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2nd Online Course on Cultural Property Protection in the event of Armed Conflict
2nd Online Course on Cultural Property Protection in the event of Armed Conflict
May 5, 2026 - June 2, 2026
Online
The main objective of the course is to provide participants with the legal knowledge and key analytical tools necessary to comply with and apply the existing international rules governing cultural property and heritage protection in armed conflict.
The course also aims at promoting the use of the UNESCO Manual on the Protection of Cultural Property as a reference manual for military, civilian and humanitarian practitioners deployed in the field.
The programme will integrate both live and self-paced training sessions.
Register here.
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Institute of Art and Law short course on IP and new forms of art
Institute of Art and Law short course on IP and new forms of art
June 1, 2026 7:00 am - 8:00 am
Online
This one-hour online course will be perfect for anyone looking to better understand IP issues when dealing with new forms of art, such as digital works (born digital and digitised works), AI-generated works, installation art, conceptual art, and NFTs.
The course does not require a legal background and is perfect for artists, museum/gallery professionals, lawyers, and anyone else looking to get a better grip on these issues. While the course will focus primarily on UK law, it will also provide comparisons with other approaches.
The course will be taught by Emily Gould, Assistant Director of the Institute of Art and Law.
Register here.
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2nd Online Course on Cultural Property Protection in the event of Armed Conflict
2nd Online Course on Cultural Property Protection in the event of Armed Conflict
May 5, 2026 - June 2, 2026
Online
The main objective of the course is to provide participants with the legal knowledge and key analytical tools necessary to comply with and apply the existing international rules governing cultural property and heritage protection in armed conflict.
The course also aims at promoting the use of the UNESCO Manual on the Protection of Cultural Property as a reference manual for military, civilian and humanitarian practitioners deployed in the field.
The programme will integrate both live and self-paced training sessions.
Register here.
See more details
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Artist-Dealer Relationships Clinic
Artist-Dealer Relationships Clinic
June 3, 2026 5:30 pm - 8:00 pm
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TIAMSA Live Book Discussion: Finance in International Art Markets: Tools for the Future (eds. Elisabetta Lazzaro, Nathalie Moureau and Adriana Turpin, London: Routledge, 2026)
TIAMSA Live Book Discussion: Finance in International Art Markets: Tools for the Future (eds. Elisabetta Lazzaro, Nathalie Moureau and Adriana Turpin, London: Routledge, 2026)
June 4, 2026 12:00 pm - 1:00 pm
TIAMSA is pleased to announce its 23rd book discussion: Law and Finance in International Art Markets: Tools for the Future (Routledge, 2026). Eds. Elisabetta Lazzaro, Nathalie Moureau and Adriana Turpin will discuss their new book with Filip Vermeylen.The event will be moderated by Véronique Chagnon-Burke (Chair-TIAMSA and Co-Founder of Women Art Dealers Digital Archives). In the book Law and Finance in International Art Markets: Tools for the Future (eds. Elisabetta Lazzaro, Nathalie Moureau and Adriana Turpin, London: Routledge, 2026), we explore two key factors that contribute to the social construction of the art market: the legal frameworks that underpin it and its financing structures. In keeping with the aims of the previous volume, Researching Arts Markets: Past, Present and Tools for the Future (eds. Elisabetta Lazzaro, Nathalie Moureau and Adriana Turpin, London: Routledge, 2021), the essays in this collection highlight the connections between historical and contemporary practices through a multidisciplinary perspective. They aim to show how many of the legal and financial structures shaping today’s art market reflect historical precedents.The book, an initiative of Researching Art Markets Past & Present: Tools for the Future (RAM-T), brings together scholars from a wide range of disciplines to examine the legal and financial structures of art markets, both past and present, across the globe. The chapters draw on perspectives from the humanities and social sciences, employing diverse methods to analyse the creation, demand, dissemination, evaluation, and protection of art in an increasingly globalised environment.Overall, this volume offers a valuable resource for understanding art markets within their broader context. It will be of interest to scholars researching the legal and financial dimensions of the cultural and creative industries in general, and of international art markets in particular, as well as to art market professionals.
Register here: https://us06web.zoom.us/meeting/register/Wb0dS4c_S2m3Kat5zIupww#/registration
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