The Library

Below is a list of books and journals that the Center for Art Law compiles in our quest to keep track of the art law publications and relevant scholarship.

If you are working on a new title, or your book is already out, and you would like to have it included in the Repository, please send us information about it (Title, Author/Editor(s), Date of Publication; ISBN, short summary, link to your publisher/distributor).

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684 results
CfAL The Thief Collector Poster

The Thief Collector

English
March 2022

“In 1985, Willem de Kooning’s “Woman-Ochre,” one of the most valuable paintings of the 20th century, was cut from its frame at the University of Arizona Museum of Art. 32 years later, the painting was found hanging in a New Mexico home.”

Cite

The Thief Collector, March 2022
CfAL Entrapment Poster

Entrapment

English
April 1999

Insurance investigator Virginia Baker deems that the thief Robert MacDougal has robbed a Rembrandt painting. To retrieve the painting, she poses as an art thief, cooperating with him in criminal acts.”

Cite

Entrapment, April 1999
CfAl The Diary Keepers cover

The Diary Keepers: World War II in the Netherlands, as Written by the People Who Lived Through It – Holocaust, Resistance, and Jewish Survival

Nina Siegal
English
February 2023

“Based on select writings from a collection of more than two thousand Dutch diaries written during World War II in order to record this unparalleled time, and maintained by devoted archivists, The Diary Keepers illuminates a part of history we haven’t seen in quite this way before, from the stories of a Nazi sympathizing police officer to a Jewish journalist who documented daily activities at a transport camp.

Journalist Nina Siegal, who grew up in a family that had survived the Holocaust in Europe, had always wondered about the experience of regular people during World War II. She had heard stories of the war as a child and Anne Frank’s diary, but the tales were either crafted as moral lessons — to never waste food, to be grateful for all you receive, to hide your silver — or told with a punch line. The details of the past went untold in an effort to make it easier assimilate into American life.

When Siegal moved to Amsterdam as an adult, those questions came up again, as did another horrifying one: Why did seventy five percent of the Dutch Jewish community perish in the war, while in other Western European countries the proportions were significantly lower? How did this square with the narratives of Dutch resistance she had heard so much about and in what way did it relate to the famed tolerance people in the Netherlands were always talking about? Perhaps more importantly, how could she raise a Jewish child in this country without knowing these answers?”

Cite

Nina Siegal, The Diary Keepers: World War II in the Netherlands, as Written by the People Who Lived Through It – Holocaust, Resistance, and Jewish Survival, February 2023
CfAL Secret History of Art Podcast Noah Charney

The Secret History of Art

Noah Charney
English
March 2011

This podcast, available through iTunes, features articles by Noah on art historical mysteries, as well as selected interviews with fellow authors, from Noah’s How I Write series. Podcast episodes include features on Velazquez’ “Las Meninas,” Picasso’s “Guernica,” Petrus Christus’ “Our Lady of the Dry Tree,” the symbolic origins of Valentine’s Day, fakes and forgeries, the theft of Goya’s “Portrait of the Duke of Wellington,” tips on writing best-selling thrillers, and much more.”

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Noah Charney, The Secret History of Art, March 2011
CfAl Regulating Transnational Heritage cover

Regulating Transnational Heritage: Memory, Identity and Diversity

Merima Bruncevic
English
October 2021

“There is a vast body of international and national law that regulates cultural heritage. However, the current regulation remains quite blind to the so called “transnational heritage”. This is heritage where there is no community recognized in law that it can be directly attributed to and that can be responsible for its safekeeping and preservation. It can also be items of heritage where the claim of ownership is disputed between two or more peoples or communities. Transnational heritage challenges the idea of monolithic, mono-cultural, ethno-national states. There are a number of examples of such cultural heritage, for instance the Buddhist Bamiyan statutes in Afghanistan, Palmyra in Syria, the Jewish heritage of Iraq, or various items that are currently housed in large, often Western, museums, as a result of colonial practices. This book explores the regulation of transnational heritage. By discussing many cases of transnational heritage and the problems that arise due to the lack of regulation the book analyses the manifestations of memories and constructions of communities through heritage. It focuses particularly on the concept of community. How are communities constructed in cultural heritage law and what falls outside of the definitions of community? The book underlines that the issues surrounding transnational heritage involve more than a communal right to culture. It is argued that transnational heritage also directly affects wider matters of law such as citizenship, human rights, sovereignty, as well as the movement of people and cultural goods.”

Cite

Merima Bruncevic, Regulating Transnational Heritage: Memory, Identity and Diversity, October 2021