By Barbie Kim Philippe de Montebello is the Fiske Kimball Professor in the History and Culture of Museums at the Institute of Fine Arts, New...

By Barbie Kim This article investigates copyright's role in the afterlife of the photograph Tomoko and Mother in the Bath by American photojournalist W. Eugene...

By Jemima Gravatt  Fake Native American artwork is still a major problem, both on an economic basis for its impact on the Native American market...

By Madeline Halgren This year marks the 25th anniversary of the adoption of the Washington Principles at the Washington Conference on Holocaust-Era Assets. To put...

Atreya Mathur and the Center for Art Law Team Before the Interview: About Yayoi Kusama and collaborations with Louis Vuitton Yayoi Kusama, a Japanese artist,...

By Kelly Cannici  Forty-five years after the Fifth Circuit Court of Appeals decided United States v. McClain,[1] the case remains a towering presence in U.S....

Used with permission, University of Iowa Office of the State Archaeologist By Alexis Redshaw In 1971, Maria Pearson (Running Moccasins) would learn shocking information from...

Miriam “Molly” Dougenis is an award-winning figurative artist who has been working in watercolor since the early part of her art career. Molly’s artwork has...

By Christopher Zheng. Whether it is land stolen under coercive treaties or looted belongings displayed in museums, the United States’ relationship with Native American tribes...

By Talia Berniker and Sabrina Soffer. Few art law cases have made their way to the United States Supreme Court. Those that did get accepted...