About
Resources
Events
- Worldwide Calendar
- Our Events
  - All Events
  - Annual Conferences
Programs
Case Law Database

Log in
Become a Member
Donate

Log in
Become a Member
Donate

About
About
Resources
Resources
- Article Collection
- Podcast: Art in Brief
- AML and the Art Market
- AI and Art Authentication
- Newsletter
  Newsletter
- Art Law Library
- Movies
- Nazi-looted Art Restitution Database
- Global Network
  Global Network
- Additional resources
  Additional resources
  - The “Interview” Project
Events
Events
- Worldwide Calendar
- Our Events
  Our Events
  - All Events
  - Annual Conferences
    
    Annual Conferences
    
    2026 Art Law Conference
    
    2025 Art Law Conference
    
    2024 Art Law Conference
    
    2023 Art Law Conference
    
    2022 Art Law Conference
    
    2015 Art Law Conference
Programs
Programs
- Visual Artists’ Legal Clinics
  Visual Artists’ Legal Clinics
- Summer School
  Summer School
  - 2026
  - 2025
- Internship and Fellowship
- Judith Bresler Fellowship
Case Law Database

Search for:

Home Our PeopleOlha Wolanski

Back

Olha Wolanski

May 13, 2026

Olha Picture

Olha is a UI/UX Designer striving to enhance the quality of people’s lives by creating seamless user-centric experiences with digital products.

Post navigation

Previous Olena Iegorova

Related Art Law Articles

word image 78618 1

Collaboration in Cultural Heritage: Greater Questions of Digital Reconstructions

CfAL Marion Davies 1

Who Owns Hollywood’s Past?

Center for Art Law MET Opera Chagall

Creative Financing Ideas: A Potential Sale of the Met Opera’s Chagalls

AML Guide 2025

Explore our updated AML Survey with key insights on how evolving regulations impact the art market.

Download here

Follow us on Instagram for the latest in Art Law!

Recently some artist estates have loosened fair us

Recently some artist estates have loosened fair use policies for non-profits. The Robert Rauschenberg Foundation is one such example. In an effort to promote Rauschenberg's work over short-term revenue gain, it implemented one of the first fair use policies for certain museums before widening it to the public at large.

Artist engagement levels did increase, but the policy brought up other issues, including distinguishing non-profit from for-profit uses.

📚 Click the link in our bio to read more in our article by Josie Goettel!

#centerforartlaw #artlaw #artlawyer #legalresearch #art #artistissues #artistestates #museumissues #iplaw #copyright #ip

Meet our stellar line up of speakers! Thomas Stau

Meet our stellar line up of speakers!

Thomas Stauffer | Partner, Gerber & Stauffer Fine Arts; President, Swiss Art Trading Association @thomstauffer

Stefan Puttaert | CEO, Nicola Erni Collection @stefanputtaert @nicolaernicollection

Alana Kushnir | Founder & Principal, Aurelian Lawyers & Advisers @aurelianlawyersandadvisers

Will Korner | Head of Fairs, TEFAF @willkorner

Pascal Robert | Founder, Pascal Robert Gallery @pascalrobertgallery

Irina Tarsis | Founder, Center for Art Law, Moderator

▪️See you this Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

▪️Official part of @zurichartweekend programme

June! Roses are in bloom, summer interns have comp

June! Roses are in bloom, summer interns have completed two weeks of orientation and research, and the world is heating up. As we wrap up after the Summer School, with much gratitude to our faculty and students, and digest the Copyright Law Conference takeaways, we cannot wait for our panel discussion Art Markets & the World in Transition (what is not?!) during the Zurich Art Weekend (in town on June 13th? Join us!), and look forward to sharing new research and articles with you posthaste.

Make sure to subscribe to our newsletter to get all of these updates and more!

📚 Click the link in our bio to get a curated collection of art law news, our most recent published articles, upcoming events, and much more!!

#centerforartlaw #artlaw #artlawyer #lawyer #artissues #newsletter #june #legalresearch

In this episode of Art in Brief, Andrea and Paris

In this episode of Art in Brief, Andrea and Paris speak with Will Korner, founder and director of the Cultural Heritage At Risk Database Foundation (CHARD).

From conflict zones to disaster-stricken regions, Will discusses how documentation, collaboration, and technology can help safeguard the objects and stories that connect us to our shared past from illicit trade. He also explains how CHARD’s database can be used to cross-check whether stolen or missing cultural objects are appearing on the art market, including at auction, and what is at stake when these irreplaceable pieces of heritage are lost.

🎙️ Check out the podcast anywhere you get your podcasts using the link in our bio!

#centerforartlaw #artlaw #artlawyer #podcast #legal #research #legalresearch #newepisode #artmarket #culture #artcrime

Despite the passage of multiple anti-money launder

10 DAYS TO GO - MARK YOUR CALENDARS! Saturday, Ju

10 DAYS TO GO - MARK YOUR CALENDARS!

Saturday, June 13 | 11:30–13:00
Auditorium Willy G.S. Hirzel, Landesmuseum Zurich
Free & open to the public

With big gratitude to our sponsors, we look forward to welcoming you at the event!

📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hi

📍June 13, 11:30 - 13:00 | Auditorium Willy G.S. Hirzel, Landesmuseum Zurich

Free & open to the public

This June, as part of the official program of @zurichartweekend, we are bringing together some of the sharpest minds in the international art world for a candid conversation on what’s reshaping collecting today.

▪️Art Markets and the World in Transition: Frameworks Shaping Global Collecting

Geopolitics. Tariffs. AML regulation. Taxes. The rules of the art market are changing as fast as your news feed, and this panel is where experts unpack what that means for collectors, gallerists, and art lovers.

Speakers:

Will Korner (TEFAF) · Alana Kushnir (Aurelian Lawyers & Advisers) · Pascal Robert (Pascal Robert Gallery) · Stefan Puttaert (Nicola Erni Collection) · Thomas Stauffer (SATA) · Irina Tarsis, Esq. (Center for Art Law, moderator)

The event sponsors to be announced soon!

Link in bio to save your spot 🔗

#ZurichArtWeekend #ArtLaw #ArtMarket #Collecting #ZAW2026 LandesmuseumZürich CenterForArtLaw ArtAndLaw CrossBorderCollecting

Join the Center for Art Law for a conversation wit

Join the Center for Art Law for a conversation with Dr. Rubina Raja, Professor of Classical Archaeology and Art at Aarhus University, as she presents contemporary, collaborative approaches to combating the illicit trade in antiquities, with a particular focus on Palmyra (Tadmor), Syria.

Drawing on the historical relationship between collecting and looting, the discussion will highlight the Palmyrene Portrait Project, a corpus of over 4,000 funerary portraits from Palmyra compiled by Dr. Raja and her team since 2012. The project serves as a critical record of material that, in many cases, remained in situ prior to the outbreak of the Syrian Civil War.

Before its inception, this body of material had not been treated as a unified corpus, nor systematically digitized. Today, the project stands as both the largest corpus of individual Roman period portraits from a single urban context and an essential scholarly and practical tool for identifying objects from Palmyra as they emerge on the art market.

🎟️ Get tickets now using the link in bio!

#centerforartlaw #arlaw #artlawyer #legalresearch #culturalheritage #artcrime #antiquities

On October 6, 2025, the Flemish Government announc

On October 6, 2025, the Flemish Government announced plans to transform the Museum of Contemporary Art Antwerp (M HKA) into an art center — a change that would make the institution lose its legal museum status and transfer its collection to the Stedelijk Museum voor Actuele Kunst in Ghent. Losing this status will have huge legal, financial, and cultural repercussions for the M HKA.

This decision raised strong reactions from the art world, denouncing the false administrative logic behind this reorganization, which, according to the Flemish Minister of Culture, aims to strengthen collaboration and coherence within the cultural landscape. How does this transfer truly impact the Belgian artistic landscape — and does it really contribute to any coherence, or does it instead destroy the long-term curation and expertise that the institution has built in Antwerp?

📚 Click the link in our bio to read the full article by Alexandra Kharchenko.

https://itsartlaw.org/art-law/flemish-governments-plan-to-dismantle-m-hkas-collection-in-the-name-of-centralization-of-art/

#centerforartlaw #artlaw #legal #artlawyer #legalresearch #artcuration #MHKA #artcuration

Thank you to all of our sponsors for all of their

Thank you to all of our sponsors for all of their help in executing our 2026 Art Law Conference!!

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit

This is the final day to bid in our Annual Art Law

This is the final day to bid in our Annual Art Law Conference 2026 Silent Auction to support the Center's mission to advance artists’ rights and provide accessible legal resources to the artistic community. All proceeds go directly toward the Center’s programs, including our Summer Internship and ongoing educational initiatives.

Don't miss out on the amazing pieces and experiences up for grabs!

Biding will end May 27 at 5:30pm ET.

1st: Floragen 2.0.1 by Colleen Hoffenbacker
2nd: Jumping Frog by Vija Doks
3rd: Untiled no.11( Amy Hollywood) by Andre Pace

🖼️ Follow the link in our bio to begin bidding!

#centerforartlaw #artlaw #legalresearch #2026annualconference #2026 #auction #nonprofit

In 1935 Ernst Magnus was forced to sell "The Virgi

In 1935 Ernst Magnus was forced to sell "The Virgin and Child with Saint Anne" and other works in order to escape the Nazi regime. In 1941 the painting was sold to Hermann Göring and was then recovered by the Allies at the close of World War II. By the 1960s the painting was held by the Bayerische Staatsgemäldesammlungen.

Originally restitution was rejected, but under expanded guidelines the Museum chose to restitute the piece to Ernst Magnus' heirs. It is now set to be Auction by Sotheby's on June 2, 2026. The starting bid is listed at $28k and the estimated price between $40-60k.

🔗 Check out more about this work and it's provenance using the links in our bio!

#centerforartlaw #artlaw #artlawyer #lawyer #legalresearch #nazilootedart #artcrime #wwii #restitution

About the Center
Contact Us
Newsletter

Upcoming Events
Internship
Case Law Database

Log in
Become a Member
Donate

DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law