• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Art law image/svg+xml 2021 Timothée Giet Rights: Investigating and Prosecuting Kleptocracy in Malaysia
Back

Rights: Investigating and Prosecuting Kleptocracy in Malaysia

February 27, 2018

By Khamal Patterson

942. Misappropriating public funds by a public official is a criminal offense under Malaysian law, as enumerated by the Penal Code of Malaysia, including but not limited to sections 403 (dishonest misappropriation of property), 405 (criminal breach of trust), 409 (criminal breach of trust by public servant or agent), 166 (Public servant disobeying a direction of the law, with intent to cause injury to any person (including a company)), 415 (cheating), 418 (cheating with knowledge that wrongful loss may be thereby caused to a person whose interest the offender is bound to protect), and 420 (cheating and dishonestly inducing delivery of property); and the Malaysian AntiCorruption Act 2009, including sections 16, 17, and 23. (Forfeiture Complaint, June 15, 2017).

 

In 2016 and 2017, the United States Department of Justice (“DOJ”) filed civil forfeiture actions against Certain Rights to and Interest in the Viceroy Hotel Group, believed to be owned by the Malaysian Prime Minister Najib Razak, after connecting several of his assets to $1.5 billion missing from Malaysia’s state-owned 1 Malaysia Development Berhad (“1MDB”). The most notable assets are three masterpieces: Nympheas avec Reflets de Hautes Herbes (1917) and Saint-Georges Majeur (1912) by Claude Monet and La Maison de Vincent à Arles (1888) by Vincent van Gogh. The Kleptocracy Initiative of the DOJ led the prosecution effort. Its partners in Switzerland have already moved to seize Razak’s assets there, including the masterpieces. This was the largest seizure action the DOJ’s anti-corruption unit has undertaken.  The DOJ’s complaint follows transactions and activities regarding 1MDB and its management from the fund’s founding in 2009 to 2014.   

Screen Shot 2018-02-27 at 2.16.45 PM

The DOJ has scrutinized multiple assets, including bond offerings from Goldman Sachs to accounts associated with Razak because activities that could be categorized as money laundering began almost as soon as the ink was dry on these bond agreements. David Honig, in his article “No Secrets About Money Laundering,” describes money laundering as “the process by which money obtained through ill-means is “cleansed” and made to appear legitimately obtained. In this case, money from 1MDB bonds was transferred to receiving accounts, but receiving accounts would receive funds only after funds were transferred through accounts controlled or managed by a conspirator that diverted funds further or made purchases.

In 2012, Goldman Sachs arranged for two separate bond offerings totaling $3.5 billion. The first bond offering was for $1 billion, and the second was for $2.5 billion. A third bond offering was arranged in March 2013 for $3 billion of which 1.26 billion was infamously diverted to a company controlled by a close financier associate of Prime Minister Razak. These funds were used to purchase property, paintings, and pleasure or were wired to various accounts. Bond guarantor Al-Qubaisi  received nearly half a million dollars in his company account from an account that had received proceeds siphoned from the $1 billion bond offering. Funds from this offering were quickly diverted to Prime Minister Razak and his associates. Riza Aziz, the Prime Minister’s stepson, received $1.4 billion. Aziz owns Red Granite Capital, which financed the production of The Wolf of Wall Street (2013).

Though the DOJ action does not name Prime Minister Razak specifically, it can be reasonably inferred that the figure identified as “1MDB Official 1” is indeed Prime Minister Razak. The complaint states, “MALAYSIAN OFFICIAL 1 is a high-ranking official in the Malaysian government who also held a position of authority with 1MDB”.  The document goes on to say that “1MDB Official 1” was a public servant at all times relevant to the complaint. Razak’s status as Prime Minister and the timeline of his actions all lend credibility to the belief that he is the unidentified “1MDB Official 1.” As of January 19, 2018, Prime Minister Razak is still in office. There is a burgeoning interest in the offshore financial district of Labuan, and an eager Razak recently announced plans to develop infrastructure there for tourism and high class-recreation. Razak’s recent financial projects are part of his continuing response to the crash of the vital local oil and gas economy a few years ago, and diversifying Labuan’s economy is the grand centerpiece of his plan.

Malaysia purchased an American energy company holding Southeast Asian assets, and the new Malaysian state entity was incorporated in Labuan in 2014. This entity, 1MDB Energy Limited, has also been connected to the billions stolen from 1MDB in 2013. Razak’s diversification of the Malaysian economy is crucial especially after 1MDB defaulted on a series of bonds that affected the country’s sovereign debt and currency in April 2016. 

Authorities were also investigating several others in connection to the missing money from the sovereign development fund. One is Khadem al-Qubaisi, the Emirati financial benefactor to the Razak family. Another is Riza Aziz whose film, The Wolf of Wall Street (2013), earned immense profits that are now subject to seizure by American authorities. Additionally, the DOJ is investigating Malaysian businessman Jho Low, a Singaporean financier, international art connoisseur, and power player with Prime Minister Razak’s ear.

Low arranged for the purchase of several works of art for himself and Prime Minister Razak with funds diverted from 1MDB. As the Wall Street Journal reported “Mr. Low was deeply involved in 1MDB from the start and was central to the alleged fraud.” Though Low’s ownership is in still dispute, Low was linked to company called Good Star Limited that misappropriated $400 million from 1MDB into the United States for the leisure of Low and his partners.

Low was alleged to have controlled three companies managed by his associate Eric Tan that diverted 1MDB funds to purchase works of art and jewelry: Tanore Finance Corporation, Affinity Equity Partners, and Midhurst  Low also had access to an account at Blackstone Asia Real Estate Partners beneficially owned by Eric Tan. Tan’s Blackstone account received $1.1 billion from 1MDB, and proceeds from this account were transferred to officials at 1MDB, investment funds, Khadem al-Qubaisi, and individual accounts.  Tan’s company Affinity Equity International Partners Limited then diverted funds through Low-controlled accounts to an account strongly believed to belong to Prime Minister Razak.

According to the DOJ complaint, in January 2013, Low transferred $25,000,000 million from his personal account to a corporate account he controlled. From this corporate account, Low transferred the $25,000,000 million to an account at Affinity Equity International Partners Limited. $3,380,0000 million from the Affinity Equity account was sent to an account at Platinum Global owned by Eric Tan. $3,200,000 million for the Platinum Global account was disbursed to pay an art dealer in Monaco for a Picasso. Eric Tan later had the Picasso presented to American actor Leonardo DiCaprio as a belated birthday gift with a friendly handwritten note signed with Tan’s initials “TKL. This is just one scheme that the pair ran to launder money through lavish gifts of fine art. Low and Tan together ran Tanore Finance Corporation which also received $1 billion diverted from 1MDB.  Through Tanore, the pair engaged in what art reporter Eileen Kinsella demonstrates was “straightforward” money laundering using fine art purchases.

In November 2013, Artnet reported that “Eric Tan reportedly asked for a Christie’s skybox with enough seating for 12 people, for sales on November 5 and 12, respectively.” Low attended one of Christie’s auction with Mr. Aziz. Tan demanded that a Christie’s employee email a colleague about the venue’s ambiance before a big auction. Low waned assurance that the accommodations were grandiose and insisted that “[i]t better look like Caesar Palace [sic] . . . The box is almost more important for the client than the art . . . . ” On the night of the auction, Low used a colleague to place a “. . . $5.5. million winning bid at Christie’s for a Vincent van Gogh pen-and-ink drawing from 1888 . . . . ” The title of the work was La Maison de Vincent à Arles (1888). Low used funds from Tanore to purchase the work. According to columnist Mia Lamar, just like Low’s use of 1MDB funds diverted to Tanore to buy art, Low’s use of a colleague to secure the painting was also part of Low’s purchase pattern because “ . . . he often went to great lengths to obscure his actual purchases . . . . ”

Using money traceable to Tanore, Low purchased the Monet painting Saint Georges-Majeur for $35 million in 2013. The very next year, Low again used funds traceable to Tanore, and ultimately 1MDB, to purchase Monet’s Nympheas avec Reflets de Hautes Herbes at Sotheby’s London for $57.5 million. In total, investigations into Low’s activities revealed that he tried to unlawfully obtain $137 million of art. Because Low is currently under investigation by the DOJ in connection with 1MDB and Prime Minister Razak, Christie’s has washed their hands of Low and no longer conducts business with him.

As the DOJ turned up the heat on Low, he began selling off his collection at deep discounts. According to ArtNet,  Low has sold nearly $205 million worth of art from his collection since January 2016.  The whereabouts of the works sought by the DOJ at one point were unknown, though Sotheby’s reported having two of the works as recently as June 7, 2016.

Around July 25, 2016, the works were found. Swiss authorities have not disclosed from whom the the van Gogh and two Monet works were confiscated. Forfeiture expert Attorney Stefan Cassella states that parties’ whose property is subject to civil forfeiture may assert an innocent owner defense. According to Attorney Cassella, “Property cannot be forfeited- even if the Government establishes its connection to a crime- if the owner of the property was unaware of the criminal activity or was a bona fide purchaser for value.”

While remains to be seen if those from whom these works were confiscated may assert a defense to reclaim them, it is apparent that these works were purchased in connection with misappropriation and money laundering crimes at the behest of Prime Minister Razak, in power since 2009, and coordinated by Jho Low with the assistance of Eric Tan. The fact that Razak and company appropriated  billions of dollars from 1MDB, purchased  fine artworks  using millions in misappropriated funds, and still could move them through the market even after the DOJ filed to seize them illustrates the need to reexamine how irregular financial transactions in the art market are addressed and monitored. Razak, who belongs to the Barisan Nasional party, remains in power, having been re-elected in 2013. The next elections general elections in Malaysia are coming up sometime before August 24, 2018.

Select Sources:

  • Forfeiture Complaint in US v. Certain Rights to and Interest in the Viceroy Hotel Group, 2:17-cv-04438 (C.D. CA. June 15, 2017) available here  https://www.justice.gov/opa/press-release/file/973671/download
  • Shannon Teoh, Najib Launches Labuan Booster Plan, The Straits Times.com (January 19, 2018) http://www.straitstimes.com/asia/se-asia/najib-launches-labuan-booster-plan.
  • Stanley Carvahlo, UAE Tycoon Qubaisi Named in Billion-Dollar U.S. Suits (July 21, 2016)
  • https://www.reuters.com/article/us-malaysia-scandal-emirates-qubaisi-new/uae-tycoon-qubaisi-named-in-billion-dollar-u-s-suits-idUSKCN10123K.
  • Tom Wright, Malaysia’s 1MDB Defaults on $1.75 Billion Bond, The Wall Street Journal (May 24, 2016)
  • https://www.marketwatch.com/story/malaysias-1mdb-defaults-on-175-billion-bond-2016-04-25.
  • Guelda Voien, Monets, Van Gogh Sized in Switzerland in Connection with Malaysia Fund Probe, Observer.com (July 26, 2016) http://observer.com/2016/07/monets-van-gogh-seized-in-switzerland-in-connection-with-malaysian-fund-probe/.
  • Bradley Hope and Tom Wright, U.S Links Malaysian Prime Minister to Millions Stolen from Development Fund, Wall Street Journal.com (July 21, 2016) http://www.wsj.com/articles/u-s-seeks-1-billion-in-asset-seizures-tied-to-malaysian-fund-1mdb-1469019540.
  • Mia Lamar, The Tiny Malaysian Island That Wants to Be a Tax Haven, Wall Street Journal.com, (June 2, 2016) http://www.wsj.com/articles/malaysian-island-works-offshore-niche-1464847210.
  • Stefan D. Cassella, Using the Forfeiture Laws to Protect Cultural Heritage, Asset Forfeiture Law, LLC.com (December 8, 2015) http://assetforfeiturelaw.us/wp-content/uploads/2015/12/Cultural-Property-Forfeiture-Article.pdf.
  • The Edge Malaysia, Who Is This Eric Tan Who Received $US 11.9M of SRC’s Money, TheEdgeMarkets.com (May 30, 2016)
  • http://www.theedgemarkets.com/article/who-eric-tan-who-received-us119m-srcs-money.
  • Clare Rewcastle-Brown, BSI’s “Biggest Customer” Is Now a ‘Person of Interest’- Singapore Case Confirms Jho Low Was the Man behind the Scam,  Sarawak Report (November 11, 2016)
  • http://www.sarawakreport.org/2016/11/bsis-biggest-customer-is-now-a-person-of-interest-singapore-case-confirms-jho-low-was-the-man-behind-the-scam/.
  • Clare Rewcastle-Brown, A Thief and Liar, Caught Red-Handed by the FBI-PM Najib Razak [“Malaysian Official Number 1”] is Unmasked, Sarawak Report (July 20, 2016)
  • http://www.sarawakreport.org/2016/07/caught-red-handed-by-the-fbi-pm-najib-razak-malaysian-official-number-1-is-fingered-by-the-doj/.
  • Clare Rewcastle-Brown, Forgery and Deception-1MDB’s Network of Money-Launderers Unravels, Sarawak Report (May 13, 2016)
  • http://www.sarawakreport.org/2016/05/forgery-and-deception-1mdbs-network-of-money-launderers-unravels/.
  • Reuters, Goldman Sachs Is under the Spotlight in Malaysian 1MDB Fund Scandal, Fortune.com (July 21, 2016)
  • http://fortune.com/2016/07/21/goldman-sachs-1mdb-fund-scandal/.
  • Jeevan Vasagar and Kara Scannell, US Probes 1MDB Links with $2.2Bn Energy Deal, FinancialTimes.com (June 13, 2017)
  • https://www.ft.com/content/092adfc6-500b-11e7-bfb8-997009366969.
  • Eileen Kinsella, Prosecutors Expose Jho Low’s Secret Schemes to Illicitly Acquire $137 Million in Art, Artnet News (July 20, 2016) https://news.artnet.com/art-world/documents-show-jho-low-tktkt-567875.
  • Eileen Kinsella, Troubled Malaysian Investor Jho Low Sells of Masterpieces amid International Investigation, Artnet News (May 20, 2016) https://www,google.com/amp/s/news.artnet.com/market/jho-low-sells-art-amid-international-investigation-501479/amp-page?client=safari.
  • Henri Neuendorf, Swiss Seize Paintings by van Gogh and Monet in Malaysia Corruption Case, artnet news ( July 25, 2016) https://www.google.com/amp/s/news.artnet.com/art-world/art-seized-malaysia-corruption-574268/amp-page.
  • David Honig, No Secrets about Money Laundering, Itsartlaw.com (July 17, 2016) https://itsartlaw.com/2016/07/17/no-secrets-about-money-laundering/.
  • Department of Justice Office of Public Affairs, U.S. Seeks to Recover Approximately $540 Million Obtained From Corruption Involving Malaysian Sovereign Wealth Fund, justice.gov (June 15, 2017) https://www.justice.gov/opa/pr/us-seeks-recover-approximately-540-million-obtained-corruption-involving-malaysian-sovereign.

About the Author:

Khamal is a 2018 intern at Saving Antiquities for Everyone and recently completed a fellowship with  the Lawyers’ Committee for Cultural Heritage Preservation.  He is a member of the Catholic University of America, Columbus School of Law class of 2014. This article is for educational purposes only and is not meant to provide legal advice. It expresses opinions of the author.

The article has been revised and abridged by the Center for Art Law editors.

Disclaimer: This article is for educational purposes only and is not meant to provide legal advice. Readers should not construe or rely on any comment or statement in this article as legal advice. For legal advice, readers should seek a consultation with an attorney.

Post navigation

Previous A Case for Law as an Artistic Medium
Next Bad Hobby: Collecting Unprovenanced Antiquities

Related Posts

Ecuadorean President Rafael Correa To Yale University: Return Artifacts to Peru!

October 29, 2010
TheFieldNexttotheOtherRoad

Case Review: Christie’s v. Jombihis

March 14, 2016
Winslow Homer, Two Ladies, 1880, 6 15/16 x 7 15/16 in, Metropolitan Museum of Art, New York, https://www.metmuseum.org/art/collection/search/11144.

The Case of the Ladies Who Lounge

August 15, 2024
Center for Art Law
Center for Art Law

Follow us on Instagram for the latest in Art Law!

The expansion of the use of collaborations between The expansion of the use of collaborations between artists and major consumer corporations brings along a myriad of IP legal considerations. What was once seen in advertisement initiatives  has developed into the creation of "art objects," something that lives within a consumer object while retaining some portion of an artists work. 

🔗 Read more about this interesting interplay in Natalie Kawam Yang's published article, including a discussion on how the LOEWE x Ghibli Museum fits into this context, using the link in our bio.
We can't wait for you to join us on February 4th! We can't wait for you to join us on February 4th!  Check out the full event description below:

Join the Center for Art Law for an in-person, full-day training aimed at preparing lawyers for working with art market participants and understanding their unique copyright law needs. The bootcamp will be led by veteran art law attorneys, Louise Carron, Barry Werbin, Carol J. Steinberg, Esq., Scott Sholder, Marc Misthal, specialists in copyright law. 

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to copyright law for art market clients. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in copyright law and its specificities as applied to works of visual arts, such as the fair use doctrine and the use of generative artificial intelligence tools.

🎟️ Grab tickets using the link in our bio!
Don't forget to grab tickets to our upcoming Collo Don't forget to grab tickets to our upcoming Colloquium, discussing the effectiveness of no strike designations in Syria, on February 2nd. Check out the full event description below:

No strike designations for cultural heritage are one mechanism by which countries seek to uphold the requirements of the 1954 Hague Convention. As such, they are designed to be key instruments in protecting the listed sites from war crimes. Yet not all countries maintain such inventories of their own whether due to a lack of resources, political views about what should be represented, or the risk of misuse and abuse. This often places the onus on other governments to create lists about cultures other than their own during conflicts. Thus, there may be different lists compiled by different governments in a conflict, creating an unclear legal landscape for determining potential war crimes and raising significant questions about the effectiveness of no strikes as a protection mechanism. 

Michelle Fabiani will discuss current research seeking to empirically evaluate the effectiveness of no strike designations as a protection mechanism against war crimes in Syria. Using data on cultural heritage attacks from the height of the Syrian Conflict (2014-2017) compiled from open sources, a no strike list completed in approximately 2012, and measures of underlying risk, this research asks whether the designations served as a protective factor or a risk factor for a given site and the surrounding area. Results and implications for holding countries accountable for war crimes against cultural heritage are discussed. 

🎟️ Grab tickets using the link in our bio!

#centerforartlaw #artlaw #culturalheritage #lawyer #legalreserach #artlawyer
Don't miss our up coming in-person, full-day train Don't miss our up coming in-person, full-day training aimed at preparing lawyers for working with art market participants and understanding their unique copyright law needs. The bootcamp will be led by veteran art law attorneys, Louise Carron, Barry Werbin, Carol J. Steinberg, Esq., Scott Sholder, Marc Misthal, specialists in copyright law. 

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to copyright law for art market clients. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in copyright law and its specificities as applied to works of visual arts, such as the fair use doctrine and the use of generative artificial intelligence tools.

🎟️ Grab tickets using the link in our bio! 

#centerforartlaw #artlaw #legal #research #lawyer #artlawyer #bootcamp #copyright #CLE #trainingprogram
In order to fund acquisitions of contemporary art, In order to fund acquisitions of contemporary art, The Phillips Collection sold seven works of art from their collection at auction in November. The decision to deaccession three works in particular have led to turmoil within the museum's governing body. The works at the center of the controversy include Georgia O'Keefe's "Large Dark Red Leaves on White" (1972) which sold for $8 million, Arthur Dove's "Rose and Locust Stump" (1943), and "Clowns et pony" an 1883 drawing by Georges Seurat. Together, the three works raised $13 million. Three board members have resigned, while members of the Phillips family have publicly expressed concerns over the auctions. 

Those opposing the sales point out that the works in question were collected by the museum's founders, Duncan and Marjorie Phillips. While museums often deaccession works that are considered reiterative or lesser in comparison to others by the same artist, the works by O'Keefe, Dove, and Seurat are considered highly valuable, original works among the artist's respective oeuvres. 

The museum's director, Jonathan P. Binstock, has defended the sales, arguing that the process was thorough and reflects the majority interests of the collection's stewards. He believes that acquiring contemporary works will help the museum to evolve. Ultimately, the controversy highlights the difficulties of maintaining institutional collections amid conflicting perspectives.

🔗 Click the link in our bio to read more.
Make sure to check out our newest episode if you h Make sure to check out our newest episode if you haven’t yet!

Paris and Andrea get the change to speak with Patty Gerstenblith about how the role international courts, limits of accountability, and if law play to protect history in times of war.

🎙️ Click the link in our bio to listen anywhere you get your podcasts!
Alexander Butyagin, a Russian archaeologist, was a Alexander Butyagin, a Russian archaeologist, was arrested by Polish authorities in Warsaw. on December 4th. Butyagin is wanted by Ukraine for allegedly conducting illegal excavations of Myrmekion, an ancient city in Crimea. Located in present-day Crimea, Myrmekion was an Ancient Greek colony dating to the sixth century, BCE. 

According to Ukrainian officials, between 2014 and 2019 Butyagin destroyed parts of the Myrmekion archaeological site while serving as head of Ancient Archaeology of the Northern Black Sea region at St. Petersburg's Hermitage Museum. The resulting damages are estimated at $4.7 million. Notably, Russia's foreign ministry has denounced the arrest, describing Poland's cooperation with Ukraine's extradition order as "legal tyranny." Russia invaded and annexed Crimea in 2014.

🔗 Read more by clicking the link in our bio

#centerforartlaw #artlaw #artcrime #artlooting #ukraine #crimea
Join us on February 18th to learn about the proven Join us on February 18th to learn about the provenance and restitution of the Cranach painting at the North Carolina Museum of Art.

A beloved Cranach painting at the North Carolina Museum of Art was accused of being looted by the Nazis. Professor Deborah Gerhardt will describe the issues at stake and the evidentiary trail that led to an unusual model for resolving the dispute.

Grab your tickets today using the link in our bio!

#centerforartlaw #artlaw #legal #legalresearch #museumissues #artwork
“In the depth of winter, I finally learned that wi “In the depth of winter, I finally learned that within me there lay an invincible summer."
~ Albert Camus, "Return to Tipasa" (1952) 

Camus is on our reading list but for now, stay close to the ground to avoid the deorbit burn from the 2026 news and know that we all contain invincible summer. 

The Center for Art Law's January 2026 Newsletter is here—catch up on the latest in art law and start the year informed.
https://itsartlaw.org/newsletters/january-newsletter-which-way-is-up/ 

#centerforartlaw #artlaw #lawyer #artlawyer #legalresearch #legal #art #law #newsletter #january
Major corporations increasingly rely on original c Major corporations increasingly rely on original creative work to train AI models, often claiming a fair use defense. However, many have flagged this interpretation of copyright law as illegitimate and exploitative of artists. In July, the Senate Judiciary Committee on Crime and Counterterrorism addressed these issues in a hearing on copyright law and AI training. 

Read our recent article by Katelyn Wang to learn more about the connection between AI training, copyright protections, and national security. 

🔗 Click the link in our bio to read more!
Join the Center for Art Law for an in-person, all- Join the Center for Art Law for an in-person, all-day  CLE program to train lawyers to work with visual artists and their unique copyright needs. The bootcamp will be led by veteran art law attorneys specializing in copyright law.

This Bootcamp provides participants -- attorneys, law students, law graduates and legal professionals -- with foundational legal knowledge related to copyright law for art market clients. Through a combination of instructional presentations and mock consultations, participants will gain a solid foundation in copyright law and its specificities as applied to works of visual arts, such as the fair use doctrine and the use of generative artificial intelligence tools. 

🎟️ Grab tickets using the link in our bio!
Our interns do the most. Check out a day in the li Our interns do the most. Check out a day in the life of Lauren Stein, a 2L at Wake Forest, as she crushes everything in her path. 

Want to help us foster more great minds? Donate to Center for Art Law.

🔗 Click the link below to donate today!

https://itsartlaw.org/donations/new-years-giving-tree/ 

#centerforartlaw #artlaw #legal #legalresearch #caselaw #lawyer #art #lawstudent #internships #artlawinternship
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law
 

Loading Comments...
 

You must be logged in to post a comment.