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Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet AL Clippings image/svg+xml 2021 Timothée Giet Margarita Aguilar, Former Director of the El Museo del Barrio, Files Discrimination Claim
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Margarita Aguilar, Former Director of the El Museo del Barrio, Files Discrimination Claim

March 4, 2013

Margarita Aguilar, former director of
El Museo del Barrio,  is suing the
museum for gender discrimination.

Last week things turned sour at the El Museo del Barrio once again.  Margarita Aguilar, museum director since 2010, filed a claim with New York State human rights officials claiming gender discrimination.  In a statement, she revealed that she was publically humiliated by the museum’s executive board.

She was told to lose weight, dress better and reshape her eyebrows.  Aguilar also cites specifically that when she fired the finance director last year, she was called a “hysterical woman.”

On January 14th, Aguilar was terminated from the museum.  The timeline of events is questionable.  Her lawyer, Donald Defner, spoke to the museum counsel on January 9th about Aguilar’s hostile workplace complaints.  On January 11th, Aguilar was suspended by the museum for “dereliction of duty, failure to engage in meaningful fundraising activities, and failure to effectively lead and work with various staff members.”

On January 13th, the museum’s executive commitee planned a meeting to discuss the suspension, and informed Aguliar on January 11th.  Aguilar failed to show up for the meeting, citing that she was not given enough notice to prepare.  She received her “pink-slip,” a letter of termination, the next day.

El Museo del Barrio emphasizes group tours and
educational programs for the community.

Aguilar told The New York Times, “This is beyond belief.  I was doing my duties from the moment I stepped in to the moment I left.”

What is really going on beneath the surface?  The museum is facing financial major hurdles. In January, the museum laid off 1/5 of its staff, put into place required staff furloughs, and cut back its hours.

The museum is also facing what ABC News calls an “identity crisis.”  There is strong debate about whether the museum should continue on its current track of community involvement, or expand its reach internationally.

According to NYU Professor Arlene Davila, this is not a new problem for the El Museo del Barrio.  She stated: “They [the museum] have a history of trying to upscale the institution.  It has always been a challenge between the community that sees it as their institution and the board.  It wants to be the MET or the Guggenheim, when it’s roots come from the community.  It’s about class.  There’s a lack of transparency.  The board is not open about their direction.”

It is speculated that Chus Martinez, a popular European curator and chief curator at the museum since last year, will take Aguilar’s place as museum director.
Sources: Felicia R. Lee, “El Museo del Barrio Named in Discrimination Claim,” The New York Times, February 22, 2013; “Beloved Institution El Museo del Barrio Has an Identity Crisis, Again,” ABC News, February 22, 2013; Felicia R. Lee, “Margarita Aguilar Leaves El Museo del Barrio,” The New York Times, February 15, 2013.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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Explore the tools, challenges, and real-world meth Explore the tools, challenges, and real-world methods behind conducting due diligence in art market transactions!

Join the Center for Art Law for a practical workshop with Lev Yuriditsky of Sqope Intelligence exploring how due diligence is conducted in real-world art market transactions. Moving beyond theory, this session will focus on live case presentations and demonstrate the investigative process behind researching artworks, artists, and market participants.

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Learn about the Center's specialized resources ava Learn about the Center's specialized resources available on immigration and visas for artists!

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Rakhel Milstein, Board Member at the Center and Founder of Milstein Law Group, will share brief remarks on recent immigration developments affecting artists, important policy considerations to keep in mind, and key issues for artists and creative professionals to watch. Atreya Mathur, Director of Legal Research at the Center, will introduce the Center’s upcoming Immigration Guide for Artists, available in July 2026. This comprehensive resource provides artists with an accessible overview of U.S. immigration pathways, including O-1 visas and other relevant options. The guide is designed to help artists better understand the immigration process, identify potential pathways, prepare more effectively, and recognize the importance of planning ahead when pursuing opportunities in the United States. Kameé Payton, the Center’s 2025-2026 Judith Bresler Fellow, will also share information about the Center’s Immigration Clinic, which provides artists with individualized support through one-on-one consultations to help them better understand their immigration options and access guidance tailored to their needs.

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Earlier this June, the Center for Art Law summer t Earlier this June, the Center for Art Law summer team took a trip to see the ongoing Whitney Biennial in New York City! 🎨🗽 The Whitney Biennial is the longest-running survey of American art, and this year marks its 82nd edition.

This year's exhibition questions what it means to call something "American" amid the current shifts in art and culture across the United States. It includes not only artists from around the U.S., but also artists from countries shaped by the reach of American power, including Vietnam, Afghanistan, and the Philippines.

For an especially thought-provoking art law question, be sure to see David L. Johnson's contribution, Rule (2024–ongoing). Johnson created this work by removing code-of-conduct signs from privately owned public spaces (POPS) across New York City. The piece not only centers civil disobedience as a form of artmaking, but also prompts us to question the ways in which law and zoning codes shape public space.

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📸: “Still Life With Cherries” by Paul Cézanne
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Summer is for cherries, weddings, garden parties, catching up on reading and catching up with friends. And yet the worst of humanity keeps getting in the way of enjoying what the season brings. The heat so many of us feel right now, in the air, in the headlines, is at times unbearable and frankly unnecessary. Some of it comes from nature; too much of it is man-made.

It is so much harder to build, protect or preserve than to destroy. This month, we invite you to read the latest articles from the Center, including stories inspired by the 250th anniversary of the United States of America, meet our Summer Team, and stay tuned for upcoming events, including a colloquium with Konstantin Akinsha on Ukrainian art and cultural heritage under assault. Thank you, as always, for caring for and protecting art and cultural heritage. 

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Grüezi mitenand 👋 Center for Art Law Switzerland i Grüezi mitenand 👋 Center for Art Law Switzerland is introducing ART x LAW INTENSIVE!

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On the United States 250th Anniversary make sure t On the United States 250th Anniversary make sure to check out our article by @hannahegadway: "Art Law at America 250: Gilbert Stuart’s Art Battles and National Imagination"

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Since Russia's full-scale invasion of Ukraine began in February 2022, hundreds of museums, churches, archaeological sites, libraries, monuments, and historic buildings have been damaged or destroyed. As of July 1 2026, UNESCO had verified damage to more than 540 cultural sites across Ukraine, underscoring the unprecedented threat facing the country's cultural heritage. 

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