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Home image/svg+xml 2021 Timothée Giet Newsletter image/svg+xml 2021 Timothée Giet June, Unlimited and Untitled
Back

"June, Unlimited and Untitled"

Art Law Blast

June 2025

Dear Readers,

Criminal law is not our strength. However, we can bear expert witness that enhanced penalties should be imposed on all who commit any and all crimes in June.

The Center is in the Summer Term with a record number of interns working on fascinating articles, events, and research questions, not the last of which “what should we include in our Annual Report?”! Thanks to all of our contributors and volunteers, Center for Art Law did well last year, b/c of or despite of everything.

As for the rest of the Team, we are interviewing the next Judith Bresler Fellow, selecting interns for the Fall, graduating and onboarding Advisors and Directors, and sending out grant applications. We are happy to welcome new institutional subscribers, to consider new candidates, and be considered for new funding opportunities. As one accomplished art lawyer used to say in her lectures “don’t ask, don’t get,” so here we are asking again for your input and introductions. If you would like to help us shape our curriculum in 2025-2026 or float some ideas, please email us at artlawteam@itsartlaw.org.

Enjoy our June Newsletter and your June 2025. Now of all times, we hope you make time to step away from the digital tools and paper piles to smell the linden trees.

Onwards with art and law,
Center for Art Law Team

Content

  • In Brief
  • Events
  • Job Opportunities
  • Case Law Corner
  • Our Events
  • New Publications in the Library
  • Our Recent Publications

What's New in Art Law

  • [Repatriation] Chinese Silk Manuscripts Returned to China

    The Smithsonian’s National Museum of Asian Art (NMAA) recently announced the return of Zidanku Silk Manuscript fragments to the National Cultural Heritage Administration (NCHA) of the People’s Republic of China. The fragments were previously looted from a Chinese tomb and later donated anonymously to the NMAA in 1992, though they were never displayed. One manuscript remains in the collection of the Arthur M. Sackler Foundation. Read more here. [MG]

  • [Cultural Property] Ukraine’s Culture Minister Calls for Return of Stolen Property from Russia

    Ukrainian Minister of Culture and Strategic Communications Mykola Tochytskyi recently stated in an interview with Ukrinform that more than 1.7 million cultural items have been stolen from Ukraine since the start of the war. Tochytskyi discussed the link between territorial seizure and the destruction of cultural property. Read more here. [MG]

  • [Art Crime] Fake Warhols in Miami

    Miami art dealer Leslie Roberts, previously sentenced to prison on art fraud charges, is making headlines again. In April, a grand jury indicted Roberts for selling counterfeit Andy Warhol artworks. The indictment alleges that he defrauded buyers of more than $6 million using forged provenance documents and stamps. Read more here. [AD]

  • [Arts Funding] Artist Foundations Respond to NEA Cuts

    Following widespread grant cancellations by the National Endowment for the Arts (NEA), the Andy Warhol Foundation and the Helen Frankenthaler Foundation have pledged support to 80 community arts groups. These organizations were previously part of Challenge America, an NEA program canceled in May. The two foundations have committed $800,000 to support the affected groups. Read more here. [AD]

  • [Nazi-Looted Art] Emergency Stay Halts Return of Schiele’s Russian War Prisoner (1916)

    On April 23, a New York Supreme Court judge ordered the Art Institute of Chicago to return the artwork to the heirs of Fritz Grünbaum. For a more in-depth background on the case, please read the Center’s article here. The Institute has since appealed the ruling and obtained an emergency stay. Eleven other Schiele works have already been successfully restituted. Read more here. [SJ]

  • [Restitution] Clearance Controversy Over a Klimt in Hungary

    A rare Klimt portrait of Prince William Nii Nortey Dowuona was recently sold for $16.4 million at TEFAF Maastricht. The work had reportedly resided in Hungary for nearly 50 years and was restituted to the heirs of Ernestine Klein, a Jewish collector who fled Austria during the Nazi era. Its recent appearance at TEFAF has sparked controversy over whether the painting was legally exported from Hungary. Hungarian authorities deny issuing a permit, though Austrian sources cite a confirmation stating that no export license was required. The gallery representing the work argues that, as a restitution case, the export is justified under the Washington Principles. Read more here. [JS]

     

  • [Nazi-Looted Art] Jewish Dealer Builds Collection of “Degenerate Art”

    A new exhibition at the National Gallery of Australia draws on Heinz Berggruen’s collection of Nazi-labeled “degenerate art.” This Jewish dealer collected modern art that the Nazis declared to be cultural decay and an assault on German values. The regime confiscated more than 16,000 artworks including those by Paul Klee, Alberto Giacometti and Ludwig Hirschfeld-Mack. Berggruen’s collecting was an act of cultural resistance and helps fill the historical gaps created by Nazi looting. Read more here. [JS]

  • [Art and Technology] Augmented Reality in the Art Market

    Augmented Reality (AR)  headsets are becoming more popular among auction houses and galleries as they enable virtual visits, attendance and sales. This technology can revive gallery visit rates and increase consumer confidence when buying art. Such headsets allow clients to place large scale works in their own space. Christie’s recently launched a mobile app that enables collectors to view select offerings using the Apple Vision Pro headset. However, high equipment costs and the need for new technical staff present challenges for galleries. Read more here. [JS]

  • [Repatriation] Peruvian Artefacts Repatriated by Manhattan DA’s Office

    On May 15, 2025, the Manhattan District Attorney’s Office returned eight antiquities to Peru during a ceremony at the Peruvian Consulate. The repatriated objects included a significant Moche gilded copper mask looted from Loma Negra on Peru’s North Coast. Several artifacts originated from tombs in this region, which experienced extensive looting during the 1960s and 1970s. Read more here. [ADE]

     

  • [Repatriation] More antiquities linked to Subhash Kapoor returned to Pakistan

    On May 28, 2025, the Manhattan District Attorney’s office announced the repatriation of 39 Pakistani artifacts to their country of origin. Several works were connected to the convicted trafficker Subhash Kapoor, who has been the subject of the Antiquities Trafficking Unit’s investigations for over a decade. Objects included Indus-era pottery and a Gandharan architectural frieze. Read more here. [ADE]

  • [Cultural Heritage] Peru Reverses Plans to Downsize Nazca Lines Archaeological Reserve

    In May 2025, the Peruvian Ministry of Culture announced plans to significantly reduce the boundaries of the Nazca Lines Archaeological Reserve, home to large geoglyphs dating to around 500 B.C. The proposal drew immediate backlash from environmentalists and archaeologists concerned about preserving the UNESCO World Heritage site. On June 8, 2025, the government reversed its decision and reinstated the original boundaries of the protected area. Read more here. [ADE]

  • [Nazi-Looted Art] HEAR Act of 2025 Would Extend Prior Law and Overrule SCOTUS

    On May 22, 2025, Senate Bill 1884 was introduced with bipartisan support to extend the statute of limitations under the Holocaust Expropriated Art Recovery (HEAR) Act of 2016. The bill would eliminate the Act’s 2026 sunset provision and clarify that claims involving Nazi-looted art may be brought in U.S. courts from the time of actual discovery. It would also remove certain non-merits-based discretionary defenses and overrule the Supreme Court’s decision in F.R.G. v. Philipp, 141 S. Ct. 703 (2021), which had narrowed exceptions to sovereign immunity. Read more here and here. [EBK]

  • [Restitution] Yale Returns Pair of 16th-Century Bronze Sculptures

    On June 9, 2025, the Yale University Art Gallery announced the return of a pair of 16th-century bronze sculptures, Allegorical Figures with Cornucopiae, to the estate of Emma R. Budge after determining the works were part of her collection unjustly sold under Nazi-era conditions. The decision, praised by the Budge estate’s attorney, reflects the Gallery’s ongoing commitment to addressing restitution claims through diligent provenance research. Read more here. [EBK]

     

  • [UK Law] New Report Examines the Role of Provenance in the UK’s Export Licensing Scheme

    On May 9, 2025, the UK Department for Culture, Media and Sport released a research report which examines how provenance is considered within the UK’s export licensing system for cultural objects. The report surveys existing legislation and guidance, identifies current practices and regulatory gaps, and offers recommendations to strengthen due diligence and establish clearer standards to support more informed and responsible export decisions. It also compares the UK’s approach with other jurisdictions, exploring opportunities for alignment with global practices. Read more here. 

     

  • [Cultural Heritage] ICOM and UNESCO Renew MOU on Cultural Heritage Protection

    On May 28, 2025, the International Council of Museums (ICOM) and the United Nations Educational, Scientific and Cultural Organization (UNESCO) signed a renewed Memorandum of Understanding (MOU) to pursue joint initiatives within cultural heritage protection, education, and technology. The MOU underscores the significance of museums within their communities as loci of sustainability, engagement, and education. Read more here. [KMH]

ARCA’s 15th Annual Interdisciplinary Art Crime Conference

Location:

Collegio Boccarini Conference Hall, adjacent to the Museo Civico Archeologico e Pinacoteca Edilberto Rosa, Amelia, Italy

Date:

Sat, Jun 21, 2025 12 AM

ARCA’s annual Amelia Conference serves as an arena for intellectual and professional exchange and highlights the nonprofit’s mission to facilitate a critical appraisal of the need for protection of art and heritage worldwide. Over the course of one weekend each summer, this art crime-focused event serves as a forum to explore the indispensable role of detection, crime prevention, and scholarly and criminal justice responses, at both the international and domestic level, in combatting all forms of crime related to art and the illicit trafficking of cultural property.

The Association’s 15th annual conference begins on Friday, June 20, 2025 with a networking cocktail open to all Amelia Conference attendees and speakers.  At the heart of the conference are two days devoted to presentations selected through this Call to be held in the Collegio Boccarini Conference Hall, on Saturday and Sunday, June 21 and June 22, 2025.

RSVP
ARCA 2025 Program

Provenance Research Today: Issues, Resources and Networks

Date:

Mon, Jun 23, 2025 12 AM

The University of Denver (DU) an their Center for Art Collection Ethics (ACE) are offering a hybrid training program: Provenance Research Today: Issues, Resources and Networks. The program will run June 23-27, 2025. In its fourth iteration since 2021, the program is geared toward graduate students and emerging museum and art market professionals.

RSVP
photo of a ledger

ICRA Spotlight: Curatorial, digital and legal perspectives on looted art and catalogues raisonnés: an open question?

Location:

Online

Date:

Tue, Jul 15, 2025 11 AM

How do museums go about checking the provenance of a) Nazi looted art and b) non-European looted art? What (legal and reputational) risks do museums run by cataloguing such material and making it available online? Should problematic looted art or ‘red list’ works ever be included in catalogue raisonnés? How often do we find out about such works through legal claims? Does Native American art raise different issues from a curatorial and legal perspective? In what ways can the legal world work in tandem with museums to mitigate the risks associated with cataloguing looted art?

ICRA’s next Spotlight discussion will explore these questions and others from the perspective of #museumcurators, #arthistorians and #artlawyers. Frances Fowle @francesalicefowle, Emeritus Professor at the University of Edinburgh and author of The Art Market and the Museum, will be in discussion with our distinguished panellists: Victoria Reed, Senior Curator for Provenance at Boston Museum of Fine Arts; Nick O’Donnell (Sullivan & Worcester), specialist in cultural property and author of A Tragic Fate: Law and Ethics in the Battle Over Nazi-Looted Art; and cultural heritage lawyer Kate Fitzgibbon, specialist in Central Asian Art and author of Native American Art and the Law.

Register HERE!
Photo from a collecting point after WWII

Legal Workshop for Artists, Philadelphia Volunteer Lawyers for the Arts

Location:

Philadelphia, PA

Date:

Sat, Jun 21, 2025 2 PM

Presented by Philadelphia Volunteer Lawyers for the Arts, this free event will take place at the Free Library of Philadelphia’s Heim Center for Civic and Cultural Engagement. 1901 Vine St. First Floor. Room 131

If in town, consider joining the discussion on establishing a strong legal foundation for creative professionals. Topics might include understanding copyright and other key IP laws, navigating contracts, and estate planning, and tips on finding affordable legal help and resources.

Register HERE!
event poster PA

Forming a Non-Profit Workshop (CLE)

Location:

New York City

Date:

Tue, Jul 15, 2025 2 PM

In addition to learning about what a non-profit is, learn how and why to form one, as well as the legal, ethical, and financial obligations associated with this type of organization. This program is for artists, attorneys, arts professionals and whoever would like to start or learn more about running a non-profit organization. This workshop is also helpful for those trying to figure out whether this type of organization is right for them.

Topics Covered:
State issues to be covered include articles of incorporation, bylaws, and the first organization meeting. Federal issues include the Internal Revenue Code Section 501(c)(3) and corresponding regulations, application for employer identification number, IRS disclosure rules, unrelated business taxable income, charitable contributions, and restrictions on lobbying.

This workshop will also touch on the legal and ethical duties for board members; donor requirements; the new Form 990; intellectual property issues specific to non-profit tax-exempt organizations; insurance; and employment issues. The Fiscal Sponsorship model will be addressed as an alternative to forming a non-profit organization.

Register HERE!
VLA

Career Opportunities

  • Contributing Editors, The Museum of Looted Antiquities

    The Museum of Looted Antiquities (MOLA) is seeking two volunteer Contributing Editors to assist with developing and peer-reviewing new cases for publication and upcoming exhibits. This part-time, remote role offers flexible hours, requiring a minimum commitment of 12 hours per month for six months. Responsibilities include editing and fact-checking case submissions, conducting peer reviews, researching new cases, and supporting MOLA’s digital platform. Candidates should have strong editing and writing skills, experience with fact-checking, and a background in archaeology, antiquities trafficking, or art law. Contributing Editors will receive training and be publicly credited for their work. To apply, please send a cover letter and writing samples to MOLA@AchillesResearch.org.

  • Provenance Research Assistant, Yale U.

    Reporting to the Curator for Provenance Research and working with curators, museum assistants, and registrars, the provenance research assistant will support provenance research at the Gallery by reviewing provenance for proposed acquisitions and loans; reviewing collection objects’ ownership histories for outgoing loans; researching collection objects’ ownership histories; assisting with Gallery programming related to provenance; assist with administrative tasks such as data entry and collecting and filing documentation.

    Essential Duties: Assist with reviewing provenance research conducted on acquisitions and loans. Assist with reviewing provenance research conducted on outgoing international loans (Immunity from Seizure). Assist with researching, fact-checking and formatting provenance information on permanent collection items for hard-copy files, the Gallery collections database, and online records. Assist with compiling and entering provenance data related to works of art in the museum database.

    Assist with research on the historic art market and prior owners of works of art. Organize images of marks of ownership on the backs and undersides of works of art. Monitor press on provenance research and related cultural property issues and compile reading lists. Assist with gallery teaching and working with the Education department to inform Gallery visitors and the wider Yale community on provenance research and related topics. Assist with supervision of undergraduate and graduate bursary students. Assist with daily administrative and technological tasks as needed. Other tasks and duties as needed.

    Read more and apply HERE.

  • Associate Registrar, Database Administration, Nelson-Atkins Museum of Art

    The Nelson-Atkins Museum of Art in Kansas City, Missouri is hiring a full-time Associate Registrar, Database Administration to join its Curatorial Affairs division. Reporting to the Head of Registration, this role is responsible for managing the museum’s collections database (The Museum System, TMS) and supporting a range of registration functions including art movements, viewings, exhibitions, and loans. The position offers an annual salary of $46,762–$52,653 and a 35-hour work week. Ideal candidates will be detail-oriented and collaborative, with a strong interest in collection stewardship and museum technology.

    Apply here.

event screenshot estate planning

Educational & Other Opportunities

  • Provenance Research Today: Issues, Resources and Networks (U. of Denver)

    The Center for Art Collection Ethics (ACE) at the University of Denver (DU) is offering Provenance Research Today: Issues, Resources and Networks, a hybrid training program running June 23-27, 2025. Now in its fourth year, the program is designed for graduate students and emerging museum and art market professionals. Twenty students will be selected for an on-campus postgraduate certificate with support from the Art Ashes Foundation, while select sessions will be open for virtual attendance. Recordings will be available for one year.

    The program is led by experts in the field, including Renée Albiston (Denver Art Museum), Antonia Bartoli (Yale University Art Gallery), and Elizabeth Campbell (DU, ACE).

    Learn more and apply here.

Exploring Artists’ Estates: Legal Considerations for Third Parties and Heirs

Tuesday, June 3, 2025 at 12:00 pm
Workshop

Catalogues Raisonnés and The Law

Thursday, June 5, 2025 at 12:00 pm
Workshop

Artist Legacy & Estate Planning Clinic (Jun. 11, 2025)

Wednesday, June 11, 2025 at 5:30 pm
Clinic

Art Lawyering Bootcamp: Artist-Dealer Relationships (June 24, 2025)

Tuesday, June 24, 2025 at 9:00 am

Center for Art Law Showcase: Internships

Monday, June 30, 2025 at 12:00 pm
Showcase

Case Law Corner

View both new and old art law cases featured this month in our Case Law Database: 

  • Sahuc v. Tucker, 300 F. Supp. 2d 461 (E.D. La. 2004).
  • Seltzer v. Green Day, Inc., 725 F.3d 1170 (9th Cir. 2013).
  • Feingold v. RageOn, Inc., 472 F. Supp. 3d 94 (S.D.N.Y. 2020).
  • Moi v. Chihuly Studio Inc., 846 F.App’x 497 (9th Cir. 2021).
  • Meyer v. Seidel, 89 F.4th 117 (2d Cir. 2023).
  • Hayden v. Koons, No. 21-CV-10249 (TMR), 2025 U.S. Dist. LEXIS 33345 (S.D.N.Y. Feb. 25, 2025).*
  • Mendelsohn v. Bragg, No. 2:24-cv-07420-ODW (JPRx), 2025 U.S. Dist. LEXIS 58971 (C.D. Cal. Mar. 28, 2025).

* Case Review is available HERE.

Case Law Corner

New Titles in the Art Law Library

Cover of Indigenous Tattoo Traditions

Indigenous Tattoo Traditions: Humanity through Skin and Ink

by Lars Krutak

From the publisher:

“Tattooing within Indigenous communities is a time-honored practice that binds the tattoo recipient to a deeply felt collective history. More than mere decoration, tattoos embody cultural values, ancestral ties, and spiritual beliefs. Indigenous Tattoo Traditions captures ancient tribal tattooing practices and their contemporary resurgence, highlighting a beautiful aspect of humanity’s shared cultural heritage.

Transporting readers through history, Lars Krutak explores the art and customs of tattooing across numerous ancestral lands, including Africa, the Middle East, the Americas, the Arctic, Oceania, Japan, Southeast Asia, and Siberia. He illustrates how tattoos function as a form of writing that defines and structures community life, performing as rites of passage, symbols of rank, and signs of marital or religious devotion, among other facets of culture. We are introduced to the heavily tattooed Li women of China’s Hainan Island with their elaborate facial and body tattoos, the bold indelible markings of Papua New Guinea’s Indigenous peoples, and innovative cultural tattoo practitioners who are rebuilding a skin-marking legacy for future generations to come.

With numerous images published for the first time and an illuminating foreword by cultural historian Sean Mallon, Indigenous Tattoo Traditions opens a window onto one of the world’s most vibrant yet misunderstood mediums of human expression.”

Available HERE
Cover of The Rescuers

The Rescuers: The Remarkable People Who Saved World Heritage

by Nancy Moses

From the publisher:

“This book profiles some of the handful of people who rescued significant cultural treasures that would or may have been otherwise lost to humankind. Some, like Dr. Assad, were on a noble mission, but that is not always the case. Some are motivated by profit, fame, gratitude, or personal advancement. The act of rescue may not be straightforward: even the most heroic ones can be tainted, suspect, illegal, or ethically equivocal.

The ten stories in The Rescuers include a variety of objects, motivations, locations and historic periods. They include a Scottish prehistoric site; Soviet-era seed banking; mid-20th century photographic masterworks; African American and immigrant folk music; Alaskan Native ceremonial and cultural objects; and a German language, Czech author whose manuscripts now reside in an Israeli archive.

While each is a unique story, it is also representative of similar cases. Chapters explore some of the most controversial issues facing society today: appropriation, repatriation, indigenous rights, copyright law, racism, and the impact of tourism on fragile cultural sites.

What does the act of rescue mean? What is the psychology of those who commit these acts? Should the imperatives of society trump the rights of individuals to control their own legacy? Is more ethical for a museum to preserve cultural treasures or to return them to a tribe that might destroy them? What are the trade offs between economic development and historic preservation? These are the conundrums of today, the challenges of the future.”

Available HERE
Cover of Law, Ethics, and Visual Arts

Law, Ethics, and the Visual Arts 6th Edition

by John Henry Merryman, Stephen K. Urice, and Simon J. Frankel

From the publisher:

“Since its first publication in 1979, Law, Ethics, and the Visual Arts has been the foundational text in the field of art law. This thoroughly reorganized and updated sixth edition takes a fresh look at primary materials and commentary from previous editions, extending the book’s analysis with significant changes in format and content to reflect changes in the field. The book has multiple uses and audiences: a text for courses in law schools and graduate programs, a reference work for lawyers and museum professionals, and a lively read – filled with engaging legal stories and colorful anecdotes featuring the broad cast of characters in the art world. Complementing their own observations, the authors include excerpts from judicial opinions, scholarly and popular articles, international treaties, and statutory law. Law, Ethics, and the Visual Arts offers a cornucopia of examples, questions, issues, and lessons for students, artists, dealers, collectors, attorneys, and any reader curious about today’s complex world of the visual arts.”

Available HERE

Stolen Fragments Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts

by Robert Mazza

In Stolen Fragments, author Robert Mazza exposes a shady global network of ancient manuscript dealing. In 2012 the president of Hobby Lobby, Steve Green, acquired a rare Biblical manuscript. Mazza traced the object’s provenance, determining that it was from a famous collection at Oxford University. However, its rightful owners were unaware that it was sold, inspiring Mazza to investigate the provenance of other items in Green’s possession. By tracing the billionaire’s collection, Mazza unveiled a web of illicit ancient manuscript dealing.

Available HERE

Our Recent Publications

kernoch center visual art database
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Spotlight: Columbia’s Kernochan Center for Law, Media and The Arts reveals new Visual Art Infringement Database

June 30, 2025
Image source: Screenshot from Disney and Universal’s complaint.
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Framing the Future? Disney and Universal Challenge Midjourney over AI-Generated Imagery

June 26, 2025
Image Source: Public court documents filed in the Supreme Court of the State of New York. building burning
Case ReviewOpinionappraisalart insuranceart litigation

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June 23, 2025
Read all articles

Thank you for reading the June Art Law Blast!

DISCLAIMER: This newsletter is for informational and educational purposes only, and is not intended to serve as legal advice.
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What the Heck is Copyright (2)

What is Copy, Right?

Annual Conference

2026 edition explores Visual Art, AI, and the Law in the 21st Century.

 

Early Bird Tickets Available
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Check out our recent article by Lauren Stein revie Check out our recent article by Lauren Stein reviewing Amy Werbel’s "Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock." Werbel's book showcases a portrait of Anthony Comstock, America’s first professional censor, a man obsessed with purity and self-control who regarded masturbation as a sign of moral corruption. 

Read more about this public figure and Werbel's telling of his life including the impact he had on the US's early attempts to curtail desire in the decades before World War I, in Lauren's review. 

 📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #bookreview #censorship #artistissues
One of our interns, Jacqueline, stopped by the Mor One of our interns, Jacqueline, stopped by the Morgan after the blizzard to catch their exhibition, “Caravaggio’s Boy with a Basket of Fruit in Focus." In partnership with the Foundation for Italian Art and Culture (FIAC) and on loan from the Galleria Borghese in Rome, this is the first time in decades that Caravaggio's early masterpiece has come to the United States. 

"The Morgan is just two blocks away from my university, the Graduate Center. The library and museum have been a rich resource for me, representing an institution that honors the rich legacy of its collector, while also maintaining exciting rotating exhibitions," Jacqueline said. 

The painting is in conversation with other works by those who influenced Caravaggio and those he subsequently inspired. The exhibition's sparkling 3-month run comes to a close April 19.

📚 Check out more information on the exhibition using the link in our bio!

#centerforartlaw #artlaw #artmuseum #caravaggio #themorgan #nyc #artlawyer #legalresearch
Check out our upcoming bootcamp on Artist-Dealer R Check out our upcoming bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
Join us on May 27 for the highly anticipated Art L Join us on May 27 for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence.

Our event will feature a series of dynamic panels, each offering invaluable insights into the rapidly shifting landscape of art and copyright law. Together, let’s trace the impact of copyright law on visual arts, examine the U.S. Copyright Office’s landmark reports on AI, and contemplate the future of licensing in a world where registration is no longer enough.

In addition to substantive portion of the day, our conference with feature exhibitors and a silent auction aimed at raising funds to support Center’s Summer Internship program and bolster our efforts to provide accessible and affordable legal resources to the artistic community.

🎟️ Find more information and grab your tickets using the link in our bio! 

#artlaw #centerforartlaw #artlawyer #legalresearch #copyrightlaw #artcopyright #copyright #ailaw #artlawconference #nyu
Check out the newly released podcast episode! Andr Check out the newly released podcast episode! Andrea and Paris speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, they explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers. 

🎙️ Click the link in our bio to listen anywhere you get your podcasts! 

#centerforartlaw #artlaw #artlawyer #legal #research #podcast #legalresearch #newepisode #artmarket
Join the Center for Art Law on April 30th in conve Join the Center for Art Law on April 30th in conversation with author and prosecutor Adena J. Bernstein as she examines the legal and ethical complexities surrounding the restitution of Nazi-looted art. 

Drawing from her book Stolen Legacies: The Fight for Nazi-Looted Art, she explores how different countries have addressed Holocaust-era cultural theft through legislation, litigation, and museum policies. The discussion will review key restitution frameworks, including the Washington Principles, evolving provenance research standards, and the role of courts in resolving ownership disputes decades after the Holocaust. Bernstein also reflects on the human aspect of these cases and why unresolved cultural losses remain an enduring legal and moral legacy of World War II.

🎟️ Get your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #nazilootedart #restitution #stolenart #artcrime #internationallaw
Digital repatriation is a practice being used by m Digital repatriation is a practice being used by museums to "return" a digital version of a work to source communities while retaining the physical object. Digitization itself can increase eduction and access to items, but does a digital version of an object truly act as a sufficient substitute to the heritage contained in the original or does it create a further layer of colonial control through the access to such digital property?

Read out recent article by Afroditi Karatagli to learn more about the impact of digital repatriations and what actions should be taken instead. 

📚 Find the full article using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #digitalrepatriation #digitalart #artmarket #artistissues #museumissues
Join us for a on April 9th for a new colloquium on Join us for a on April 9th for a new colloquium on the legal foundations for restitution of Nazi-looted art. Raymond J. Dowd will discuss his recent article "Taking The Profit Out of War: Why International Law Requires Restitution of Nazi-Looted Art" published in the Fordham Law Review Online. He will delve into the impact of international property law on those looking to bring restitution claims. 

🎟️ Grab you tickets using the link in our bio!

#centerforartlaw #artlawyer #artlaw #restitution #nazilootedart #lootedart #artcrimes
In January, two Roman bronze statutes of toddlers In January, two Roman bronze statutes of toddlers reaching for partridges, were returned and displayed by the Spanish Museo Arqueológico Nacional. The statues had previously been sold by Christie's in 2012 to a private collector. Christie's had stated the statues came from an unnamed collector, who had gotten them from Giovanni Züst. This was determined to be false. 

After a lengthly journey through the Swiss legal system, due to a Swiss man stating the statues were in his family, before being taken by an Italian man, and then later false documents being prepared prior to the Christie's sale. Later investigators in Spain determined the statues were looted property taken from Spain around 2007. The statues were voluntarily restituted 

📚 Read more using the link in our bio! 

#centerforartlaw #artlaw #artlawyer #legalresearch #looting #artcrimes #spain #restitution
You may have noticed our February newsletter arriv You may have noticed our February newsletter arrived twice, think of it as an encore. March has arrived with its familiar whirlwind, and like many of you, we find ourselves following world affairs with disbelief, dismay, and a deepening sense of urgency. Mahatma Gandhi observed that “the difference between what we do and what we are capable of doing would suffice to solve most of the world’s problems.” At the Center, we believe that building knowledge, access, and community in art law is one meaningful way to solve some of the world’s problems; we wish we could do more. 

🔗 Check out our March newsletter, using the link in our bio, to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #march #legalresearch
Don't miss out on our upcoming Copyright Clinic on Don't miss out on our upcoming Copyright Clinic on March 18th!! Join us for an informative presentation and pro bono consultations to better understand the current art and copyright law landscape. Copyright law is a body of federal law that grants authors exclusive rights over their original works — from paintings and photographs to sculptures, as well as other fixed and tangible creative forms. Once protection attaches, copyright owners have exclusive economic rights that allow them to control how their work is reproduced, modified and distributed, among other uses.

Albeit theoretically simple, in practice copyright law is complex and nuanced: what works acquire such protection? How can creatives better protect their assets or, if they wish, exploit them for their monetary benefit?

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #copyright #CLE #trainingprogram
September of 2025 stuck a potential death blow to September of 2025 stuck a potential death blow to the NFT market: Christie's announced the closing of their digital art department. It had only lasted 3 years. NFTs experienced a incredibly  fast tracked rise and fall in popularity, leaving behind questions as to their continuing value and ownership rights. And yet, there could be some lasting change on how digital ownership will continue moving foward. 

📚 To learn more about this niche and potentially, completely, disappearing market read Shaila Gray's recently published article using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nfts #blockchain #digitalart #artmarket #artistissues
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