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Home image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Jasper Johns Testifies, Foundry Owner Pleads Guilty to Fraud
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Jasper Johns Testifies, Foundry Owner Pleads Guilty to Fraud

January 28, 2014

Forgery of Jasper Johns

On Monday, January 27, 2014, former foundry owner Brian Ramnarine has admitted to lying about the authenticity of thirteen sculptures and attempting to sell forgeries by attributing them to well-known artists Jasper Johns, Saint Clair Cemin, and Robert Indiana.

Image
Ramnarine’s forgery of Johns’ “Flag”

Ramnarine was arrested in November 2012, after an art collector who had been offered a sculpture of Johns’ “Flag” for $11 million suspected it was a fake and informed the FBI. Empire Bronze, Ramnarine’s foundry in Long Island City, Queens, was so well-known among artists for its excellent work in the 1980s, that Jasper Johns entrusted Ramnarine in 1990 to make a wax cast of the mold for his famous 1960 metallic collage “Flag.”  However, he never returned or destroyed the mold, and the U.S. Attorney later accused Ramnarine of casting an unauthorized sculpture in bronze and forging Mr. Johns’s signature, according to the indictment. An authentic “Flag” is among the most famous of the artist’s works, and he was known to have made a limited number of such sculptures. Of the six, Johns had held onto several, one is owned by the Art Institute of Chicago and another was given to President Kennedy by the art dealer Leo Castelli.  Other forged works included Indiana’s “Two” and Cemin’s “Bulls Eye.”

In June 2013, Ramnarine had pleaded not guilty to the charges brought by the US Attorney.  However, yesterday, he pled guilty to three counts of wire fraud in federal court, in Manhattan’s Southern District Court. Ramnarine admitted to misleading prospective buyers that the works he offered by Johns, Saint Clair Cemin, and Indiana were authentic when they were not.

The new pleading comes only days after Jasper Johns, 83, took the stand on Thursday, January 23, 2014, to testify against Ramnarine. John’s  testimony (and the attention it received) was a significant blow to Ramnarine as the trial unfolded. Johns stated, “I know what I do to authorize [my sculptures] and this isn’t mine… it’s finished in a way I wouldn’t finish it, the frame has been polished… the signature appears to have been done photographically and there is a copyright symbol, which I would never use.”

Ranmarine’s attorney had stated that artists often gave works to Ramnarine as gifts or substitutes for cash payments for other castings. He claimed that Ramnarine’s inability to produce formal, written contracts for the pieces with his clients was because they agreed to these arrangements orally.

These statements were denied by Cemin and Johns in their testimonies. The trial’s first witness, Cemin told the Court that “when I traded with him, I always made a note of it… the worst provenance a piece can have is from a foundry, because is the only place that can create unauthorized pieces.”

ImageProsecutors accused Ramnarine of using a mold originally used to make a wax casting to make the forged “Flag” sculpture in 2010. Johns told the jury in the case that he had never asked Ramnarine to make a bronze cast of “Flag,” only a wax impression. He recalled, “I was investigating the possibility of casting in gold, and I needed the wax to see what the price would be.” Ramnarine was able to produce the original wax cast from 1990, as he had never returned the original mold from which the cast was made. Johns did concede that it would be possible to create a new cast from the old mold, but said that it would be “unusual and unethical.”

This is not the first time Mr. Ramnarine has had troubles with the law. In November 2003, he was sentenced to five years’ probation and ordered to pay $100,000 in restitution to two art collectors, when he pleaded guilty to falsifying business records in connection with selling them sculptures that he cast. In that case, the pieces were also purported to be originals by well-known artists.

Now, as part of a plea deal, Ramnarine agreed not to challenge any sentence of 10 years or less in prison.  He faces up to 20 years in prison.  Sentencing has been set for May 30, 2014.

Sources:

The Art Newspaper

The New York Times

ABCNews

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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Despite the passage of multiple anti-money launder Despite the passage of multiple anti-money laundering laws in the U.S. over the past two decades, the art market is still considered the "largest legal unregulated industry." Its perceived lax regulatory regime and various industry-specific factors, makes high-value art an attractive tool for laundering criminal proceeds. 

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10 DAYS TO GO - MARK YOUR CALENDARS! Saturday, Ju 10 DAYS TO GO - MARK YOUR CALENDARS!

Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
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With big gratitude to our sponsors, we look forward to welcoming you at the event!
📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hi 📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hirzel, Landesmuseum Zurich 

Free & open to the public

This June, as part of the official program of @zurichartweekend, we are bringing together some of the sharpest minds in the international art world for a candid conversation on what’s reshaping collecting today.

▪️Art Markets and the World in Transition: Frameworks Shaping Global Collecting

Geopolitics. Tariffs. AML regulation. Taxes. The rules of the art market are changing as fast as your news feed, and this panel is where experts unpack what that means for collectors, gallerists, and art lovers.

Speakers: 

Will Korner (TEFAF) · Alana Kushnir (Aurelian Lawyers & Advisers) · Pascal Robert (Pascal Robert Gallery) · Stefan Puttaert (Nicola Erni Collection) · Irina Tarsis, Esq. (Center for Art Law, moderator)

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On October 6, 2025, the Flemish Government announc On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA. 

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📚 Click the link in our bio to read the full article by Alexandra Kharchenko. 

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Thank you to all of our sponsors for all of their Thank you to all of our sponsors for all of their help in executing our 2026 Art Law Conference!!

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Don't miss out on the amazing pieces  and experiences up for grabs!

 Biding will end May 27 at 5:30pm ET.

1st: Floragen 2.0.1 by Colleen Hoffenbacker 
2nd: Jumping Frog by Vija Doks 
3rd: Untiled no.11( Amy Hollywood) by Andre Pace 

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In 1935 Ernst Magnus was forced to sell "The Virgi In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

Originally restitution was rejected, but under expanded guidelines the Museum chose to restitute the piece  to Ernst Magnus' heirs. It is now set to be Auction by Sotheby's on June 2, 2026. The starting bid is listed at $28k and the estimated price between $40-60k.

🔗 Check out more about this work and it's provenance using the links in our bio!

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Make sure to check out our Annual Art Law Conferen Make sure to check out our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

🗽 Swipe to preview a selection of the consultations & experiences that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
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🔗 Click the link in our bio to read the complete article by Lauren Stein to get a deeper understanding of the vulnerabilities of the art market!

https://itsartlaw.org/art-law/when-imitation-is-not-flattery-art-fakes-forgeries-and-the-market-they-fool/ 

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 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

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