• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Our articles image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Nahmad Sentenced to One Year in Prison After Folding His Cards
Back

Nahmad Sentenced to One Year in Prison After Folding His Cards

May 4, 2014

GALLERY-articleLarge
Helly Nahmad (center) leaves court last November.

By Mary Elizabeth Williams

On 30 April 2014, Helly Nahmad was sentenced to serve a year and a day in the Federal Correctional Institution at Otisville, New York, a long way from his $21.7 million Trump Tower apartment.

Nahmad pled guilty last November to operating a gambling business out of his Upper East Side gallery to launder money.  The terms of his plea were to return a Raoul Dufy painting worth $300,000, surrender $6.4 million, and to serve 12-18 months in jail.

Last week, Nahmad proposed to perform community service in exchange for jail time. In his pre-sentencing memo to Judge Jesse M. Furman, he suggested that this community service specifically include teaching underprivileged children art appreciation.  In his memo, he offered to “chaperone” visits to museums and to his gallery.

In a letter to Judge Furman, Nahmad wrote:

av-2319
Helly Nahmad offer to chaperone underprivileged children in museums in exchange for jail time. He was sentenced to one year and one day in jail on April 30.

“I think I can do much more good work if permitted to perform community service, especially if it involves teaching young people about art and art history….I do not have a great education in other subjects, but I really do know a lot about art and I think I could really reach young people in a good way and hopefully introduce them to a world they might not otherwise visit.”

Judge Furman, reportedly “stunned” by the Nahmad’s request, replied: “to sentence him to something he professes to love and allow his family’s wealth to bail him out would not be punishment. It would not promote respect for the law, it would breed contempt for the law.”

After Furman’s sentencing, Nahmad’s lawyer Benjamin Brafman, told the press, “We’re obviously disappointed. Seeing a man like Helly go to jail for any amount of time breaks my heart.”

For background on Nahmad’s saga see our previous coverage: Helly Nahmad, Heir of Controversial Art Dealing Scheme, Indicted in International Money Laundering and Gambling Scheme (April 21, 2013); Update: Helly Nahmad Keeps a Low Profile in the Weeks Following Indictment (May 24, 2013); Update: Two New Guilty Pleas in Ongoing Helly Nahmad Gambling Ring Case (September 9, 2013).

Sources: DNAInfo, Artnet News, Bloomberg

About the Author: Mary Elizabeth Williams specializations include intellectual property, VARA claims and litigation, and artist estates.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous Interns in the Arts
Next The Race for a Tax Break: How Buyers Circumvent ‘Use Taxes’ on Art

Related Art Law Articles

Screen shot from Google scholar of different Warhol cases
Art lawCase ReviewArt Law

Degrees of Transformation: Andy Warhol’s 102 minutes of fame before the Supreme Court

November 17, 2022
Art lawArt Law

“Outsider Artists” and Inheritance Law: What Happens to an Artist’s Work When They Die Without a Will?

November 11, 2022
Art lawCase ReviewArt LawCase Review

Case Review: US v. Philbrick (2022)

November 7, 2022
Center for Art Law
August 2026 Summer Promo (1)

Get your leg up on art law

Just in time for 2026-2027

Become a member and access unlimited articles, our Case Law Database, event archives, and exclusive member pricing on all upcoming events.

Learn MORE
Immigration Guide for Artists 2026 Cover Page

Immigration Guide for Artists

Check out the 2026 overview of U.S. immigration pathways available to artists.

Learn MORE
Center for Art Law

Follow us on Instagram for the latest in Art Law!

Recently our intern Hannah Gadway was able to go t Recently our intern Hannah Gadway was able to go to the Beaverbrook Art Gallery in New Brunswick. This gallery was included in a law suit between Lord Beaverbrook's Estate and a foundation he had established during his life. 

📚 See more about this case using the link in our bio!

#centerforartlaw #artlaw #artresearch #estates #artist #foundation #gallery
Two sculptures have finally returned to Santiago d Two sculptures have finally returned to Santiago de Compostela after seventy-two years.

Our recent article examines the Spanish Supreme Court's decision to return the Abraham and Isaac sculptures to Santiago de Compostela, and the pivotal role that object identification played in resolving the dispute.

📚 Click the link in our bio to read the complete article by Lucas Güimil Valdés!

#centerforartlaw #artlawyer #artlaw #culturalheritage #restitution #provenanceresearch #spain #culturalproperty
Our recent article revisits Professor Matthias Wel Our recent article revisits Professor Matthias Weller's presentation introducing Germany's new Court of Arbitration for Nazi-Looted Cultural Property. It explores how the new tribunal differs from the former Limbach Commission and what its procedures, jurisdiction, and binding decisions could mean for future restitution claims.

📚 Read the full article by Savannah Weiler and Amanda Buonaiuto at the link in our bio!

#centerforartlaw #artlawyer #artlaw #culturalproperty #nazilootedart #restitution #provenanceresearch #culturalheritage #alternativedisputeresolution
It’s August 🔥 Think Art Law. World Cap 2026 is ove It’s August 🔥 Think Art Law. World Cap 2026 is over. For us it will be remembered for Haaland Memes and $25 MILLION lawsuit filed by environmental artist Robert Wyland against FIFA for painting over the iconic 1999 downtown Dallas mural, Whaling Wall 82.* Summer Internships at the Center are winding down. Oh the places we have been together (from UN to MoMA across the US, Canada and the UK). The 2025-2026 Judith Bresler Fellowship is complete and how! and our new fellow is eager to hit the ground running.

As we move into the final stretch of summer, the reality sets in: little and big fires are everywhere and juggling so many balls or making sense of the everyday is getting increasingly impossible. But before we collapse into off-season, we want to thank you for being part of our community. Whether you were here in person, joining us online, or thinking about art and the law from afar, we can’t wait to see what you’ll create, challenge, and defend come fall. Our complements and heartfelt thanks to our Summer Team for everything they’ve accomplished over these months and invested in our future: for staying on track, for research and rigorous work on articles and databases, for genuine team building, and for pushing all of us to grow. And here’s what we’ve learned: when the real world gets too much, look at art. Play ball. Have a hydration break. These are necessities that keep us sane and running overtime. 

📚 Read the full newsletter and become a subscriber using the link in our bio!

#centerforartlaw #artlaw #legalresearch #legal artlawyer
What inspires a career in art and cultural propert What inspires a career in art and cultural property law?

In our latest interview, Professor Matthias Weller shares how his academic and professional journey led him to become one of the leading voices in the restitution field. He also discusses Germany's new Court of Arbitration for Nazi-Looted Cultural Property and what this landmark development could mean for the future of restitution.

📚 Read the full interview using the link in our bio! 

#centerforartlaw #artlaw #legalreserach #legal #art #lawyer #restitution #artcrime #arbitration #germany
ART × LAW INTENSIVE 2026 - the countdown begins! S ART × LAW INTENSIVE 2026 - the countdown begins!
See you in Zurich in September ✨

The response to our inaugural edition has exceeded all expectations, with applications received from around the world. Thank you to everyone who applied! We look forward to welcoming our first cohort of participants very soon.

Sessions will take place across some of Switzerland’s leading institutions, including ZHdK, the University of Zurich, Kunsthaus Zurich, Swiss Re, Homburger, and more. This year’s faculty will be announced in the upcoming posts. 

From copyright and AI to provenance, restitution, dispute resolution, and the future of collecting, the ART × LAW INTENSIVE 2026 brings together the people shaping the future of the art world. Excited! 

 
Photos: 1. “Zardoz” by Monster Chetwynd, the garden of Kunsthaus Zurich. 2. Tram stop of Museum Rietberg. 3. Picnic spot in Belvoirpark. 4. The roofs of Rämistrasse. 5. The drone view over Bellevueplatz.
Major changes to restitution law are underway on b Major changes to restitution law are underway on both sides of the Atlantic.

Recent developments in the United States and the United Kingdom could reshape how Nazi-looted art claims are resolved. Our latest article breaks down the proposed amendments to the U.S. HEAR Act, changes to the U.K.'s Charities Act, and why alternative dispute resolution is becoming an increasingly important part of the conversation.

📚 Read the full article by Marina Rastorfer at the link in our bio!

#centerforartlaw #artlawyer #artlaw #nazilootedart #restitution #provenanceresearch #culturalheritage #museumlaw
The Center for Art Law takes on the MoMA! Our te The Center for Art Law takes on the MoMA! 

Our team recently spent the day exploring one of New York City's iconic museums. Our highlights included the Marcel Duchamp retrospective (on view through August 22) and American Folk Art: Revisiting the Collection of Abby Aldrich Rockefeller (through August 9).

Experiencing art in person is an invaluable complement to our work in art law. Whether exploring questions of ownership, AI, preservation, museum policy, and much more, we believe engaging directly with art is an essential part of the conversation.

Be sure to visit MoMA's current exhibitions and outstanding permanent collection. Or spend some time at your local museum, gallery, or community arts event this summer! ☀️

#centerforartlaw #artlaw #MoMA
Facing financial challenges, the Metropolitan Oper Facing financial challenges, the Metropolitan Opera has proposed a potential sale of its Marc Chagall’s murals.

In her article, Halle O’Hern explores how cultural institutions are turning to creative financial strategies, including art-backed loans and shared ownership models. 

📚 Read the full article at the link in our bio! 

#ArtLaw #CulturalHeritage #ArtFinance #MuseumLaw #MarcChagall #MetOpera
In a world shaped by smartphones, metaglasses, and In a world shaped by smartphones, metaglasses, and AI, what should be considered acceptable when images can be captured and shared so widely?

In 2015, Martha and Matthew Foster sued photographer Arne Svenson, who had spent the previous year taking photographs of them inside their home through their windows, without their knowledge. The court ultimately ruled in the photographer’s favor, citing his right to artistic expression.

In this episode of Art in Brief, Andrea and Paris are joined by Cathy Kaplan—lawyer, professor, and chair of the boards of Yale art gallery and Aperture, as well as the Whitney photography committee—to discuss the questions this case raises about privacy, consent, artistic freedom, and commercial use. 

🎙️ Listen to the full episode using the link in our bio!!

#centerforartlaw #artlaw #legalresearch #privacylaw #artlawyer #lawyer #podcast #newepisode
https://itsartlaw.org/art-law/the-dorville-case-a- https://itsartlaw.org/art-law/the-dorville-case-a-judicial-turn-facilitating-the-restitution-of-artworks-acquired-during-the-french-occupation/ 

A landmark decision from France's highest court could reshape the future of Holocaust-era art restitution.

Our latest article examines the Dorville case, in which the Cour de Cassation adopted a broader interpretation of France's postwar restitution laws. The decision may have far-reaching implications for museums, collectors, and future restitution claims.

📚 Read the full article by Alexandra Kharchenko at the link in our bio! 

#centerforartlaw #artlawyer #artlaw #nazilootedart #restitution #provenanceresearch #culturalheritage #museumlaw #Frenchlaw
Federal funding has long played a role in supporti Federal funding has long played a role in supporting America's cultural institutions. Recent policy changes, however, are changing that. 

Our recent article by Lauren Stein analyzes the legal and economic impact of federal arts funding reductions. Stein highlights how executive action, litigation, and budgetary decisions are affecting museums, nonprofit arts organizations, and the broader creative sector.

📚 Read the full article at the link in our bio! 

#centerforartlaw #artlawyer #artlaw #federalfunding #culturalheritage #museumlaw
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law
Loading Comments...

You must be logged in to post a comment.