• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Report image/svg+xml 2021 Timothée Giet AML and the Art Market Study (2023 edition)
Back

AML and the Art Market Study (2023 edition)

October 1, 2025

Center for Art Law AML Study 2023 Cover

Who Contributed to this Study

We identified and contacted dozens of attorneys and hundreds of art dealers from various European jurisdictions, as well as UK and US. From legal experts, using a standardized set of questions, we collected data on the legal acts where the AML rules are contained in their respective jurisdictions. The responses are intended to explain obligations imposed on art market entities and explain duties of monitoring and reporting suspicious activities.  Our goal was to collect and share the specific requirements and sanctioning mechanisms as well as exceptions for the jurisdictions thus treated.

Although it has been some time since the AML provisions were supplemented to incorporate art market specifically, the field of arts and antiquities has been an ever growing concern for administrative bodies. The geopolitical circumstances and technological advancements present themselves susceptible to being utilized for the purposes of money laundering. For that reason we incorporated the growing sector of digitized assets.

We recognize and appreciate that art dealers play a vital role in safeguarding the trade and enforcing anti-money laundering legislation in the art industry. As intermediaries between artists, collectors and consumers, they have a responsibility to remain transparent and honest in their dealings. By complying with AML guidelines, art dealers diligently verify the identities of their clients; conduct due diligence on artwork provenance and keep accurate records of transactions. By cooperating with law enforcement agencies and adopting best practices, art dealers actively support global efforts to preserve the integrity of the art market and ensure both artists and collectors will have a fair and ethical environment. We conducted a survey among art dealers in the EU and the United States, gathering information on their previous experience dealing with anti-money laundering requirements in order to gain a better understanding of how not just solicitors, but also dealers, are involved in AML legislation. As expected, too few dealers responded to questions presented.

Again, we thank our contributors for their patience and generosity, for investing their time and willingness to share their knowledge to supplement the world of art law with a valuable source of information. We believe that their insightful and comprehensive answers will result in a more informed and transparent art market environment.

THANK YOU TO THE VOLUNTEER ATTORNEYS WHO CONTRIBUTED TO THIS RESOURCE:

  • (Austria) Dr. Peter M. Polak, Polak & Partner Rechtsanwälte GmbH, Vienna
  • (Belgium) Oliver Lenaerts, Contour Law, Brussels
  • (Bulgaria) Dilyana Bozhkova, Deloitte Bulgaria, Sofia
  • (Croatia) Jakov Mamic, MAMIC GRGIC VINTER attorneys at law LLC, Zagreb
  • (Germany) Dr. Katharina Garbers-von Boehm, Büsing Müffelmann & Theye , Berlin/Munich
  • (Greece) Stelios Gregoriou, Gregoriou Law Firm, Athens
  • (Italy) Federica Minio, Morri Rossetti Milan
  • (Luxembourg) Catherine Cathiard, Cathiard-Avocat, Paris
  • (Netherlands) Laurens Kasteleijn, Art Law Services, Amsterdam
  • (Poland) Filip Radzikowski, University of Amsterdam, Amsterdam
  • (Romania) Dr. Mihaela Mocanu, CMVLaw practice, Bucharest
  • (Spain) Gunna Freivalde, AMG Attorneys S.L., Madrid
  • (UK) Rakhi Talwar, RTalwar Compliance, London
  • (US) Megan Noh, Pryor Cashman LLP, New York and Nicholas O’Donnell, Sullivan & Worcester LLP

The Center is delighted to invite you to discover our results. We have covered a limited scope of jurisdictions, however, the international nature of both art and money laundering calls for a survey that would go beyond the EU, UK and US. We hope therefore to build upon this survey in the future and to provide our readers with a comprehensive survey that would break down the AML practices worldwide.

You can download the Comparative Study HERE.

nB:  There are a number of jurisdictions that we have not yet been able to include in our report. Therefore, we ask that attorneys working in the missing jurisdictions please reach out to us with their valuable insight to assist us with our report and ensure it is as informative as possible.

We are missing data from the following jurisdictions: Denmark, Estonia, Finland, Hungary, Lithuania, Malta, Portugal, Republic of Cyprus, Sweden, Slovakia and Slovenia. If you know of an attorney that may be able to help, please nominate them and we will ask for their assistance. We expect to treat these jurisdictions in subsequent revisions of the report.

2023 Edition

Post navigation

Previous Summer School Agenda
Next AML and the Art Market Study (2025 edition)

Related Art Law Articles

Center for Art Law Corporate Art
Art law

Art as an Office Asset: Motivations and Collection Practices in Corporate Settings

August 31, 2026
Center for Art Law Greece
Art law

Greece’s First Comprehensive Legal Framework to Combat Forgeries: Art Market Transparency and Accountability

August 30, 2026
Center for Art Law at an Art Fair Focus
Art lawLegislative efforts

A Case for the Art Market Integrity Act

August 30, 2026
Center for Art Law
August 2026 Summer Promo (2)

Get your leg up on art law

Just in time for 2026-2027

Become a member and access unlimited articles, our Case Law Database, event archives, and exclusive member pricing on all upcoming events.

Learn MORE
Immigration Guide for Artists 2026 Cover Page

Immigration Guide for Artists

Check out the 2026 overview of U.S. immigration pathways available to artists.

Learn MORE
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Did you know the portrait of George Washington on Did you know the portrait of George Washington on the $1 bill traces back to a painting by Gilbert Stuart? 

As the US celebrates its 250th anniversary, one of our latest articles explores how Stuart fought to control the reproduction of his Washington portraits at a time when U.S. copyright law did not yet protect paintings. 

📚 Read the full article by Hannah Gadway at the link in our bio! 

#ArtLaw #America250 #GilbertStuart #GeorgeWashington #CopyrightLaw
The culture of dupes is continuing to plague artis The culture of dupes is continuing to plague artists. Those like Lauren Horn and Maggie Stephenson have been victims of others creating copycats of their work and selling it as their own.

Read KimberMarie's new article to understand the impact this issue has on artists and other communities along with ways to push back against the problem.

📚 Check out the full article using the link in our bio!!

#centerforartlaw #artlaw #legal #legalresearch #artlawyer #dupes #counterfeits #artistrights #artists
Any interest in volunteering to help work with our Any interest in volunteering to help work with our Nazi-Era Looted Art Restitution Cases Project? Listen to Natasha describe her work and the cases she's had the chance to study.

📚 Click the link in our bio to learn more about the project and how to join!

#centerforartlaw #artlaw #restitution #art #museums #artlawyer #legal #legalresearch
Who owns Hollywood’s past? 🎬📸 A thrifted box of 1 Who owns Hollywood’s past? 🎬📸

A thrifted box of 1930s photographs of actress Marion Davies opens up a much bigger question: who owns the image and the rights behind it? 

One of our latest articles explores the story behind these photographs, including MGM studio stamps, Davies’s handwritten dedication, and the distinction between owning a physical photograph and owning the intellectual property rights in its image.

📚To read the full story by Irina Tarsis, head to the link in our bio

https://itsartlaw.org/art-law/who-owns-hollywoods-past/ 

#ArtLaw #CopyrightLaw #MarionDavies #HollywoodHistory #CulturalHeritage
Join us on September 18th for an Art and Law Works Join us on September 18th for an Art and Law Workshop on fiduciary duties within artist-dealer relationships with speaker Aaron Haines.

This workshop will explore the fiduciary duties of gallerists toward their clients and will clarify the distinctions between contract-based relationships and the broader fiduciary obligations gallerists owe, including transparency, prudence, and the prohibition of undisclosed profits. It will also examine common conflicts of interest in the art world and how these fiduciary duties come into play. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #legal #workshop #artistrights #artist #artdealer
For centuries, copying has been an integral part o For centuries, copying has been an integral part of Chinese artistic practice, blurring the line between homage and forgery. Many museums are at a loss for how to evaluate works that challenge Western notions of authenticity.

Through the ongoing debate over the MET’s Riverbank painting, our recent article examines how institutional interests and market value continue to shape perceptions of authenticity.

📚 Click the link in our bio to read the complete article by Lena Rohde!

#centerforartlaw #artlaw #chineseart #zhangdaqian #changdaichien #artforgery #authenticity #museumlaw #arthistory #provenance #artmarket
The rapid rise of digital reconstruction has trans The rapid rise of digital reconstruction has transformed how cultural heritage is documented and preserved, particularly in regions affected by conflict. As 3D models and digital archives become more common, they also raise questions about ownership and cultural self-determination.

In her article, Jacqueline Koutrodimos-Lewis examines the preservation of Syria's cultural heritage. More specifically, how digital reconstructions can both protect endangered sites and act as a tool for erasure when local communities are excluded from the process.

📚 Click the link in our bio to read the complete article by Jacqueline Koutrodimos-Lewis!

#centerforartlaw #artlaw #culturalheritage #digitalheritage #3Dreconstruction #provenance #archaeology #culturalproperty #digitization #palmyra #museumlaw
Recently our intern Hannah Gadway was able to go t Recently our intern Hannah Gadway was able to go to the Beaverbrook Art Gallery in New Brunswick. This gallery was included in a law suit between Lord Beaverbrook's Estate and a foundation he had established during his life. 

📚 See more about this case using the link in our bio!

#centerforartlaw #artlaw #artresearch #estates #artist #foundation #gallery
Two sculptures have finally returned to Santiago d Two sculptures have finally returned to Santiago de Compostela after seventy-two years.

Our recent article examines the Spanish Supreme Court's decision to return the Abraham and Isaac sculptures to Santiago de Compostela, and the pivotal role that object identification played in resolving the dispute.

📚 Click the link in our bio to read the complete article by Lucas Güimil Valdés!

#centerforartlaw #artlawyer #artlaw #culturalheritage #restitution #provenanceresearch #spain #culturalproperty
Our recent article revisits Professor Matthias Wel Our recent article revisits Professor Matthias Weller's presentation introducing Germany's new Court of Arbitration for Nazi-Looted Cultural Property. It explores how the new tribunal differs from the former Limbach Commission and what its procedures, jurisdiction, and binding decisions could mean for future restitution claims.

📚 Read the full article by Savannah Weiler and Amanda Buonaiuto at the link in our bio!

#centerforartlaw #artlawyer #artlaw #culturalproperty #nazilootedart #restitution #provenanceresearch #culturalheritage #alternativedisputeresolution
It’s August 🔥 Think Art Law. World Cap 2026 is ove It’s August 🔥 Think Art Law. World Cap 2026 is over. For us it will be remembered for Haaland Memes and $25 MILLION lawsuit filed by environmental artist Robert Wyland against FIFA for painting over the iconic 1999 downtown Dallas mural, Whaling Wall 82.* Summer Internships at the Center are winding down. Oh the places we have been together (from UN to MoMA across the US, Canada and the UK). The 2025-2026 Judith Bresler Fellowship is complete and how! and our new fellow is eager to hit the ground running.

As we move into the final stretch of summer, the reality sets in: little and big fires are everywhere and juggling so many balls or making sense of the everyday is getting increasingly impossible. But before we collapse into off-season, we want to thank you for being part of our community. Whether you were here in person, joining us online, or thinking about art and the law from afar, we can’t wait to see what you’ll create, challenge, and defend come fall. Our complements and heartfelt thanks to our Summer Team for everything they’ve accomplished over these months and invested in our future: for staying on track, for research and rigorous work on articles and databases, for genuine team building, and for pushing all of us to grow. And here’s what we’ve learned: when the real world gets too much, look at art. Play ball. Have a hydration break. These are necessities that keep us sane and running overtime. 

📚 Read the full newsletter and become a subscriber using the link in our bio!

#centerforartlaw #artlaw #legalresearch #legal artlawyer
What inspires a career in art and cultural propert What inspires a career in art and cultural property law?

In our latest interview, Professor Matthias Weller shares how his academic and professional journey led him to become one of the leading voices in the restitution field. He also discusses Germany's new Court of Arbitration for Nazi-Looted Cultural Property and what this landmark development could mean for the future of restitution.

📚 Read the full interview using the link in our bio! 

#centerforartlaw #artlaw #legalreserach #legal #art #lawyer #restitution #artcrime #arbitration #germany
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law