• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Wish You Were Here image/svg+xml 2021 Timothée Giet WYWH: “Artist Legacy and Estate Planning” Clinic
Back

WYWH: “Artist Legacy and Estate Planning” Clinic

June 17, 2025

event screenshot estate planning

By Alexa Donovan

On June 11, 2025, Center for Art Law hosted one of its virtual Artist Legacy and Estate Planning clinics. Artists, attorneys, appraisers, and accountants joined together to learn about and discuss the steps that artists can take to safeguard their their legacies after death — and the essential planning that comes before.

Candace DellaconaPrincipal, Practice Group Leader - Estates and Trusts (North)
Candace Dellacona, Practice Group Leader in Estates and Trusts at Offit Kurman

The event began with a keynote address delivered by Candace Dellacona, Principal at Offit Kurman Attorneys At Law, where she advises clients on wills, trusts, and medical directives. Candace gave a presentation entitled “The Art of Legacy: Estate Planning with Revocable Trusts for Artists,” offering a constructive overview on the topics of estate planning and revocable trusts, in addition to comprehensive, artist-specific considerations.

Candace’s introductory remarks covered the key differences between wills and trusts, the property that can be included in trusts, the steps to take when setting up a revocable trust, and important considerations when choosing who will manage an estate.

Candace’s slide on setting up a revocable trust

Candace also discussed how and why revocable trusts can be an important tool for artists looking to preserve their legacies after death, and explained how art-specific trusts work. Specifically, Candace explained that revocable trusts allow artists to maintain control of their artwork during and after their lives, and these revocable trusts can include royalties, copyrights, and archives. Art-specific trusts can determine how the works are displayed, sold, or donated after death, and if irrevocable, can provide potential estate tax savings.

The keynote address then wrapped up with questions from attendees, covering tax issues, trust breaches, and more. Keynote presentation created a strong foundation for the rest of the clinic.

Next artists were paired-off with experts in the field for confidential mock-consultations. Artists were given a chance to ask specific questions and discuss solutions with attorneys, tax advisors, and appraisers. Volunteer experts included Dave Bright (Adjunct Professor of Law, University of Iowa College of Law), Leah Hokenson (Managing Director, Baldwin Brothers, LLC), Charles Rosoff (President, Appraisal Services Associates), and Galina Portnoy (Managing Director, TAG Associates). All have volunteered with the Center and this clinic on a number of previous occasions. Following is some additional information about the volunteers:

  • Dave Bright is an adjunct professor of various art law topics at the University of Iowa College of Law, and is the Associate Director of The Larned A. Waterman Iowa Nonprofit Resource Center. He also serves as a Senior Advisor to the American Bar Association International Law Division’s Art & Cultural Heritage Law Committee.
  • Leah Hokenson is a Managing Director at Baldwin Brothers, LLC, where she works with artists and collectors on wealth management, in addition to working with families, estates, trusts, and foundations. She is also a member of the Professional Advisors to the Art Market and the NYC Bar Art Law Committee, amongst other professional councils.
  • Charles Rosoff, ASA, MRICS, is the President of Appraisal Services Associates. Charles is an accredited Senior Appraiser designated by the American Society of appraisers, and is a member of the Royal Institute of Chartered Surveyors. His firm appraises fine art, antiques, decorative arts, collectibles, and residential and office contents, providing forensic valuations and expert witnessing.
  • Galina Portnoy, CPA is a Managing Director at TAG Associates, a wealth management practice. She provides financial advisory services on many issues, including income tax planning, gifts and estates, philanthropy, and more. She has experience advising artists, art dealers, and art investors.

The clinic offered an excellent introduction to trust and estate planning for artists, especially for those who attended the keynote. The Center continues to provide training boot camps and workshops for attorneys interested in practicing trust and estates law. The next session of this clinic will take place on October 15, 2025. For those who missed the Keynote presentation, a recording is archived and accessible to Premium Members.

About the Author

Alexa Donovan (Center for Art Law Summer 2025 Undergraduate Intern) is a senior at NYU studying Art History and Journalism. She is a recipient of the H.W. Janson Scholarship Award for her studies, which include extensive research on museum ethics, deaccessioning, and female representation in contemporary painting. Additionally, she served as the Arts Editor for NYU’s student newspaper, where she wrote about art censorship issues. Alexa is particularly interested in intellectual property law, artists’ rights, and museum collections management.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous WYWH: “Art and Antiquities Part 2: Art and the Holocaust”
Next WYWH: “The Reckoning: Summer Salad of War and Art” (London, UK)

Related Art Law Articles

article about Damien Hirst
Art lawestate planning

200 years later: Damien Hirst plans to “create” art posthumously DOT DOT DOT

August 4, 2025
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

 

Reserve Your Ticket TODAY
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

In this episode, we speak with art market expert D In this episode, we speak with art market expert Doug Woodham to unpack how Jean-Michel Basquiat became one of the most enduring cultural icons of our time.

Moving beyond his rise in 1980s New York, this episode focuses on what happened after his death. We explore how his estate, led by his father, shaped his legacy through control of supply, copyright, and narrative; how early collectors and market forces drove the value of his work; and how museums and media cemented his place in art history.

Together, we explore the bigger question: is creating great art enough, or does becoming an icon require an entire ecosystem working behind the scenes?

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio!

Also, please join us on May 27  for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence!

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #basquiat
Amy Sherald cancelled her mid-career retrospective Amy Sherald cancelled her mid-career retrospective, scheduled at the National Portrait Gallery (NPG) in D.C., after a curatorial controversy over the potential removal of her recent work, "Trans Forming Liberty" (2024). Sherald denounced the attempt to remove this work as a blatant and intentional erasure of trans lives. 

This is one of the best examples and the most illustrative examples of the current administration's growing efforts to control the Smithsonian Institution's programming. In this climate of political tension, how do cultural institutions defend themselves against censorship and keep their curatorial independence?

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #legal #artlawyer #legalreserach #artcuration #curatorialindependance #censorship
Grab 15% off tickets the upcoming bootcamp on Arti Grab 15% off tickets the upcoming bootcamp on Artist-Dealer Relations, now available online!! 

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

Get 15% off using the code: Final15 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
On the night of April 15–16, 2026 alone, Russia se On the night of April 15–16, 2026 alone, Russia sent hundreds of drones and missiles on sleeping cities across Ukraine, killing and injuring dozens of civilians. War is funded in part by individuals who have important artworks in their personal collections. This full-scale invasion of Ukraine, now in its fifth year, daily exacts a grave toll on Ukrainian lives and cultural heritage, while fundamentally disrupting European commerce. In response, art market participants have adapted their practices, most have accepted, if not always embraced, the need to scrutinize the source of funds and the ultimate beneficiaries of their transactions. Yet there is a growing sense that parts of the trade are holding their breath, waiting to see when they might safely return to dealing with the oligarchs who continue to fund the Russian war machine.

For art market participants operating in the UK, compliance is no longer a peripheral concern, it is a legal imperative. Regulators are watching, the consequences of non-compliance increasingly extend beyond administrative penalties into criminal liability, and private-public partnerships offer the most credible path toward a more resilient and trustworthy market. 

Join us on April 24th for a panel discussion in London on the current state of AML enforcement and sanctions.

🎟️ Grab your tickets using the link in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #artcrime #london #artissues #museumissues
Sotheby's sold Modigliani’s Portrait de Leopold Zb Sotheby's sold Modigliani’s Portrait de Leopold Zborowski to Cahn in 2003 for the low price of about $1.55 million. In 2016, Cahn claimed he was verbally informed about authenticity issues with the painting by Sotheby's. The parties did make an agreement regarding Cahn reselling with Sotheby's for a guaranteed price in exchange for releasing the auction house from all claims related to the painting. Cahn claims that he attempted to set this process in motion in June 2025, but he received no response. Cahn now seeks damages totaling $2.67 million, plus interest and attorneys’ fees, for breach of contract. 

Through this dispute, Vivianne Diaz's article highlights a bigger issue in the art market by explaining how forgeries negatively affect both collectors and auction houses, and how auction houses need to be more careful, but most importantly, proactive in their authentication determinations.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #Modigliani #LeopoldZborowski #sothebys
Don't miss our upcoming April 20th bootcamp on Art Don't miss our upcoming April 20th bootcamp on Artist-Dealer Relations, now available online!!

Center for Art Law’s Art Lawyering Bootcamp: Artist-Dealer Relationships is an in-person, full-day training aimed at preparing lawyers for working with visual artists and dealers, in the unique aspects of their relationship. The bootcamp will be led by veteran attorneys specializing in art law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to the main contracts and regulations governing dealers' and artists' businesses. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in the specificities of the law as applied to the visual arts.

Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval.

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #artistdealer #CLE #trainingprogram
The historic Bayeux Tapestry, conserved in Normand The historic Bayeux Tapestry, conserved in Normandy, France, is scheduled to be loaned from the Bayeux Museum to the British Museum for ten months beginning in the fall of 2026. This is the first time the tapestry will have returned to the UK in over 900 years. 

This loan, authorized by France, has raised multiple controversies, particularly over conservation concerns. Nevertheless, it has been made possible through a combination of factors, including improved conservation techniques, enhanced transport precautions, comprehensive loan agreements, insurance, and the application of relevant protective laws. 

Check out our recent article by Josie Goettel to read more about this historic loan regarding not only in its symbolic significance, but also in its technical complexity.

📚 Click the link in our bio to read more!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #legal #museumissues #bayeuxtapisserie #bayeuxtapestry #britishmuseum #bayeuxmuseum
Due to decreasing government funding and increasin Due to decreasing government funding and increasing operational costs, philanthropic giving is more essential than ever. Since the current administration took office, one-third of museums nationwide have lost government grants and contracts. These losses have set off a domino effect of difficult decisions, including laying off staff, cancelling public programming, and delaying maintenance and repairs. 

Many art museums are also still recovering from financial losses incurred during the Covid-19 Pandemic. This recent article by Kamée Payton explores how noncash charitable donation alternatives are used by cultural institutions as financing, and how noncash charitable donations can prove mutually beneficial for both donors and recipients—particularly in terms of tax treatment.

📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #museumissues #taxes #donations #taxtreatment
Brief newsletter instead of a list of abbreviation Brief newsletter instead of a list of abbreviations and dates (here is looking at you, AML and KYC, London, NY, Rome). A laconic message that as days are getting longer and we are charmed by sunshine, blooms, and prospects of holidays, the man-made world does not fail to disappoint (don’t believe me? put aside art law and read world news), and all that during the springtime.

On a high note, we are grateful to our Spring Interns who are finishing up their stint with the Center in a couple of weeks, well done! Together we invite you to the upcoming events in person and online. Come FY2027 (a.k.a. June), we will introduce you to the Summer Class and new Advisors. Hang in there through April and May, take notes, don’t forget – we are living in the best of times and the worst of times. Again. 

🔗 Check out our April newsletter, using the link in our bio, to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #april #legalresearch
When we take a holiday from talking about art law When we take a holiday from talking about art law in New York City, we talk about art law in other places. Recently our Judith Bresler Fellow, Kamée Payton attended the London Art Fair. Below is a snippet of her experience:

"I had the wonderful opportunity to attend the London Art Fair this past weekend where I met many incredible artists and art market participants. I was proud to represent the Center for Art Law in conversations with other attendees. It was an absolute delight to see what contemporary artists are contributing to the art world."

#centerforartlaw #artlaw #london #artfair #londonartfair #uk #nyc #artlawyer #legalresearch
Check out our recent article by Lauren Stein revie Check out our recent article by Lauren Stein reviewing Amy Werbel’s "Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock." Werbel's book showcases a portrait of Anthony Comstock, America’s first professional censor, a man obsessed with purity and self-control who regarded masturbation as a sign of moral corruption. 

Read more about this public figure and Werbel's telling of his life including the impact he had on the US's early attempts to curtail desire in the decades before World War I, in Lauren's review. 

 📚 Click the link in our bio to read more! 

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #bookreview #censorship #artistissues
One of our interns, Jacqueline, stopped by the Mor One of our interns, Jacqueline, stopped by the Morgan after the blizzard to catch their exhibition, “Caravaggio’s Boy with a Basket of Fruit in Focus." In partnership with the Foundation for Italian Art and Culture (FIAC) and on loan from the Galleria Borghese in Rome, this is the first time in decades that Caravaggio's early masterpiece has come to the United States. 

"The Morgan is just two blocks away from my university, the Graduate Center. The library and museum have been a rich resource for me, representing an institution that honors the rich legacy of its collector, while also maintaining exciting rotating exhibitions," Jacqueline said. 

The painting is in conversation with other works by those who influenced Caravaggio and those he subsequently inspired. The exhibition's sparkling 3-month run comes to a close April 19.

📚 Check out more information on the exhibition using the link in our bio!

#centerforartlaw #artlaw #artmuseum #caravaggio #themorgan #nyc #artlawyer #legalresearch
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law
 

Loading Comments...
 

You must be logged in to post a comment.