• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Newsletter image/svg+xml 2021 Timothée Giet June, Unlimited and Untitled
Back

"June, Unlimited and Untitled"

Art Law Blast

June 2025

Dear Readers,

Criminal law is not our strength. However, we can bear expert witness that enhanced penalties should be imposed on all who commit any and all crimes in June.

The Center is in the Summer Term with a record number of interns working on fascinating articles, events, and research questions, not the last of which “what should we include in our Annual Report?”! Thanks to all of our contributors and volunteers, Center for Art Law did well last year, b/c of or despite of everything.

As for the rest of the Team, we are interviewing the next Judith Bresler Fellow, selecting interns for the Fall, graduating and onboarding Advisors and Directors, and sending out grant applications. We are happy to welcome new institutional subscribers, to consider new candidates, and be considered for new funding opportunities. As one accomplished art lawyer used to say in her lectures “don’t ask, don’t get,” so here we are asking again for your input and introductions. If you would like to help us shape our curriculum in 2025-2026 or float some ideas, please email us at artlawteam@itsartlaw.org.

Enjoy our June Newsletter and your June 2025. Now of all times, we hope you make time to step away from the digital tools and paper piles to smell the linden trees.

Onwards with art and law,
Center for Art Law Team

Content

  • In Brief
  • Events
  • Job Opportunities
  • Case Law Corner
  • Our Events
  • New Publications in the Library
  • Our Recent Publications

What's New in Art Law

  • [Repatriation] Chinese Silk Manuscripts Returned to China

    The Smithsonian’s National Museum of Asian Art (NMAA) recently announced the return of Zidanku Silk Manuscript fragments to the National Cultural Heritage Administration (NCHA) of the People’s Republic of China. The fragments were previously looted from a Chinese tomb and later donated anonymously to the NMAA in 1992, though they were never displayed. One manuscript remains in the collection of the Arthur M. Sackler Foundation. Read more here. [MG]

  • [Cultural Property] Ukraine’s Culture Minister Calls for Return of Stolen Property from Russia

    Ukrainian Minister of Culture and Strategic Communications Mykola Tochytskyi recently stated in an interview with Ukrinform that more than 1.7 million cultural items have been stolen from Ukraine since the start of the war. Tochytskyi discussed the link between territorial seizure and the destruction of cultural property. Read more here. [MG]

  • [Art Crime] Fake Warhols in Miami

    Miami art dealer Leslie Roberts, previously sentenced to prison on art fraud charges, is making headlines again. In April, a grand jury indicted Roberts for selling counterfeit Andy Warhol artworks. The indictment alleges that he defrauded buyers of more than $6 million using forged provenance documents and stamps. Read more here. [AD]

  • [Arts Funding] Artist Foundations Respond to NEA Cuts

    Following widespread grant cancellations by the National Endowment for the Arts (NEA), the Andy Warhol Foundation and the Helen Frankenthaler Foundation have pledged support to 80 community arts groups. These organizations were previously part of Challenge America, an NEA program canceled in May. The two foundations have committed $800,000 to support the affected groups. Read more here. [AD]

  • [Nazi-Looted Art] Emergency Stay Halts Return of Schiele’s Russian War Prisoner (1916)

    On April 23, a New York Supreme Court judge ordered the Art Institute of Chicago to return the artwork to the heirs of Fritz Grünbaum. For a more in-depth background on the case, please read the Center’s article here. The Institute has since appealed the ruling and obtained an emergency stay. Eleven other Schiele works have already been successfully restituted. Read more here. [SJ]

  • [Restitution] Clearance Controversy Over a Klimt in Hungary

    A rare Klimt portrait of Prince William Nii Nortey Dowuona was recently sold for $16.4 million at TEFAF Maastricht. The work had reportedly resided in Hungary for nearly 50 years and was restituted to the heirs of Ernestine Klein, a Jewish collector who fled Austria during the Nazi era. Its recent appearance at TEFAF has sparked controversy over whether the painting was legally exported from Hungary. Hungarian authorities deny issuing a permit, though Austrian sources cite a confirmation stating that no export license was required. The gallery representing the work argues that, as a restitution case, the export is justified under the Washington Principles. Read more here. [JS]

     

  • [Nazi-Looted Art] Jewish Dealer Builds Collection of “Degenerate Art”

    A new exhibition at the National Gallery of Australia draws on Heinz Berggruen’s collection of Nazi-labeled “degenerate art.” This Jewish dealer collected modern art that the Nazis declared to be cultural decay and an assault on German values. The regime confiscated more than 16,000 artworks including those by Paul Klee, Alberto Giacometti and Ludwig Hirschfeld-Mack. Berggruen’s collecting was an act of cultural resistance and helps fill the historical gaps created by Nazi looting. Read more here. [JS]

  • [Art and Technology] Augmented Reality in the Art Market

    Augmented Reality (AR)  headsets are becoming more popular among auction houses and galleries as they enable virtual visits, attendance and sales. This technology can revive gallery visit rates and increase consumer confidence when buying art. Such headsets allow clients to place large scale works in their own space. Christie’s recently launched a mobile app that enables collectors to view select offerings using the Apple Vision Pro headset. However, high equipment costs and the need for new technical staff present challenges for galleries. Read more here. [JS]

  • [Repatriation] Peruvian Artefacts Repatriated by Manhattan DA’s Office

    On May 15, 2025, the Manhattan District Attorney’s Office returned eight antiquities to Peru during a ceremony at the Peruvian Consulate. The repatriated objects included a significant Moche gilded copper mask looted from Loma Negra on Peru’s North Coast. Several artifacts originated from tombs in this region, which experienced extensive looting during the 1960s and 1970s. Read more here. [ADE]

     

  • [Repatriation] More antiquities linked to Subhash Kapoor returned to Pakistan

    On May 28, 2025, the Manhattan District Attorney’s office announced the repatriation of 39 Pakistani artifacts to their country of origin. Several works were connected to the convicted trafficker Subhash Kapoor, who has been the subject of the Antiquities Trafficking Unit’s investigations for over a decade. Objects included Indus-era pottery and a Gandharan architectural frieze. Read more here. [ADE]

  • [Cultural Heritage] Peru Reverses Plans to Downsize Nazca Lines Archaeological Reserve

    In May 2025, the Peruvian Ministry of Culture announced plans to significantly reduce the boundaries of the Nazca Lines Archaeological Reserve, home to large geoglyphs dating to around 500 B.C. The proposal drew immediate backlash from environmentalists and archaeologists concerned about preserving the UNESCO World Heritage site. On June 8, 2025, the government reversed its decision and reinstated the original boundaries of the protected area. Read more here. [ADE]

  • [Nazi-Looted Art] HEAR Act of 2025 Would Extend Prior Law and Overrule SCOTUS

    On May 22, 2025, Senate Bill 1884 was introduced with bipartisan support to extend the statute of limitations under the Holocaust Expropriated Art Recovery (HEAR) Act of 2016. The bill would eliminate the Act’s 2026 sunset provision and clarify that claims involving Nazi-looted art may be brought in U.S. courts from the time of actual discovery. It would also remove certain non-merits-based discretionary defenses and overrule the Supreme Court’s decision in F.R.G. v. Philipp, 141 S. Ct. 703 (2021), which had narrowed exceptions to sovereign immunity. Read more here and here. [EBK]

  • [Restitution] Yale Returns Pair of 16th-Century Bronze Sculptures

    On June 9, 2025, the Yale University Art Gallery announced the return of a pair of 16th-century bronze sculptures, Allegorical Figures with Cornucopiae, to the estate of Emma R. Budge after determining the works were part of her collection unjustly sold under Nazi-era conditions. The decision, praised by the Budge estate’s attorney, reflects the Gallery’s ongoing commitment to addressing restitution claims through diligent provenance research. Read more here. [EBK]

     

  • [UK Law] New Report Examines the Role of Provenance in the UK’s Export Licensing Scheme

    On May 9, 2025, the UK Department for Culture, Media and Sport released a research report which examines how provenance is considered within the UK’s export licensing system for cultural objects. The report surveys existing legislation and guidance, identifies current practices and regulatory gaps, and offers recommendations to strengthen due diligence and establish clearer standards to support more informed and responsible export decisions. It also compares the UK’s approach with other jurisdictions, exploring opportunities for alignment with global practices. Read more here. 

     

  • [Cultural Heritage] ICOM and UNESCO Renew MOU on Cultural Heritage Protection

    On May 28, 2025, the International Council of Museums (ICOM) and the United Nations Educational, Scientific and Cultural Organization (UNESCO) signed a renewed Memorandum of Understanding (MOU) to pursue joint initiatives within cultural heritage protection, education, and technology. The MOU underscores the significance of museums within their communities as loci of sustainability, engagement, and education. Read more here. [KMH]

ARCA’s 15th Annual Interdisciplinary Art Crime Conference

Location:

Collegio Boccarini Conference Hall, adjacent to the Museo Civico Archeologico e Pinacoteca Edilberto Rosa, Amelia, Italy

Date:

Sat, Jun 21, 2025 12 AM

ARCA’s annual Amelia Conference serves as an arena for intellectual and professional exchange and highlights the nonprofit’s mission to facilitate a critical appraisal of the need for protection of art and heritage worldwide. Over the course of one weekend each summer, this art crime-focused event serves as a forum to explore the indispensable role of detection, crime prevention, and scholarly and criminal justice responses, at both the international and domestic level, in combatting all forms of crime related to art and the illicit trafficking of cultural property.

The Association’s 15th annual conference begins on Friday, June 20, 2025 with a networking cocktail open to all Amelia Conference attendees and speakers.  At the heart of the conference are two days devoted to presentations selected through this Call to be held in the Collegio Boccarini Conference Hall, on Saturday and Sunday, June 21 and June 22, 2025.

RSVP
ARCA 2025 Program

Provenance Research Today: Issues, Resources and Networks

Date:

Mon, Jun 23, 2025 12 AM

The University of Denver (DU) an their Center for Art Collection Ethics (ACE) are offering a hybrid training program: Provenance Research Today: Issues, Resources and Networks. The program will run June 23-27, 2025. In its fourth iteration since 2021, the program is geared toward graduate students and emerging museum and art market professionals.

RSVP
photo of a ledger

ICRA Spotlight: Curatorial, digital and legal perspectives on looted art and catalogues raisonnés: an open question?

Location:

Online

Date:

Tue, Jul 15, 2025 11 AM

How do museums go about checking the provenance of a) Nazi looted art and b) non-European looted art? What (legal and reputational) risks do museums run by cataloguing such material and making it available online? Should problematic looted art or ‘red list’ works ever be included in catalogue raisonnés? How often do we find out about such works through legal claims? Does Native American art raise different issues from a curatorial and legal perspective? In what ways can the legal world work in tandem with museums to mitigate the risks associated with cataloguing looted art?

ICRA’s next Spotlight discussion will explore these questions and others from the perspective of #museumcurators, #arthistorians and #artlawyers. Frances Fowle @francesalicefowle, Emeritus Professor at the University of Edinburgh and author of The Art Market and the Museum, will be in discussion with our distinguished panellists: Victoria Reed, Senior Curator for Provenance at Boston Museum of Fine Arts; Nick O’Donnell (Sullivan & Worcester), specialist in cultural property and author of A Tragic Fate: Law and Ethics in the Battle Over Nazi-Looted Art; and cultural heritage lawyer Kate Fitzgibbon, specialist in Central Asian Art and author of Native American Art and the Law.

Register HERE!
Photo from a collecting point after WWII

Legal Workshop for Artists, Philadelphia Volunteer Lawyers for the Arts

Location:

Philadelphia, PA

Date:

Sat, Jun 21, 2025 2 PM

Presented by Philadelphia Volunteer Lawyers for the Arts, this free event will take place at the Free Library of Philadelphia’s Heim Center for Civic and Cultural Engagement. 1901 Vine St. First Floor. Room 131

If in town, consider joining the discussion on establishing a strong legal foundation for creative professionals. Topics might include understanding copyright and other key IP laws, navigating contracts, and estate planning, and tips on finding affordable legal help and resources.

Register HERE!
event poster PA

Forming a Non-Profit Workshop (CLE)

Location:

New York City

Date:

Tue, Jul 15, 2025 2 PM

In addition to learning about what a non-profit is, learn how and why to form one, as well as the legal, ethical, and financial obligations associated with this type of organization. This program is for artists, attorneys, arts professionals and whoever would like to start or learn more about running a non-profit organization. This workshop is also helpful for those trying to figure out whether this type of organization is right for them.

Topics Covered:
State issues to be covered include articles of incorporation, bylaws, and the first organization meeting. Federal issues include the Internal Revenue Code Section 501(c)(3) and corresponding regulations, application for employer identification number, IRS disclosure rules, unrelated business taxable income, charitable contributions, and restrictions on lobbying.

This workshop will also touch on the legal and ethical duties for board members; donor requirements; the new Form 990; intellectual property issues specific to non-profit tax-exempt organizations; insurance; and employment issues. The Fiscal Sponsorship model will be addressed as an alternative to forming a non-profit organization.

Register HERE!
VLA

Career Opportunities

  • Contributing Editors, The Museum of Looted Antiquities

    The Museum of Looted Antiquities (MOLA) is seeking two volunteer Contributing Editors to assist with developing and peer-reviewing new cases for publication and upcoming exhibits. This part-time, remote role offers flexible hours, requiring a minimum commitment of 12 hours per month for six months. Responsibilities include editing and fact-checking case submissions, conducting peer reviews, researching new cases, and supporting MOLA’s digital platform. Candidates should have strong editing and writing skills, experience with fact-checking, and a background in archaeology, antiquities trafficking, or art law. Contributing Editors will receive training and be publicly credited for their work. To apply, please send a cover letter and writing samples to MOLA@AchillesResearch.org.

  • Provenance Research Assistant, Yale U.

    Reporting to the Curator for Provenance Research and working with curators, museum assistants, and registrars, the provenance research assistant will support provenance research at the Gallery by reviewing provenance for proposed acquisitions and loans; reviewing collection objects’ ownership histories for outgoing loans; researching collection objects’ ownership histories; assisting with Gallery programming related to provenance; assist with administrative tasks such as data entry and collecting and filing documentation.

    Essential Duties: Assist with reviewing provenance research conducted on acquisitions and loans. Assist with reviewing provenance research conducted on outgoing international loans (Immunity from Seizure). Assist with researching, fact-checking and formatting provenance information on permanent collection items for hard-copy files, the Gallery collections database, and online records. Assist with compiling and entering provenance data related to works of art in the museum database.

    Assist with research on the historic art market and prior owners of works of art. Organize images of marks of ownership on the backs and undersides of works of art. Monitor press on provenance research and related cultural property issues and compile reading lists. Assist with gallery teaching and working with the Education department to inform Gallery visitors and the wider Yale community on provenance research and related topics. Assist with supervision of undergraduate and graduate bursary students. Assist with daily administrative and technological tasks as needed. Other tasks and duties as needed.

    Read more and apply HERE.

  • Associate Registrar, Database Administration, Nelson-Atkins Museum of Art

    The Nelson-Atkins Museum of Art in Kansas City, Missouri is hiring a full-time Associate Registrar, Database Administration to join its Curatorial Affairs division. Reporting to the Head of Registration, this role is responsible for managing the museum’s collections database (The Museum System, TMS) and supporting a range of registration functions including art movements, viewings, exhibitions, and loans. The position offers an annual salary of $46,762–$52,653 and a 35-hour work week. Ideal candidates will be detail-oriented and collaborative, with a strong interest in collection stewardship and museum technology.

    Apply here.

event screenshot estate planning

Educational & Other Opportunities

  • Provenance Research Today: Issues, Resources and Networks (U. of Denver)

    The Center for Art Collection Ethics (ACE) at the University of Denver (DU) is offering Provenance Research Today: Issues, Resources and Networks, a hybrid training program running June 23-27, 2025. Now in its fourth year, the program is designed for graduate students and emerging museum and art market professionals. Twenty students will be selected for an on-campus postgraduate certificate with support from the Art Ashes Foundation, while select sessions will be open for virtual attendance. Recordings will be available for one year.

    The program is led by experts in the field, including Renée Albiston (Denver Art Museum), Antonia Bartoli (Yale University Art Gallery), and Elizabeth Campbell (DU, ACE).

    Learn more and apply here.

Exploring Artists’ Estates: Legal Considerations for Third Parties and Heirs

Tuesday, June 3, 2025 at 12:00 pm
Workshop

Catalogues Raisonnés and The Law

Thursday, June 5, 2025 at 12:00 pm
Workshop

Artist Legacy & Estate Planning Clinic (Jun. 11, 2025)

Wednesday, June 11, 2025 at 5:30 pm
Clinic

Art Lawyering Bootcamp: Artist-Dealer Relationships (June 24, 2025)

Tuesday, June 24, 2025 at 9:00 am

Center for Art Law Showcase: Internships

Monday, June 30, 2025 at 12:00 pm
Showcase

Case Law Corner

View both new and old art law cases featured this month in our Case Law Database: 

  • Sahuc v. Tucker, 300 F. Supp. 2d 461 (E.D. La. 2004).
  • Seltzer v. Green Day, Inc., 725 F.3d 1170 (9th Cir. 2013).
  • Feingold v. RageOn, Inc., 472 F. Supp. 3d 94 (S.D.N.Y. 2020).
  • Moi v. Chihuly Studio Inc., 846 F.App’x 497 (9th Cir. 2021).
  • Meyer v. Seidel, 89 F.4th 117 (2d Cir. 2023).
  • Hayden v. Koons, No. 21-CV-10249 (TMR), 2025 U.S. Dist. LEXIS 33345 (S.D.N.Y. Feb. 25, 2025).*
  • Mendelsohn v. Bragg, No. 2:24-cv-07420-ODW (JPRx), 2025 U.S. Dist. LEXIS 58971 (C.D. Cal. Mar. 28, 2025).

* Case Review is available HERE.

Case Law Corner

New Titles in the Art Law Library

Cover of Indigenous Tattoo Traditions

Indigenous Tattoo Traditions: Humanity through Skin and Ink

by Lars Krutak

From the publisher:

“Tattooing within Indigenous communities is a time-honored practice that binds the tattoo recipient to a deeply felt collective history. More than mere decoration, tattoos embody cultural values, ancestral ties, and spiritual beliefs. Indigenous Tattoo Traditions captures ancient tribal tattooing practices and their contemporary resurgence, highlighting a beautiful aspect of humanity’s shared cultural heritage.

Transporting readers through history, Lars Krutak explores the art and customs of tattooing across numerous ancestral lands, including Africa, the Middle East, the Americas, the Arctic, Oceania, Japan, Southeast Asia, and Siberia. He illustrates how tattoos function as a form of writing that defines and structures community life, performing as rites of passage, symbols of rank, and signs of marital or religious devotion, among other facets of culture. We are introduced to the heavily tattooed Li women of China’s Hainan Island with their elaborate facial and body tattoos, the bold indelible markings of Papua New Guinea’s Indigenous peoples, and innovative cultural tattoo practitioners who are rebuilding a skin-marking legacy for future generations to come.

With numerous images published for the first time and an illuminating foreword by cultural historian Sean Mallon, Indigenous Tattoo Traditions opens a window onto one of the world’s most vibrant yet misunderstood mediums of human expression.”

Available HERE
Cover of The Rescuers

The Rescuers: The Remarkable People Who Saved World Heritage

by Nancy Moses

From the publisher:

“This book profiles some of the handful of people who rescued significant cultural treasures that would or may have been otherwise lost to humankind. Some, like Dr. Assad, were on a noble mission, but that is not always the case. Some are motivated by profit, fame, gratitude, or personal advancement. The act of rescue may not be straightforward: even the most heroic ones can be tainted, suspect, illegal, or ethically equivocal.

The ten stories in The Rescuers include a variety of objects, motivations, locations and historic periods. They include a Scottish prehistoric site; Soviet-era seed banking; mid-20th century photographic masterworks; African American and immigrant folk music; Alaskan Native ceremonial and cultural objects; and a German language, Czech author whose manuscripts now reside in an Israeli archive.

While each is a unique story, it is also representative of similar cases. Chapters explore some of the most controversial issues facing society today: appropriation, repatriation, indigenous rights, copyright law, racism, and the impact of tourism on fragile cultural sites.

What does the act of rescue mean? What is the psychology of those who commit these acts? Should the imperatives of society trump the rights of individuals to control their own legacy? Is more ethical for a museum to preserve cultural treasures or to return them to a tribe that might destroy them? What are the trade offs between economic development and historic preservation? These are the conundrums of today, the challenges of the future.”

Available HERE
Cover of Law, Ethics, and Visual Arts

Law, Ethics, and the Visual Arts 6th Edition

by John Henry Merryman, Stephen K. Urice, and Simon J. Frankel

From the publisher:

“Since its first publication in 1979, Law, Ethics, and the Visual Arts has been the foundational text in the field of art law. This thoroughly reorganized and updated sixth edition takes a fresh look at primary materials and commentary from previous editions, extending the book’s analysis with significant changes in format and content to reflect changes in the field. The book has multiple uses and audiences: a text for courses in law schools and graduate programs, a reference work for lawyers and museum professionals, and a lively read – filled with engaging legal stories and colorful anecdotes featuring the broad cast of characters in the art world. Complementing their own observations, the authors include excerpts from judicial opinions, scholarly and popular articles, international treaties, and statutory law. Law, Ethics, and the Visual Arts offers a cornucopia of examples, questions, issues, and lessons for students, artists, dealers, collectors, attorneys, and any reader curious about today’s complex world of the visual arts.”

Available HERE

Stolen Fragments Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts

by Robert Mazza

In Stolen Fragments, author Robert Mazza exposes a shady global network of ancient manuscript dealing. In 2012 the president of Hobby Lobby, Steve Green, acquired a rare Biblical manuscript. Mazza traced the object’s provenance, determining that it was from a famous collection at Oxford University. However, its rightful owners were unaware that it was sold, inspiring Mazza to investigate the provenance of other items in Green’s possession. By tracing the billionaire’s collection, Mazza unveiled a web of illicit ancient manuscript dealing.

Available HERE

Our Recent Publications

kernoch center visual art database
Art lawSpotlight

Spotlight: Columbia’s Kernochan Center for Law, Media and The Arts reveals new Visual Art Infringement Database

June 30, 2025
Image source: Screenshot from Disney and Universal’s complaint.
Art lawAIAI and copyrightLitigation

Framing the Future? Disney and Universal Challenge Midjourney over AI-Generated Imagery

June 26, 2025
Image Source: Public court documents filed in the Supreme Court of the State of New York. building burning
Case ReviewOpinionappraisalart insuranceart litigation

Perelman’s Art Damage Case Continued to Burn Through Court Last Week

June 23, 2025
Read all articles

Thank you for reading the June Art Law Blast!

DISCLAIMER: This newsletter is for informational and educational purposes only, and is not intended to serve as legal advice.
Support our Work Become a Member
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

 

Reserve Your Ticket TODAY
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Join us on May 27th at Brooklyn Law School for our Join us on May 27th at Brooklyn Law School for our Annual Art Law Conference 2026: What is Copy, Right? 

We are very excited to introduce you to the topic and speakers for Panel 2: The Copyright Office Weighs In — Three Reports on AI and the Law

This panel examines the U.S. Copyright Office’s three recent reports on artificial intelligence and copyright, unpacking what they clarify, and what they leave unresolved about authorship, ownership, and protection in the age of AI. Panelists will also situate these reports within the broader legal landscape, touching on emerging litigation and contested issues shaping how AI‑generated and AI‑assisted works are treated under current copyright law.

Moderator: Atreya Mathur, Director of Legal Research, Center for Art Law

Speakers: Miriam Lord, Associate Register of Copyrights and Director of Public Information and Education; Ben Zhao, Neubauer Professor of Computer Science at University of Chicago and Founder, Nightshade & Glaze; Katherine Wilson-Milne, Partner, Schindler Cohen & Hochman LLP 

Reserve your tickets today! 🎟️ 

#artlaw #centerforartlaw #copyrightlaw #copyrightlawandart
Round, like a circle in a spiral, like a wheel wit Round, like a circle in a spiral, like a wheel within a wheel… Case law is fascinating, and litigation is often the only path when disputes over valuable art cannot be resolved through negotiation or ADR. 

As news of the renewed HEAR Act spreads through the restitution community, we invite you to read a case review by two of our legal interns, Donyea James (Fordham Law, JD Candidate 2026) and Lauren Stein (Wake Forest University School of Law, JD Candidate 2027), who spent this semester immersed in the facts and law of "Bennigson et al. v. Solomon R. Guggenheim Foundation."

$1,552. That is what a Picasso sold for in 1938 by a Jewish businessman fleeing Nazi Germany. Roughly one-tenth of what he sought just six years earlier. The heirs went to court and two courts said the claim came too late. HEAR Act might very well challenge that conclusion. The case is now pending before New York's highest court. 

🔗 Link in bio.

#ArtLaw #Restitution #HolocaustArt #HEARAct #Guggenheim #Picasso #ProvenanceResearch
Whose collections? Whose heritage? What happens wh Whose collections? Whose heritage? What happens when the present confronts colonial memory? Join us in Zurich for a special screening of "Elephants & Squirrels," a documentary following Sri Lankan artist Deneth Piumakshi Veda Arachchige as she traces looted artifacts and human remains of the indigenous Wanniyala-Aetto people, held in Swiss museum collections for over a century, and fights for their return home.

Film director Gregor Brändli and the artist will open the evening with reflections on colonial collecting, cultural heritage, and the ethics of museum stewardship.

📅 May 12, 2026 | 18:00 – 21:00
📍 schwarzescafé | Luma Westbau, Limmatstrasse 270, Zurich

This event is free to attend and is offered as part of the CineLöwenbräukunst series. Link in bio for more information.

#ArtLaw #CulturalHeritage #Restitution #Repatriation #Zurich #FilmScreening #ColonialHistory #MuseumEthics 

#MuseumEthics
Join us on May 27th at Brooklyn Law School for our Join us on May 27th at Brooklyn Law School for our Annual Art Law Conference 2026: What is Copy, Right? 

We are very excited to introduce you to the topic and speakers for, Panel 1: So Inappropriate — Lessons About Copyright Law and Art: First There Was Art, Then Copyright, Then Fair Use… and Now AI?

From early copyright doctrines to contemporary fair use debates, this panel examines how artists and lawyers have navigated questions of ownership, appropriation, and originality in visual art. Panelists will explore key developments in copyright law affecting traditional artistic practices, from borrowing and remixing to transformative use, while also considering how emerging technologies, including AI, are beginning to reshape long‑standing legal frameworks and artistic norms.

Moderator: Irina Tarsis, Founder, Center for Art Law
Speakers: Vivek Jayaram, Founder, Jayaram Law; Vincent Wilcke, Pace Gallery; Greg Allen, Artist and writer 

Reserve your tickets using the link in our bio or by visiting our website itsartlaw.org 🎟️ 
See you soon!
Next stop: Venice. The 61st Biennale has been maki Next stop: Venice. The 61st Biennale has been making waves and headlines for weeks and the doors have not even opened yet. The jury refused to award prizes and resigned nine days before the opening over geopolitical controversies. Some artists boycott while others show up even if unwelcome. Some pavilions will be empty, some will not be open to the public… Sources of funds, sources of inspiration, so many questions, so much on display for critical eyes. Meanwhile the boats are waiting for anyone lucky enough to find themselves in the floating world.

Help us reflect on the Biennale by sharing your art law stories.

#ArtLaw #Venice #Biennale2026 #ArtWorld #BiennaleofDissent #LaSerenissima #GoldenLion #SeeArtThinkArtLaw
Center for Art Law is very pleased to welcome Prof Center for Art Law is very pleased to welcome Professor Ben Zhao as the Keynote Speaker for our Annual Art Law Conference 2026! 

Ben Zhao is the Neubauer Professor of Computer Science at the University of Chicago where he, and a team of researchers at the university, developed NightShade & Glaze, two data-poisoning tools which protects artists' work from being scraped for AI data training. 

Professor Zhao will discuss tools, such as NightShade, which can assist in defending art in the age of AI. 

The 2026 conference will focus on copyright law as it relates to visual art, artificial intelligence, and the rapidly evolving legal landscape of the 21st century. The program will begin with Professor Zhao's keynote address, followed by three substantive panels designed to build on one another throughout the afternoon. In addition, we will host a curated group of exhibitors featuring databases, legal tools, and technology platforms relevant to artists’ rights, copyright, and AI. The program will conclude with a reception, providing time for continued discussion, networking, and engagement among speakers, exhibitors, and attendees. 

We hope you join us! Reserve your tickets now using the link in our bio 🎟️ 

#centerforartlaw #artlaw #copyrightlaw
A huge thank you to our hosts and incredible speak A huge thank you to our hosts and incredible speakers who made this London panel discussion truly special! 🙏✨ 🇬🇧 🇺🇦 

We were so fortunate to hear from:

🎤 Rakhi Talwar | RTalwar Compliance
🎤 Raminta Dereskeviciute | McDermott Will & Schulte
🎤 Daryna Pidhorna, Lawyer & Analyst | The Raphael Lemkin Society
🎤 Timothy Kompancheko | Bernard, Inc.
🎤 Yuliia Hnat | Museum of Contemporary Art NGO
🎤 Irina Tarsis | Center for Art Law

Your insights, expertise, and passion made this a conversation we won't forget. Thank you for sharing your time and knowledge with us! 💫

Bottom Line: the art market has power and responsibility. Our panel "Art, Money, and the Law: Sanctions & AML Enforcement in 2026" tackled the hard questions around money laundering, sanctions compliance, and what's at stake for art market participants in today's regulatory landscape.

⚠️ Regulators are watching and "history has it's eyes on you..." too We don't have to navigate the legal waters alone. Let's keep the conversation going.

What was your biggest takeaway? 

#ArtLaw #AMLCompliance #Sanctions #ArtMarket #ArtAndMoney #Enforcement2026
At the Center for Art Law we are preparing for our At the Center for Art Law we are preparing for our Annual Art Law Conference 2026, "What is Copy, Right? Visual Art, AI, and the Law in the 21st Century", and we hope you are as excited as we are! The event will take place on May 27th at Brooklyn Law School. 

In addition to the panels throughout the day, which will offer insights into the rapidly shifting landscape of art and copyright law, our conference will feature exhibitors showcasing resources for promoting artists' rights, and a silent auction aimed at bolstering the Center's efforts. 

We would like to invite you to take part in and support this year's Annual Art Law Conference by being an exhibitor or sponsor. We express our sincere appreciation to all of our sponsors, exhibitors and you! 

Find more information and reserve your tickets using the link in our bio! See you soon!
In this episode, we speak with art market expert D In this episode, we speak with art market expert Doug Woodham to unpack how Jean-Michel Basquiat became one of the most enduring cultural icons of our time.

Moving beyond his rise in 1980s New York, this episode focuses on what happened after his death. We explore how his estate, led by his father, shaped his legacy through control of supply, copyright, and narrative; how early collectors and market forces drove the value of his work; and how museums and media cemented his place in art history.

Together, we explore the bigger question: is creating great art enough, or does becoming an icon require an entire ecosystem working behind the scenes?

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio!

Also, please join us on May 27  for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence!

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #basquiat
Amy Sherald cancelled her mid-career retrospective Amy Sherald cancelled her mid-career retrospective, scheduled at the National Portrait Gallery (NPG) in D.C., after a curatorial controversy over the potential removal of her recent work, "Trans Forming Liberty" (2024). Sherald denounced the attempt to remove this work as a blatant and intentional erasure of trans lives. 

This is one of the best examples and the most illustrative examples of the current administration's growing efforts to control the Smithsonian Institution's programming. In this climate of political tension, how do cultural institutions defend themselves against censorship and keep their curatorial independence?

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artcuration #curatorialindependance #censorship
Grab 15% off tickets the upcoming bootcamp on Arti Grab 15% off tickets the upcoming bootcamp on Artist-Dealer Relations, now available online!! 

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

Get 15% off using the code: Final15 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
On the night of April 15–16, 2026 alone, Russia se On the night of April 15–16, 2026 alone, Russia sent hundreds of drones and missiles on sleeping cities across Ukraine, killing and injuring dozens of civilians. War is funded in part by individuals who have important artworks in their personal collections. This full-scale invasion of Ukraine, now in its fifth year, daily exacts a grave toll on Ukrainian lives and cultural heritage, while fundamentally disrupting European commerce. In response, art market participants have adapted their practices, most have accepted, if not always embraced, the need to scrutinize the source of funds and the ultimate beneficiaries of their transactions. Yet there is a growing sense that parts of the trade are holding their breath, waiting to see when they might safely return to dealing with the oligarchs who continue to fund the Russian war machine.

For art market participants operating in the UK, compliance is no longer a peripheral concern, it is a legal imperative. Regulators are watching, the consequences of non-compliance increasingly extend beyond administrative penalties into criminal liability, and private-public partnerships offer the most credible path toward a more resilient and trustworthy market. 

Join us on April 24th for a panel discussion in London on the current state of AML enforcement and sanctions.

🎟️ Grab your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #artcrime #london #artissues #museumissues
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law