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Home image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Restitution Interrupted: Controversy Over the Polish Law on Nazi-Looted Property
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Restitution Interrupted: Controversy Over the Polish Law on Nazi-Looted Property

July 16, 2025

center for art law new polish law article restitution nazi looted property

By Jagna Schmude

During World War II, more than 600,000 artworks were looted from Jewish families.[1] To this day, over 100,000 remain in public and private collections and have not been returned to their rightful owners.[2] Since the late 1990s, international frameworks have pushed for global efforts to return looted art. However, the introduction of statutes of limitations by national legislatures poses a serious threat to these efforts. In 2021, Poland introduced such a law. Given the country’s history and looting that took place on the territory of present-day Poland, this statute of limitations represents a massive step backwards in the global art restitution movement.

A Brief History of the Restitution Problem

After the War, the Polish Jewish community had become almost extinct. Approximately 90% of Polish Jews, more than 3 million people, were murdered by the Nazis during the Holocaust and their properties, real and personal, were confiscated. Of those who survived, another 90% left Poland.[3] The persecution combined with the fact that the descendants of Polish Jews no longer live in Poland, created significant barriers to make art restitution claims. It is logical that Poland, once a home to one of the largest Jewish communities in the world, would face a significantly larger amount of claims to Nazi-looted art than others. Yet Polish law currently does not reflect the level of protection needed to ensure effective restitution.

Poland has never made it easy for Polish Jews to file restitution claims, especially when it comes to land. After the War, the Communist government that came to power nationalized all land in Warsaw through the Bierut Decree.[4] However, even after the fall of Communism in 1989, Polish Jews and their descendants have continued to fight for restitution of property – both land and art. To this day no Polish government since the democratization has passed a land restitution law, making it an outlier among the European Union member states.[5] In comparison, Latvia in 1992 introduced the Law on Restitution of Property to Religious Organizations[6] and in 1997 Lithuania similarly introduced the Law on the Restoration of the Rights of Ownership of Citizens to the Existing Real Property[7] which allowed heirs of Lithuanian Jews to recover seized property.

The restitution debate does not happen in a social or legal vacuum. Since 2015, Poland has undergone a shift from a liberal democracy toward populist autocracy following the election of the populist right wing Law and Justice (PiS) party. The status of Poland has declined from “consolidated democracy” to a “semi-consolidated democracy,”[8] marked by a trend of removing checks and balances on the executive branch.[9] In 2024 the centrist opposition party, Civic Platform, took power and formed a government headed by former Prime Minister and President of the European Council, Donald Tusk.[10] As of 2025, it is still difficult to determine the effects that changes in democracy have had on restitution efforts, but it should be noted that both PiS and the Civic Platform governments avoid the restitution issue.[11] In June of this year, Karol Nawrocki, a prominent nationalist historian, backed by the PiS party, won the Polish presidential election.[12] Given that the previous president was also backed by the nationalist party and was responsible for approving the new statute of limitations, the future does not look promising for Nazi-era looted art restitution.

The Amendment to the Code of Administrative Proceedings

In 2021, President Andrzej Duda signed an amendment to the Polish Code of Administrative Proceedings.[13] The new law reduces the statute of limitations for all challenges to allegedly stolen property (including art) and allows claims to be brought only up to 30 years after the theft. This law mirrors those of other EU countries; however, several of them have passed amendments to exempt Nazi-era looting from the main framework. For example, France in 2023 passed a law which allows institutions to return items of property stolen between 1933 and 1945 to the heirs without the need for individual laws to be created for each case.[14] All done in hope to streamline the restitution of Nazi-looted art. The new Polish law entered into force on August 15, 2021. As emphasised by Professor Wojciech Chróścielewski, the Head of the Department of Polish Administrative Procedure at the University of Łódź, the amendment could invalidate decisions that are already in progress.[15] To the best of the knowledge of this author, no concrete examples and applications of the law have been made public.

The Polish government’s official justification is to bolster legal certainty in the property market. In the official statement, Duda claimed that with his signature approving the law the “era of legal chaos ends” which had brought “uncertainty for millions of Poles, and a lack of respect for the most fundamental rights of citizens of our country.”[16] He denied accusations of antisemitism by insisting that he was “opposed to associating this act with the Holocaust” and reaffirms Poland’s role as the guardian of memory of the victims of Nazi crimes against Jews.

“A Slap in the Face”: International Response

The law has sparked widespread controversy on the international stage. Israel openly opposed the amendment. Former Prime Minister of Israel, Naftali Bennett, condemned the law as “shameful” with the former Foreign Minister Yair Lapid calling the law “antisemitic and immoral”.[17] World Jewish Congress President Ronald S. Lauder strongly condemned the law by describing it as a “slap in the face to what remains of Polish Jewry and survivors of Nazi brutality,”[18] and warned that it set a very bad precedent for international efforts to help heirs of Holocaust victims seek justice.

In 1998, over 40 countries including Poland endorsed the Washington Principles[19] which aimed to speed up the global restitution efforts for Nazi-looted art. The biggest drawback is that the principles are non-binding. As a result, many heirs have not received the justice they seek, and many lawsuits continue to drag on. Following the enactment of the new Polish amendment, Stuart Eizenstat, an adviser to the U.S. State Department, emphasized that Poland lags behind global efforts to return looted art and uphold the Principles..[20] When the law came into effect, art lawyer Frank Lord told Artnet News that “it is clear that Poland is trying to block claims and that its actions are in violation of the principles that were espoused at the Washington Conference.”[21] Łukasz Bernatowicz, a Polish lawyer representing claimants in restitution cases, called the law “scandalous” as it could lead to thousands of cases being dismissed.[22] The victims already face obstacles when restoring looted art such as lack of documentation, high evidentiary burdens and significant financial and legal costs. Since, 2021 the Polish courts are not even hearing these claims. In an interview with The Art Newspaper, Nicholas O’Donnell, an attorney at the international law firm Sullivan & Worcester, summarized these comments by stating that the law “will do exactly as it is intended: to make what is already very hard nearly impossible.”[23]

Statutes of limitations around the world

In the past, legal limitations on Nazi-looted art claims have been revoked after understanding their detrimental effects on justice. The UK Holocaust (Return of Cultural Objects) Act 2009[24] originally included a sunset clause (section 4 (7) ), making the Act expire in 10 years since its adoption. When introducing the Bill repealing the clause, Theresa Villiers, a Conservative Member of the UK Parliament, highlighted that “institutions have done extensive work to check the origins and history of everything in their collections, but the task can probably never be fully and finally completed”.[25] There may never be access to all the information necessary to fully restitute all art-related claims. They have no natural end point as evidence is almost impossible to obtain and may never be. In contrast with the Polish law, the debate in the House of Lords reflects a broader consensus in the UK that imposing strict timelines on justice is unjust and arbitrary.

Recently, the United States appears to be following the lead of the UK legislature. On May 22, 2025, U.S. Senator John Cornyn (R-TX), among others, introduced the Holocaust Expropriated Art Recovery Act of 2025[26], which seeks to amend the Holocaust Expropriated Art Recovery (HEAR) Act of 2016.[27] The key problem of the original Act was its expiration date: heirs and families of victims could no longer bring claims under the Act past 31, December 2026. The 2025 HEAR Act Reform eliminates that sunset clause. According to Senator Cornyn, the bill aims to “ensure that claims are considered on their merits and not dismissed due to time-based technical defenses or other non-merits discretionary defenses.”[28] In the Art Law Report, O’Donnell highlighted that “the bill is an important step in Holocaust-era art claims and should be passed.”[29] The proposed law stands in stark contrast to the Polish law, and aims to reinforce the United States’ ongoing commitments under 1998 Washington Principles and 2009 Terezin Declaration to facilitate global efforts for restitution of Nazi-looted art.

Conclusion

In his Nobel Peace Prize lecture, Elie Wiesel stated that “remembering is a necessary and noble act.”[30] Israel’s former Foreign Ministry spokesman, Lior Hayat, emphasized that the new Polish law “is absolutely not about money, it’s about memory and responsibility.”[31] Rather than limiting restitution of Nazi-looted art, the sentiment in response to Poland’s statute of limitations is that greater efforts should be made to focus on making these claim processes easier and more accessible. It is the only way to help redress the wrongs of the past.

Suggested Readings:

  • Ewa Manikowska, The Washington Principles à rebours: Explaining Poland’s Current Restitution Policy, Int’l J. Cultural Prop. Vol. 30, Issue 1, at 42–61 (Feb. 2023), https://doi.org/10.1017/S094073912300005X.
  • Sarah Cohen, Confronting Cultural Crimes: The Ongoing Battles to Restitute Nazi‑Looted Art, Berkeley J. Int’l L. Blog (July 2021)
  • Thérèse O’Donnell, The Restitution of Holocaust‑Looted Art and Transitional Justice: The Perfect Storm or the Raft of the Medusa?, 22 Eur. J. Int’l L. 49 (2011), https://doi.org/10.1093/ejil/chr004.

About the Author:

Jagna Schmude is an LLB student at the London School of Economics where she focuses on art law, cultural heritage, and intellectual property law. Her academic interests include Nazi-looted art restitution and regulation of fakes and forgeries in the art market. She is currently a legal intern (Summer 2025) at the Center for Art Law.

References:

  1. Holocaust‑Era Looted Cultural Property: A Current Worldwide Overview (Claims Conference–World Jewish Restitution Organization, Mar. 4, 2024), https://art.claimscon.org/wp-content/uploads/2024/03/4-March-2024-Holocaust-Era-Looted-Cultural-Property-A-Current-Worldwide-Overview.pdf. ↑
  2. Ibid. ↑
  3. Donald L. Niewyk & Francis R. Nicosia, The Columbia Guide to the Holocaust (Columbia Univ. Press 2003). ↑
  4. Dekret z dnia 26 października 1945 r. o własności i użytkowaniu gruntów na obszarze m. st. Warszawy, Dz.U. 1945 nr 50, poz. 279 (Pol.). ↑
  5. U.S. Mission in Poland, JUST Act Report – Poland, U.S. Embassy & Consulate in Poland. (July 29, 2020), https://pl.usembassy.gov/just_act_report_poland/. ↑
  6. The World Jewish Restitution Organization, Restitution by Country: Latvia, WJRO, (last visited June 19, 2025) https://wjro.org.il/our-work/restitution-by-country/latvia/. ↑
  7. The World Jewish Restitution Organization, Restitution by Country: Lithuania, WJRO (last visited June 20, 2025), https://wjro.org.il/our-work/restitution-by-country/lithuania/. ↑
  8. Poland: Nations in Transit 2022 Country Report, Freedom House (2022), https://freedomhouse.org/country/poland/nations-transit/2022. ↑
  9. See: Supreme Court’s Disciplinary Chamber Is Not a Lawful Tribunal Due to Political Interference, Int’l Comm’n of Jurists (July 2021), https://www.icj.org/resource/poland-supreme-courts-disciplinary-chamber-is-not-a-lawful-tribunal-due-to-political-interference-says-european-court-of-human-rights/ ↑
  10. Poland Election Results: Opposition Secures Win, Final Count Shows, Politico (Oct. 17, 2023), https://www.politico.eu/article/poland-election-results-opposition-donald-tusk-wins-final-count-civic-platform-pis/. ↑
  11. Omri Levin, On Political Grounds: A Forward‑Looking Argument for Property Restitution in Poland, 44 Contemp. Jewry 683 (2024), https://doi.org/10.1007/s12397-024-09589-z. ↑
  12. Jan Cienski, Liberal Rafał Trzaskowski Faces Uphill Battle in Polish Presidential Election, Politico (June 26, 2020), https://www.politico.eu/article/liberal-rafal-trzaskowski-presidential-election-poland-donald-tusk-pis/. ↑
  13. Ustawa z dnia 11 sierpnia 2021 r. o zmianie ustawy – Kodeks postępowania administracyjnego, Dz.U. 2021, poz. 1491 (Pol.). ↑
  14. James Ratcliffe, France passes law allowing museums to return Nazi‑looted art, Apollo Magazine (June 30, 2023), https://apollo‑magazine.com/news‑nazi‑looted‑art‑restitution‑france/. ↑
  15. Katarzyna Żaczkiewicz‑Zborska, Umarzanie bezprawnych decyzji w toku nie jest słuszne, Prawo.pl (June 2, 2023), https://www.prawo.pl/samorzad/umarzanie-bezprawnych-decyzji-w-toku-nie-jest-sluszne%2C518109.html. ↑
  16. President of the Republic of Poland, “I Have Decided to Sign into Law the Amendment to the Code of Administrative Proceedings,” (Aug. 14, 2021), https://www.president.pl/news/president-i-have-decided-to-sign-into-law-the-amendment-to-the-code-of-administrative-proceedings,37213. ↑
  17. Lazar Berman, ‘Outraged’ Poland Rejects Israel’s Accusation Restitution Law Is Antisemitic, Times of Israel (Aug. 15, 2021, 2:29 AM), https://www.timesofisrael.com/outraged-poland-rejects-israels-accusation-restitution-law-is-antisemitic/. ↑
  18. World Jewish Congress, “World Jewish Congress president Ronald S. Lauder strongly condemns Polish draft law blocking restitution to Nazi victims,” (June 25, 2021), https://www.worldjewishcongress.org/en/news/world-jewish-congress-president-ronald-s-lauder-strongly-condemns-polish-draft-law-blocking-restitution-to-nazi-victims. ↑
  19. Commission for Looted Art in Europe, Washington Conference Principles on Nazi‑Confiscated Art (Dec. 3, 1998), https://www.lootedartcommission.com/Washington‑principles. ↑
  20. William D. Cohan, Five Countries Slow to Address Nazi‑Looted Art, U.S. Expert Says, N.Y. Times (Nov. 26, 2018), https://www.nytimes.com/2018/11/26/arts/design/five-countries-slow-to-address-nazi-looted-art-us-expert-says.html. ↑
  21. Sarah Cascone, A New Polish Law Will Make It Practically Impossible to Pursue Restitution Claims for Nazi‑Looted Artworks, Artnet News (Aug. 16, 2021), https://news.artnet.com/art-world/polish-restitution-law-nazi-looted-art-1999351. ↑
  22. Zosia Wanat, Poland’s Restitution Law Sparks Row With Israel and the U.S., Politico Europe (Aug. 13, 2021), https://www.politico.eu/article/poland-parliament-restitution-law-property-compensation-nazi-communists/. ↑
  23. Catherine Hickley, ‘Slap in the Face’: Poland Passes Law Effectively Blocking Holocaust-Era Art Restitutions, The Art Newspaper (Aug. 16, 2021), https://www.theartnewspaper.com/2021/08/16/slap-in-the-face-poland-passes-law-effectively-blocking-holocaust-era-art-restitutions. ↑
  24. Holocaust (Return of Cultural Objects) Act 2009, 2009 c. 16 (U.K.). ↑
  25. Holocaust (Return of Cultural Objects) (Amendment) Bill (UK), H.C. Deb. 8 Feb. 2019, (U.K.). ↑
  26. S. 1884, Holocaust Expropriated Art Recovery Act of 2025, 119th Cong. (May 22, 2025). ↑
  27. Holocaust Expropriated Art Recovery Act of 2016, Pub. L. No. 114‑308, 130 Stat. 1524 (2016). ↑
  28. U.S. Senate, Cornyn, Blumenthal, Colleagues Introduce Bill to Aid Recovery of Nazi‑Confiscated Art (May 27, 2025), https://www.cornyn.senate.gov/news/cornyn-blumenthal-colleagues-introduce-bill-to-aid-recovery-of-nazi-confiscated-art/. ↑
  29. Nicholas M. O’Donnell, Holocaust Expropriated Art Recovery Act of 2025 Would Extend Prior Law on Nazi‑Era Art Claims, Overrule Supreme Court on Sovereign Immunity (May 23, 2025), Art Law Report (Sullivan & Worcester LLP), https://blog.sullivanlaw.com/artlawreport/holocaust-expropriated-art-recovery-act-of-2025-would-extend-prior-law-on-nazi-era-art-claims-overrule-supreme-court-on-sovereign-immunity ↑
  30. Elie Wiesel, Hope, Despair and Memory (Nobel Peace Prize Lecture, Dec. 11, 1986), https://www.nobelprize.org/prizes/peace/1986/wiesel/lecture/. ↑
  31. Lazar Berman, Lapid Slams Poland’s “Antisemitic Threats,” Casts Warsaw as Anti‑Democratic, Times of Israel (Aug. 15, 2021), https://www.timesofisrael.com/lapid-slams-polands-antisemitic-threats-casts-warsaw-as-anti-democratic/ ↑

 

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

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#ArtLaw #CulturalHeritage #Restitution #Repatriation #Zurich #FilmScreening #ColonialHistory #MuseumEthics 

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Join us on May 27th at Brooklyn Law School for our Join us on May 27th at Brooklyn Law School for our Annual Art Law Conference 2026: What is Copy, Right? 

We are very excited to introduce you to the topic and speakers for, Panel 1: So Inappropriate — Lessons About Copyright Law and Art: First There Was Art, Then Copyright, Then Fair Use… and Now AI?

From early copyright doctrines to contemporary fair use debates, this panel examines how artists and lawyers have navigated questions of ownership, appropriation, and originality in visual art. Panelists will explore key developments in copyright law affecting traditional artistic practices, from borrowing and remixing to transformative use, while also considering how emerging technologies, including AI, are beginning to reshape long‑standing legal frameworks and artistic norms.

Moderator: Irina Tarsis, Founder, Center for Art Law
Speakers: Vivek Jayaram, Founder, Jayaram Law; Vincent Wilcke, Pace Gallery; Greg Allen, Artist and writer 

Reserve your tickets using the link in our bio or by visiting our website itsartlaw.org 🎟️ 
See you soon!
Next stop: Venice. The 61st Biennale has been maki Next stop: Venice. The 61st Biennale has been making waves and headlines for weeks and the doors have not even opened yet. The jury refused to award prizes and resigned nine days before the opening over geopolitical controversies. Some artists boycott while others show up even if unwelcome. Some pavilions will be empty, some will not be open to the public… Sources of funds, sources of inspiration, so many questions, so much on display for critical eyes. Meanwhile the boats are waiting for anyone lucky enough to find themselves in the floating world.

Help us reflect on the Biennale by sharing your art law stories.

#ArtLaw #Venice #Biennale2026 #ArtWorld #BiennaleofDissent #LaSerenissima #GoldenLion #SeeArtThinkArtLaw
Center for Art Law is very pleased to welcome Prof Center for Art Law is very pleased to welcome Professor Ben Zhao as the Keynote Speaker for our Annual Art Law Conference 2026! 

Ben Zhao is the Neubauer Professor of Computer Science at the University of Chicago where he, and a team of researchers at the university, developed NightShade & Glaze, two data-poisoning tools which protects artists' work from being scraped for AI data training. 

Professor Zhao will discuss tools, such as NightShade, which can assist in defending art in the age of AI. 

The 2026 conference will focus on copyright law as it relates to visual art, artificial intelligence, and the rapidly evolving legal landscape of the 21st century. The program will begin with Professor Zhao's keynote address, followed by three substantive panels designed to build on one another throughout the afternoon. In addition, we will host a curated group of exhibitors featuring databases, legal tools, and technology platforms relevant to artists’ rights, copyright, and AI. The program will conclude with a reception, providing time for continued discussion, networking, and engagement among speakers, exhibitors, and attendees. 

We hope you join us! Reserve your tickets now using the link in our bio 🎟️ 

#centerforartlaw #artlaw #copyrightlaw
A huge thank you to our hosts and incredible speak A huge thank you to our hosts and incredible speakers who made this London panel discussion truly special! 🙏✨ 🇬🇧 🇺🇦 

We were so fortunate to hear from:

🎤 Rakhi Talwar | RTalwar Compliance
🎤 Raminta Dereskeviciute | McDermott Will & Schulte
🎤 Daryna Pidhorna, Lawyer & Analyst | The Raphael Lemkin Society
🎤 Timothy Kompancheko | Bernard, Inc.
🎤 Yuliia Hnat | Museum of Contemporary Art NGO
🎤 Irina Tarsis | Center for Art Law

Your insights, expertise, and passion made this a conversation we won't forget. Thank you for sharing your time and knowledge with us! 💫

Bottom Line: the art market has power and responsibility. Our panel "Art, Money, and the Law: Sanctions & AML Enforcement in 2026" tackled the hard questions around money laundering, sanctions compliance, and what's at stake for art market participants in today's regulatory landscape.

⚠️ Regulators are watching and "history has it's eyes on you..." too We don't have to navigate the legal waters alone. Let's keep the conversation going.

What was your biggest takeaway? 

#ArtLaw #AMLCompliance #Sanctions #ArtMarket #ArtAndMoney #Enforcement2026
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