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Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Art, Money, and the Law: Sanctions & AML Enforcement in 2026
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Art, Money, and the Law: Sanctions & AML Enforcement in 2026

April 24, 2026

Center for Art law London April 24 final

This panel discussion focuses on the trends and tools available to help art market participants stay compliant with AML regulations, navigate expanding sanctions regimes, and contribute to a more robust and responsible art market.

Russia’s full-scale invasion of Ukraine, now in its fifth year, has exacted a grave toll on Ukrainian lives and cultural heritage, while fundamentally disrupting European commerce. In response, art market participants have adapted their practices, most have accepted, if not always embraced, the need to scrutinize the source of funds and the ultimate beneficiaries of their transactions. Yet there is a growing sense that parts of the trade are holding their breath, waiting to see when they might safely return to dealing with the oligarchs who continue to fund the Russian war machine.

That moment is not coming. The UK’s regulatory environment is tightening, not loosening. The Money Laundering Regulations are at a critical juncture: the National Crime Agency has issued repeated alerts putting art market participants on notice of their AML obligations, while HMRC and the NCA have moved from guidance to enforcement, imposing penalties and opening high-profile investigations targeting fiduciaries and art market participants alike. OFSI’s 2025 threat assessment of sanctions compliance in the art market, alongside the 2023 MLR changes and the UK government’s demonstrated willingness to prosecute, signals that the direction of supporting Ukraine and policing the art trade is unambiguous.

For art market participants operating in the UK, compliance is no longer a peripheral concern, it is a legal imperative. Regulators are watching, the consequences of non-compliance are increasingly criminal rather than merely administrative, and private-public partnerships offer the most credible path toward a more resilient and trustworthy market.

Meet our Speakers:

Raminta Dereskeviciute focuses her practice on product compliance and trade regulation (sanctions and export controls). Raminta counsels clients on the EU and the UK sanctions regimes and export controls, including in higher risk jurisdictions such as Russia and Iran. Her experience covers the review and design of compliance programs, including giving training to client teams on controlled goods, prohibited jurisdictions, persons and activities. Raminta assists companies in liaising with regulators when assessing whether their activities are in breach of EU or UK sanctions regimes, or whether authorisations / licenses from the national authorities are appropriate. Raminta has participated as a chair and speaker on sanctions related panels at the Cambridge International Symposium on Economic Crime.

Rakhi Talwar is a compliance specialist with over twenty years of experience. Having begun her career in dispute resolution, she moved into regulatory compliance at DLA Piper in London, advising banks and major corporations on compliance programmes and regulatory matters. She subsequently held senior in-house roles at American Express and at Christie’s, where she built and led the auction house’s global compliance function over seven years.

Now working independently, Rakhi partners with businesses in the art and luxury sectors to design compliance programmes that not only manage risk but actively strengthen reputation and create commercial opportunity.

Yuliia Hnat, Co-Founder and Ecosystem Projects and Development Director of the NGO “Museum of Contemporary Art” (MOCA NGO).

Yuliia leads the Art Sanct initiative at the intersection of culture, law, and sanctions. She co-curated Navigating the War as Artists in Ukraine: A Practical Resource and has contributed to programmes on post-war memory culture. Previously, she held senior positions at the Ukrainian Institute and the National Art Museum of Ukraine.

Daryna Pidhorna, Lawyer and Analyst, Daryna is an expert specializing in the protection and preservation of cultural heritage during armed conflicts, as well as in the development and implementation of the right to truth. She is a member of the Expert Network of the Crimea Platform. Daryna has experience working with law enforcement agencies, government institutions, and international partners, including ICOM, UNESCO, Council of Europe, and the ICC. She holds a master’s degree in International Law from Taras Shevchenko National University of Kyiv and is currently pursuing a degree in Memory Studies and Public History at the Kyiv School of Economics.

Timothy Kompanchenko, Co-Founder & CEO, Bernard (AI for art, collectibles & real estate). Tim is a New York-based technology leader specializing in collectibles, art, and technology, with deep roots in the fine art world through trade services. Heis specializing in blockchain-backed provenance and art market data, and previously served as CTO at Christie’s for five years.

Moderator: Irina Tarsis. Irina is an attorney and the Founding Director of the Center for Art Law, a nonprofit institution with offices in New York and Zurich dedicated to advancing legal education and scholarship at the intersection of art, law, and cultural heritage. She advises artists, collectors, galleries, and institutions on a broad range of art law matters, and has built an international network spanning institutions and private collectors, curators, and attorneys across the United States and Europe. She is a frequent speaker, moderator, and commentator on issues of art market regulation, cultural property, and compliance.

About The Raphael Lemkin Society

The Raphael Lemkin Society is a non-governmental organization that brings together lawyers, researchers, cultural leaders, and human rights advocates to work toward preventing and punishing the crime of genocide. It’s work is grounded in the ideas of Raphael Lemkin, the lawyer whose work laid the foundations of modern international human rights law. He coined the term “genocide” and was one of the authors of the 1948 United Nations Convention on the Prevention and Punishment of the Crime of Genocide. The Society’s mission is to unite around Raphael Lemkin’s ideas to prevent the crime of genocide and ensure its punishment, with Ukraine as the precedent.

About “Museum of Contemporary Art” (MOCA NGO)

MOCA NGO is a cultural manager and expert in cultural policy and institutional development, focusing on memory, identity, and the role of cultural institutions in war and post-war resilience. Since 2020, MOCA NGO has been developing the Ukrainian Museum of Contemporary Art (UMCA) as a networked museum institution across Ukraine.

Following Russia’s full-scale invasion of Ukraine in 2022, within international partnerships, MOCA NGO has expanded its work to address the role of art in national security and international diplomacy. This includes advancing legal and ethical standards in the global art market, developing tools to trace looted cultural heritage and art assets linked to sanctioned actors, and strengthening technological capacities of Ukrainian museums to safeguard cultural memory.

About Our Host: McDermott

A full-service City practice with global reach, McDermott Will & Schulte’s London office delivers integrated legal solutions across corporate, finance, disputes, and regulatory matters. Drawing on an extensive international network, the team serves multinational corporations, financial institutions, high-net-worth individuals, and government bodies across the UK and worldwide.

The firm is recognised by Chambers UK and The Legal 500.

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Thieves pulled off a speedy nighttime heist at the Thieves pulled off a speedy nighttime heist at the private Magnani-Rocca Foundation near Parma, Italy. In three minutes, pieces by Renoir, Cézanne, and Matisse were suddenly gone. Coming just months after a daytime theft at the Louvre, security experts warn that high-profile museum heists are on the rise. 

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📸: “Still Life With Cherries” by Paul Cézanne
July 2026, another month of, well, fill in the bla July 2026, another month of, well, fill in the blank.

Summer is for cherries, weddings, garden parties, catching up on reading and catching up with friends. And yet the worst of humanity keeps getting in the way of enjoying what the season brings. The heat so many of us feel right now, in the air, in the headlines, is at times unbearable and frankly unnecessary. Some of it comes from nature; too much of it is man-made.

It is so much harder to build, protect or preserve than to destroy. This month, we invite you to read the latest articles from the Center, including stories inspired by the 250th anniversary of the United States of America, meet our Summer Team, and stay tuned for upcoming events, including a colloquium with Konstantin Akinsha on Ukrainian art and cultural heritage under assault. Thank you, as always, for caring for and protecting art and cultural heritage. 

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Grüezi mitenand 👋 Center for Art Law Switzerland i Grüezi mitenand 👋 Center for Art Law Switzerland is introducing ART x LAW INTENSIVE!

Globalization is reshaping the art world, and with it comes a growing need for legal literacy across the market’s key players. Join us in the heart of Europe for a five-day deep dive into the legal frameworks shaping today’s art world.

Location: Zurich 
Hosting Partners: museums, law firms, galleries, universities, and artist studios
Dates: September 1–5, 2026

🎓 Taught by leading art law practitioners: transactional and litigation attorneys, art dealers, law professors and provenance researchers

Ideal for law and pre-law students, young attorneys, and art world professionals ready to build both knowledge and network.

Applications open between July 7 - 31, decisions on selected participants announced by August 10.

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This fibrous dress in the MET’s Costume Art exhibition rests at the heart of an attribution dispute between artist Anouska Samms and designer Yoav Hadari. In May, Samms alleged that the MET did not rightfully credit her for Corpus Nervina 0.0, which bears significant resemblance to a work, Hair Dress, that she and Hadari created using her proprietary human hair-based textile she developed in 2019. The MET had expressed interest in acquiring Hair Dress in 2025, but plans fell through—according to Samms’ lawyer Jon Sharples, Hadari decided to withdraw Hair Dress and submit two other independently-designed garments instead.

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Join the Center for Art Law at our Immigration Showcase, a free 30-minute webinar introducing the Center’s resources designed to support international visual artists navigating the U.S. immigration process.

Rakhel Milstein, Board Member at the Center and Founder of Milstein Law Group, will share brief remarks on recent immigration developments affecting artists, important policy considerations to keep in mind, and key issues for artists and creative professionals to watch. Atreya Mathur, Director of Legal Research at the Center, will introduce the Center’s upcoming Immigration Guide for Artists, available in July 2026. This comprehensive resource provides artists with an accessible overview of U.S. immigration pathways, including O-1 visas and other relevant options. The guide is designed to help artists better understand the immigration process, identify potential pathways, prepare more effectively, and recognize the importance of planning ahead when pursuing opportunities in the United States. Kameé Payton, the Center’s 2025-2026 Judith Bresler Fellow, will also share information about the Center’s Immigration Clinic, which provides artists with individualized support through one-on-one consultations to help them better understand their immigration options and access guidance tailored to their needs.

Join us to explore our resources and connect with the tools available to support artists navigating the U.S. immigration landscape. 

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Join us for an informative short lecture and pro b Join us for an informative short lecture and pro bono consultations to understand contracts with galleries and art dealers.

The Artist-Dealer Relationships Clinic helps artists and gallerists negotiate effective and mutually-beneficial contracts. By connecting artists and dealers to attorneys, this Clinic looks to forge meaningful relations and to provide a platform for artists and dealers to learn about the laws that govern their relationship, as well as have their questions addressed by experts in the field.

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Dylan Cosgrove is a rising undergraduate senior at the American University of Paris, pursuing a B.A. in Finance with minors in Art History and Economics. Drawing on experiences across fashion, law, and finance - alongside coursework at Sotheby's - her interests sit at the intersection of capital markets, legal frameworks, and cultural value. She has developed a particular interest in art finance and the mechanisms through which law shapes the movement and monetization of art, and looks forward to exploring these themes further as she advances her academic and professional career.

Natasha is an undergraduate student pursuing a BA in History of Art at The Courtauld Institute of Art, with a particular interest in Modern and Contemporary British art. She currently serves as Events Coordinator for The Courtauld’s Art Law Society. Her academic interests include intellectual property and copyright law, restitution, and the protection of architectural heritage. Since November 2025, she has also volunteered with the Centre’s Nazi-Looted Art Restitution Project, and looks forward to continuing her contribution to the project while also working across other areas of the center over the summer. 

Swipe through to learn more about this year's cohort and join us in welcoming them to the Center for Art Law! 👏
Say hello to the Center for Art Law's Summer 2026 Say hello to the Center for Art Law's Summer 2026 interns🗽

Victoria Cook is a second-year law student at Queen's University and a Philosophy graduate from St. Francis Xavier University whose background includes artist advocacy and arts administration. Her interests focus on cultural heritage and restitution, authentication, and copyright. 

@hannahegadway is a rising 2L at Harvard Law School and a Summer 2026 legal intern with the Center for Art Law. She graduated from Harvard College in 2025, where she majored in History & Literature. Hannah is interested in art law-related questions concerning museum provenance and the Internet. 

Ian Silverstein is a dual-degree candidate at Rutgers University, pursuing a J.D. at Rutgers Law School alongside a graduate degree in Cultural Heritage and Preservation Studies, with a certificate in Intellectual Property Law. He is a painter and visual artist and has conducted separate research on emotional and aesthetic responses to art. His museum research has been supported by the NEA, and he holds a certificate in Art as a Global Business from Sotheby's Institute of Art. Ian’s illustrations can be seen in the NYTimes shortlisted book by Andrew Shtulman, titled ‘Scienceblind: Why Our Intuitive Theories about the World Are So Often Wrong’. 

Eleanna Antonatou is an LLM candidate in Art, Business and Law at Queen Mary University of London and a Law LLB graduate from the University of Nottingham. Her experience spans vacation schemes at international law firms across London, Athens, and Geneva. Her interests centre on intellectual property, dispute resolution, and the regulation of cross-border art transactions. 

@rebecca.caitlin is a rising 2L J.D. candidate at New York University School of Law. She completed her undergraduate degree at Middlebury College, where she studied philosophy, English, & American literatures, writing a thesis on contemporary feminist poetry’s power to cultivate moral behaviors in readers. Rebecca is interested in the overlap of human rights and art law, and particularly in cultural heritage/cultural property law, repatriation and restitution of stolen or looted cultural objects, & museum law.
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