• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Art Market Compliance As Seen From Switzerland
Back

Art Market Compliance As Seen From Switzerland

April 5, 2022

By Anna Brouver

No News – Good news?

There is nothing surprising about the fact that the art market gets more and more regulated. The call for “art market transparency” after decades (if not centuries) of handshake deals and painting examinations in bank vaults suggests regulations designed specifically for the arts sector that would require due diligence of the participants and help combat money-laundering and terrorism financing. While the EU and the US have already introduced specific rules and duties for art market participants with the publication of its 5th Anti-Money Laundering (“AML”) Directive and the 2020 revision to the Bank Secrecy Act, the art market in Switzerland is still unregulated. This article examines the art market compliance in the EU and Switzerland.

Directives, directives, directives

In the European Union, art market participants, such as dealers, galleries and auction houses, are obliged to comply with the 5th AML Directive, if the value of the transaction equals EUR 10’000 or more. What does this mean in practice?

The 5th AML Directive[1] obliged all art market participants to duly register by 10 January 2020 (However, in some places, like the UK the deadline was extended until 10 June 2021 due to the Covid pandemic[2]). Thus all affected art dealers should assess their original business practices regarding keeping client records and performing background checks, as well as always follow a risk-based approach. In practice, this would mean that a dealer should be ready to cancel a transaction if the client is unwilling to provide any AML relevant requested information. In order to prevent any breach of the 5th AML Directive, all clients, including potential clients, should undergo an internal due diligence process. This due diligence process is one that is already an established reality in the finance sector. The starting point for the AML rules are focused on the KYC, which means Know-Your-Client principle, also called CDD (Customer Due Diligence). This KYC principle is a core principle in the finance sector and has been for the last 1-2 decades, due to the scrutiny that the finance sector often undergoes. In the scope of that, one should identify whether a potential client is to be classified as a HRC (high-risk) client or PEP (politically exposed person). This would be based on certain business or VIP positions, residency in a high risk country or high risk activity, among other factors. Further, as part of the AML process, art market participants should be ready to file SARs (Suspicious Activity Reports) and should continuously provide compliance tutorials and AML training opportunities for their employees. Each art market participant should, at the end of the day, have a dedicated person who closely monitors all AML relevant processes. This role, the Money Laundering Officer, should be in charge of transforming the rules of the AML Directive into the internal company rules, and or policies.

Swiss Regulations

Coming back to Switzerland, and observing the current regulatory landscape here, where the 5th AML Directive is not yet a reality, there are portions of the Directive that the market can focus on. In fact, many initiatives by conscious art market participants have been launched in the last few years in line with the Directive.

For Example, looking at the biggest art fair worldwide, which has its roots and headquarters in Switzerland – Art Basel- we can see that in 2017 their management introduced Art Market Principles and Best Practices[3], which recommends all art fair participants duly comply with the rules and asks them to confirm it by signing the document. These rules ask the following of its exhibitors: that they comply with all applicable laws in the country or countries where they do business, including statutes governing the forgery of artworks and provenance, the governance of potentially stolen and looted artwork, and, most notably, the laws regarding money laundering. Although these rules do not fully bring the 5th AML Directive into the Swiss landscape, the organization itself has shown its dedication to the initiative by including anti-money laundering considerations into its policies.

In addition, an important initiative to be mentioned is the Responsible Art Market Initiative (RAM) founded in Geneva in 2015. The goal of RAM is to increase the transparency of the Swiss art market. The relevant guideline here are the Guidelines on Combatting Money Laundering and Terrorist Financing[4]. These guidelines in general contain more practical advice for the Swiss art market, more exact than the directives of Art Basel.

Other regulations are also in place to deal with the risks associated with cash transactions. For example, natural persons and legal entities dealing with transactions involving more than CHF 100’000 in cash, even if they are made in several installments, but the grand total of the transaction is over CHF 100’000, are regulated by the Swiss Federal Act on Combatting Money Laundering and Terrorist Financing (AMLA) Art. 2 para 1 lit. b and Art. 8a.[5]

Under these guidelines, dealers working with cash are obliged to verify the identity of the customer, establish the beneficial ownership and duly keep those records. Furthermore, they must clarify the economic background and purpose of the transaction if it appears unusual or if there are indications that assets are proceeds of a felony, an aggravated tax misdemeanor, or coming from a terrorist organization. The duty to report the suspicious transactions (SAR) is elaborated in Art. 9 of AMLA in detail. See for example, here.

So, if some people think that Switzerland is a paradise for art transactions, it is only partially true.

Outlook for the more regulated Swiss art market

What possible scenarios are to be expected of Switzerland in the coming 5-10 years? There is no doubt that the Swiss market will also need to adjust to the worldwide trends toward more regulations and transparency in the art market. Whereas Swiss law already imposes requirements on banks to conduct due diligence on their clients and transactions in excess of CHF 100’000, art market participants might wish to be ahead of the trend and adopt the EU best practices. Therefore, it is highly recommended to follow a reasonable approach while transacting in the art market: trust your gut feeling, perform basic customer due diligence and avoid being involved in non-transparent art transactions.

About the Author:

Anna Brouver is holder of the Master in Law and the Executive Master in Art Market Studies. She lives and works in Zurich / Moscow.

Suggested Reading:

Art Market Principles and Best Practices, ART BASEL, https://d2u3kfwd92fzu7.cloudfront.net/AB_Art_Market_Principles_and_Best_Practices.pdf.

Art Market Guidelines, RESPONSIBLE ART MARKET, http://responsibleartmarket.org/art-market-guidelines/.

Anti-Money Laundering and Countering the Financing of Terrorism, EUROPEAN COMMISSION, https://ec.europa.eu/info/business-economy-euro/banking-and-finance/financial-supervision-and-risk-management/anti-money-laundering-and-countering-financing-terrorism_en

Anti-Money Laundering for the art and finance market: How to mitigate money-laundering risks in the art and finance industry?, DELOITTE SOLUTIONS, https://www2.deloitte.com/lu/en/pages/art-finance/solutions/dkyc-aml-art-and-finance-industry.html

Footnotes

  1. See 2018, O.J. (L156) 43, https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32018L0843. ↑
  2. Rena Neville, The art market is ‘high risk’ for money laundering, so ignore new regulations at your peril, THE ART NEWSPAPER (Mar. 26, 2021),https://www.theartnewspaper.com/2021/03/26/the-art-market-is-high-risk-for-money-laundering-so-ignore-new-regulations-at-your-peril. ↑
  3. Art Market Principles and Best Practices, ART BASEL, https://d2u3kfwd92fzu7.cloudfront.net/AB_Art_Market_Principles_and_Best_Practices.pdf. ↑
  4. Guidelines on Combatting Money Laundering and Terrorist Financing, RESPONSIBLE ART MARKET, http://responsibleartmarket.org/guidelines/guidelines-on-combatting-money-laundering-and-terrorist-financing/ ↑
  5. Federal Act on Combating Money Laundering and Terrorist Financing (Anti-Money Laundering Act, AMLA), March 31, 1998, SR 955.0, AS 892 (Switz.), https://www.fedlex.admin.ch/eli/cc/1998/892_892_892/en ↑

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous ABCs of NFTs, Art, and Law
Next Ballet Costumes and the Art of Copyright

Related Art Law Articles

CfAL Marion Davies 1
Art law

Who Owns Hollywood’s Past? 

May 20, 2026
Center for Art Law MET Opera Chagall
Art law

Creative Financing Ideas: A Potential Sale of the Met Opera’s Chagalls

May 11, 2026
Fleurs en Pot
Art law

The Dorville Case: A Judicial Turn Facilitating the Restitution of Artworks Acquired During the French Occupation

May 7, 2026
Center for Art Law
What the Heck is Copyright (2)

What is Copy, Right?

2026 Annual Conference

Let’s explore Visual Art, AI, and the Law in the 21st Century together.

 

Reserve Your Ticket TODAY
Guidelines AI and Art Authentication

AI and Art Authentication

Explore the Guidelines for AI and Art Authentication for the responsible, ethical, and transparent use of artificial intelligence.

Download here
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Don't miss out on our Annual Art Law Conference 20 Don't miss out on our Annual Art Law Conference 2026 silent auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives. 

 Biding will end on May 27 at 5:30pm ET.

📚 Swipe to preview a selection of the books that will be available for purchase through the auction and follow the link in our bio to begin bidding! 

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit
Day 4 of ☀️school: from Brooklyn to Manhattan (and Day 4 of ☀️school: from Brooklyn to Manhattan (and back)
@brooklynmuseum @pacegallery
Running a nonprofit, art law or not, only looks gl Running a nonprofit, art law or not, only looks glamorous. Before our founder completes her metamorphosis from dewy-faced starlet to aging legend, consider supporting the Center by registering for our silent auction. Marion Davies photographs, artworks, books, and more await their next owners. 

Follow the link in our bio to begin bidding!
In last night's evening sale, Christie's successfu In last night's evening sale, Christie's successfully auction off Picasso's L'Atelier for $6.9 million. The painting was previously in art dealer Douglas Cooper's collection prior to it being stolen in 1974. It was later  found in Japan

The sale occurred as part of a settlement agreement reached between the current holder and the estate of Cooper's heir. Full title passed to the successful bider. 

🔗 Check out more information on the sale using the link in our bio!

#centerforartlaw #artlaw #legalresearch #artlawyer #lawyer #artcrime #picasso
Look! 2026 Art Law Summer School is in session! Look! 2026 Art Law Summer School is in session!
Today is the day! In conjunction with our Annual A Today is the day! In conjunction with our Annual Art Law Conference 2026 we are hosting a silent auction to support the Center’s ongoing research, programming, and dissemination of information and accessible resources in art and cultural property law. The auction will open 
for bidding tonight (May 15th) at 8:00 PM ET. 

Swipe to preview a selection of the artworks that will be available for purchase through the auction and follow the link in our bio to begin bidding!
New York is the World Capital of Art Law! We know, New York is the World Capital of Art Law! We know, we are experts and we have traveled far and wide. Brooklyn is its heart and we salute you from DUMBO and the Brooklyn Bridge, one and all, art law fans and friends! NYC is playing host to countless art and law experiences and encounters this month. We are pleased to share the wealth with our Summer School students come Monday, and we invite all of you to join us on the 27th of May for the Center's Annual Art Law Conference! 🥯 ☕🥂 

#RSVP #artlaw 🎨⚖️
Don’t miss our recent episode!! Andrea and Paris s Don’t miss our recent episode!! Andrea and Paris speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, they explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers.

🎙️ Click the link in our bio to listen anywhere you get your podcasts!
Yesterday marked the launch of our Art Law Film Se Yesterday marked the launch of our Art Law Film Series! 🎥

The first screening was warmly hosted as part of CineLöwenbraukunst at @lowenbraukunst.zurich, and made possible with the generous support of @prohelvetia and @migros_culture_funding. 

We were thrilled to screen the powerful documentary “Elephants & Squirrels” by director Gregor Brändli @gregor_braendli_3000, which follows Sri Lankan artist @deneth_piumakshi_vedaarachchig Deneth Piumakshi Veda Arachchige on her journey advocating for the restitution of cultural heritage from Swiss museums back to the Wanniyala-Aetto indigenous community in Sri Lanka.

The evening offered insightful discussions, highlighting thoughtful approaches to the complex multi-perspective issues of restitution and colonial legacies.

A big thank you to everyone who joined us in Zurich ❤️
Join the Center for Art Law for a discussion on th Join the Center for Art Law for a discussion on the current state of the Anti-Money Laundering Regulations, and how recent and upcoming changes affect art market participants and transactions.

The speakers will offer an update on the regulatory landscape in the United States, issues with enforcement of the AML provisions as well as discuss considerations for private sector on how to stay compliant and prevent money laundering. Finally, we will share the very latest insights we have gained about regulations and enforcement in the UK as they concern  art market participants.

This is your opportunity to learn about the new edition of the Center's AML study of regulations in the EU and other jurisdictions, brush up on the upcoming changes in the UK and the US to the due diligence requirements, and to ask questions.

The event is offered in conjunction with the 2026 Art Law Summer School. 

This event is in-person at Steptoe, New York @ 1114 Avenue of the Americas AND Online.

🎟️ Click the link in our bio to grab your tickets!

#artlaw #centerforartlaw #artlawyer #legalresearch #aml #artcrime #internationallaw
We hope you join us for our Annual Art Law Confere We hope you join us for our Annual Art Law Conference 2026 on May 27, 2026. You can join in-person at Brooklyn Law School or online via Zoom.

The 2026 conference will focus on copyright law as it relates to visual art, artificial intelligence, and the rapidly evolving legal landscape of the 21st century. The program will begin with a keynote address, followed by three substantive panels designed to build on one another throughout the afternoon. In addition, we will host a curated group of exhibitors featuring databases, legal tools, and technology platforms relevant to artists’ rights, copyright, and AI. The program will conclude with a reception, providing time for continued discussion, networking, and engagement among speakers, exhibitors, and attendees.

The opening panel will examine the current state of copyright law in the visual arts and the practical challenges facing artists, galleries, institutions, and practitioners. Subsequent panels will address artificial intelligence, recent legislative and regulatory developments, the role of the U.S. Copyright Office, and emerging questions around licensing, enforcement, and appropriation in a contemporary digital environment.

The conference convenes artists, attorneys, scholars, collectors, arts administrators, students, and policy professionals for in-depth and timely discussion, and will be accompanied by a silent auction and exhibitor networking opportunities. 

Closing Remarks by Lindsay Korotkin, Partner, ArentFox Schiff
Join us on May 27th at Brooklyn Law School for our Join us on May 27th at Brooklyn Law School for our Annual Art Law Conference 2026: What is Copy, Right? 

We are very excited to introduce you to the topic and speakers for Panel 3: Registration Is Dead? Long Live Licensing?

As copyright enforcement becomes more complex, this panel explores the evolving role of registration and the growing importance of licensing agreements in protecting creative works. Panelists will discuss how artists, rights holders, and legal practitioners navigate enforcement today, examining when registration still matters, how licensing structures are being used strategically, and what effective rights management looks like in a shifting legal and art market landscape.

Moderator: Carol J. Steinberg, Art, Copyright & Entertainment Law Attorney, Faculty, School of Visual Arts

Speakers: Janet Hicks, Vice President and Director of Licensing, Artists Rights Society; Yayoi Shionoiri, art lawyer and Vice President of External Affairs and General Counsel at Powerhouse Arts; Martin Cribbs, Intellectual Property Licensing Strategist

You can join us in-person or online! Grab your tickets using the link in our bio! 🎟️ 

#centerforartlaw #artlaw #copyrightregistration #copyrightlaw #copyrightlawandart
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law