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Home image/svg+xml 2021 Timothée Giet Newsletter image/svg+xml 2021 Timothée Giet New New Era
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"New New Era"

Art Law Blast

July 2025

https://www.instagram.com/centerforartlaw/

One's work may be finished someday, but one's education never.

~ Alexandre Dumas, "My Memoirs (1802 to 1833)"

Dear Readers,

As we mark Bastille Day this July 14th—a perfect reminder of fresh beginnings and revolutionary energy—we thank our 2025 summer cohort have brought that same spirit of innovation and enthusiasm to our team. There are just a few weeks before the Summer 2025 Internships end. We are pleased to acknowledge the contributions from our NY-based team:  Alexa Donovan, Lulu Yang, and Eva Bella, along with our remote interns Andrew Dearman, Ava Mandele, Austin San Juan, Kate Harrell, Parsa Zaheri, Kaede Kusano, Justine Chen, Shelby Jorgensen, Juliette Groothaert, Jagna Schmude, and Vivika Gerogianni. Visit our Instagram for a look book and bios of the Summer Cohort!

The storming of the Bastille marked a pivotal moment in history, and 236 years later on this July 14th, let’s remember that while our work may one day be done, our education is ongoing. Let’s find time to recharge, apply the skills we’ve learned, and forge new paths forward to build bridges between art and law.

Onwards with art and law,
Center for Art Law Team

Content

  • In Brief
  • Events
  • Job Opportunities
  • Case Law Corner
  • Our Events
  • New Publications in the Library
  • Our Recent Publications

What's New in Art Law

  • [Intellectual Property] Poses Remain Uncopyrightable, Following Lil Nas X Dispute

    Musician Lil Nas X was found not guilty of copyright infringement for photos he posted on his Instagram page. Artist Rodney Woodland had claimed that the set of photos contained “poses and artistic concepts” that closely resembled his own work. However, Appellate Judge Kenneth K. Lee ruled that any similarities amounted to common motifs rather than the substance of the works—such as lighting, staging, and props. Read the Hyperallergic report here, and the court decision here. [AS]

  • [Art Law Firms] End of an Era at Amineddoleh & Associates LLC: Honoring One of the Premier Art Law Boutique Firms

    Leila Amineddoleh, who is widely recognized as one of the leading attorneys in art and cultural heritage law, recently merged her firm with the established Tarter Krinsky & Drogin LLP. As Amineddoleh herself writes, this transfer promises to further strengthen her contribution to the field by allowing her to leverage a larger firm’s resources to embrace the interdisciplinary required of art law. Read more here. [AS]

     

  • [Indigenous Art] No, It’s Not the 17th Century: The Hudson Bay Company (and Its Collection) in Jeopardy

    In July, The Art Newspaper reported that the Hudson Bay Company– whose historic mercantile operations helped drive the colonization of North America– had filed for bankruptcy.  As part of the proceedings, thousands of cultural objects from the Company’s holdings are set to be auctioned, drawing strong opposition from Indigenous groups and academics. Given the company’s colonial history, the contents of the auction are likely to include sacred, ceremonial, and highly prized cultural objects. In the sale, these valuable objects would change hands and/or leave Canadian territory in a manner that would further alienate First Nations people from their cultural history. Read the Art Newspaper report here. [AS]

  • [Copyright and AI] Disney and Universal File Copyright Suit Against Midjourney AI

    On June 11, entertainment giants Disney and Universal filed a federal lawsuit against AI image generator Midjourney, alleging both direct and secondary copyright infringement. The companies claim that the AI service is capable of producing unauthorized copies and high-quality derivatives of copyrighted characters, including Yoda, the Simpsons, the Hulk, Iron Man, and Spider-Man. Read more here. [JS]

  • [Art Dealers; Art Crime]

    On June 6, London-based art dealer Oghenochuko Ojiri was sentenced to two and a half years in prison after pleading guilty to eight offences under the Terrorism Act 2000. Ojiri sold several artworks to Nazem Ahmed, a Lebanese collector and dealer suspected of financing the terrorist organization Hizballah. Ahmed is sanctioned by both the UK and US governments. This case marks the first prosecution under section 21A of the Terrorism Act 2000.  Read more here. [ADE]

  • [Cultural Heritage] Museums in Israel and Iran Take Action to Protect Cultural Heritage Amid Ongoing Crisis

    On June 13, Iran’s Deputy Cultural Heritage Minister announced the closure of all museums, buildings, and cultural heritage sites, urging officials to follow emergency protocols. The following day, Iran’s Cultural Heritage Organization confirmed that all prominent artefacts had been moved to secure storage. In Israel, galleries and museums have also closed indefinitely, with the Tel Aviv Museum of Art confirming it has relocated artworks to underground vaults. Read more here. [ADE]

     

  • [Art Crime] Ringleader of Norval Morrisseau Forgery Operation Pleads Guilty

    Inspector Jason Rybak of the Thunder Bay Police Service uncovered three major forgery networks in Ontario producing counterfeit artworks attributed to Indigenous artist Norval Morrisseau. A key development came when James White, a central figure in the operation, pleaded guilty to creating forged documents and possessing and trafficking forged artworks. While six additional fraud charges against him were dropped, the same eight charges remain pending against his alleged accomplices. Read more here. [ADE]

  • [Art Market] Leading Art Market Figures Launch Elite Consultancy Firm

    Ed Dolman, Brett Gorvy, Patti Wong, and Phillip Hoffman have combined their decades of experience to launch New Perspectives Art Partners, a specialist art consultancy firm. Dolman’s son, Alex, has also joined the team. The group emphasized the international scope of their enterprise, which will provide comprehensive services to collectors—advising on how to manage, grow, and sell their collections. Read more here. [ADE]

  • [Art Market Regulations] New EU Regulations Tighten the Frame on Cultural Property Imports

    From 28 June 2025, collectors importing cultural property originally created or discovered outside the EU, into the EU, must comply with new EU regulations (Regulation (EU) 2019/880).The regulations set out three categories of cultural goods. Category ‘A’ covers illegally exported items which are barred from entering the EU. Category B includes ‘high-risk’ items if they are more than 250 years old, for which the importer must obtain an import license prior to importing these goods into the EU. The second category C includes ‘lower risk’ items if they are more than 200 years old and have a value of €180,000 or more. In this case, prior to importing the goods, the importer must submit an important statement to Customs authorities in the EU Member States. Following Brexit, cultural property created or found in the UK will now be subject to the new EU rules. Read more here. [JG]

     

  • [Cultural Heritage] Ukraine’s Museums Stripped as War Targets National Identity

    Since the invasion in 2022, Russian forces have looted or destroyed thousands of Ukrainian cultural treasures. About 15% of Ukraine’s registered cultural heritage items are confirmed stolen or missing, with over 6,000 objects from more than 30 museums logged in international databases. In autumn 2022, 14,000 artworks and objects were taken from the Kherson Regional Art Museum, which was completely emptied. Significant losses include a 2,300-year-old Scythian gold helmet from Melitopol and Sir Peter Lely’s Lady with a Dog. Read more here. [JG]

  • [Art Vandalism] Climate Activists Throw Paint at a Picasso in Canada

    On June 19, a climate activist threw pink paint at a Picasso painting, entitled “L’Hétaire” at the Montreal Museum of Fine Art. The activist, who cited Canadian wildfires and the lack of a “protection agency” as the reason for his protest, was linked to the environmentalist group Last Generation Canada. Luckily the painting was not damaged by the act, since the canvas is protected by glass. Read more here. [AD]

  • [Cultural Heritage] Ukraine’s Artists Turn to Blockchain to Keep National Heritage Alive

    Against the backdrop of Russia’s systematic destruction of Ukraine’s cultural heritage, the Ukrainian art community conceived the Ukrainian Fund of Digitized Art (UFDA) to preserve and share its cultural heritage. Currently this preserves more than 3,000 works in ultra-high resolution across contemporary and classic Ukrainian art. All proceeds from the sale of these digitised artworks are directed to support Ukrainian NGOs. Read more here. [JG] 

  • [Restitution] Harvard’s Daguerreotypes of Enslaved Individuals, Taken Under Duress, Reclaimed by a Descendant

    In 1850, a Harvard professor and proponent of pseudoscientific, racist “experiments” commissioned daguerrotypes, or early photographs, of enslaved people. Harvard’s Peabody museum, up until recently, kept these images in their collection. Tamara Lanier, a descendent of one of the images’ subject, Renty, sued Harvard for wrongful possession and expropriation in 2019. In a recent settlement, it was decided that the University’s daguerrotypes of enslaved individuals would be transferred to the International African American Museum in South Carolina. Read more here. [AD]

     

  • [Cultural Heritage] Reparation as Gameplay

    South African video game developer Nyamakop has created a new game that allows players to repatriate African artefacts by looting Western museums. Players join a group of thieves and participate in heists to return the artefacts to their rightful homes. All artefacts seen in Relooted are based on real-world cultural objects. The game has yet to be released, but the trailer is available to watch now. Read more here. [JS]

     

  • [Repatriation] Oxford University to Return Ancestral Human Remains

    In June, the Pitt Rivers Museum, part of the University of Oxford, met with leaders from Naga Tribe Hohos to discuss the return of ancestral human remains and objects containing human hair, collected by colonial administrators in the early 20th century. This marks a first step in creating a dialogue between museums and Indigenous communities that can help facilitate the process of repatriation and healing the wounds of the past. Read more here. [JS]

  • [Art Crime] Lithuania Sentences Thief of Rare Russian Books

    On June 9, 2025, a Lithuanian court sentenced Georgian national Mikheil Zamtaradze to three years and four months in prison for stealing rare 19th-century Russian literary works from Vilnius University, as part of a larger string of thefts across Europe. Zamtaradze admitted to stealing 17 books, including works by Pushkin and Gogol, on commission from a Russian auction house employee who supplied fake documents and forgeries to replace the originals. The thefts, orchestrated by a cross-border criminal group, have led to heightened security at affected institutions. Read more here. [EBK]

  • [AI & Copyright] Denmark Plans Legal Protection Against Unauthorized Deepfakes

    The Danish government has reached cross-party agreement on a proposal to amend its copyright law in response to growing concerns over generative AI. The planned legislation would give individuals copyright-style protections over the unauthorized use of their image, voice, or body in synthetic media. If passed, it would allow people to request takedowns and seek compensation for deepfakes created without their consent. Satirical and humorous content would remain exempt. Public consultation is scheduled for summer 2025, with formal legislation expected to be introduced to Parliament in the fall. Read more here. [LY]

     

  • [Art and Tax] Italy Lowers VAT on Art Sale to 5%

    After warnings from artists and galleries about a potential market collapse, the Italian government has reduced down the Value Added Tax from 22% to 5%, making it the lowest in Europe. The previous 22% rate had set the country apart from significantly lower art tax rates in France and Germany. It is predicted that, as a result of the cut, the sector’s revenue will be boosted to $1.78 billion in the next three years. Read more here. [JS]

  • [Art Law; Budget] “Big Beautiful” Changes to Museum Funding Under Trump’s Budget Proposal

    President Trump’s new budget bill includes $40 million in funding for the National Garden of American Heroes, a sculpture park featuring 250 statues of notable Americans, including George Washington and Kobe Bryant. The funding is drawn from the National Endowment for the Humanities, reallocating money typically used for grants to museums, libraries, and cultural programs. Though the project was originally launched during his previous term, this marks the first time Congress will formally fund the installation. Read more here. [VG]

  • [Art Market] Tim Blum Leaves Traditional Gallery Model for a “Flexible” Future

    Tim Blum, known for his influential galleries in Los Angeles and Tokyo, is shifting his approach after decades in the contemporary art world. Citing burnout and disillusionment with the market’s demands, Blum plans to pursue a more flexible model focused on collaborations and special projects, without the limitations of a fixed public exhibition space. Read more here. [VG]

Illicit Financial Flows and Antiquities Trafficking in East Africa

Date:

Wed, Jul 09, 2025 9 AM

In partnership with Transparency Advocacy, the Antiquities Coalition is kicking off a new webinar series exploring the dangerous nexus of antiquities trafficking, corruption, and organized crime in East and Central Africa.

Register here.

ICRA Spotlight: Curatorial, digital and legal perspectives on looted art and catalogues raisonnés: an open question?

Location:

Online

Date:

Tue, Jul 15, 2025 11 AM

How do museums go about checking the provenance of a) Nazi looted art and b) non-European looted art? What (legal and reputational) risks do museums run by cataloguing such material and making it available online? Should problematic looted art or ‘red list’ works ever be included in catalogue raisonnés? How often do we find out about such works through legal claims? Does Native American art raise different issues from a curatorial and legal perspective? In what ways can the legal world work in tandem with museums to mitigate the risks associated with cataloguing looted art?

ICRA’s next Spotlight discussion will explore these questions and others from the perspective of #museumcurators, #arthistorians and #artlawyers. Frances Fowle @francesalicefowle, Emeritus Professor at the University of Edinburgh and author of The Art Market and the Museum, will be in discussion with our distinguished panellists: Victoria Reed, Senior Curator for Provenance at Boston Museum of Fine Arts; Nick O’Donnell (Sullivan & Worcester), specialist in cultural property and author of A Tragic Fate: Law and Ethics in the Battle Over Nazi-Looted Art; and cultural heritage lawyer Kate Fitzgibbon, specialist in Central Asian Art and author of Native American Art and the Law.

Register HERE!
Photo from a collecting point after WWII

Forming a Non-Profit Workshop (CLE)

Location:

New York City

Date:

Tue, Jul 15, 2025 2 PM

In addition to learning about what a non-profit is, learn how and why to form one, as well as the legal, ethical, and financial obligations associated with this type of organization. This program is for artists, attorneys, arts professionals and whoever would like to start or learn more about running a non-profit organization. This workshop is also helpful for those trying to figure out whether this type of organization is right for them.

Topics Covered:
State issues to be covered include articles of incorporation, bylaws, and the first organization meeting. Federal issues include the Internal Revenue Code Section 501(c)(3) and corresponding regulations, application for employer identification number, IRS disclosure rules, unrelated business taxable income, charitable contributions, and restrictions on lobbying.

This workshop will also touch on the legal and ethical duties for board members; donor requirements; the new Form 990; intellectual property issues specific to non-profit tax-exempt organizations; insurance; and employment issues. The Fiscal Sponsorship model will be addressed as an alternative to forming a non-profit organization.

Register HERE!
VLA

Networking Night | VLA x Davis+Gilbert

Date:

Thu, Jul 17, 2025 6 PM

Join VLA’s Associate Board for a networking reception at Davis+Gilbert LLP to connect with other early career attorneys in the arts, media, and entertainment industries in the New York metro area. Light refreshments will be served.

Register here.

Art Law Association Summer Party

Location:

London

Date:

Thu, Jul 24, 2025 12 AM

Join the Art Law Association for a summer party at Copperfield Gallery for drinks, canapés and a private tour of the exhibition “To Desir, Mo Lamor” by Shiraz Bayjoo led by Andrea Maffioli.

Register here.

Artemisia Gentileschi: Rescuing a Masterpiece

Location:

Online

Date:

Thu, Jul 24, 2025 12 AM

Join Getty Museum Senior Curator of Paintings, Davide Gasparotto, and Senior Conservator of Paintings, Ulrich Birkmaier as they guide us through a recently rediscovered Gentileschi painting illustrating the mythological story of Hercules and Omphale.

Register here.

Career Opportunities

  • Contributing Editors, The Museum of Looted Antiquities

    The Museum of Looted Antiquities (MOLA) is seeking two volunteer Contributing Editors to assist with developing and peer-reviewing new cases for publication and upcoming exhibits. This part-time, remote role offers flexible hours, requiring a minimum commitment of 12 hours per month for six months. Responsibilities include editing and fact-checking case submissions, conducting peer reviews, researching new cases, and supporting MOLA’s digital platform. Candidates should have strong editing and writing skills, experience with fact-checking, and a background in archaeology, antiquities trafficking, or art law. Contributing Editors will receive training and be publicly credited for their work. To apply, please send a cover letter and writing samples to MOLA@AchillesResearch.org.

  • Executive Coordinator, Public Art Fund

    Public Art Fund (PAF), New York’s leading presenter of contemporary art projects in public spaces, seeks a dynamic, skilled, and organized Executive Coordinator.

    Public Art Fund has presented exhibitions by the world’s most compelling and significant artists in New York City and beyond for more than 40 years. These projects set the standard for excellence in the field, giving new meaning to urban space while engaging diverse audiences, making culture freely accessible to all.

     

    The Executive Coordinator plays a vital role in ensuring the efficient and effective operation of the Executive Office. The position contributes to projecting the organization’s culture and values, and is a key administrative liaison with the Board of Directors, cross-departmental staff, external stakeholders including professional colleagues, partners, and members of the public. Reporting to the Artistic & Executive Director, the position provides administrative support to the Artistic & Executive Director and the President, acts as communications lead to the Board of Directors, and is responsible for general office management and coordination.

    Please email cover letter and resume as attachments to humanresources@publicartfund.org. Indicate the job title “Executive Coordinator – 2025” in the subject line.

  • Director of Development, Maryland Hall for the Creative Arts

    Maryland Hall for the Creative Arts is seeking a Director of Development to lead and expand its fundraising efforts. Reporting to the Executive Director, this in-office leadership role (with one remote day per week) will shape and execute a comprehensive development strategy across major gifts, foundation support, events, and campaigns—including oversight of the signature Arts Alive gala and capital campaign initiatives.

    The Director will cultivate donor relationships, build cross-sector partnerships, and guide a small team focused on fundraising, volunteer engagement, and grant support. The ideal candidate will bring a strong record in nonprofit development, a talent for relationship-building, and a deep passion for the arts and community impact.

    Read more and apply here.

Educational & Other Opportunities

  • Research Associate, Leuphana University of Lüneburg, Germany

    Leuphana University of Lüneburg is seeking two full-time Research Associates (EG 13 TV-L, 100%) to join the PAESE 3.0 sub-project within its Lichtenberg Professorship for Provenance Studies, directed by Prof. Dr. Lynn Rother. Funded by the Digital Provenance and Collection Research Science Space initiative, the project builds on the PAESE collaboration to enhance provenance data from ethnographic collections in Lower Saxony. Researchers will enrich cultural data, support project coordination, and contribute to national and international networks addressing colonial-era collections.

    Ideal candidates will hold advanced degrees in the humanities or computer/data science, with demonstrated experience or strong interest in provenance research, metadata standards, and interdisciplinary collaboration. Fluency in English and familiarity with CIDOC-CRM and linked open data tools is expected.

    Positions begin Fall 2025 and run through October 2028. Flexible hours and remote work options within Germany are available.

    Read more and apply here.

Judith Bresler Fellowship

Center for Art Law Showcase: Judith Bresler Fellowship

Friday, July 18, 2025 at 11:00 am
Center for Art Law Showcase

Case Law Corner

View both new and old art law cases featured this month in our Case Law Database: 

  • Leigh v. Gerber, 86 F. Supp. 320 (S.D.N.Y. 1949)
  • Satava v. Lowry, 323 F.3d 805 (9th Cir. 2003)
  • Davis v. Carroll, 937 F. Supp. 2d 390 (S.D.N.Y. 2013)
  • Howard v. Freedman et al., 1:2012-cv-05263 (S.D.N.Y. July 8, 2014)
  • Barnet v. Ministry of Culture & Sports of the Hellenic Republic, 391 F. Supp. 3d 291 (S.D.N.Y. 2019)
  • Matter of Art Institute of Chicago, 2025 NY Slip Op 50617(U), 85 Misc. 3d 1265(A) (Sup. Ct.)
  • Disney Enterprises Inc. v. Midjourney Inc., 2:25-cv-05275 (C.D. Cal.)*
  • Sun v. Geffen, 1:25-cv-00995 (S.D.N.Y.)
  • R.I. Latino Arts v. Nat’l Endowment for the Arts, No. 25-79 WES, 2025 U.S. Dist. LEXIS 63949 (D.R.I. Apr. 3, 2025)

* Case Review is available HERE.

Case Law Corner

New Titles in the Art Law Library

Cover of Rose Valland: Resistance at the Museum

Rose Valland: Resistance at the Museum

by Corinne Bouchoux

“This book, written by French Senator Corinne Bouchoux, was originally published in France in 2006. Ms. Bouchoux’s interest goes far beyond the wartime service of Rose Valland by delving into her personal life and post-war work to provide important insights about this fascinating and determined woman. Her research also proved helpful in confirming my understanding of the intense relationship between Rose Valland and the man who shared her wartime destiny, Monuments officer Lt. James Rorimer. The absence of books about Rose Valland in the English language has, until now, left us wondering how this ordinary woman mustered such courage to do extraordinary things even when, after the war, many in her own country simply wanted the story of Nazi looting to fade away and with it, Rose Valland’s contribution to history. It has therefore been an honor to translate and publish Corinne Bouchoux’s book and make it available to a much larger audience.“ – adapted from the forward by Robert M. Edsel

Available HERE
Cover of The Girl in the Grass

The Girl in the Grass: The Tragic Fate of the Van den Bergh Family and the Search for a Painting

by Eelke Muller and Annelies Kool

From the publisher:

“During the German occupation, a Jewish Dutch couple had to sell a painting to go into hiding. Their daughters were placed in a children’s home, but were rounded up in early 1944 and deported to Auschwitz, where they died. The parents survived the war and did not discover their children’s fate until 1946. The search for the painting also remained fruitless for a long time, until Origins Unknown Agency discovered that it had ended up in a German museum. The museum had previously tried unsuccessfully to trace its provenance. Thanks to the Origins Unknown Agency, the heirs of the original owner were found. The German museum and the heirs agreed that the painting, an 1882 work by Camille Pissarro, would remain at the museum. As part of the compensation, the painting will be kept on display from November 2024 to February 2025 at the Van Gogh Museum in Amsterdam.”

Available HERE
Cover of Nazi Plunder

Nazi Plunder: Great Treasure Stories Of World War II

by Kenneth D. Alford

From the publisher:

“World War II was the most devastating conflict in human history, but the tragedy did not end on the battlefields. During the war, Germany — and, later, the Allies — plundered Europe’s historic treasures. Between 1939 and 1945, German armed forces roamed from Dunkirk to Stalingrad, looting gold, silver, currency, paintings and other works of art, coins, religious artifacts, and millions of books and other documents. The value of these items, many of which were irreplaceable, is estimated in the billions of dollars. The artwork alone, looted under Hitler’s direction, exceeded the combined collections of the Metropolitan Museum, the British Museum, and the Louvre. As the war wound to its conclusion in 1945, occupying forces continued the looting. The story of these celebrated works of art and other vanished treasures — and the mystery of where they went — is a remarkable tale of greed, fraud, deceit, and treachery. Kenneth Alford’s Nazi Plunder is the latest word on this fascinating subject.”

Available HERE
Cover of Life is Short, Art is Long

Life is Short, Art is Long – Maximizing Estate Planning Strategies for Collectors of Art, Antiques and Collectibles

by Michael Mendelsohn with Paige Stover Hague, Esq.

From the author:

“This new book is a must-read for professional advisors who represent collectors of art and antiques and the charitable organizations they support. Michael Mendelsohn’s innovative PowerGiftingTM strategies reduce federal tax liability, create philanthropic capital, and optimize intergenerational wealth transfer. He provides specific solutions for collectors who want to free up cash for retirement, avoid the loss of value caused by a poorly planned auction sale, or create a fair distribution plan for their children. This book is the definitive resource for professional advisors planning for the disposition of art, antiques and collectibles assets. Michael Mendelsohn shows you innovative approaches that involve layering and phasing of conventional estate planning tools that offer advisors and collectors an array of creative alternatives to accomplish the collector s intentions. The strategies and techniques detailed in this book will show you how to optimize the value of art and antique assets reclaiming as much as 70% of the asset value over conventional planning approaches. Mendelsohn has assembled a team of expert contributors from the legal, financial, insurance, and art worlds who offer a broad range of lifetime and postmortem planning options using the techniques that professional advisors work with every day.”

Available HERE
Cover of The Artist in the Machine

The Artist in the Machine: The World of AI-Powered Creativity

by Arthur I. Miller

From the publisher:

“Today’s computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh’s Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines.

Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover the key problem.” He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world’s first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends.

But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.”

Available HERE

Our Recent Publications

Liegmann French Restitution Law Cener for Art Law

Redefining Restitution: France’s Legal Shift on Nazi-Looted Art

July 25, 2025
copyright led light Center for art law

Shedding Light on Copyright’s Challenges in LED-Based Art

July 24, 2025
Fog Museum Center for Art Law Article

Three works from the Harvard Art Museum: How I Introduced Art Law to Educate Visitors

July 22, 2025
Read all articles

Thank you for reading the July Art Law Blast!

DISCLAIMER: This newsletter is for informational and educational purposes only, and is not intended to serve as legal advice.
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In 2022, former art dealer Inigo Philbrick was sen In 2022, former art dealer Inigo Philbrick was sentenced to seven years in prison for committing what is considered one of the United States' most significant cases of art fraud. With access to Philbrick's personal correspondence, Orlando Whitfield chronicled his friendship with the disgraced dealer in a 2024 memoir, All that Glitters: A Story of Friendship, Fraud, and Fine Art. 

For more insights into the fascinating story of Inigo Philbrick, and those he defrauded, read our recent book review. 

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#centerforartlaw #legalresearch #artlaw #artlawyer #lawer #inigophilbrick #bookreview #artfraud
The highly publicized Louvre heist has shocked the The highly publicized Louvre heist has shocked the globe due to its brazen nature. However, beyond its sheer audacity, the heist has exposed systemic security weaknesses throughout the international art world. Since the theft took place on October 19th, the French police have identified the perpetrators, describing them as local Paris residents with records of petty theft. 

In our new article, Sarah Boxer explores parallels between the techniques used by the Louvre heists’ perpetrators and past major art heists, identifying how the theft reveals widespread institutional vulnerability to art crime. 

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#centerforartlaw #artlaw #legalresearch #artcrime #theft #louvre #france #arttheft #stolenart
In September 2025, 77-year old Pennsylvania reside In September 2025, 77-year old Pennsylvania resident Carter Reese made headlines not only for being Taylor Swift's former neighbor, but also for pleading guilty to selling forgeries of Picasso, Basquiat, Warhol, and others. This and other recent high profile forgery cases are evidence of the art market's ongoing vulnerability to fraudulent activity. Yet, new innovations in DNA and artificial intelligence (AI) may help defend against forgery. 

To learn more about how the art market's response to fraud and forgery is evolving, read our new article by Shaila Gray. 

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#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #AI #forgery #artforgery #artfakes #authenticity
Did you know that Charles Dickens visited America Did you know that Charles Dickens visited America twice, in 1842 and in 1867? In between, he wrote his famous “A Tale of Two Cities,” foreshadowing upheavals and revolutions and suggesting that individual acts of compassion, love, and sacrifice can break cycles of injustice. With competing demands and obligations, finding time to read books in the second quarter of the 21st century might get increasingly harder. As we live in the best and worst of times again, try to enjoy the season of light and a good book (or a good newsletter).

From all of us at the Center for Art Law, we wish you peace, love, and understanding this holiday season. 

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#centerforartlaw #artlaw #legalresearch #artlawyer #december #newsletter #lawyer
Is it, or isn’t it, Vermeer? Trouble spotting fake Is it, or isn’t it, Vermeer? Trouble spotting fakes? You are not alone. Donate to the Center for Art Law, we are the real deal. 

🔗 Click the link in our bio to donate today!

#centerforartlaw #artlaw #legalresearch #endofyear #givingtuesday #donate #notacrime #framingartlaw
Whether legal systems are ready or not, artificial Whether legal systems are ready or not, artificial intelligence is making its way into the courtroom. AI-generated evidence is becoming increasingly common, but many legal professionals are concerned that existing legal frameworks aren't sufficient to account for ethical dilemmas arising from the technology. 

To learn more about the ethical arguments surrounding AI-generated evidence, and what measures the US judiciary is taking to respond, read our new article by Rebecca Bennett. 

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#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #aiart #courtissues #courts #generativeai #aievidence
Interested in the world of art restitution? Hear f Interested in the world of art restitution? Hear from our Lead Researcher of the Nazi-Era Looted Art Database, Amanda Buonaiuto, about the many accomplishments this year and our continuing goals in this space. We would love the chance to do even more amazing work, your donations can give us this opportunity! 

Please check out the database and the many recordings of online events we have regarding the showcase on our website.

Help us reach our end of year fundraising goal of $35K.

🔗 Click the link in our bio to donate ❤️🖤
Make sure to grab your tickets for our discussion Make sure to grab your tickets for our discussion on the legal challenges and considerations facing General Counsels at leading museums, auction houses, and galleries on December 17. Tune in to get insight into how legal departments navigate the complex and evolving art world.

The panel, featuring Cindy Caplan, General Counsel, The Jewish Museum, Jason Pollack, Senior Vice President, General Counsel, Americas, Christie’s and Halie Klein, General Counsel, Pace Gallery, will address a range of pressing issues, from the balancing of legal risk management with institutional missions, combined with the need to supervise a variety of legal issues, from employment law to real estate law. The conversation will also explore the unique role General Counsels play in shaping institutional policy.

This is a CLE Event. 1 Credit for Professional Practice Pending Approval.

🎟️ Make sure to grab your tickets using the link in our bio! 

#centerforartlaw #artlaw #legalresearch #generalcounsel #museumissues #artauctions #artgallery #artlawyer #CLE
While arts funding is perpetually scarce, cultural While arts funding is perpetually scarce, cultural heritage institutions particularly struggle during and after armed conflict. In such circumstances, funds from a variety of sources including NGOs, international organizations, national and regional institutions, and private funds all play a crucial role in protecting cultural heritage. 

Read our new article by Andrew Dearman to learn more about the organizations funding emergency cultural heritage protection in the face of armed conflict, as well as the factors hindering effective responses. 

🔗 Click the link in our bio to read more! 

#centerforartlaw #artlaw #legalresearch #lawyer #artlawyer #culturalheritage #armedconflict #UNESCO
Join the Center for Art Law in welcoming Attorney Join the Center for Art Law in welcoming Attorney and Art Business Consultant Richard Lehun as our keynote speaker for our upcoming Artist Dealer Relationships Clinic. 

The Artist-Dealer Relationships Clinic helps artists and gallerists negotiate effective and mutually-beneficial contracts. By connecting artists and dealers to attorneys, this Clinic looks to forge meaningful relations and to provide a platform for artists and dealers to learn about the laws that govern their relationship, as well as have their questions addressed by experts in the field.

After a short lecture, attendees with consultation tickets will be paired with a volunteer attorney for a confidential 20-minute consultation. Limited slots are available for the consultation sessions.
Today we held our last advisory meeting of the yea Today we held our last advisory meeting of the year, a hybrid, and a good wrap to a busy season. What do you think we discussed?
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