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Home SpeakerAmy Lamberti

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Amy Lamberti

April 17, 2023

More about Amy HERE.

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Related Art Law Articles

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Wish You Were Here: Professor Weller’s Introduction of the New Court of Arbitration for Nazi-Looted Cultural Property

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

Reserve Your Ticket TODAY

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here

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At the Center for Art Law we are preparing for our

At the Center for Art Law we are preparing for our Annual Art Law Conference 2026, "What is Copy, Right? Visual Art, AI, and the Law in the 21st Century", and we hope you are as excited as we are! The event will take place on May 27th at Brooklyn Law School.

In addition to the panels throughout the day, which will offer insights into the rapidly shifting landscape of art and copyright law, our conference will feature exhibitors showcasing resources for promoting artists' rights, and a silent auction aimed at bolstering the Center's efforts.

We would like to invite you to take part in and support this year's Annual Art Law Conference by being an exhibitor or sponsor. We express our sincere appreciation to all of our sponsors, exhibitors and you!

Find more information and reserve your tickets using the link in our bio! See you soon!

In this episode, we speak with art market expert D

In this episode, we speak with art market expert Doug Woodham to unpack how Jean-Michel Basquiat became one of the most enduring cultural icons of our time.

Moving beyond his rise in 1980s New York, this episode focuses on what happened after his death. We explore how his estate, led by his father, shaped his legacy through control of supply, copyright, and narrative; how early collectors and market forces drove the value of his work; and how museums and media cemented his place in art history.

Together, we explore the bigger question: is creating great art enough, or does becoming an icon require an entire ecosystem working behind the scenes?

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio!

Also, please join us on May 27 for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence!

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #basquiat

Amy Sherald cancelled her mid-career retrospective

Amy Sherald cancelled her mid-career retrospective, scheduled at the National Portrait Gallery (NPG) in D.C., after a curatorial controversy over the potential removal of her recent work, "Trans Forming Liberty" (2024). Sherald denounced the attempt to remove this work as a blatant and intentional erasure of trans lives.

This is one of the best examples and the most illustrative examples of the current administration's growing efforts to control the Smithsonian Institution's programming. In this climate of political tension, how do cultural institutions defend themselves against censorship and keep their curatorial independence?

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artcuration #curatorialindependance #censorship

Grab 15% off tickets the upcoming bootcamp on Arti

Grab 15% off tickets the upcoming bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

Get 15% off using the code: Final15

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram

On the night of April 15–16, 2026 alone, Russia se

On the night of April 15–16, 2026 alone, Russia sent hundreds of drones and missiles on sleeping cities across Ukraine, killing and injuring dozens of civilians. War is funded in part by individuals who have important artworks in their personal collections. This full-scale invasion of Ukraine, now in its fifth year, daily exacts a grave toll on Ukrainian lives and cultural heritage, while fundamentally disrupting European commerce. In response, art market participants have adapted their practices, most have accepted, if not always embraced, the need to scrutinize the source of funds and the ultimate beneficiaries of their transactions. Yet there is a growing sense that parts of the trade are holding their breath, waiting to see when they might safely return to dealing with the oligarchs who continue to fund the Russian war machine.

For art market participants operating in the UK, compliance is no longer a peripheral concern, it is a legal imperative. Regulators are watching, the consequences of non-compliance increasingly extend beyond administrative penalties into criminal liability, and private-public partnerships offer the most credible path toward a more resilient and trustworthy market.

Join us on April 24th for a panel discussion in London on the current state of AML enforcement and sanctions.

🎟️ Grab your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #artcrime #london #artissues #museumissues

Sotheby's sold Modigliani’s Portrait de Leopold Zb

Sotheby's sold Modigliani’s Portrait de Leopold Zborowski to Cahn in 2003 for the low price of about $1.55 million. In 2016, Cahn claimed he was verbally informed about authenticity issues with the painting by Sotheby's. The parties did make an agreement regarding Cahn reselling with Sotheby's for a guaranteed price in exchange for releasing the auction house from all claims related to the painting. Cahn claims that he attempted to set this process in motion in June 2025, but he received no response. Cahn now seeks damages totaling $2.67 million, plus interest and attorneys’ fees, for breach of contract.

Through this dispute, Vivianne Diaz's article highlights a bigger issue in the art market by explaining how forgeries negatively affect both collectors and auction houses, and how auction houses need to be more careful, but most importantly, proactive in their authentication determinations.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #Modigliani #LeopoldZborowski #sothebys

Don't miss our upcoming April 20th bootcamp on Art

Don't miss our upcoming April 20th bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram

The historic Bayeux Tapestry, conserved in Normand

The historic Bayeux Tapestry, conserved in Normandy, France, is scheduled to be loaned from the Bayeux Museum to the British Museum for ten months beginning in the fall of 2026. This is the first time the tapestry will have returned to the UK in over 900 years.

This loan, authorized by France, has raised multiple controversies, particularly over conservation concerns. Nevertheless, it has been made possible through a combination of factors, including improved conservation techniques, enhanced transport precautions, comprehensive loan agreements, insurance, and the application of relevant protective laws.

Check out our recent article by Josie Goettel to read more about this historic loan regarding not only in its symbolic significance, but also in its technical complexity.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #legal #museumissues #bayeuxtapisserie #bayeuxtapestry #britishmuseum #bayeuxmuseum

Due to decreasing government funding and increasin

Due to decreasing government funding and increasing operational costs, philanthropic giving is more essential than ever. Since the current administration took office, one-third of museums nationwide have lost government grants and contracts. These losses have set off a domino effect of difficult decisions, including laying off staff, cancelling public programming, and delaying maintenance and repairs.

Many art museums are also still recovering from financial losses incurred during the Covid-19 Pandemic. This recent article by Kamée Payton explores how noncash charitable donation alternatives are used by cultural institutions as financing, and how noncash charitable donations can prove mutually beneficial for both donors and recipients—particularly in terms of tax treatment.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #museumissues #taxes #donations #taxtreatment

Brief newsletter instead of a list of abbreviation

Brief newsletter instead of a list of abbreviations and dates (here is looking at you, AML and KYC, London, NY, Rome). A laconic message that as days are getting longer and we are charmed by sunshine, blooms, and prospects of holidays, the man-made world does not fail to disappoint (don’t believe me? put aside art law and read world news), and all that during the springtime.

On a high note, we are grateful to our Spring Interns who are finishing up their stint with the Center in a couple of weeks, well done! Together we invite you to the upcoming events in person and online. Come FY2027 (a.k.a. June), we will introduce you to the Summer Class and new Advisors. Hang in there through April and May, take notes, don’t forget – we are living in the best of times and the worst of times. Again.

🔗 Check out our April newsletter, using the link in our bio, to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #april #legalresearch

When we take a holiday from talking about art law

When we take a holiday from talking about art law in New York City, we talk about art law in other places. Recently our Judith Bresler Fellow, Kamée Payton attended the London Art Fair. Below is a snippet of her experience:

"I had the wonderful opportunity to attend the London Art Fair this past weekend where I met many incredible artists and art market participants. I was proud to represent the Center for Art Law in conversations with other attendees. It was an absolute delight to see what contemporary artists are contributing to the art world."

#centerforartlaw #artlaw #london #artfair #londonartfair #uk #nyc #artlawyer #legalresearch

Check out our recent article by Lauren Stein revie

Check out our recent article by Lauren Stein reviewing Amy Werbel’s "Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock." Werbel's book showcases a portrait of Anthony Comstock, America’s first professional censor, a man obsessed with purity and self-control who regarded masturbation as a sign of moral corruption.

Read more about this public figure and Werbel's telling of his life including the impact he had on the US's early attempts to curtail desire in the decades before World War I, in Lauren's review.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #bookreview #censorship #artistissues

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