The Public Domain and Immersive Art: How Copyright Law Impacts Interactive Art Experiences
By Laura Dowdy Introduction On December 31st, each year, new creative works enter the public domain. [1] This means that while some artists/creators lose the...
Differentiating 501(c)(3) Public Benefiting Art Museums from 501(c)(7) Social Clubs
By Yuha Jung, PhD This article compares the differences between 501(c)(3), community benefiting nonprofits, and 501(c)(7), social clubs, and applies them to discussing legal obligations...
Interview with Jennifer A. Kreder about the HEAR Act
EDUCATION Georgetown University Law Center, J.D., 1998University of Florida, B.A. with High Honors, 1994 SELECT PUBLICATIONS "Shanzhai Tensions in US-Chinese Cultural Heritage Diplomacy." Understanding Authenticity...
WYWH: “Arte Liberata” – An Exhibition to Investigate the Italian Struggle to Protect the Country’s Cultural Heritage during World War II *
By Livia Solaro [caption id="attachment_57509" align="alignnone" width="2000"] Frans Floris' "The Sin of Adam and Eve" (beginning of the XVII century). On the right, a photo...
The Torens’ Case to Recover Nazi-looted Family Art Collection & the Current Restitution Landscape
By Nikki Vafai David Friedmann (1857-1942) was a wealthy Jewish sugar industrialist and art collector in Breslau, Germany (now Wrocław, Poland), whose extensive art collection...
Safeguarding Traditional Knowledge and Traditional Cultural Expression Through Intellectual Property Systems
By Murphy Yanbing Chen Introduction Traditional Knowledge ("TK") and Traditional Cultural Expression ("TCE") bear a record of the collective memories of indigenous people. They are...
Drawn from New England: Artistic and Legal Legacy of Tasha Tudor
By Hanna Tudor[1] "I have this dream my daughter-in-law kills me for the money, She thinks I left them in the will, The family gathers...
Lensa & the Law: A Story of “Magic” or Theft?
By Atreya Mathur “By far, the greatest danger of Artificial Intelligence is that people conclude too early that they understand it.” —Eliezer Yudkowsky[1] Again and...
The New York Publicity Bill, Oh Boy: A Balanced Scale for the Entertainment Industry?
by Soleil Hawley Have you ever wondered about the legality of performances by hologram Elvis and hologram Michael Jackson? Or that AI-generated Anthony Bourdain voice-over?...
Case Review: The Prosecutor v. Ahmad Al Faqi Al Mahdi
By Daniela Baiardi Facts of the case are based on ICC court records.[1] For documents, news and recordings, visit HERE. [caption id="attachment_56667" align="aligncenter" width="688"] The...
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