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Home image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Et tu, Poland?! Poland seeks return of 18 paintings taken by the Soviet Red Army in 1945
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Et tu, Poland?! Poland seeks return of 18 paintings taken by the Soviet Red Army in 1945

May 20, 2013

‘Madonna and Child’ by Lucas Cranach the Elder, sought by
Poland for recovery from the Pushkin Museum.

The Russian Federation should beware all Ides. This Ides of May, on May 15, 2013, Poland’s Minister of Culture and National Heritage, Bogdan Zdrojewski, broached the subject of recovering important art works from Russian museums. The works in question are listed in the “official restitution request by Poland;” they include paintings by Lucas Cranach the Elder and Jan Bruegel the Elder.  Some pieces are located in Moscow in the Pushkin State Museum of Fine Arts and others are in the Saratov State Art Museum.

These works probably belong to the so-called Twice Plundered victims; they were most likely taken by the Germans at the start of the war and then displaced for the second time by the victorious Red Army as spoils of war.

 

Bogdan Zdrojewski, photo by Matěj Baťha.

Some of the works were reported as being listed on museum websites as unidentified. Not surprisingly requests for the return of these cultural objects have been filed on a number of occasions but invariably they have been dismissed. In light of the improving relations between Poland and the Russian Federation, Zdrojewski is hoping for a different, more amiable outcome.

The immediate response from the Russian Cultural Ministry is a categorical no. As always, there is a block against this and all returns of artworks, or other cultural valuables, that were brought onto the territory of the Soviet Union after World War II. For example, Zdrojewski’s counterpart, Vladimir Medinski, has been quoted as saying that any and all efforts to change the property rights of cultural valuables and artworks in Russia would be unwelcome, particularly because the trophy art taken from the territory of Germany and its allies was “paid for in blood of the Russian soldiers.”

Vladimir Medinski, Newsru.com.

Medinski bases his response on the 1998 law “On Cultural valuables Displaced to the USSR as a Result of the Second World War and Located on the Territory of the Russian Federation” which nationalizes trophy art and declines return. However, Medinski admitted that the Ministry would be ready to faithfully execute favorable restitution laws if such were ever adopted. Given that there is are no known domestic initiative to alter the 1998 law and initiatives by the foreign nations have been futile, it is unlikely that Poland will get it’s most recent request granted.

Other pending claims for cultural property located on the territory of the Russian Federation include the ongoing Chabad efforts* and the Hungarian claims.

Sources: Newsru.com; ArtDaily; Global Post.
Images: Wikimedia Commons, Wikipedia.

*For an overview of the Chabad dispute, read “Russia is no Congo: Chabad Decisions and Moscow Convictions.”

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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You may have noticed our February newsletter arriv You may have noticed our February newsletter arrived twice, think of it as an encore. March has arrived with its familiar whirlwind, and like many of you, we find ourselves following world affairs with disbelief, dismay, and a deepening sense of urgency. Mahatma Gandhi observed that “the difference between what we do and what we are capable of doing would suffice to solve most of the world’s problems.” At the Center, we believe that building knowledge, access, and community in art law is one meaningful way to solve some of the world’s problems; we wish we could do more. 

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Don't miss out on our upcoming Copyright Clinic on Don't miss out on our upcoming Copyright Clinic on March 18th!! Join us for an informative presentation and pro bono consultations to better understand the current art and copyright law landscape. Copyright law is a body of federal law that grants authors exclusive rights over their original works — from paintings and photographs to sculptures, as well as other fixed and tangible creative forms. Once protection attaches, copyright owners have exclusive economic rights that allow them to control how their work is reproduced, modified and distributed, among other uses.

Albeit theoretically simple, in practice copyright law is complex and nuanced: what works acquire such protection? How can creatives better protect their assets or, if they wish, exploit them for their monetary benefit?

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📚 To learn more about this niche and potentially, completely, disappearing market read Shaila Gray's recently published article using the link in our bio!

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ONLY 5 DAYS LEFT to apply for the Second Edition ONLY 5 DAYS LEFT to apply  for the Second Edition of Center for Art Law Summer School!! Deadline to apply is  March 15th! Check out these memories from our 2025 Summer School. Don't miss your chance to participate in a whirlwind adventure exploring art law in NYC. 🗽

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field.

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After many years of hard work we’ve officially cro After many years of hard work we’ve officially crossed the 1,000 cases mark in our case law database!! Let us know what your favorites are below!
Join us on March 12 for Charitable Contributions: Join us on March 12 for Charitable Contributions: Tax Considerations for Artists and Collectors. For this event we are pleased to be hearing from Attorney Karin Gross. With over 30 years of experience, Ms. Gross is an expert in the area of tax law and specializes in the area of tax aspects for charitable giving. She served in the Office of Legislative Counsel for the U.S. House of Representatives, drafting legislation on behalf of Members of Congress and committee and has worked at the IRS Office of Chief Council. Ms. Gross will guide participants through important tax considerations for artists, collectors and art market participants. 

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📚 Read more about the Supreme Court petition and outcome using the link in bio!

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Deadline Extended!! We are still accepting applica Deadline Extended!! We are still accepting applications for the Second Edition of Center for Art Law Summer School until March 15th! Don't miss this opportunity to explore art law NYC style 🗽

Taking place in the vibrant art hub of New York City, the program will provide participants with a foundational understanding of art law, opportunities to explore key issues in the field, and access to a network of professionals and peers with shared interests. Participants will also have the opportunity to see how things work from a hands-on and practical perspective by visiting galleries, artist studios, auction houses and law firms, and speak with professionals dedicated to and passionate about the field.

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Have you seen the 2024 documentary "The Spoils"? O Have you seen the 2024 documentary "The Spoils"? Our latest review covers Jamie Kastner's film that follows the Max Stern Foundation's restitution efforts and asks hard questions about who holds power in the art world. Savannah Weiler reviews it and we want to hear your take. Read it via the link in bio and drop your thoughts in the comments! 👇 

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Smile — you're at the Center for Art Law! 🌷 Meet o Smile — you're at the Center for Art Law! 🌷 Meet our Spring 2026 intern team, joining us from schools and graduate programs across the country! 🎓 

Our Spring 2026 Interns have been learning and working hard starting January! We are pleased to introduce to you Donyea James (Legal Intern, Fordham Law, 3L), Alexandra Kharchenko (Legal Intern, French LLM Grad of Northwestern Pritzker School of Law), Jacqueline Koutrodimos-Lewis (Graduate Intern, with MA in Classics and BA in Art History), Halle O’Hern (Legal Intern, Brooklyn Law, 2L), Marina Rastorfer (Legal Intern, Cardozo Law, LLM), and Savannah Weiler (Graduate Intern, MA in History of Art). 

From legal research to event planning, our interns are doing it all — under careful supervision!

Interested in joining our team? Fall 2026 internships begin the 2nd week of September — visit the link in our bio to learn more!
📌 We are looking for interns who can commit to working with us the entire academic year. 

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🏒 🎨⚖️ Thank you to all the applicants interested 🏒 🎨⚖️

Thank you to all the applicants interested in our 2026 summer internship program. We are humbled by the talent and volume of applications received. We only wish we could offer placement to all of you. If we cannot accommodate your interest this summer, please consider joining us as guest writers, volunteers and students at the upcoming summer school.
Grab an Early Bird Discount for our new CLE progra Grab an Early Bird Discount for our new CLE program to train lawyers to assist visual artists and dealers in the unique aspects of their relationship.

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Bootcamp participants will be provided with training materials, including presentation slides and an Art Lawyering Bootcamp handbook with additional reading resources.

The event will take place at DLA Piper, 1251 6th Avenue, New York, NY. 9am -5pm.

Art Lawyering Bootcamp participants with CLE tickets will receive New York CLE credits upon successful completion of the training modules. CLE credits pending board approval. 

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