• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Protecting Chaco Culture National Historical Park: When Culture and Congress Clash
Back

Protecting Chaco Culture National Historical Park: When Culture and Congress Clash

November 3, 2022

By KimberMarie Faircloth

At the intersection of politics and culture there is usually a robust repelling force keeping the two from fully understanding one another. This force is made up of partisan policies, modern-day climate concerns, and economic issues all mingling with vestiges of history. On November 15, 2021, a long running conflict was brought to a head when a proposal for enacting a 20-year moratorium on oil and gas drilling around Chaco Culture National Historical Park (Chaco) was announced.[1] Advocates who have been working for such a ban for decades cheered while opponents grumbled. At the center of the issue is a cultural landmark with a birthdate of approximately 850 A.D., outlasting either side of the current debate.[2]

To understand the importance of such a proposal by the Biden Administration, the importance of Chaco must initially be understood. This article will briefly attempt to first explain the history and cultural significance of the historic park and then summarize the legislative build-up to the current moratorium as well as what it actually calls for. Finally, a short synopsis will be provided looking at the reasoning behind both the proponents and opponents of the drilling ban and buffer. From a birds-eye view, this is an attempt to better understand the various influences affecting policies which aim to protect the integrity of cultural heritage.

What is Chaco Culture National Historical Park and Why Does It Matter?

Chaco refers to a southwestern United States’ cultural complex containing over 4,000 archaeological sites on the Colorado plateau of the San Juan Basin in New Mexico.[3] It was designated as a World Heritage Site by UNESCO for its “monumental public and ceremonial buildings and architecture,”[4] the remarkability of which is due to the level of preservation maintained in such a climatically harsh geographic area as well as the level of craftsmanship by the creators.[5] These sites are associated with Paleo-Indian, ancestral Puebloans, Navajo, and Euro-American interactions and occupations.[6]

In 1907, Chaco became a national park after President Theodore Roosevelt signed the Antiquities Act of 1906.[7] In fact, it was Chaco that initiated the enactment of such legislation due to the damage being done to it at that time which alarmed archaeologists.[8] Such an enactment granted the park federal protection in preserving Chaco’s “extensive cultural system,” which included landscaping and architecture oriented “in accordance with solar, lunar, and cardinal directions potentially to capture the various solar and lunar cycles.”[9]

If one still wonders what exactly makes Chaco so important, beyond its historical and cultural significance mentioned previously, it remains a sacred site for Native Americans to this day.[10] The descendants of those who inhabited Chaco are the modern-day Hopi, Pueblo peoples of New Mexico, and the Navajo.[11] According to President of the Navajo Nation Russell Begaye, in a 2017 press release, “We are descendants from the Chaco Canyon area. We are connected to these lands spiritually. The voices of our ancestors live in this area and any disturbance to this area is culturally and morally insensitive.”[12]

What is the 20-year moratorium on oil and gas drilling around Chaco?

To understand the moratorium that has been proposed is to understand the years of advocacy and push-back that led up to its inception. In 2018, the former Secretary of the Interior Ryan Zinke delayed a lease proposal in an attempt to protect 4,000 acres of Chaco while requesting that more cultural research on the land take place.[13] Zinke’s efforts were made moot when the Trump Administration approved leases for drilling to take place on 2,300 oil and gas wells.[14] This action was subsequently followed by Congress enacting a moratorium for a one-year period on drilling.[15] Any further efforts by Congress to create a permanent barrier around Chaco via legislation failed, but hope was restored in the new Department of the Interior’s Secretary Deb Haaland and her position’s authority to create such a barrier granted by the 1976 Federal Land Planning and Management Act.[16]

Finally, at the White House Tribal Nations Summit of last year, President Biden and Secretary Haaland introduced the executive order that would, in theory, put into action the long sought after moratorium. The goal of the summit was to provide “an opportunity for the President and senior leaders from his administration to meet with tribal leaders and engage in Nation-to-Nation dialogue on critical issues in Indian Country.”[17] This executive order by President Biden would direct the Bureau of Land Management (BLM) to begin protecting the federally owned lands within the 10-mile radius around Chaco from future oil and gas drilling.[18] The Biden Administration summarized the efforts to protect Chaco in the Summit’s Progress Report published by the White House:

“For the past decade, Pueblos and Tribes in Arizona and New Mexico have raised concerns about encroaching oil and gas development threatening sacred and cultural sites, and Congress has passed a series of actions to temporarily defer new leasing. In the coming weeks, the Department of the Interior will initiate consideration of a 20-year withdrawal of federal lands within a 10-mile radius around Chaco Culture National Historical Park, protecting the area from new federal oil and gas leasing and development. The proposed withdrawal will not apply to Individual Indian Allotments or to minerals within the area owned by private, state, and Tribal entities. The action will also not impose restrictions on other developments, such as roads, water lines, transmission lines, or buildings. To support conservation of the area, the State of New Mexico Land Office has implemented a moratorium on new state mineral leases within a 10-mile radius of Chaco Culture National Historical Park.”[19]

The proposal will be subject to a public comment period, environmental analysis, and formal tribal consultation during the first two years of the moratorium on creating new oil and gas drilling leases in the 10-mile buffer around Chaco.[20] This concern over protecting Chaco follows President Biden’s administration’s restoration and expansion of protections over other culturally important parks such as the Bears Ear National Monument and the Grand Staircase-Escalante, both of which are located in Utah.[21]

Who are the opposing teams in support of and opposing the ban?

For those in support of the moratorium, the cultural, historic, and environmental significance of preserving the park is obvious.[22] Fracking has been and continues to be a controversial method for extracting natural gas from the earth. In regards to Chaco, the main concern is that drilling could cause beyond-the-surface damage, destabilize underground structures, and potentially cause earthquakes underneath important Chaco architecture.[23]

Yet, for the opposing side, concerns of arbitrary political maneuvering and a lack of accurate tribal representation outweighs the need for such a buffer zone around Chaco.[24] In regards to the amount of land being protected in the buffer zone, Robert McEntyre, New Mexico’s Oil and Gas Association representative, questioned the “arbitrary limits on development in the region [which] will only disrupt the largest and most successful part of New Mexico’s economy.[25] Other concerns expressed by figures such as Bruce Westerman, a representative of Arizona, also focus on the economic impact of “[s]hutting down safe, reliable pipelines” and thus, “eliminating thousands of technical jobs and thwarting energy development at every turn…”[26]

Those somewhere in between supporting the proposal and opposing it question whether the ban itself will have any effect on actually protecting Chaco and if it is too late already.[27] “[I]n 2014, NASA satellites detected clouds of methane gas from thousands of leaking wells and pipelines” in the area along with approximately 30,000 inactive wells from drilling in the area that “will never be plugged and reclaimed.”[28]

Beyond just being concerned with the physical effect on Chaco, there is an equally, if not greater, alarming factor involved: lack of tribal representation and consultation.[29] The Navajo Nation ultimately withdrew their support of the proposed moratorium since it would also take away their agency to lease their lands as they see fit.[30] This is yet another move by the federal government, in a long line of moves regarding tribal lands, done without thorough consideration of tribal voices. A press release from the 24th Navajo Nation Council stated their position:

The Biden Administration bypassed previous requests to Congress for field hearings and for leaders to hear directly from our Navajo families affected in the Chaco Canyon region. The position of the Navajo National Council is for the creation of a 5-mile buffer within and around this sacred site. It is important that the federal government consider and work with our Navajo allottees to further advance development. The Administration must respect our tribal sovereignty and what the government to government relationship entails.[31]

Conclusion: is there a middle ground?

It is safe to say that no branch of government – nor person, ever – will create a law or policy that satisfies everyone. There is no political panacea. Yet, without such structures, a vital aspect of our democracy will crumble. It is a fact that Chaco Culture National Historical Park holds unparalleled cultural and historic value, not just for the United States but for global society as well. It is also true that sustaining economic opportunities for American citizens is important. Perhaps, then, the issue is not in choosing one over the other but in discerning the means by which we can achieve both ends. The means of which must include those directly involved and descending from Chaco ancestors: Tribal Nations. Voices of whom have been repeatedly ignored for centuries and could provide solutions that are able to strike a balance between economic and cultural priorities.

About the Author: KimberMarie Faircloth is a law student at Elon University School of Law and has a B.S. in Anthropology from the College of Charleston. KimberMarie interned for California Lawyers for the Arts this past summer, is currently a Staff Member for Vol. 16 of the Elon Law Review, and co-hosts Law School Crucible, a podcast for first-generation law students.

  1. Joshua Partlow & Darryl Fears, Biden proposes 20-year drilling ban around Chaco Culture National Historic Park, a sacred tribal site. The Washington Post. (Updated Nov. 15, 2021 at 2:59 p.m.) https://www.washingtonpost.com/climate-environment/2021/11/15/chaco-canyon-drilling-biden/. ↑

  2. New Mexico: Chaco Culture National Historical Park, National Park Service (last updated Aug. 7, 2017). https://www.nps.gov/articles/chaco.htm. ↑

  3. Id. ↑
  4. “Chaco Culture,” UNESCO World Heritage Convention, https://whc.unesco.org/en/list/353/. ↑
  5. Id. ↑
  6. New Mexico: Chaco Culture National Historical Park, National Park Service (last updated Aug. 7, 2017). https://www.nps.gov/articles/chaco.htm. ↑
  7. Richard Moe, The Treasures of Chaco Canyon Are Threatened by Drilling, The New York Times (published Dec. 1, 2017) https://www.nytimes.com/2017/12/01/opinion/chaco-canyon-new-mexico-drilling.html. ↑
  8. Id. ↑
  9. New Mexico: Chaco Culture National Historical Park, National Park Service (last updated Aug. 7, 2017). https://www.nps.gov/articles/chaco.htm. ↑
  10. Press Release: “OPVP Protect Chaco Canyon Region Through Collaboration with all Pueblo Council of Governors,” Office of the President and Vice President of the Navajo Nation. For immediate release (Feb. 24, 2017). http://www.navajo-nsn.gov/News%20Releases/OPVP/2017/Feb/OPVP%20PROTECT%20CHACO%20CANYON%20REGION%20THROUGH%20COLLABORATION%20WITH%20ALL%20PUEBLO%20COUNCIL%20OF%20GOVERNORS.pdf. ↑
  11. New Mexico: Chaco Culture National Historical Park, National Park Service (last updated Aug. 7, 2017). https://www.nps.gov/articles/chaco.htm. ↑
  12. Press Release: “OPVP Protect Chaco Canyon Region Through Collaboration with all Pueblo Council of Governors,” Office of the President and Vice President of the Navajo Nation. For immediate release (Feb. 24, 2017). http://www.navajo-nsn.gov/News%20Releases/OPVP/2017/Feb/OPVP%20PROTECT%20CHACO%20CANYON%20REGION%20THROUGH%20COLLABORATION%20WITH%20ALL%20PUEBLO%20COUNCIL%20OF%20GOVERNORS.pdf. ↑
  13. Joshua Partlow & Darryl Fears, Biden proposes 20-year drilling ban around Chaco Culture National Historic Park, a sacred tribal site. The Washington Post. (Updated Nov. 15, 2021 at 2:59 p.m.) https://www.washingtonpost.com/climate-environment/2021/11/15/chaco-canyon-drilling-biden/. ↑
  14. Id. ↑
  15. Id. ↑
  16. Bruce Babbitt, Chaco Culture National Park is under siege, Writers on the Range (Published Sep. 27th, 2021) https://writersontherange.org/chaco-culture-national-park-is-under-siege/. ↑
  17. The White House Tribal Nations Summit Progress Report, Nov. 15-16, 2021. Prepared by The Domestic Policy Council. https://www.whitehouse.gov/wp-content/uploads/2021/11/WH-Tribal-Nations-Summit-Progress-Report.pdf ↑
  18. Joshua Partlow & Darryl Fears, Biden proposes 20-year drilling ban around Chaco Culture National Historic Park, a sacred tribal site. The Washington Post. (Updated Nov. 15, 2021 at 2:59 p.m.) https://www.washingtonpost.com/climate-environment/2021/11/15/chaco-canyon-drilling-biden/. ↑

  19. The White House Tribal Nations Summit Progress Report, Nov. 15-16, 2021. Prepared by The Domestic Policy Council. https://www.whitehouse.gov/wp-content/uploads/2021/11/WH-Tribal-Nations-Summit-Progress-Report.pdf ↑

  20. Coral Davenport, Biden to Bar New Drilling Around a Major Native American Cultural Site, The New York Times, (published Nov. 15, 2021). https://www.nytimes.com/2021/11/15/climate/biden-bans-drilling-chaco-canyon.html ↑
  21. Id. ↑
  22. Bruce Babbitt, Chaco Culture National Park is under siege, Writers on the Range (Published Sep. 27th, 2021) https://writersontherange.org/chaco-culture-national-park-is-under-siege/ ↑
  23. Richard Moe, The Treasures of Chaco Canyon Are Threatened by Drilling, The New York Times (published Dec. 1, 2017). https://www.nytimes.com/2017/12/01/opinion/chaco-canyon-new-mexico-drilling.html. ↑
  24. Coral Davenport, Biden to Bar New Drilling Around a Major Native American Cultural Site, The New York Times, (published Nov. 15, 2021). https://www.nytimes.com/2021/11/15/climate/biden-bans-drilling-chaco-canyon.html; “Navajo Nation Opposes Withdrawal for Development Chaco Canyon, Tribal Consultation Ignored.” The 24th Navajo Nation Council, Office of the Speaker. Press Release (Nov. 16, 2021). https://www.navajonationcouncil.org/wp-content/uploads/2021/11/Chaco_Opposition_2021.11.16.pdf. ↑
  25. Joshua Partlow & Darryl Fears, Biden proposes 20-year drilling ban around Chaco Culture National Historic Park, a sacred tribal site. The Washington Post. (Updated Nov. 15, 2021 at 2:59 p.m.) https://www.washingtonpost.com/climate-environment/2021/11/15/chaco-canyon-drilling-biden/. ↑
  26. Coral Davenport, Biden to Bar New Drilling Around a Major Native American Cultural Site, The New York Times, (published Nov. 15, 2021). https://www.nytimes.com/2021/11/15/climate/biden-bans-drilling-chaco-canyon.html ↑
  27. Mark Armao, In Chaco Canyon, a moratorium on oil and gas leases might be too little too late.” Grist (published Feb. 17, 2022). https://grist.org/indigenous/in-chaco-canyon-a-moratorium-on-oil-and-gas-leases-might-be-too-little-too-late/ ↑
  28. Bruce Babbitt, Chaco Culture National Park is under siege, Writers on the Range (Published Sep. 27th, 2021) https://writersontherange.org/chaco-culture-national-park-is-under-siege/ ↑
  29. “Navajo Nation Opposes Withdrawal for Development Chaco Canyon, Tribal Consultation Ignored.” The 24th Navajo Nation Council, Office of the Speaker. Press Release (Nov. 16, 2021). https://www.navajonationcouncil.org/wp-content/uploads/2021/11/Chaco_Opposition_2021.11.16.pdf ↑
  30. Mark Armao, In Chaco Canyon, a moratorium on oil and gas leases might be too little too late.” Grist (published Feb. 17, 2022). https://grist.org/indigenous/in-chaco-canyon-a-moratorium-on-oil-and-gas-leases-might-be-too-little-too-late/ ↑
  31. “Navajo Nation Opposes Withdrawal for Development Chaco Canyon, Tribal Consultation Ignored.” The 24th Navajo Nation Council, Office of the Speaker. Press Release (Nov. 16, 2021). https://www.navajonationcouncil.org/wp-content/uploads/2021/11/Chaco_Opposition_2021.11.16.pdf ↑

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Case Review: Art Works, Inc. v. Diana Al-Hadid
Next Case Review: US v. Philbrick (2022)

Related Art Law Articles

Screen shot from Google scholar of different Warhol cases
Art lawCase ReviewArt Law

Degrees of Transformation: Andy Warhol’s 102 minutes of fame before the Supreme Court

November 17, 2022
Art lawArt Law

“Outsider Artists” and Inheritance Law: What Happens to an Artist’s Work When They Die Without a Will?

November 11, 2022
Art lawCase ReviewArt LawCase Review

Case Review: US v. Philbrick (2022)

November 7, 2022
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

 

Reserve Your Ticket TODAY
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
Day 4 of ☀️school: from Brooklyn to Manhattan (and Day 4 of ☀️school: from Brooklyn to Manhattan (and back)
@brooklynmuseum @pacegallery
Running a nonprofit, art law or not, only looks gl Running a nonprofit, art law or not, only looks glamorous. Before our founder completes her metamorphosis from dewy-faced starlet to aging legend, consider supporting the Center by registering for our silent auction. Marion Davies photographs, artworks, books, and more await their next owners. 

Follow the link in our bio to begin bidding!
In last night's evening sale, Christie's successfu In last night's evening sale, Christie's successfully auction off Picasso's L'Atelier for $6.9 million. The painting was previously in art dealer Douglas Cooper's collection prior to it being stolen in 1974. It was later  found in Japan

The sale occurred as part of a settlement agreement reached between the current holder and the estate of Cooper's heir. Full title passed to the successful bider. 

🔗 Check out more information on the sale using the link in our bio!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #artcrime #picasso
Look! 2026 Art Law Summer School is in session! Look! 2026 Art Law Summer School is in session!
Today is the day! In conjunction with our Annual A Today is the day! In conjunction with our Annual Art Law Conference 2026 we are hosting a silent auction to support the Center’s ongoing research, programming, and dissemination of information and accessible resources in art and cultural property law. The auction will open 
for bidding tonight (May 15th) at 8:00 PM ET. 

Swipe to preview a selection of the artworks that will be available for purchase through the auction and follow the link in our bio to begin bidding!
New York is the World Capital of Art Law! We know, New York is the World Capital of Art Law! We know, we are experts and we have traveled far and wide. Brooklyn is its heart and we salute you from DUMBO and the Brooklyn Bridge, one and all, art law fans and friends! NYC is playing host to countless art and law experiences and encounters this month. We are pleased to share the wealth with our Summer School students come Monday, and we invite all of you to join us on the 27th of May for the Center's Annual Art Law Conference! 🥯 ☕🥂 

#RSVP #artlaw 🎨⚖️
Don’t miss our recent episode!! Andrea and Paris s Don’t miss our recent episode!! Andrea and Paris speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, they explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers.

🎙️ Click the link in our bio to listen anywhere you get your podcasts!
Yesterday marked the launch of our Art Law Film Se Yesterday marked the launch of our Art Law Film Series! 🎥

The first screening was warmly hosted as part of CineLöwenbraukunst at @lowenbraukunst.zurich, and made possible with the generous support of @prohelvetia and @migros_culture_funding. 

We were thrilled to screen the powerful documentary “Elephants & Squirrels” by director Gregor Brändli @gregor_braendli_3000, which follows Sri Lankan artist @deneth_piumakshi_vedaarachchig Deneth Piumakshi Veda Arachchige on her journey advocating for the restitution of cultural heritage from Swiss museums back to the Wanniyala-Aetto indigenous community in Sri Lanka.

The evening offered insightful discussions, highlighting thoughtful approaches to the complex multi-perspective issues of restitution and colonial legacies.

A big thank you to everyone who joined us in Zurich ❤️
Join the Center for Art Law for a discussion on th Join the Center for Art Law for a discussion on the current state of the Anti-Money Laundering Regulations, and how recent and upcoming changes affect art market participants and transactions.

The speakers will offer an update on the regulatory landscape in the United States, issues with enforcement of the AML provisions as well as discuss considerations for private sector on how to stay compliant and prevent money laundering. Finally, we will share the very latest insights we have gained about regulations and enforcement in the UK as they concern  art market participants.

This is your opportunity to learn about the new edition of the Center's AML study of regulations in the EU and other jurisdictions, brush up on the upcoming changes in the UK and the US to the due diligence requirements, and to ask questions.

The event is offered in conjunction with the 2026 Art Law Summer School. 

This event is in-person at Steptoe, New York @ 1114 Avenue of the Americas AND Online.

🎟️ Click the link in our bio to grab your tickets!

#artlaw #centerforartlaw #artlawyer #legalresearch #aml #artcrime #internationallaw
We hope you join us for our Annual Art Law Confere We hope you join us for our Annual Art Law Conference 2026 on May 27, 2026. You can join in-person at Brooklyn Law School or online via Zoom.

The 2026 conference will focus on copyright law as it relates to visual art, artificial intelligence, and the rapidly evolving legal landscape of the 21st century. The program will begin with a keynote address, followed by three substantive panels designed to build on one another throughout the afternoon. In addition, we will host a curated group of exhibitors featuring databases, legal tools, and technology platforms relevant to artists’ rights, copyright, and AI. The program will conclude with a reception, providing time for continued discussion, networking, and engagement among speakers, exhibitors, and attendees.

The opening panel will examine the current state of copyright law in the visual arts and the practical challenges facing artists, galleries, institutions, and practitioners. Subsequent panels will address artificial intelligence, recent legislative and regulatory developments, the role of the U.S. Copyright Office, and emerging questions around licensing, enforcement, and appropriation in a contemporary digital environment.

The conference convenes artists, attorneys, scholars, collectors, arts administrators, students, and policy professionals for in-depth and timely discussion, and will be accompanied by a silent auction and exhibitor networking opportunities. 

Closing Remarks by Lindsay Korotkin, Partner, ArentFox Schiff
Join us on May 27th at Brooklyn Law School for our Join us on May 27th at Brooklyn Law School for our Annual Art Law Conference 2026: What is Copy, Right? 

We are very excited to introduce you to the topic and speakers for Panel 3: Registration Is Dead? Long Live Licensing?

As copyright enforcement becomes more complex, this panel explores the evolving role of registration and the growing importance of licensing agreements in protecting creative works. Panelists will discuss how artists, rights holders, and legal practitioners navigate enforcement today, examining when registration still matters, how licensing structures are being used strategically, and what effective rights management looks like in a shifting legal and art market landscape.

Moderator: Carol J. Steinberg, Art, Copyright & Entertainment Law Attorney, Faculty, School of Visual Arts

Speakers: Janet Hicks, Vice President and Director of Licensing, Artists Rights Society; Yayoi Shionoiri, art lawyer and Vice President of External Affairs and General Counsel at Powerhouse Arts; Martin Cribbs, Intellectual Property Licensing Strategist

You can join us in-person or online! Grab your tickets using the link in our bio! 🎟️ 

#centerforartlaw #artlaw #copyrightregistration #copyrightlaw #copyrightlawandart
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law