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Home image/svg+xml 2021 Timothée Giet Spotlight image/svg+xml 2021 Timothée Giet Spotlight: The Art Loss Register (UK)
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Spotlight: The Art Loss Register (UK)

October 11, 2012

Art Loss Register Screenshot

The Art Loss Register (ALR) has become synonymous with due diligence in the art parley. Dealers, museums, collectors, insurance companies, all who consider investing in art works are expected de facto to inquire about the origins of the objects they are buying, just to make sure they are not stolen and title will pass to the buyer. According to the organizations website, the ALR operates “the world’s largest private database of lost and stolen art, antiques and collectables.” With the wealth of information in the said database, the ALR provides invaluable service to insurance companies and buyers as the first point of search for provenance of works.

The ALR was established in London in 1991, it evolved from an art theft archive established by the International Foundation for Art Research to deter market transactions in stolen art. Funding for the ALR came from various shareholders, include members of the insurance industry and art market, such as the leading auction houses.

The services provided by the ALR include stolen “item registration, search and recovery services to collectors, the art trade, insurers and worldwide law enforcement agencies.” The ALR staff attends art fairs and reviews auction catalogs in order to identify stolen works that have been reported by their rightful owners. The ALR encourage registration of valuable items and registration of stolen items to facilitate recovery.

The ALR publishes its recovery successes in an newsletters; over the last decade it has helped recover numerous objects ranging from jewelry to paintings and antiquities. The recent recovery success story is related to stolen jewels of the Duchess of Argyll. Six years after they  disappeared, the ALR worked with a private dealer-consignor, auction house and insurance companies to recovery the pieces when they were offered for sale in 2012. The ALR employs art historians and attorneys, including Christopher A. Marinello, who specialize in recovering stolen, looted and missing works of art.

Source: The Art Loss Register

**Note: Periodically, we publish brief articles about organizations that play an important role in the sphere of law and the arts. If you would like to propose an organization for this column, please contact itsartlawATgmailDOTcom.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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Sofia Tomilenko Let there be light!

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Let there be light! Center for Art Law is pleased Let there be light! Center for Art Law is pleased to share with you a work of art by Sofia Tomilenko, an illustration artist from Kyiv, Ukraine. This is Sofia's second creation for us and as her Lady Liberty plays tourist in NYC, we wish all of you peace and joy in 2026! 

Light will overcome the darkness. Світло переможе темряву. Das Licht wird die Dunkelheit überwinden. La luz vencerá la oscuridad. 

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Writing during the last days and hours of the year Writing during the last days and hours of the year is de rigueur for nonprofits and what do we get?

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Less than a week left in December and together we Less than a week left in December and together we have raised nearly $32,000 towards our EOY fundraising $35,000 goal. If we are ever camera shy to speak about our accomplishments or our goals, our work and our annual report speak for themselves. 

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This summer, art dealer James White and appraiser This summer, art dealer James White and appraiser Paul Bremner pleaded guilty for their participation in the third forgery ring of Norval Morisseau works uncovered by Canadian authorities. Their convictions are a key juncture in Canda's largest art fraud scheme, a scandal that has spanned decades and illuminated deep systemic failures within the art market to protect against fraud. 

Both White and Bremner were part of what is referred to as the 'Cowan Group,' spearheaded by art dealer Jeffrey Cowan. Their enterprise relied on Cowan fabricating provenance for the forged works, which he claimed were difficult to authenticate. 

In June, White, 87, pleaded guilty to to creating forged documents and possessing property obtained by crime for the purpose of trafficking. Later, in July, Paul Bremner pleaded guilty to producing and using forged documents and possessing property obtained through crime with the intent of trafficking. While Bremner, White, and Cowan were all supposed to face trial in the Fall, Cowan was the only one to do so and was ultimately found guilty on four counts of fraud. 

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It's the season! It's the season!
In 2022, former art dealer Inigo Philbrick was sen In 2022, former art dealer Inigo Philbrick was sentenced to seven years in prison for committing what is considered one of the United States' most significant cases of art fraud. With access to Philbrick's personal correspondence, Orlando Whitfield chronicled his friendship with the disgraced dealer in a 2024 memoir, All that Glitters: A Story of Friendship, Fraud, and Fine Art. 

For more insights into the fascinating story of Inigo Philbrick, and those he defrauded, read our recent book review. 

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The highly publicized Louvre heist has shocked the The highly publicized Louvre heist has shocked the globe due to its brazen nature. However, beyond its sheer audacity, the heist has exposed systemic security weaknesses throughout the international art world. Since the theft took place on October 19th, the French police have identified the perpetrators, describing them as local Paris residents with records of petty theft. 

In our new article, Sarah Boxer explores parallels between the techniques used by the Louvre heists’ perpetrators and past major art heists, identifying how the theft reveals widespread institutional vulnerability to art crime. 

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In September 2025, 77-year old Pennsylvania reside In September 2025, 77-year old Pennsylvania resident Carter Reese made headlines not only for being Taylor Swift's former neighbor, but also for pleading guilty to selling forgeries of Picasso, Basquiat, Warhol, and others. This and other recent high profile forgery cases are evidence of the art market's ongoing vulnerability to fraudulent activity. Yet, new innovations in DNA and artificial intelligence (AI) may help defend against forgery. 

To learn more about how the art market's response to fraud and forgery is evolving, read our new article by Shaila Gray. 

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Did you know that Charles Dickens visited America Did you know that Charles Dickens visited America twice, in 1842 and in 1867? In between, he wrote his famous “A Tale of Two Cities,” foreshadowing upheavals and revolutions and suggesting that individual acts of compassion, love, and sacrifice can break cycles of injustice. With competing demands and obligations, finding time to read books in the second quarter of the 21st century might get increasingly harder. As we live in the best and worst of times again, try to enjoy the season of light and a good book (or a good newsletter).

From all of us at the Center for Art Law, we wish you peace, love, and understanding this holiday season. 

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Is it, or isn’t it, Vermeer? Trouble spotting fake Is it, or isn’t it, Vermeer? Trouble spotting fakes? You are not alone. Donate to the Center for Art Law, we are the real deal. 

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Whether legal systems are ready or not, artificial Whether legal systems are ready or not, artificial intelligence is making its way into the courtroom. AI-generated evidence is becoming increasingly common, but many legal professionals are concerned that existing legal frameworks aren't sufficient to account for ethical dilemmas arising from the technology. 

To learn more about the ethical arguments surrounding AI-generated evidence, and what measures the US judiciary is taking to respond, read our new article by Rebecca Bennett. 

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Interested in the world of art restitution? Hear f Interested in the world of art restitution? Hear from our Lead Researcher of the Nazi-Era Looted Art Database, Amanda Buonaiuto, about the many accomplishments this year and our continuing goals in this space. We would love the chance to do even more amazing work, your donations can give us this opportunity! 

Please check out the database and the many recordings of online events we have regarding the showcase on our website.

Help us reach our end of year fundraising goal of $35K.

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