• About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      • The “Interview” Project
  • Events
    • Worldwide Calendar
    • Our Events
      • All Events
      • Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    • Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
  • Log in
  • Become a Member
  • Donate
Center for Art Law
  • About
    About
    • Mission
    • Team
    • Boards
    • Mentions & Testimonials
    • Institutional Recognition
    • Annual Reports
    • Current & Past Sponsors
    • Contact Us
  • Resources
    Resources
    • Article Collection
    • Podcast: Art in Brief
    • AML and the Art Market
    • AI and Art Authentication
    • Newsletter
      Newsletter
      • Subscribe
      • Archives
      • In Brief
    • Art Law Library
    • Movies
    • Nazi-looted Art Restitution Database
    • Global Network
      Global Network
      • Courses and Programs
      • Artists’ Assistance
      • Bar Associations
      • Legal Sources
      • Law Firms
      • Student Societies
      • Research Institutions
    • Additional resources
      Additional resources
      • The “Interview” Project
  • Events
    Events
    • Worldwide Calendar
    • Our Events
      Our Events
      • All Events
      • Annual Conferences
        Annual Conferences
        • 2026 Art Law Conference
        • 2025 Art Law Conference
        • 2024 Art Law Conference
        • 2023 Art Law Conference
        • 2022 Art Law Conference
        • 2015 Art Law Conference
  • Programs
    Programs
    • Visual Artists’ Legal Clinics
      Visual Artists’ Legal Clinics
      • Art & Copyright Law Clinic
      • Artist-Dealer Relationships Clinic
      • Artist Legacy and Estate Planning Clinic
      • Visual Artists’ Immigration Clinic
    • Summer School
      Summer School
      • 2026
      • 2025
    • Internship and Fellowship
    • Judith Bresler Fellowship
  • Case Law Database
Home image/svg+xml 2021 Timothée Giet Event image/svg+xml 2021 Timothée Giet Information & Compliance: Legal Issues for Galleries (w/ Tess Bonoli, Jana Farmer, Lawrence Shaw & Irina Tarsis)
Back

Information & Compliance: Legal Issues for Galleries (w/ Tess Bonoli, Jana Farmer, Lawrence Shaw & Irina Tarsis)

April 28, 2022

About the Event:

No Virtual CLE Credit will be given to those watching the YouTube recording of this event.

As the internet age grows around us, the world of art has also had to adapt and move into the digital plane. The purpose of this CLE program is to explore the legal obligations that art businesses in general and galleries, in particular, have in the increasingly digital world. From enhanced privacy obligations to knowing the sources of funds and identity of clients investing in art, from clear terms and conditions to copyright compliance, members of the art market will learn and review their obligations under federal and state laws to become and remain compliant with the ever-changing and increasingly regulated digital world.

MODERATOR:

  • Tess Bonoli, Esq., Morrison Cohen

SPEAKERS:

  • Jana Farmer, Esq., Wilson Elser
  • Lawrence Shaw, AAAtraq
  • Irina Tarsis, Esq., Artists Rights Society

CO-CHAIRS:

  • Jana Farmer, Esq., Wilson Elser
  • Minelli Manoukian, Esq., Center for Art Law

About the Moderators and Panelists:

Tess Bonoli is an Associate at Morrison Cohen LLP, where she focuses on intellectual property, technology, privacy, and data security matters. Tess’s clients range from entrepreneurs and startups to innovative and sophisticated companies across multiple industries including e-commerce, technology, fashion, energy, and investment services. She represents clients in matters concerning intellectual property rights and strategic licensing, art acquisitions, cryptocurrency and digital artwork, trademark prosecution, technology transactions, privacy compliance, data security considerations, and due diligence in each space. Tess is dedicated to facilitating her clients’ business development and creativity while minimizing risk and liability.

Jana Farmer is a partner at Wilson Elser and represents client interests in connection with design professional matters and architects’ copyright; intellectual property matters involving copyright, sale, and transfer of rights in artwork; protection of valuable creative assets; and general commercial disputes. In addition to handling cases before New York state courts, she defends clients in federal courts and in arbitrations and employs mediation to facilitate the cost-effective resolution of disputes. Jana also has experience conducting e-discovery and cross-border discovery in complex cases with large volumes of electronic evidence. Her clientele includes architects and engineers in design professional liability matters, participants in all stages of the creation and transfer of ownership in works of art, and business owners in other intellectual property and general business matters.

Lawrence Shaw is the founder of AAAtraq, a CIMS (Compliance Identification and Management System) geared toward protecting clients from ADA litigation. He has managed the Boeing/RR 777 EMCS, launched an ISP in 1999, and an early e-commerce platform in 2002. Lawrence was integral to EU Compliance (DP) regulation-drafting across five countries and is a consultant in automated regulatory compliance, risk management, and process methodology, representing both Deloitte & IBM. Lawrence has been involved in e-service delivery for Vodafone, eBay, Merck, and Oracle, including the World’s single-largest client privacy deployment. A key focus for Lawrence is on helping organizations understand the value of compliance automation in order to protect brand reputation.

Irina Tarsis, Esq. is an art historian and a commercial attorney specializing in art, cultural heritage, and nonprofit governance legal issues. Having founded the Center for Art Law, a New York-based nonprofit organization, she has worked with artists, their heirs as well as collectors and students in different arts-related fields, including art market issues, alternative dispute resolution, and property rights. She publishes and consults on a range of issues including due diligence, copyright infringement and fair use, artists’ rights, restitution, authenticity, and provenance research. She works with creators and curators to assist with legal protections, encourage economic growth and positive social impact. Currently, Irina serves on the faculty of the Fashion Institute of Technology and Sotheby’s Institute of Art. Previously, she has taught at Columbia University, Benjamin N. Cardozo School of Law as well as the European Shoah Legacy Institute. Her publications include: “Moral Rights and Droite de Suite,” The Art Law Review (Winter 2021 and Winter 2022), and “20th Century Shadows over the 21st Century Art Field: Title Disputes Arising From the Soviet Nationalization and Sales of Cultural Property” (Oct. 2016).

 

Read the handout here. 

 

Post navigation

Previous Safe Space: How Artists Interact with Museums (w/ Sriba Kwadjovie Quintana, Joel Ferree & Irina Tarsis)
Next Museums and Deaccessioning (w/ Jill Deupi, Katie Wilson-Milne & Irina Tarsis)

Related Art Law Articles

Artnet + Artsy AL Clipping
AL Clippings

Artsy and Artnet Merger: Corporate Law 101

August 11, 2026
FBI AL Clipping
AL Clippings

FBI Recovers 75 Paintings by Hanna “Kali” Weynerowska After 16-Year Search

July 31, 2026
Signs Article Sam Brady Myerov
Art lawWhitney Biennial

POPS Art! David L. Johnson’s “Rule” and the Legal Landscape of New York’s Privately Owned Public Spaces

July 31, 2026
Center for Art Law
August 2026 Summer Promo (2)

Get your leg up on art law

Just in time for 2026-2027

Become a member and access unlimited articles, our Case Law Database, event archives, and exclusive member pricing on all upcoming events.

Learn MORE
Immigration Guide for Artists 2026 Cover Page

Immigration Guide for Artists

Check out the 2026 overview of U.S. immigration pathways available to artists.

Learn MORE
Center for Art Law

Follow us on Instagram for the latest in Art Law!

For centuries, copying has been an integral part o For centuries, copying has been an integral part of Chinese artistic practice, blurring the line between homage and forgery. Many museums are at a loss for how to evaluate works that challenge Western notions of authenticity.

Through the ongoing debate over the MET’s Riverbank painting, our recent article examines how institutional interests and market value continue to shape perceptions of authenticity.

📚 Click the link in our bio to read the complete article by Lena Rohde!

#centerforartlaw #artlaw #chineseart #zhangdaqian #changdaichien #artforgery #authenticity #museumlaw #arthistory #provenance #artmarket
The rapid rise of digital reconstruction has trans The rapid rise of digital reconstruction has transformed how cultural heritage is documented and preserved, particularly in regions affected by conflict. As 3D models and digital archives become more common, they also raise questions about ownership and cultural self-determination.

In her article, Jacqueline Koutrodimos-Lewis examines the preservation of Syria's cultural heritage. More specifically, how digital reconstructions can both protect endangered sites and act as a tool for erasure when local communities are excluded from the process.

📚 Click the link in our bio to read the complete article by Jacqueline Koutrodimos-Lewis!

#centerforartlaw #artlaw #culturalheritage #digitalheritage #3Dreconstruction #provenance #archaeology #culturalproperty #digitization #palmyra #museumlaw
Recently our intern Hannah Gadway was able to go t Recently our intern Hannah Gadway was able to go to the Beaverbrook Art Gallery in New Brunswick. This gallery was included in a law suit between Lord Beaverbrook's Estate and a foundation he had established during his life. 

📚 See more about this case using the link in our bio!

#centerforartlaw #artlaw #artresearch #estates #artist #foundation #gallery
Two sculptures have finally returned to Santiago d Two sculptures have finally returned to Santiago de Compostela after seventy-two years.

Our recent article examines the Spanish Supreme Court's decision to return the Abraham and Isaac sculptures to Santiago de Compostela, and the pivotal role that object identification played in resolving the dispute.

📚 Click the link in our bio to read the complete article by Lucas Güimil Valdés!

#centerforartlaw #artlawyer #artlaw #culturalheritage #restitution #provenanceresearch #spain #culturalproperty
Our recent article revisits Professor Matthias Wel Our recent article revisits Professor Matthias Weller's presentation introducing Germany's new Court of Arbitration for Nazi-Looted Cultural Property. It explores how the new tribunal differs from the former Limbach Commission and what its procedures, jurisdiction, and binding decisions could mean for future restitution claims.

📚 Read the full article by Savannah Weiler and Amanda Buonaiuto at the link in our bio!

#centerforartlaw #artlawyer #artlaw #culturalproperty #nazilootedart #restitution #provenanceresearch #culturalheritage #alternativedisputeresolution
It’s August 🔥 Think Art Law. World Cap 2026 is ove It’s August 🔥 Think Art Law. World Cap 2026 is over. For us it will be remembered for Haaland Memes and $25 MILLION lawsuit filed by environmental artist Robert Wyland against FIFA for painting over the iconic 1999 downtown Dallas mural, Whaling Wall 82.* Summer Internships at the Center are winding down. Oh the places we have been together (from UN to MoMA across the US, Canada and the UK). The 2025-2026 Judith Bresler Fellowship is complete and how! and our new fellow is eager to hit the ground running.

As we move into the final stretch of summer, the reality sets in: little and big fires are everywhere and juggling so many balls or making sense of the everyday is getting increasingly impossible. But before we collapse into off-season, we want to thank you for being part of our community. Whether you were here in person, joining us online, or thinking about art and the law from afar, we can’t wait to see what you’ll create, challenge, and defend come fall. Our complements and heartfelt thanks to our Summer Team for everything they’ve accomplished over these months and invested in our future: for staying on track, for research and rigorous work on articles and databases, for genuine team building, and for pushing all of us to grow. And here’s what we’ve learned: when the real world gets too much, look at art. Play ball. Have a hydration break. These are necessities that keep us sane and running overtime. 

📚 Read the full newsletter and become a subscriber using the link in our bio!

#centerforartlaw #artlaw #legalresearch #legal artlawyer
What inspires a career in art and cultural propert What inspires a career in art and cultural property law?

In our latest interview, Professor Matthias Weller shares how his academic and professional journey led him to become one of the leading voices in the restitution field. He also discusses Germany's new Court of Arbitration for Nazi-Looted Cultural Property and what this landmark development could mean for the future of restitution.

📚 Read the full interview using the link in our bio! 

#centerforartlaw #artlaw #legalreserach #legal #art #lawyer #restitution #artcrime #arbitration #germany
ART × LAW INTENSIVE 2026 - the countdown begins! S ART × LAW INTENSIVE 2026 - the countdown begins!
See you in Zurich in September ✨

The response to our inaugural edition has exceeded all expectations, with applications received from around the world. Thank you to everyone who applied! We look forward to welcoming our first cohort of participants very soon.

Sessions will take place across some of Switzerland’s leading institutions, including ZHdK, the University of Zurich, Kunsthaus Zurich, Swiss Re, Homburger, and more. This year’s faculty will be announced in the upcoming posts. 

From copyright and AI to provenance, restitution, dispute resolution, and the future of collecting, the ART × LAW INTENSIVE 2026 brings together the people shaping the future of the art world. Excited! 

 
Photos: 1. “Zardoz” by Monster Chetwynd, the garden of Kunsthaus Zurich. 2. Tram stop of Museum Rietberg. 3. Picnic spot in Belvoirpark. 4. The roofs of Rämistrasse. 5. The drone view over Bellevueplatz.
Major changes to restitution law are underway on b Major changes to restitution law are underway on both sides of the Atlantic.

Recent developments in the United States and the United Kingdom could reshape how Nazi-looted art claims are resolved. Our latest article breaks down the proposed amendments to the U.S. HEAR Act, changes to the U.K.'s Charities Act, and why alternative dispute resolution is becoming an increasingly important part of the conversation.

📚 Read the full article by Marina Rastorfer at the link in our bio!

#centerforartlaw #artlawyer #artlaw #nazilootedart #restitution #provenanceresearch #culturalheritage #museumlaw
The Center for Art Law takes on the MoMA! Our te The Center for Art Law takes on the MoMA! 

Our team recently spent the day exploring one of New York City's iconic museums. Our highlights included the Marcel Duchamp retrospective (on view through August 22) and American Folk Art: Revisiting the Collection of Abby Aldrich Rockefeller (through August 9).

Experiencing art in person is an invaluable complement to our work in art law. Whether exploring questions of ownership, AI, preservation, museum policy, and much more, we believe engaging directly with art is an essential part of the conversation.

Be sure to visit MoMA's current exhibitions and outstanding permanent collection. Or spend some time at your local museum, gallery, or community arts event this summer! ☀️

#centerforartlaw #artlaw #MoMA
Facing financial challenges, the Metropolitan Oper Facing financial challenges, the Metropolitan Opera has proposed a potential sale of its Marc Chagall’s murals.

In her article, Halle O’Hern explores how cultural institutions are turning to creative financial strategies, including art-backed loans and shared ownership models. 

📚 Read the full article at the link in our bio! 

#ArtLaw #CulturalHeritage #ArtFinance #MuseumLaw #MarcChagall #MetOpera
In a world shaped by smartphones, metaglasses, and In a world shaped by smartphones, metaglasses, and AI, what should be considered acceptable when images can be captured and shared so widely?

In 2015, Martha and Matthew Foster sued photographer Arne Svenson, who had spent the previous year taking photographs of them inside their home through their windows, without their knowledge. The court ultimately ruled in the photographer’s favor, citing his right to artistic expression.

In this episode of Art in Brief, Andrea and Paris are joined by Cathy Kaplan—lawyer, professor, and chair of the boards of Yale art gallery and Aperture, as well as the Whitney photography committee—to discuss the questions this case raises about privacy, consent, artistic freedom, and commercial use. 

🎙️ Listen to the full episode using the link in our bio!!

#centerforartlaw #artlaw #legalresearch #privacylaw #artlawyer #lawyer #podcast #newepisode
  • About the Center
  • Contact Us
  • Newsletter
  • Upcoming Events
  • Internship
  • Case Law Database
  • Log in
  • Become a Member
  • Donate
DISCLAIMER

Center for Art Law is a New York State non-profit fully qualified under provision 501(c)(3)
of the Internal Revenue Code.

The Center does not provide legal representation. Information available on this website is
purely for educational purposes only and should not be construed as legal advice.

TERMS OF USE AND PRIVACY POLICY

Your use of the Site (as defined below) constitutes your consent to this Agreement. Please
read our Terms of Use and Privacy Policy carefully.

© 2026 Center for Art Law