. We are grateful for this recognition and thank our listeners for their continued support as we make art law more accessible through engaging conversations and timely legal analysis. You can view the full list on Feedspot’s Top 9 Art Law Podcasts ranking here.

Find all the Episodes Here

Select Titles in the Art Law Library

Explore art law library
Carlos Almaraz: Playing with Fire

Carlos Almaraz: Playing with Fire

Link to IMDb
Artworld Prestige: Arguing Cultural Value

Artworld Prestige: Arguing Cultural Value

by Timothy Van Laar

Available here
Commercial Galleries: Bricks, Clicks and the Digital Future

Commercial Galleries: Bricks, Clicks and the Digital Future

by Henry Little

Available here
Gathering of Strangers: Why Museums Matter

Gathering of Strangers: Why Museums Matter

by Maria Balshaw

Available here
La Bella Principessa: The Story of the New Masterpiece by Leonardo Da Vinci

La Bella Principessa: The Story of the New Masterpiece by Leonardo Da Vinci

by Martin Kemp, et al.

Available here
Managing Disaster Risks to Cultural Heritage From Risk Preparedness to Recovery for Immovable Heritage

Managing Disaster Risks to Cultural Heritage From Risk Preparedness to Recovery for Immovable Heritage

by Xavier Romão

Order HERE
Relics of War: The History of a Photograph

Relics of War: The History of a Photograph

by Jennifer Raab

Available HERE

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DISCLAIMER: This newsletter is for informational and educational purposes only,
and is not intended to serve as legal advice.