• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet A Modern Day King Lear? Neumann v Neumann
Back

A Modern Day King Lear? Neumann v Neumann

October 31, 2023

(Image Credit: Sotheby’s video Great Collectors: The (Art) World According to Hubert Neumann)

Image Credit: Sotheby’s video Great Collectors: The (Art) World According to Hubert Neumann.

By Lily Elkwood

A saga, reminiscent of the popular HBO show Succession and Shakespeare’s King Lear, is the life and lawsuits of the famous collector Hubert Neumann. Neumann is the heir to a mail-order cosmetics fortune, but he is better known for his billion-dollar art collection assembled over the last 70 years. The collection contains works by some of the most prolific artists the world has ever known: Picasso, Basquiat, and Koons, to name a few.[1]

Neumann has spent his life surrounded by some of the most beautiful things in the world, but since 2018, he has been in a volatile family feud. There have been 19 lawsuits between the Neumann family since 2018.[2] This feud even resulted in Hubert spending the night in jail.[3] So, how did one of the most celebrated collectors in the world go from being named by the New York Times as the collector who breaks a thousand curators’ hearts to a father whose daughter broke his own?[4]

The Genesis: The Fight Over the Matriarch’s Estate

The battle for the collection began with the death of Neumann’s ex-wife and the mother of his three daughters- Kristina, Melissa, and Belinda- Dolores O. Neumann in 2016. [5] Before the death, the family was close.

In 2012, the Donnelly family- Belinda, her husband, and children – moved in to help take care of her ailing father.[6] The Donnelly family did not pay rent, and Hubert asked his daughter to move in.[7] In 2018, their happy home came to an end when Hubert asked Belinda to share Dolores’s estate equally with her older and younger sister. [8] Belinda’s love for her father began to falter following that request and the supposed abuse her mother underwent at the hands of her father.

In 2019, Belinda Donnelly, received 80% of her mother’s estate following Dolores Neumann’s death, leaving her two sisters- Kristina and Melissa- with only the remaining 20% and her father with nothing.[9] Hubert responded in court, arguing that Belinda, while taking care of her mother who was mentally unwell, had Dolores change her will.[10] The court agreed with Belinda that Hubert had no claim over Dolores’s estate since he was not considered a surviving spouse due to their divorce.[11] With this decision, the accusations only grew uglier. Belinda responded that her father was physically abusive towards her mother while the pair was married.[12] Even more shocking, she stated the abuse was “just one element of his 40-plus years of fraud and criminality.”[13] Belinda claims that Hubert fraudulently altered a co-op stock certificate to falsely claim that he was the sole owner of an apartment jointly owned by the former spouses.[14] The court ruled in favor of Belinda, and she was declared to be the preliminary executor of her mother’s estate.[15]

In that same year-2019-, Hubert began the eviction process.[16] Belinda received an order of protection against her father, accusing him of threatening the Donnellys with physical harm.[17] He was then arrested for allegedly shoving his son-in-law’s shoulder and spent the night in jail.[18] His two other daughters -Kristina and Melissa- arrived with pizza and clothing for their father after hearing of his arrest. [19] The charges were dropped, but a court issued a restraining order requiring Hubert and his longtime partner, Debra Purden, to stay only on the fourth and fifth floors of the house.[20] The elevator doors to the second and third floors were also locked, denying him access to his beloved and very valuable collection.[21] The court then denied the appeal for the Donnelly’s eviction, and they were ordered to pay nearly $25,000 in back rent.[22]

Jean-Michel Basquiat, “Flesh and Spirit” (1982–83).

Art, Townhouses, and Cash

The legal battle continued. The lawsuit was now about getting money out of the trust, not just who was in control.[23] In 2019, Belinda wanted a $500,000 advance distribution from her mother’s estate and the court ruled in her favor.[24]

Belinda did not limit her lawsuits to her father but even sued her own sisters. In 2019, Belinda sought to sell two works of art, arguing that the relationship between her and her sisters was so poor that they would be unable to manage the collection of 62 works together.[25] Belinda made it clear that a sale was necessary because a fair division of the art was impractical. [26]

The lawsuits were not limited to questions of the estate but also included blocking sales. In 2018, when Belinda sought to sell a Basquiat painting at a Sotheby’s auction soon after her mother’s death, Hubert sued Sotheby’s over the sale.[27] After the Basquiat work was sold for $30 million, Belinda sued her father, arguing that his lawsuit against Sotheby’s affected the price of the work by scaring potential buyers away.[28] Belinda and her father were already in the midst of lawsuits over their cohabitation in Hubert’s townhouse.[29]

Though the issue of housing between the family was resolved by the courts, Belinda continued to sue her father. In 2022, after a sculpture was loaned to the Getty Museum and damaged, insurance provided damages.[30] Donnelly argued that her father failed to distribute the money she was entitled to.[31]

The Current Struggle

Belinda recently filed a lawsuit. After her father passes, the sisters will be the successors of her Uncle, Arthur J. Neuman’s trust and her sister Melissa is named the de facto trustee. She wants a corporate trustee in place of the de facto trustee. Hubert wants to keep his collection together, viewing it as his legacy for the world after he’s gone. He is reasonably worried that following his death, if Belinda had control, the collection would be sold.

In an interview conducted by his middle school-aged granddaughter, the billionaire collector’s love of art is palpable through the page.[32] For him, collecting was an activity he shared with his father, a way they bonded.[33] After his father died, he continued the collection, building it over the last seventy years.[34] He made it clear that he is very interested in collecting and not buying art in the hope that it will accrue value in the future; he refers to his methods as”instead the idea of preserving works of art for generations to come.”[35] For Hubert, art is his passion and something he used to connect to his family. There are photos of him taking Belinda to gallery openings before the legal battle. With money and power, his initial purpose and love of buying art was twisted. Hubert stated in the 1990s that curators and museum officials would ask about his health, waiting for him to die in the hopes of inheriting his renowned collection.[36] His life has proven that a love of collecting can result in greed. Hubert chose works he connected with. In an interview with Sotheby’s, Hubert said he “picked art that he didn’t understand.” [37] He then describes the magic in buying pieces that people really do not like.[38] Though the magic felt towards his work is tainted by his own daughter who hates him.[39]

The legal battle is far from over, but to this author Hubert is not King Lear, but rather the King of Collecting. He is spending his days surrounded by his valuable collection in his townhouse and the love of two of his daughters. In this story, the real King Lear may be Belinda, who lost her family and the upper east side townhouse.

About the Author: 

Lily Elkwood is a 2L year student at Fordham Law School. She graduated from Cornell University where she studied Blockchain and the Art Market. She is passionate about how art and law intersect in the art market. She is interested in art investing, especially fractional ownership, and is excited to see how art and technology intersect in the future.

Sources and Citations:

  1. Brooke Leigh Howard, NYC Billionaire, Daughter in Battle Over Pricey Art Collection, The Daily Beast ( updated May 08, 2023 11:23 AM), https://www.thedailybeast.com/billionaire-hubert-neumann-and-daughter-in-battle-over-pricey-art-collection. ↑

  2. James Gordon, Billionaire, 92, is slapped with 19 kawsuits, arrested and kicked out of his NYCC Mansdion amid battle with this DAUGHTER over his $1 Billion art collection that includes Picassos and Warhols… but he says he still loves her, The Daily Mail (Sept. 3, 2023 19:11 PM), https://www.dailymail.co.uk/news/article-12476561/Billionaire-92-slapped-19-lawsuits-arrested-kicked-NYC-mansion-amid-battle-DAUGHTER-1-BILLION-art-collection-includes-Picassos-Warhols-says-loves-her.html. ↑

  3. Deborah Solomon, The Collector Who is Breaking Thousand Curators’ Hearts, The New York Times Sec. G pg 4 (Dec 9,1997), https://www.nytimes.com/1997/12/09/giving/the-collector-who-is-breaking-a-thousand-curators-hearts.html. ↑

  4. , In re Will of Neumann, 2018 N.Y. Slip Op. 33192 (N.Y. Surr. Ct. 2018). ↑

  5. See id. ↑

  6. Hubert Neumann Arrested During Family Feud Over ‘World Class’ Art collection Reminiscent of HBO hit “Succession’, New York Post. ↑

  7. Id. ↑

  8. Id. ↑

  9. Id. ↑

  10. Id. ↑

  11. Id. ↑

  12. Id. ↑

  13. Hubert Neumann, Daughter in Battle Over Art Collection, Head Topics (May 6, 2023, 7:11 PM), https://headtopics.com/us/hubert-neumann-daughter-in-battle-over-pricey-art-collection-38835235. ↑

  14. Sara Nathan, Hubert Neumann Arrested During Family Feud Over ‘World Class’ Art collection Reminiscent of HBO hit “Succession’, New York Post (May 6, 2023 10:29 AM), https://nypost.com/2023/05/06/billionaire-arrested-during-family-feud-over-art-collection-reminiscent-of-hbos-succession/. ↑

  15. In re Neumann, 2019 N.Y. Slip Op. 32363 (N.Y. Surr. Ct. 2019). ↑

  16. Id. ↑

  17. Hubert Neumann Arrested During Family Feud Over ‘World Class’ Art collection Reminiscent of HBO hit “Succession’, New York Post. ↑

  18. Id. ↑

  19. Id. ↑

  20. Id. ↑

  21. Sara Nathan, Hubert Neumann Arrested During Family Feud Over ‘World Class’ Art collection Reminiscent of HBO hit “Succession’, New York Post (May 6, 2023 10:29 AM), https://nypost.com/2023/05/06/billionaire-arrested-during-family-feud-over-art-collection-reminiscent-of-hbos-succession/. ↑

  22. Sara Nathan, Hubert Neumann Arrested During Family Feud Over ‘World Class’ Art collection Reminiscent of HBO hit “Succession’, New York Post (May 6, 2023 10:29 AM), https://nypost.com/2023/05/06/billionaire-arrested-during-family-feud-over-art-collection-reminiscent-of-hbos-succession/. ↑

  23. In re Neumann, 2019 N.Y. Slip Op. 32363 (N.Y. Surr. Ct. 2019). ↑

  24. Id. ↑

  25. Donnelly v. Neumann, 2019 N.Y. Slip Op. 32382 (N.Y. Sup. Ct. 2019). ↑

  26. Id. ↑

  27. Neumann v. Sotheby’s Inc., 2019 N.Y. Slip Op. 30508 (N.Y. Sup. Ct. 2019). ↑

  28. Donnelly v. Neumann, 2019 N.Y. Slip Op. 32382 (N.Y. Sup. Ct. 2019). ↑

  29. See Donnelly v. Neumann, 2022 N.Y. Slip Op. 30204 (N.Y. Sup. Ct. 2022). ↑

  30. Donnelly v. Neumann, 2022 N.Y. Slip Op. 30204 (N.Y. Sup. Ct. 2022). ↑

  31. Id. ↑

  32. Lita Neumann Crichton, Hubert Neumann: in Dialogue, The Arts Section. ↑

  33. Id. ↑

  34. Id. ↑

  35. Id. ↑

  36. The Collector Who is Breaking Thousand Curators’ Hearts, The New York Times. ↑

  37. Id. ↑

  38. Id. ↑

  39. Sara Nathan, Hubert Neumann Arrested During Family Feud Over ‘World Class’ Art collection Reminiscent of HBO hit “Succession’, New York Post (May 6, 2023 10:29 AM). ↑

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous AML on Fractionalized Art Market: Compliance Questions of Digitized (Physical) Work of Art
Next Ethical Considerations for Attorneys When Working with Artist and Art-market Participants

Related Art Law Articles

CfAL photo from Rietberg Museum
Art law

Inspiration and Investment: The Benin Bronzes in Western Art and the Market

September 21, 2026
Italy's Bill 2834 A Pathway Toward Restituting Jewish Owned Art
Art lawItalylegislative historyNazi-era looted art

Italy’s Bill 2834: A Pathway Toward Restituting Jewish-Owned Art

September 17, 2026
#MiPatrimonioNoSeVende Mexico’s New Era of Cultural Repatriation
Art law

#MiPatrimonioNoSeVende: Mexico’s New Era of Cultural Repatriation

September 13, 2026
Center for Art Law
AML Guide 2025

AML Guide 2025

Explore our updated AML Survey with key insights on how evolving regulations impact the art market.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

The Gelman Collection, one of the most significant The Gelman Collection, one of the most significant collections of modern Mexican art, is at the center of an ongoing legal and financial controversy. With works by Frida Kahlo, Diego Rivera, María Izquierdo, and others, the collection raises complex questions about the protections afforded to National Artistic Monuments under Mexican law. 

Paula Gutierrez de Villasante examines what the collection's uncertain future could mean for Mexico’s cultural heritage. 

📚Read the full article at the link in our bio!

#ArtLaw #CulturalHeritage #MexicanArt #FridaKahlo #ArtFinance
Learn about Artist Corporations-- exploring what t Learn about Artist Corporations-- exploring what they are, how they work, and the legal and practical considerations for artists!

Please note, this is a hybrid event. Participants are welcome to attend either in person or online via Zoom..

Join the Center for Art Law for Artist Corporations: A New Legal Framework for Creative Practice, a conversation exploring the Colorado Artist Companies Act and what it could mean for artists, lawyers, policymakers, and the broader creative economy.

In 2025, Colorado enacted Senate Bill 133, creating the Artist Corporation (A-Corp); a first-of-its-kind legal business structure designed specifically to recognize and support artists and creative professionals. The legislation offers a new model for balancing artistic practice with sustainable business and legal protections, raising important questions about how the law can better serve creative communities.

Join us for a discussion featuring Lindsay Korotkin, Yancey Strickler, and Sarah Darlene, who will examine the origins of the Artist Corporation, the legislative process behind its creation, and its practical implications for working artists. Drawing on their respective backgrounds in law, advocacy, entrepreneurship, and artistic practice, the panelists will discuss how this innovative legal framework came to fruition, how artists may benefit from it, and whether similar legislation could shape the future of creative industries beyond Colorado.

Following the panel discussion, attendees will have the opportunity to participate in a live audience Q&A as well as a Networking Reception. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #colorado #artistissues
For more than two decades, thousands of counterfei For more than two decades, thousands of counterfeit works attributed to Canadian Anishinaabe artist Norval Morrisseau circulated through galleries, auctions, and private collections. The resulting forgery scandal has made authenticating Morrisseau’s work increasingly difficult and raised larger questions about protecting artists' legacies and the integrity of the art market. 

In her article, Victoria Cook examines the history of the Morrisseau forgery ring and how emerging technologies could help distinguish genuine works from fakes. 

📚 Read the full article at the link in our bio!

1st 📷: Norval Morrisseau, Observations of the Astral World (c. 1994), acrylic on canvas, 236 x 514 cm, National Gallery of Canada, Ottawa

#ArtLaw #ArtForgery #NorvalMorrisseau #IndigenousArt #CanadianArt
Don't miss grabbing tickets for our upcoming Collo Don't miss grabbing tickets for our upcoming Colloquium with Dr Michail Risvas, Lecturer in Law and Co-Director of the Centre for International Law and Globalisation at the University of Southampton, on the growing role of arbitration in the art and cultural heritage sector. 

Drawing on his research and practical examples, Professor Risvas will examine how arbitration is being used to resolve a broad range of art-related and cultural heritage disputes. The program will compare arbitration with traditional litigation, exploring the advantages and limitations of each forum.

Through discussion of case examples and emerging trends, participants will gain a practical understanding of when arbitration may offer a more effective path than litigation and how alternative dispute resolution is shaping the future of art and cultural heritage law.

🎟️ Grab your tickets today using the link in our bio!!

#centerforartlaw #artlaw #legal #artlawyer #lawyer #arbitration #artmarket #artist #culturalheritage
Join the Center for Art Law along with Dr Michail Join the Center for Art Law along with Dr Michail Risvas, Lecturer in Law and Co-Director of the Centre for International Law and Globalisation at the University of Southampton, on the growing role of arbitration in the art and cultural heritage sector. Drawing on his research and practical examples, Professor Risvas will examine how arbitration is being used to resolve a broad range of art-related and cultural heritage disputes. The program will compare arbitration with traditional litigation, exploring the advantages and limitations of each forum.

Through discussion of case examples and emerging trends, participants will gain a practical understanding of when arbitration may offer a more effective path than litigation and how alternative dispute resolution is shaping the future of art and cultural heritage law.

🎟️ Grab your tickets today using the link in our bio!!

#centerforartlaw #artlaw #legal #artlawyer #lawyer #arbitration #artmarket #artist #culturalheritage
And just like that, we’ve reached the end of an in And just like that, we’ve reached the end of an inaugural ART & LAW INTENSIVE ✨

Five-day program filled with challenging questions, fascinating discussions, new perspectives, and meaningful encounters at the intersection of visual art and law.

Grateful for the conversations, the knowledge shared, and everyone who made this experience so enriching. 

Until the next chapter in February!
Our last (August) newsletter received excellent vi Our last (August) newsletter received excellent viewing (in September). Welcome back from vacations! You may be pleased to know that our ART x LAW INTENSIVE in Zurich went as promised and we were delighted to have shared with and learned from so many wonderful experts, colleagues, and fellow travelers. Special guests came from North and South America, across Europe, even India and UAE. Without skipping a beat, today we onboard our Fall 2026 Interns, students from Cardozo, NYU, Smith College and other schools, and we are pleased to welcome our 2026-2027 Judith Bresler Fellow, Alexander Stanfield.

Please take a look at our SEPTEMBER newsletter and plan to join us this fall for in person or online events. Thank you to all who have reached out and offered to volunteer over the summer and recently. We are humbled by the growing interest and will keep offering learning and hands-on opportunities as the size of our organization permits. Stay calm and … 

📚 Click the link in our bio to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #newsletter #september #legalresearch
What does it take to report and write a story abou What does it take to report and write a story about stolen art, war, and the people caught at the center of it?

In our latest episode of Art in Brief, Andrea and Paris are joined by Matthew Campbell, award-winning reporter for Bloomberg Businessweek and author of The Man Who Stole the Gods, to discuss his years-long investigation into the looting and trafficking of ancient Khmer artifacts from Cambodia.

We talk about Matthew’s research and reporting process, why he chose to center the story around the book’s main characters, and how he approached telling the stories of complicated figures with nuance and empathy.

🎙️ Listen to the latest episode of Art in Brief and find additional resources including a link to Matthew's book at the link in our bio!

#podcast #centerforartlaw #artinbrief #bloomberg #artcrime
What happens to an artist’s work, archives, and in What happens to an artist’s work, archives, and intellectual property after they’re gone? 

Day 2 of the 2026 CPAL Conference brought together lawyers, appraisers, foundation leaders, and arts professionals to tackle the practical realities of preserving artists’ legacies. Topics included estate planning and appraisals, copyright, archives, and the financial realities of running an artist foundation. One message was especially clear: legacy preservation starts long before an artist’s death. 

📚Read Ian Silverstein’s recap of the conference at the link in our bio!

#WYWH #ArtLaw #ArtistEstates #ArtLawConference #ArtAndLaw
Don't miss out on our upcoming Workshop on fiducia Don't miss out on our upcoming Workshop on fiduciary duties within artist-dealer relationships with speaker Aaron Haines!

This workshop will explore the fiduciary duties of gallerists toward their clients and will clarify the distinctions between contract-based relationships and the broader fiduciary obligations gallerists owe, including transparency, prudence, and the prohibition of undisclosed profits. It will also examine common conflicts of interest in the art world and how these fiduciary duties come into play. 

🎟️ Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #artlawyer #legalresearch #legal #workshop #artistrights #artist #artdealer
The Wilbur J. Cohen Federal Building in Washington The Wilbur J. Cohen Federal Building in Washington, D.C. houses five murals and four reliefs by artists including Ben Shahn and Philip Guston. 
The building is now among federal properties currently slated for sale as the government accelerates selling federal real estate. 

What happens to artworks that are physically inseparable from the buildings they were created for? And what does their uncertain future mean for America’s cultural landscape?

📚 Read Sam Brady-Myerov’s latest article at the link in our bio!

#ArtLaw #CenterforArtLaw #NewDealArt #PublicArt #CulturalHeritage
Did you know the portrait of George Washington on Did you know the portrait of George Washington on the $1 bill traces back to a painting by Gilbert Stuart? 

As the US celebrates its 250th anniversary, one of our latest articles explores how Stuart fought to control the reproduction of his Washington portraits at a time when U.S. copyright law did not yet protect paintings. 

📚 Read the full article by Hannah Gadway at the link in our bio! 

#ArtLaw #America250 #GilbertStuart #GeorgeWashington #CopyrightLaw
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law
Loading Comments...

You must be logged in to post a comment.