• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Keeping Up with the Convention on Cultural Property Implementation Act: Proposed Cultural Property Import Restrictions from Lebanon and Mongolia and an Extension for El Salvador
Back

Keeping Up with the Convention on Cultural Property Implementation Act: Proposed Cultural Property Import Restrictions from Lebanon and Mongolia and an Extension for El Salvador

December 23, 2024

By Emily G. Finch

On November 14, 1970, member states signed the UNESCO 1970 Convention on the Means of Prohibiting and Preventing the Illicit Import, Export, and Transfer of Ownership of Cultural Property, an effort to combat international issues related to the illicit trafficking of cultural property.[1] To date, 147 countries have ratified or accepted the Convention. The United States implemented Article 7(b) and Article 9 of the Convention through the passage of the Convention on Cultural Property Implementation Act (CCPIA) in 1983.[2]

Screenshot from "CONVENTION ON CULTURAL PROPERTY" page of the US code section 9 USC Ch. 14: CONVENTION ON CULTURAL PROPERTY

The CCPIA authorized import restrictions based on bilateral or multilateral agreements the President of the United States enters into with foreign states[3], in emergencies, where there is a risk of destruction or loss to objects or sites, as designated by the President of the United States[4], or as related to stolen cultural property, when a State Party’s has documented the property in the inventory of one of their cultural heritage institutions[5].

The CCPIA also established the Cultural Property Advisory Committee (CPAC) which investigates requests for bilateral or multilateral agreements made by State Parties and makes recommendations to the President. The CPAC is comprised of eleven Presidential-appointed members, two to represent museum interests, three who are experts in archaeology, anthropology, ethnology, or the like, three who are experts in international sales of cultural property and three to represent the general public’s interests.[6]

The CCPIA has been in the news frequently in the latter half of 2024. On July 26, 2024, the U.S. Ambassador to India Eric Garcetti and Secretary of the Indian Ministry of Culture, Govind Mohan, signed a Cultural Property Agreement between the United States and India.[7] For more on the significance and background of this agreement, read this article by the Center for Art Law’s Director of Legal Research, Atreya Mathur.[8] On September 10, 2024, the United States issued a final rule resulting in emergency import restrictions on certain categories of Ukrainian cultural property, after the Ukrainian Government requested such restrictions in compliance with emergency actions under the CCPIA on March 5, 2024.[9] Most recently, on September 24th and 25th , the CPAC held meetings to review new requests for import restrictions on cultural property coming from Lebanon and Mongolia and the extension of the United State’s cultural property agreement with El Salvador.[10]

Background

Lebanon

The Republic of Lebanon, a founding member of the League of Arab states and a member of the UN, borders Syria, Israel, and the Mediterranean Sea.[11] Lebanon’s January 2024 request for cultural property protection included provisions for the protection of archaeological material from the Paleolithic period and ethnological material dating from the 17th century to present day.[12] Greater detail on the list of materials covered in Lebanon’s request can be found here. Lebanon is part of the MENA (Middle East and North Africa) region, a dense area of antiquities trade source nations, which through presence on trade routes, proximity and involvement in armed conflict, and their long and rich histories make them susceptible to antiquities trafficking.[13] For example, in September 2023, New York law enforcement and federal authorities returned twelve looted antiquities, valued at around nine million dollars.[14]

Mongolia

Mongolia is a landlocked nation bordering Russia and China. Mongolia has had a lengthy history from its origins governed by nomadic empires dating back to the 4th century B.C.E. to its transition to independent democracy in the late twentieth century.[15] In 2024, Mongolia, for the first time, requested cultural property protection for cultural artifacts, archaeological material, and a wide array of ethnological materials.[16] Greater detail on the list of materials covered in Mongolia’s request can be found here. In Mongolia, climate change has made cultural property more susceptible, literally, by exposing it and making it more discoverable, and through changes to the agrarian economy, which have driven people towards looting as a means to supplement income. [17] As a response to this and Mongolia’s increasing involvement on a global stage[18], in August 2019, Mongolia hosted a multi day workshop on combating illicit cultural property trafficking featuring visits to some of Mongolia’s historic sites to discuss how to best protect the nation’s rich cultural and historic heritage.[19]

El Salvador

El Salvador is the smallest and most densely populated nation in Central America, and shares borders with Guatemala and Honduras.[20] The United States first entered into a bilateral agreement with El Salvador in March 1995, and the agreement has already been extended five times.[21] In 2020, the agreement was amended and extended to include additional categories of ethnological material.[22] El Salvador’s request for an extension would permit continued protections for archaeological material ranging from 8000 B.C.E to 1550 A.D. and ethnological material from the Colonial period (1500s) to the mid-twentieth century. [23] El Salvador’s current MOU has produced the successful return of looted artifacts to El Salvador; recently, in February 2024, the Department of Homeland Security coordinated the return of thirteen pre-Columbian clay and stone artifacts caught in route to Illinois.[24]

September 2024 CPAC Review

A July 22, 2024, post by the U.S. Department of State’s Home Bureau of Educational and Cultural Affairs announced the September 24-25 CPAC meeting, noting that public written comments were welcome before September 16, 2024, at 11:59 p.m. EDT, and that public members could register to speak at the September 24th virtual open session.[25] The public was directed to make comments with a focus on the four factors the CCPIA calls into consideration when evaluating the need and appropriateness of bilateral/multilateral agreements.[26]

  1. Is the cultural patrimony of the State Party in jeopardy from the pillage of its archaeological or ethnological materials?
  2. Has the State Party taken measures in light of the 1970 UNESCO Convention to appropriately safeguard its cultural patrimony?
  3. Are Less drastic remedies not available, and would import restrictions, if applied, be of substantial benefit in deterring the loss of cultural patrimony?
  4. Would Import restrictions be consistent with the general interest of the international community in the “interchange of cultural property among nations for scientific, cultural, and educational purpose”?[27]

Public Comments Analyzed

Public comments on the proposed agreements with Mongolia and Lebanon and extension of El Salvador’s MOU took place as advertised on Tuesday, September 24, 2024, at 2:00 p.m. EST.[28] The Zoom call hosted by members of the CPAC, largely focused on public feedback related to the proposed agreement with Lebanon, and members were presented with the considerable risk to Lebanon’s cultural heritage due to its proximity to ongoing global conflicts and the market demand for MENA region antiquities, and the Republic of Lebanon’s relationship with Hezbollah, a Lebanese Shia Islamist political party and paramilitary group.[29] In 1997, the United States designated Hezbollah a foreign terrorist organization in 1997, and in 2013 the EU, after much deliberation, designated Hezbollah’s armed wing a terrorist organization.[30] The weighing of these factors played a similarly significant role in the written public comments as well.

In total sixty written public comments were submitted during the window advertised in the State Department’s public notice.[31] Of the comments submitted, one was blank, and while many featured portions that were copy and pasted, several were exact duplicates.[32] Thirty seven out of the fifty-four distinct comments opposed one or all of the agreements, and one blanket no was premised in large part out of the accusation the Department of State’s notice was insufficient and thus the process invalid, where only vague information about the nature of the import restrictions being considered were provided in the August 15,2024 publication of the Federal Register.[33]

Overall, the largest concern indicated was the inclusion of coins in Mongolia and Lebanon’s requests. Various groups took issue with treating a moveable mechanism of commerce as cultural heritage or cultural heritage that could be isolated to ownership by the these two states solely or specifically; this issue was so significant for some it was the sole reason they refused to support the agreement and even suggested if the coin protections were removed they would reconsider the requests submitted.[34] There was only one comment written as a blanket support for all three agreements, and almost all yes comments focused on the support of one specific agreement. Academics, archaeologists, and art market professionals, independently and on behalf of professional organizations, submitted comments.[35]

Lebanon

Seven of the thirty-seven comments opposing agreements were Lebanon specific and asked CPAC to deny Lebanon’s request for an agreement. While two solely took concern with the role Hezbollah plays in the current Lebanese political landscape, the other “no” comments also contained concerns over the inclusion of coins. The eight comments submitted exclusively in support of the proposed agreement with Lebanon touched on concerns for preservation and protection of human history that is particularly rich in the MENA region, the economic development opportunities for Lebanon related to the preservation and sharing of its cultural resources, and the opportunity to proactively limit a flood of cultural property onto the international market.

Mongolia

Two unique comments were submitted solely to express their wish that Mongolia’s request be rejected. One comment focused its argument on the notion that few “true” Mongolian coins can lawfully be designated because they fail to meet the definition of archaeological or ethnological as defined by the CCPIA. The other focused on the lack of museum exchange agreements Mongolia had with other countries and argued that Mongolia had not demonstrated there was an illegal market for their cultural heritage. In contrast, seven comments were submitted explicitly to support the Mongolia agreement noting the country has struggled with a new and growing illicit market for their cultural property. Comments were submitted by researchers and archaeologists who shared their personal experience witnessing looting and the precariousness of cultural sites in Mongolia, and many noted the Mongolian government has taken recent actions to more seriously enforce protections for their cultural heritage. The current geopolitical tensions in Russia and China were noted as sources of potential future issues that could affect Mongolia’s economy and its ability to safeguard its cultural heritage.

El Salvador

Three comments were submitted specifically in support for the El Salvador renewal. These comments focused on individual’s experience working in El Salvador’s cultural sites, the ongoing risks to these sites, and the market for pre-Columbian antiquities. Furthermore, one comment took no stance and merely expressed frustration about collaborating with the government of El Salvador on archaeological projects. Only one comment was submitted specifically to argue that the agreement should not be renewed; it focused specifically on the exclusion of Spanish Colonial and Salvadorian coins. El Salvador requested a renewal, not an amendment, and coins were not part of the proceeding agreements; nevertheless, a duplicate of this comment was also submitted. More relevantly, a comment submitted against the agreement with Lebanon and El Salvador’s renewal, argued that El Salvador’s agreement should not be renewed because after decades of agreements El Salvador had not demonstrated that the illicit trafficking dilemma had been improved.

Conclusion

Since the September 24th virtual open session and oral comment hearing, there have been no additional updates on the status of the proposed agreements with Lebanon or Mongolia, or the renewal of El Salvador’s agreement. Coins played prominently in the public’s consideration of the proposed agreements despite not always being applicable to

screen shot announcement of a meeting
Source: https://www.federalregister.gov

the agreement being commented on. One particularly pervasive duplicated comment took issue with the agreements because Lebanon, Mongolia, and El Salvador were all historically part of other empires and therefore lacked the ability to declare cultural property as explicitly their own. While many expect El Salvador’s agreement will be renewed for a sixth time, it remains to be seen where the line will be drawn on Lebanon, which faces multiple internal and external threats to its cultural heritage. While Mongolia’s agreement found support among researchers, academics, and archaeologists with firsthand knowledge of the risks, it remains to be seen if Mongolia will be found to have sufficiently engaged with State Parties or developed internal policies and safeguards to prevent heritage loss to bring about an agreement with the United States.

Recent Updates

The UNESCO’s Special Committee for the Protection of Cultural Property held a special meeting on November 18th to review the intensifying threat to Lebanese cultural heritage as a result of the ongoing Israel-Palestine conflicts.[36] The day before the hearing, several hundred cultural property experts spoke out calling on UNESCO to safeguard Lebanon’s heritage in light of Israeli air strikes.[37] As a result of these recent developments, thirty four sites in Lebanon have been granted provisional enhanced protection and called on UNESCO Member States to support efforts to preserve Lebanese cultural heritage through financial contributions.[38]

About the Author

Emily Finch (Center for Art Law Legal Intern, Fall 2024) is a Honors JD/Entertainment, Art, and Sports Law LLM at the University of Miami on the Art Law Track. Emily holds a BA from Kalamazoo and her MSI and Graduate Certificate in Museum Studies from the University of Michigan. She has training and experience as a librarian/archivist and looks forward to building an interdisciplinary career at the intersection of information, law, policy, and cultural heritage management.

Bibliography:

  1. UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, Nov. 14, 1970, 823 U.N.T.S. 231, 10 I.L.M. 289 (1971). ↑
  2. 19 U.S.C. § 2601. ↑
  3. 19 U.S.C. § 2602. ↑
  4. 19 U.S.C. § 2603. ↑
  5. 19 U.S.C. § 2607. ↑
  6. 19 U.S.C. § 2605. ↑
  7. U.S. and India Sign Cultural Property Agreement, U.S. Embassy & Consulates in India (July 26, 2024), https://in.usembassy.gov/u-s-and-india-sign-cultural-property-agreement/. ↑
  8. Atreya Mathur, Reclaiming the Past: An Overview of the U.S-India Cultural Property Agreement Center for Art Law (Sep. 25, 2024), https://itsartlaw.org/2024/09/25/reclaiming-the-past-an-overview-of-the-u-s-india-cultural-property-agreement/. ↑
  9. Emergency Import Restrictions Imposed on Categories of Archaeological and Ethnological Material of Ukraine, 89 Fed. Reg. 73280 (Sept. 10, 2024). ↑
  10. Cultural Property Advisory Committee Meeting, September 24-26, 2024, U.S. Dep’t of State Bureau of Educ. and Cultural Aff.’s, (July 22, 2024), https://eca.state.gov/cultural-property-advisory-committee-meeting-Sept-24-26-2-24. ↑
  11. The Country of Lebanon, The Embassy of Lebanon, https://www.lebanonembassyus.org/the-country-of-lebanon/ (last visited Oct. 27, 2024). ↑
  12. Cultural Property Advisory Committee Meeting, September 24-26, 2024, U.S. Dep’t of State Bureau of Educ. and Cultural Aff.’s, (July 22, 2024), https://eca.state.gov/cultural-property-advisory-committee-meeting-Sept-24-26-2-24. ↑
  13. Elle Greaves, The Roaring Trade of Illicit Antiquities, Young Diplomats Society (Oct. 3, 2021), https://www.theyoungdiplomats.com/post/the-roaring-trade-of-illicit-antiquities. ↑
  14. Tom Mashberg, A Dozen Looted Artifacts Are Returned to Lebanon, The New York Times (Sept. 7, 2023), https://www.nytimes.com/2023/09/07/arts/looted-artifacts-lebanon.html. ↑
  15. Mongolia, Central Intelligence Agency: The World Factbook, https://www.cia.gov/the-world-factbook/countries/mongolia/ (last updated Oct. 29, 2024). ↑
  16. Cultural Property Advisory Committee Meeting, September 24-26, 2024, U.S. Dep’t of State Bureau of Educ. and Cultural Aff.’s, (July 22, 2024), https://eca.state.gov/cultural-property-advisory-committee-meeting-Sept-24-26-2-24. ↑
  17. Julia Kate Clark, As Mongolia Melts, Looters Close In On Priceless Artifacts, Smithsonian Magazine (Apr. 11, 2018), https://www.smithsonianmag.com/history/mongolia-melts-climate-change-looters-close-in-180968764/. ↑
  18. Mongolia Advances to Prevent Crimes and Offenses against Cultural Property, UNESCO (Apr. 14, 2023), https://www.unesco.org/en/articles/mongolia-advances-prevent-crimes-and-offenses-against-cultural-property. . ↑
  19. https://www.osce.org/secretariat/428906 ↑
  20. Mongolia, Central Intelligence Agency: The World Factbook https://www.cia.gov/the-world-factbook/countries/el-salvador (last updated Oct. 28, 2024). ↑
  21. Current Agreements and Import Restrictions, U.S. Dep’t of State Bureau of Educ. and Cultural Aff.’s, https://eca.state.gov/cultural-heritage-center/cultural-property/current-agreements-and-import-restrictions (last visited Oct. 7, 2024). ↑
  22. Id. ↑
  23. Cultural Property Advisory Committee Meeting, September 24-26, 2024, U.S. Dep’t of State Bureau of Educ. and Cultural Aff.’s, (July 22, 2024), https://eca.state.gov/cultural-property-advisory-committee-meeting-Sept-24-26-2-24. ↑
  24. 1,700-Year-Old Artifacts Illegally Headed to Illinois Head Back to El Salvador, CBS Chicago

    (Feb. 2, 2024 7:18 PM), https://www.cbsnews.com/chicago/news/1700-year-old-artifactsel-salvador/. ↑

  25. Id. ↑
  26. Id. ↑
  27. 19 U.S.C. § 2602. ↑
  28. Cultural Property Advisory Committee Meeting, September 24-26, 2024,U.S. Dep’t of State Bureau of Educ. and Cultural Aff.’s, (July 22, 2024), https://eca.state.gov/cultural-property-advisory-committee-meeting-Sept-24-26-2-24. ↑
  29. What Is Hezbollah?, Council on Foreign Relations, https://www.cfr.org/backgrounder/what-hezbollah (last updated Oct. 29, 2024). ↑
  30. Id. ↑
  31. Hearings, Meetings, Proceedings, etc.: Cultural Property Advisory Committee: DOS-2024-0028, Regulations.gov, https://www.regulations.gov/document/DOS-2024-0028-0001 (last visited Oct. 27, 2024). ↑
  32. Id. ↑
  33. Cultural Property Advisory Committee; Notice of Meeting, 89 Fed. Reg. 66483 (Aug. 15, 2024);

    Notice of Receipt of Request From the Government of Mongolia Under Article 9 of the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, 89 Fed. Reg. 66483 (Aug. 15, 2024); Notice of Receipt of Request From the Government of the Republic of Lebanon Under Article 9 of the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, 89 Fed. Reg. 66484 (Aug. 15, 2024); Proposal To Extend the Cultural Property Agreement Between the United States and El Salvador, 89 Fed. Reg. 66484 (Aug. 15, 2024). ↑

  34. Id. ↑
  35. Id. ↑
  36. Tessa Solomon, UNESCO Calls Emergency Session for Lebanese Heritage Sites Imperiled by Israeli Bombing, ARTnews (Nov. 7, 2024, 12:49 PM) ARTnews, https://www.artnews.com/art-news/news/unesco-emergency-session-lebanese-heritage-sites-israeli-bombing-1234723322/. ↑
  37. RFI, “UNESCO petitioned to save Lebanon’s heritage sites from Israeli strikes,” RFI (Nov. 17, 2024), https://www.rfi.fr/en/international/20241117-unesco-petitioned-to-save-lebanon-s-heritage-from-israeli-strikes/. ↑
  38. Audrey Azoulay, Lebanon: 34 Cultural Properties Placed Under Enhanced Protection,UNESCO (Nov. 18, 2024), https://www.unesco.org/en/articles/lebanon-34-cultural-properties-placed-under-enhanced-protection. ↑

 

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous A Revised NAGPRA: Evaluating Progress Towards Repatriating Native American Ancestral Remains and Belongings in the Wake of Revised Federal Regulations
Next The Clash: Staying Power of Small Museums and Cultural Institutions

Related Art Law Articles

A New Type of Varnish Nightshade Glaze and Artists Battle with AI Image
Art law

A New Type of Varnish: Nightshade, Glaze, and Artists’ Battle with AI

September 12, 2026
Sam Brady Myerov Folk Modern and Facade Images
Art law

Folk, Modern, and Facade: MoMA and the Afterlife of the American Folk Art Museum Building

September 8, 2026
Center for Art Law Corporate Art
Art law

Art as an Office Asset: Motivations and Collection Practices in Corporate Settings

August 31, 2026
Center for Art Law
AML Guide 2025

AML Guide 2025

Explore our updated AML Survey with key insights on how evolving regulations impact the art market.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Join the Center for Art Law along with Dr Michail Join the Center for Art Law along with Dr Michail Risvas, Lecturer in Law and Co-Director of the Centre for International Law and Globalisation at the University of Southampton, on the growing role of arbitration in the art and cultural heritage sector. Drawing on his research and practical examples, Professor Risvas will examine how arbitration is being used to resolve a broad range of art-related and cultural heritage disputes. The program will compare arbitration with traditional litigation, exploring the advantages and limitations of each forum.

Through discussion of case examples and emerging trends, participants will gain a practical understanding of when arbitration may offer a more effective path than litigation and how alternative dispute resolution is shaping the future of art and cultural heritage law.

🎟️ Grab your tickets today using the link in our bio!!

#centerforartlaw #artlaw #legal #artlawyer #lawyer #arbitration #artmarket #artist #culturalheritage
And just like that, we’ve reached the end of an in And just like that, we’ve reached the end of an inaugural ART & LAW INTENSIVE ✨

Five-day program filled with challenging questions, fascinating discussions, new perspectives, and meaningful encounters at the intersection of visual art and law.

Grateful for the conversations, the knowledge shared, and everyone who made this experience so enriching. 

Until the next chapter in February!
Our last (August) newsletter received excellent vi Our last (August) newsletter received excellent viewing (in September). Welcome back from vacations! You may be pleased to know that our ART x LAW INTENSIVE in Zurich went as promised and we were delighted to have shared with and learned from so many wonderful experts, colleagues, and fellow travelers. Special guests came from North and South America, across Europe, even India and UAE. Without skipping a beat, today we onboard our Fall 2026 Interns, students from Cardozo, NYU, Smith College and other schools, and we are pleased to welcome our 2026-2027 Judith Bresler Fellow, Alexander Stanfield.

Please take a look at our SEPTEMBER newsletter and plan to join us this fall for in person or online events. Thank you to all who have reached out and offered to volunteer over the summer and recently. We are humbled by the growing interest and will keep offering learning and hands-on opportunities as the size of our organization permits. Stay calm and … 

📚 Click the link in our bio to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #newsletter #september #legalresearch
What does it take to report and write a story abou What does it take to report and write a story about stolen art, war, and the people caught at the center of it?

In our latest episode of Art in Brief, Andrea and Paris are joined by Matthew Campbell, award-winning reporter for Bloomberg Businessweek and author of The Man Who Stole the Gods, to discuss his years-long investigation into the looting and trafficking of ancient Khmer artifacts from Cambodia.

We talk about Matthew’s research and reporting process, why he chose to center the story around the book’s main characters, and how he approached telling the stories of complicated figures with nuance and empathy.

🎙️ Listen to the latest episode of Art in Brief and find additional resources including a link to Matthew's book at the link in our bio!

#podcast #centerforartlaw #artinbrief #bloomberg #artcrime
What happens to an artist’s work, archives, and in What happens to an artist’s work, archives, and intellectual property after they’re gone? 

Day 2 of the 2026 CPAL Conference brought together lawyers, appraisers, foundation leaders, and arts professionals to tackle the practical realities of preserving artists’ legacies. Topics included estate planning and appraisals, copyright, archives, and the financial realities of running an artist foundation. One message was especially clear: legacy preservation starts long before an artist’s death. 

📚Read Ian Silverstein’s recap of the conference at the link in our bio!

#WYWH #ArtLaw #ArtistEstates #ArtLawConference #ArtAndLaw
Don't miss out on our upcoming Workshop on fiducia Don't miss out on our upcoming Workshop on fiduciary duties within artist-dealer relationships with speaker Aaron Haines!

This workshop will explore the fiduciary duties of gallerists toward their clients and will clarify the distinctions between contract-based relationships and the broader fiduciary obligations gallerists owe, including transparency, prudence, and the prohibition of undisclosed profits. It will also examine common conflicts of interest in the art world and how these fiduciary duties come into play. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #legal #workshop #artistrights #artist #artdealer
The Wilbur J. Cohen Federal Building in Washington The Wilbur J. Cohen Federal Building in Washington, D.C. houses five murals and four reliefs by artists including Ben Shahn and Philip Guston. 
The building is now among federal properties currently slated for sale as the government accelerates selling federal real estate. 

What happens to artworks that are physically inseparable from the buildings they were created for? And what does their uncertain future mean for America’s cultural landscape?

📚 Read Sam Brady-Myerov’s latest article at the link in our bio!

#ArtLaw #CenterforArtLaw #NewDealArt #PublicArt #CulturalHeritage
Did you know the portrait of George Washington on Did you know the portrait of George Washington on the $1 bill traces back to a painting by Gilbert Stuart? 

As the US celebrates its 250th anniversary, one of our latest articles explores how Stuart fought to control the reproduction of his Washington portraits at a time when U.S. copyright law did not yet protect paintings. 

📚 Read the full article by Hannah Gadway at the link in our bio! 

#ArtLaw #America250 #GilbertStuart #GeorgeWashington #CopyrightLaw
The culture of dupes is continuing to plague artis The culture of dupes is continuing to plague artists. Those like Lauren Horn and Maggie Stephenson have been victims of others creating copycats of their work and selling it as their own.

Read KimberMarie's new article to understand the impact this issue has on artists and other communities along with ways to push back against the problem.

📚 Check out the full article using the link in our bio!!

#centerforartlaw #artlaw #legal #legalresearch #artlawyer #dupes #counterfeits #artistrights #artists
Any interest in volunteering to help work with our Any interest in volunteering to help work with our Nazi-Era Looted Art Restitution Cases Project? Listen to Natasha describe her work and the cases she's had the chance to study.

📚 Click the link in our bio to learn more about the project and how to join!

#centerforartlaw #artlaw #restitution #art #museums #artlawyer #legal #legalresearch
Who owns Hollywood’s past? 🎬📸 A thrifted box of 1 Who owns Hollywood’s past? 🎬📸

A thrifted box of 1930s photographs of actress Marion Davies opens up a much bigger question: who owns the image and the rights behind it? 

One of our latest articles explores the story behind these photographs, including MGM studio stamps, Davies’s handwritten dedication, and the distinction between owning a physical photograph and owning the intellectual property rights in its image.

📚To read the full story by Irina Tarsis, head to the link in our bio

https://itsartlaw.org/art-law/who-owns-hollywoods-past/ 

#ArtLaw #CopyrightLaw #MarionDavies #HollywoodHistory #CulturalHeritage
Join us on September 18th for an Art and Law Works Join us on September 18th for an Art and Law Workshop on fiduciary duties within artist-dealer relationships with speaker Aaron Haines.

This workshop will explore the fiduciary duties of gallerists toward their clients and will clarify the distinctions between contract-based relationships and the broader fiduciary obligations gallerists owe, including transparency, prudence, and the prohibition of undisclosed profits. It will also examine common conflicts of interest in the art world and how these fiduciary duties come into play. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #legal #workshop #artistrights #artist #artdealer
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law
Loading Comments...

You must be logged in to post a comment.